January 2024 – A Brief History of the Bass Guitar

Prelude

WELCOME FAIR MUSIC‑MINDED PATRONS to the first CRAVE Guitars’ monthly article of the New Year. While we may be less than a full month into the year Two Thousand and Twenty Four of the Common Era, one hopes it is off to a good start despite global uncertainty (and insanity). Let us hope that those intent on geopolitical conflict come to their senses, unlikely as it may seem, rather than escalate tensions further. I don’t know about you but I don’t want to be part of the doomsday generation. Scary.

Bellum omnium contra omnes (the war of all against all)” – Thomas Hobbes (1588‑1679)

Getting back to the musical point, ask pretty much anyone with a slight interest in modern music culture, the question, “Who invented the first bass guitar?” and I’m sure a lot of people would say, “Leo Fender, of course”. Well yes… and no. In the world of vintage guitars, things are rarely quite as straightforward as one may at first think.

With the recent addition of CRAVE Basses to the CRAVE Guitars, Amps and Effects family, this month seems perfectly apt to take a quick look at how the electric bass guitar as we know it came into being and how it has become such an integral component of contemporary music.

Primarily as a guitarist, my dalliances with bass guitars up to now have, I admit, been spawned out of curiosity and exploration, rather than a serious preoccupation. Those dalliances, though, span well over four decades, so the bass encounter isn’t a single, short or recent ‘event’.

We do not start the story, as many might imagine in the 1950s. We’ll come back to that in a little while. Before we get there, though, we should go back quite a few years. Many, many years in fact, starting with the classical orchestral double bass, originating from the 15th Century or thereabouts. Then we’ll explore the modern‑day innovations starting in the 1920s and 1930s before the ‘big bang’ that really exploded in the 1950s and 1960s. Finally we’ll come up‑to‑date, with a look at the instruments, equipment, artists and sounds that have helped to shape the modern musical landscape. Finally, we’ll take a wee peak into the near future of bass instruments.


The fretless acoustic double bass

Before the solid body fretted electric bass guitar, popular music relied almost totally on the acoustic upright double bass for low frequency impact. The instrument’s origins date approximately to the 15th‑16th Century in Venice, Italy. Venetian musician, Silvestro Ganassi developed a ‘bass viola da gamba’ in 1542, widely regarded as the forerunner of today’s double bass. It wasn’t until around 1700, though, that the double bass became part of the opera orchestra. The double bass as we now know it is the largest and lowest‑pitched chordophone in the classical music orchestra.

As a quick recap, defined by the Hornbostel‑Sachs system of musical instrument classification, a chordophone is a musical instrument that makes sound from vibrating one or more taught strings by bowing, plucking or striking the strings. Examples of chordophone types include violins, guitars, and pianos respectively. The word chordophone stems from the Greek words for string (chordē) and sound (phonē).

For more on the historical origins of musical instrument classification (to provide a context for the development of the guitar), see CRAVE Guitars’ March 2018 article.

A Potted History of the Guitar Part I (The ancient world up to the early Renaissance):
March 2018 – A Potted History of the Guitar Part I (craveguitars.co.uk)

The traditional 4‑string double bass is usually played in one of two ways, either by rubbing the strings with a bow (arco) or by plucking the strings with fingers (pizzicato). Some modern double bass players, for instance in rock & roll and rockabilly, also use a distinctive ‘slap’ technique. This percussive sound derived from the ‘Bartók pizzicato’ (‘snap’ pizzicato) named after the Hungarian composer and pianist Béla Bartók.

Double Bass (courtesy of Roxanne Minnish)

Depending on the style of music, the double bass is also known by a number of other names, all of which refer to the same instrument. Some of these alternative monikers include bass, upright bass, string bass, acoustic bass, acoustic string bass, contrabass, contrabass viol, bass viol, bass violin, stand‑up bass, bull fiddle, doghouse bass and bass fiddle.

The traditional double bass is a large acoustic fretless instrument of the violin family that is played upright. The deep, resonant, woody tone of the double bass endows it with a very different sound when compared to the modern solid body fretted electric bass guitar. The tuning of the double bass is different from other members of the orchestral sting instruments, in that it is tuned in fourths (E‑A‑D‑G) rather than a violin’s fifths (G‑D‑A‑E). The double bass, then, is tuned the same as a modern bass guitar, an octave below the bottom four strings of a 6‑string guitar in standard tuning. This particular characteristic aided the bass’s transition from classical to modern day musical styles.

Originally, double basses were more likely to have three strings until four strings became commonplace by the 19th Century, by which time the standard format and construction of the double bass had become established. There are, however, 5 and 6 (or more) string variants and there are also various alternative tunings.

The double bass has been the mainstay of orchestral string sections and chamber music for several centuries in one form or another. It was predictable that, with the emergence and evolution of the major modern popular music genres, such as jazz, blues and country & western that the double bass would become the go‑to bass instrument, at least up until the 1960s when the solid body fretted electric bass guitar became predominant. However, the double bass hasn’t disappeared from contemporary music completely. Plenty of present‑day artists still use or revert back to the double bass for authenticity and/or effect.

The main drawback experienced by many players is that the double bass is a substantial piece of equipment. The full‑size double bass is almost 75 inches (190cm) tall, weighing in at c.20‑25lbs (9‑11½kg), without its hefty case. The scale length is set at around 42” (107cm), much longer than most modern bass guitars. Given these dimensions, the double bass is sizeable, cumbersome, unwieldy and plain heavy, making it far from the easiest of instruments to move around or play. There are smaller double basses including ¾, ½ and ¼ size, mainly aimed at younger players. Even so, the double bass not for the faint hearted, as the smallest ¼ size instrument is still over 61” (156cm) tall.

Another drawback is the double bass’s acoustic construction. Like the acoustic guitar, in the first half of the 20th Century, the acoustic double bass’s lack of volume made it hard to be heard in a jazz‑era big band mix unless there was some form of electrification through either a magnetic pickup or a microphone connected to an amplifier and, even then, acoustic instruments can be prone to feedback in high sound pressure level environments.

Traditional double basses are not only large but, because of their construction, they are also quite expensive, making them a major investment and therefore difficult for novices or younger players to access and learn.

Even so, despite its limitations, during the 20th Century the double bass became widely used in a diverse range of modern music genres, including jazz, blues, swing, rock & roll, rockabilly, country & western, bluegrass, folk, funk, reggae, metal, rock, pop, tango and visual media soundtracks.

Trivia: Believe it or not, there is an even larger bass, first built c.1850 by the French luthier Jean‑Baptiste Vuillaume (1798‑1875) in Paris. The octobass, as it is called, has three strings and is basically a larger version of the double bass tuned a further octave down. The octobass is a truly gargantuan beast, approximately 137” high (348cm).


The electric upright bass

To enable modern players to experience the spirit of the acoustic double bass in a more convenient and amplified form, there is the modern Electric Upright Bass (EUB), which is also played, as its name suggests, upright, like a traditional double bass.

EUBs allow for greater portability while retaining the playing style and general sound of its forebear. As the EUB doesn’t require the substantial acoustic resonating chamber of a double bass, they often feature a ‘skeleton’ body, making it much smaller, lighter and cheaper to produce. The minimal structure may have either a solid body or a small acoustic body.

A magnetic, piezo or condenser bass pickup provides the means to route the signal via a bass amplifier to loudspeakers. Like a double bass, the EUB’s strings can be bowed or plucked, although that is dependent on fingerboard and bridge radius. While evoking its acoustic origins, the structural and electric characteristics of the EUB endow it with a unique sound all of its own.

As the EUB’s construction isn’t bound by convention like its orchestral sibling, the flexible format allows for a range of scale lengths to be employed from around 30” (76cm), through 34” (86cm) like a long scale bass guitar to the full 42” (107cm) of a double bass, making it much more accessible to a range of players. Almost all EUB necks allow for a full two‑octave range and most but not all are fretless. Compared to the double bass or the electric bass guitar, the electric upright bass tends to be a modern, notable but relatively niche instrument. There are EUB models at all price points, making it easier for novices and experienced players alike.

The first production electric upright basses were developed independently in the mid‑1930s by Regal (Electrified Double Bass), Vega (Electric Bass Viol), Rickenbacker (Electro Bass‑Viol) and Audiovox (bull fiddle – see below). Gibson introduced their special order Electric Bass Guitar in 1938, which was still an upright fretless instrument with a hollow body and a magnetic pickup.

Manufacturers of electric upright basses include Framus, Ampeg, Warwick, Ibanez, Yamaha, Palatino, NS Design (Ned Steinberger), and Harley Benton.

Electric Upright Bass

The first solid‑body fretted electric bass guitar

As hinted at above, while Leo Fender was the major innovator associated with the solid‑body fretted electric bass guitar, he wasn’t the first. He was beaten to the starting post by at least some 15 years. Hardly a photo finish!

The first indication of the possible future of a bass guitar was in 1924 when the legendary Gibson designer, Lloyd Loar came up with a prototype electric bass. The Loar concept focused on the body, pickup and strings but with little additional detail. Loar’s radical design was rejected by Gibson management at the time. Loar left Gibson shortly thereafter in 1924, so his visionary ideas for an electric bass guitar went no further.

Nearly a decade later, around 1933, American musician and inventor Paul H. ‘Bud’ Tutmarc (1896‑1972), based in Seattle, Washington, began experimenting with reducing the size of the double bass to a more manageable instrument. Tutmarc originally devised an electrified fretless double bass‑style instrument described as an electric 4‑string upright ‘bull fiddle’, slightly smaller than a cello.

It’s worth a quick diversion to go back in time to take in an original report from the ‘Seattle Post‑Intelligencer’ newspaper, which published the story on 17 February 1935. The headline read, “Pity Him No More – New Type Bull Fiddle Devised.”

The article went on to state that, “People have always pitied the poor bass-fiddler… who has to lug his big bull-fiddle home through the dark streets after the theatre closes. But he doesn’t have to do it anymore. Because Paul Tutmarc, Seattle music teacher and KOMO radio artist, has invented an electric bull-fiddle. One you can carry under your arm. And it doesn’t even need a bow, either. You pluck a string – and out of the electric amplifier comes a rich, deep tone, sustained as if five or six bass violinists were bowing five or six bass‑violins with masterly artistry. The tone is sustained as long as you want it, too, without a bow.” The instrument described in the article was a cello‑like upright fretless instrument with an electromagnetic pickup.

Tutmarc was, however, about to do something far more radical. By 1935-1936, Tutmarc, had changed direction and developed the first solid body fretted electric bass guitar, pretty much recognisable in its modern form. It was this version of Tutmarc’s bass that was intended to be played horizontally, rather than upright, in a similar way to the modern bass guitar. The 1935 sales catalogue for Tutmarc’s company Audiovox featured his ‘Model 736 Bass Fiddle’, a solid‑bodied electric bass guitar with four strings, a fretted neck, with a 30½” (775mm) scale length, an ebony (or purpleheart) fingerboard with 16 frets, a black walnut body, a hidden single Tutmarc‑Stimpson horseshoe pickup below a mirror-steel faceplate, and a single volume control.

Tutmarc AudioVox Model 736

In addition, as an electric bass guitar would be pretty much useless without the means to amplify the sound, Audiovox also sold an accompanying ‘Model 936’ bass amplifier with 18 watts of power and a 12” Jensen Concert speaker.

Around 100 of the Model 736 Audiovox bass guitars were made in the mid‑1930s. However, there are only thought to be three Model 736 Tutmarc bass guitars still in existence today, making them remarkably rare. One belongs to the Experience Music Project (EMP), now known as The Museum of Pop Culture (MoPOP), a non‑profit enterprise founded by Microsoft co‑founder Paul Allen in 2000 and based in Seattle, Washington state, USA. In 2018, a 1936 Audiovox Model 736 bass guitar was reportedly sold by Tutmarc’s grandson on eBay for $23,850.

Sadly, for Tutmarc, the Audiovox 736 was not a commercial success. The price tag was high for the mid‑1930s, in a country still severely affected by The Great Depression (1929‑1939). The 736 bass fiddle originally cost $65 and the matching 936 bass amplifier cost $75, placing it well out of reach for many musicians. The high price and the radical concept didn’t attract enough musicians at the time and it wasn’t long before it was discontinued and was subsequently forlornly forgotten to history. Tutmarc’s company, Audiovox folded in 1950.

It can well be argued that Tutmarc was ahead of his time. Perhaps it is a case of supply looking for a demand that consumers didn’t know they needed. Maybe it was bad timing and/or bad luck. The Model 736 also arrived shortly before the outbreak of World War II when the guitar manufacturing industry was deemed ‘non‑essential’ and resources were diverted to the American war effort. Furthermore, a bass guitar didn’t seem to fit seamlessly into any of the prevailing musical styles at that time.

It is surprising, though, that such a significant innovation in guitar history isn’t more widely known about. Perhaps it is time, nay overdue, for Tutmarc’s milestone achievements to be deservedly recognised.

One company, Luthiery Laboratories, makes modern‑day replicas of the Audiovox 736, keeping the spirit of the original instrument alive.

Audiovox 736 Bass (1/4) ~ Luthiery Laboratories (luthierylabs.com)


The first commercially successful mass produced solid body fretted electric bass guitar

And so it was that the scene was set for someone else to step in and make the bass guitar ‘a thing’. That someone else was Clarence Leonidas Fender (1909‑1991). Unlike poor old Paul H. Tutmarc, you may just have heard of him.

“I wonder if I could make an electric bass” – Leo Fender (1909‑1991)

For more on the history and development of Fender guitars and musical equipment, see CRAVE Guitars’ August 2018 article for the context behind Fender solid body electric guitars.

A Potted History of the Guitar Part VI (1950s and 1960s):
August 2018 – A Potted History of the Guitar Part VI (craveguitars.co.uk)

Once the proverbial ball started rolling, the bass guitar had a phenomenal, transformative and relatively rapid impact on modern music that cannot be underestimated or understated. It is also very easy to take the electric bass guitar’s presence on stages, in studios and bedrooms all around the world for granted. Back in 1950, though, no‑one other than a select few in Fullerton, California had any idea of what was to come.

So… what are we actually talking about? The answer, after the lengthy preamble (apologies for keeping you on tenterhooks for so long), is the mighty Fender Precision Bass. Three little words. Game changing, era defining and well‑deserving of all the hyperbole attached to it over the past seven‑plus decades. So much has been written about the Precision that there is little need to dredge up the detail again, so what follows is a brief overview.

Leo Fender was working on a prototype back in 1950, bringing the world’s first commercially successful mass‑produced electric bass guitar to market in 1951. Fender designed the Precision Bass (often shortened these days to P‑Bass) to overcome the many drawbacks of the acoustic double bass alluded to earlier in this article. Even the name, Precision, referred to the fretted neck to enable musicians to play in tune far more precisely than on the double bass’s fretless neck. Conservative double bass players may well have looked at the Precision Bass in the same way that conservative guitarists looked at the Fender Telecaster, which had been introduced a year earlier in 1950. Consternation and indignation were probably natural initial reactions from the ‘old‑school’.

At its most basic, the Fender Precision Bass is a solid body, 4‑string bass guitar equipped with a single pickup and a one‑piece 20‑fret maple neck with rosewood or maple fingerboard. It all sounds so very straightforward and unremarkable nowadays doesn’t it?

The Precision Bass didn’t, however, appear fully formed. The original design of the Precision borrowed several design features from the Telecaster guitar, other than the double cutaway body. Initial models carried one single coil pickup, a slab body, large scratchplate and a Tele‑like headstock.

After Fender introduced the Stratocaster guitar in 1954, some of its design features were brought over to the Precision including a contoured body and a Strat‑like headstock. The original pickup was replaced with a single split coil hum cancelling staggered design and a sleeker redesigned scratchplate. It is this version of the Precision from 1957 that has stayed in production largely unchanged to the current day. There have been many, many variants with numerous changes in specification over the years, including a fretless version (ironically, given the origin and intention of the Precision’s name). 5‑string versions, 22‑fret necks, active electronics, multiple pickups, etc. followed.

The original pre‑1957 Precision design has been re-issued by Fender at times over the years, often called the Telecaster Bass to differentiate it from the post‑1957 Precision specification.

The popularity of the Fender Precision Bass grew significantly throughout the 1950s especially with rock & roll and country fraternities, as well as with session musicians. During the 1960s the solid body fretted electric bass guitar became dominant in most modern musical genres. During the early days, there wasn’t a great deal of choice in terms of alternatives to the Precision but that was to change later on.

1977 Fender Precision Fretless Bass

Fender capitalised on their supremacy by introducing the solid body fretted electric Fender Jazz Bass in 1960 (originally called the ‘Deluxe Model’). The svelte Fender Jazz Bass (often now shortened to J‑Bass) was designed to appeal to a different customer base. Like the offset bodied Fender Jazzmaster guitar, it was aimed squarely at the dyed‑in‑the‑wool jazz community. However, like the Jazzmaster, the Jazz Bass’s appeal spread far wider than jazz musicians. Like the Precision, the Jazz Bass has rightly become an iconic industry standard solid body electric bass guitar.

Throughout the years, both the Precision and Jazz Bass have featured sizeable chrome covers over the pickup and the bridge, despite these items limiting playing techniques such as palm muting the strings. As the covers are purely aesthetic, rather than functional components, it is fair to say that the vast majority of musicians removed these covers permanently.

Without doubt, the Fender Precision Bass and its younger sibling the Jazz Bass are icons of contemporary music and remain hugely popular today. Consumers can purchase genuine P‑Bass and J‑Bass models from the budget Fender‑owned offshore‑produced Squier brand, through Mexican and American‑made Fender models, to the high‑end Fender Custom Shop versions. Throughout the decades, the Precision and Jazz Bass models have oft been imitated and/or blatantly copied by other manufacturers, eager to cash in on Fender’s industry‑dominant status.

Understandably, over the years, the Precision and Jazz Bass have become highly collectable, especially the earliest models. The highest vintage market prices undoubtedly belong to the models from 1951 (Precision) and 1960 (Jazz Bass) to 1965, when Leo Fender sold his company to industry giant CBS. Fender equipment from this period is known as ‘pre‑CBS’.

For more information on the Fender Precision and Jazz Bass, just complete any Internet browser search and, alongside a great deal of drivel, there is a massive volume of fact and opinion available, often described in forensic detail.

1989 Fender Jazz Bass American Standard Longhorn

Evolution of the electric bass guitar

It is probably fair to say that, since 1951 and the introduction of the Fender Precision Bass, other brands were in the position of having to play catch up. In particular, Fender’s biggest competitor, Gibson, was wrong‑footed and they have never been able to compete on a level playing field. In 1953, Gibson released the EB‑1, which was a violin‑shaped solid mahogany body bass with a set neck. The EB‑1 didn’t catch on and was replaced by the semi‑acoustic ES‑335‑shaped EB‑2 in 1958, the SG‑shaped Gibson EB‑0 in 1959 and the EB‑3 (made famous by Jack Bruce of Cream) in 1961. While the semi‑acoustic EB‑2 proved popular, its Epiphone‑branded counterpart, the Epiphone Rivoli proved more successful. All these early Gibson basses used a shorter 30½” scale. In 1959, Gibson also released a hollow body EB‑6 6‑string bass.

Possibly Gibson’s best contender for an iconic bass guitar is the Gibson Thunderbird, originally introduced in 1963. The Thunderbird was based on Gibson’s Firebird guitar, designed by legendary American car designer Raymond Dietrich (1894‑1980). The Thunderbird was the first Gibson solid body bass to use the 34” scale made popular by Fender. Like the Firebird, the Thunderbird was redesigned in a simpler ‘non‑reverse’ form for 1966 and the original ‘reverse’ shape wasn’t reissued until the mid‑1970s. During the 1970s, Gibson also released the Ripper and Grabber basses but neither really captured bass players’ imaginations (or their precious dollars!). Later additions like the Gibson Triumph, Victory and RD basses didn’t fare much better as viable competition for Fender’s stalwarts. Epiphone have Thunderbird and EB basses in their line‑up alongside Epiphone‑specific basses such as the Newport and the Embassy.

Over at Danelectro in Neptune, New Jersey, Nathan Daniel launched the world’s first 6‑string bass, the UB‑2 in 1956 comprising a single cutaway semi‑hollow bass with a 30” scale, 24 frets and dual single coil pickups, earning its nickname the ‘Tic Tac bass’. In 1958, Danelectro replaced the UB‑2 with two new 6‑string bass models. The first was the Long Horn 4623 bass with a radical new lyre‑like design 24 frets, and a short 25” scale. The other was the Short Horn 3612 with stubby double cutaways, 29½”scale and only 15 frets. All Danelectro models substantially undercut the retail prices of both Fender and Gibson’s basses. The 6‑string models seemed to attract guitarists rather than bass players to their designs, providing a novel bridge between guitar and bass camps.

It should be noted at this point that older 6‑string basses are generally tuned an octave below a guitar in standard tuning, to E-E, while the baritone guitars that were appearing at the time were tuned either to B‑B or A‑A. On the other hand, modern 5‑string basses simply add a lower B string while modern 6‑string basses tend to add lower B and higher C strings compared to an equivalent 4‑string bass. Confused?

Meanwhile, back in the 1960s, Fender weren’t resting on their laurels. Following the popularity of the ‘student’ Mustang guitar, Fender introduced the short scale Mustang Bass in 1966. The Mustang Bass spawned two later variants, the Bronco Bass (introduced in 1967) and the Musicmaster Bass (introduced in 1971). Fender also released two esoteric ‘bass’ guitars, the Fender Bass V (introduced in 1965), which was the world’s first 5‑string bass guitar and the 6‑string Bass VI (introduced in 1961). The latter was strongly influenced by the Fender Jaguar guitar design. The Bass VI was Fender’s upmarket response to the Danelectro 6‑string bass introduced 5 years earlier. The Bass VI is unique in having 3 pickups, 6 lighter gauge strings, a short 30” scale, a floating bridge and a mechanical vibrato as used on the Jazzmaster/Jaguar guitars, as well as a removable string mute. To compete with the Gibson EB‑2 and Epiphone Rivoli thinline semi‑acoustic basses, Fender introduced the hollow Coronado Bass in 1966.

In addition, the ‘other’ Californian company, Rickenbacker, run by F.C. Hall at the time, also wasn’t going to be left on the side‑lines in the bass department. Rickenbacker had hired Roger Rossmeisl (1927‑1979) who designed the brand’s key guitars and the 4000 series basses. The Rickenbacker 4000 bass with its distinctive cresting wave body outline and thru‑neck construction was launched in 1957. Subsequent models were named 4001, 4002, 4003, 4004, all being variants of the same basic instrument. There isn’t enough space to go into the specification differences here.

Rickenbacker 4001

A decade after Leo Fender left the company that still carries his name today, Music Man was formed in California and released Leo Fender’s vision for the next evolution of his era defining bass guitars. The Music Man Stingray Bass was released in 1976 with a single large bridge humbucker, distinctive 3+1 headstock, innovative on‑board active electronics and an integral string mute. While Music Man’s guitars never caught on at the time, the Stingray Bass has joined Fender and Rickenbacker as an iconic design for many bass musicians. The Stingray Bass was especially popular for funk slap‑style bass technique for the likes of Louis Johnson of the Brothers Johnson.

1978 Music Man Stingray Bass

There are a few other notable basses, such as the German Höfner ‘violin bass’, the 500/1, made famous by Paul McCartney of The Beatles. This model, introduced in 1955, with its carved solid spruce top and humbucking pickups, is often nicknamed the ‘Beatle Bass’. Beyond the Beatles connection, though, the 500/1 remains a relatively minor entry in the bass stakes, while the company’s only other notable entry being the Höfner Club and Verythin basses.

Another oddity to mention at this point is the Swedish Hagström H8, unique for being the world’s first mass‑produced 8‑string bass, with four pairs of strings on a short 30” scale. The H8 was only produced briefly from 1967‑1969.

Throughout the 1960s, 1970s and 1980s a plethora of other companies jumped on the bandwagon, eager to make the most of the massive increase in demand as rock, pop and other genres proliferated. Many of the basses produced during this time were flagrant facsimiles of the best‑selling American brand models, often by Japanese companies (now termed ‘lawsuit‑era’ copies). Other companies like Warwick in Germany were making their own headway with their successful original‑design Thumb and Streamer basses.

Today (2024), Fender arguably still rules the roost with basses covering all bases (sic!) from budget to elite models. All other brands stand firmly in Fender’s enviable shadow. While Fender may dominate, there are now plenty of alternative options. There are some incredible bass guitars out there, some of which are listed later in this article for those that want to diverge from the predictable industry standard ‘Fender sound’. There are numerous ways to deviate from the common path, with different brands, string/pickup configurations, electronics, scale lengths, body construction, etc. The quality of budget instruments is vastly superior to anything available in the past and provides a strong basis (again, sic!) for players seeking to learn and develop their skills.


The acoustic bass guitar

While the solid body electric bass guitar finally took the world by storm from the 1950s and 1960s, the acoustic bass guitar has proved to be another modern, notable and niche instrument. The first (largely unsuccessful) attempts at acoustic bass guitars began to appear in the 1950s as a logical extension to its electric counterpart.

Historically, one of the earliest acoustic bass‑like instruments was the Mexican guitarrón, which has its roots in the 16th Century and is widely used in Mexican Mariachi bands. While looking similar to a guitar, these huge instruments were either 6‑string or 12‑string acoustic instruments, tuned in A‑D‑G‑C‑E‑A.

In 1972, Ernie Ball introduced the Earthwood acoustic bass guitar, stating that “…if there were electric bass guitars to go with electric guitars then you ought to have acoustic basses to go with acoustic guitars.” A simple yet ‘blindingly obvious’ observation, given the benefit of hindsight. Ernie Ball took a guitarrón, being the nearest thing to an existing acoustic bass guitar, and created a more practical instrument for guitar‑centric American consumers. The Earthwood was relatively short‑lived but the foundation of the acoustic bass guitar was established. American company Washburn took the concept and created more successful instruments that coincided neatly with MTV’s Unplugged concert series (1989‑1999). Interestingly, despite starting it all, Ernie Ball does not have an acoustic bass guitar available to buy at the time of writing.

Acoustic bass guitar construction is essentially similar to the steel‑strung flat top acoustic folk guitar, with a larger hollow wooden body and a longer scale neck. Most acoustic basses have four strings, tuned in the same way as an electric bass, E‑A‑D‑G, an octave below a standard guitar. The majority of acoustic basses have fretted fingerboards, although some are fretless.

Acoustic Bass Guitar

Like many modern day acoustic guitars, many acoustic bass models have pickups to enable them to be amplified for stage use or DI’d for recording purposes. Some instruments are thinline electric semi‑acoustic basses while others are full‑depth electro‑acoustic basses. These are designed primarily as acoustic basses with an on‑board pickup for additional amplification when needed.

Today, there are any number of acoustic bass guitars on the market for every level of player and every price point from many key manufacturers including, amongst others; Martin, Taylor, Guild, Fender, Takamine, Ovation, Tanglewood, Epiphone, Warwick, Epiphone, Washburn, Godin, ESP, Breedlove, Larivée, Framus, Hohner, Ozark, Dean, D’Angelico, Ibanez, Sigma, Alvarez and Cort.


Bass guitar amplification

In the early days of bass guitars, brands released bass amplifiers to accompany their instruments, often sold as a package (see Tutmarc’s Audiovox above, for example). Other brands like Rickenbacker did the same in the early days. The main difference between guitar amps and bass amps is that the latter are tuned specifically to reproduce bass frequencies accurately. A standard 4‑string bass guitar produces low frequencies in the range 41Hz to 100Hz with overtones extending up to 4‑5kHz (not dissimilar to an acoustic double bass in fact).

In terms of sound pressure levels, bass frequencies need more power to be heard by the human ear/brain at the same volume as higher frequencies, so bass amps tend to have higher power ratings than guitar amps. In the past, speakers for bass also tended to be larger with 12”, 15” or even 18” to shift the amount of air needed at lower frequencies. In contrast, guitar speakers tended to be 10”or 12”. Bass speaker cabinets, especially those with multiple speakers, normally had sealed or ported enclosures to increase volume. For all these reasons bass amplifiers and speaker cabinets tend to be different to their guitar equivalents.

Probably the most famous brand associated specifically for its bass amplification is the American company Ampeg, founded in 1946 and now under the ownership of Japanese giant, Yamaha. Ampeg started out attempting to amplify the acoustic double bass in 1949 by using a microphone/pickup in the instrument’s stand. The ‘Amplified Peg’ as it was called was then shortened to ‘Ampeg’ and the rest, as they say, is history. Their most famous range of amps was the 300W Ampeg SVT from 1969 and their bass combo amps, the B‑15 from 1960, as used by the likes of Motown session bass player James Jamerson.

It was no surprise that Fender, the leader in the world of bass guitars from the 1950s should also produce bass amps/cabs. Perhaps the most famous Fender bass amp was the Bassman from 1952 onwards, first introduced as a combo valve amp with a 15” speaker. The most desirable though, was the Dual Rectifier Bassman valve combo with 4×10” speakers. From 1960. Fender also released a ‘piggy back’ amp head and speaker cabinet design to cope with higher power levels and to provide flexibility. From 2000, Fender released a solid state version of the legendary Bassman amp. The original valve Bassman also became beloved by many guitar players for its tone, for instance by the late blues rock guitarist, Stevie Ray Vaughan (SRV).

Student bass players also needed a bass amp. So Fender introduced the Musicmaster Bass amplifier in 1970, as a companion to the Fender Musicmaster Bass guitar. The Musicmaster Bass combo amp was a very simple affair with one channel, 12W of power, volume and tone controls and a single 12″ Fender speaker. Like the Bassman, it has latterly been enjoying a bit of a revival as a budget vintage amp for guitarists. The Musicmaster Bass amp was discontinued in 1982 after the introduction of the Fender Studio Bass combo and Japanese Fender Sidekick Bass 30. Nowadays, the extensive Fender Rumble series has proved very popular with bass players.

Legendary British amplifier company Marshall was not going to be left behind. Marshall’s first 100‑watt bass head was the JTM 45/100 / JTM 45 Super 100 model. Another, also dating from the second half of the 1960s, is the JMP #1992 Super Bass 100 (100W) and JMP #1986 Bass (50W). Like the Fender Bassman, the Marshall Super Bass 100W also proved popular with guitarists. Bass players were also known to use the Marshall #1963 Super PA (50W) and Marshall #1968 Super PA (100W) amps.

Another legendary British amplifier company, VOX produced bass versions of its AC‑15 and AC‑30 combo amps. These were followed in 1963 by the VOX T‑60 and Foundation amps, the latter promoted by Bill Wyman of the Rolling Stones.

German acoustic amp company AER also produce a range of bass amps, particularly well‑suited to amplifying acoustic and electro‑acoustic bass guitars.

Bass guitarists turn out to be a little less conservative than their guitarist counterparts, especially when it comes to amplification and speaker cabinets. For instance there are plenty of modern‑day bass amps that use efficient solid state D‑class amplification (a type of amplifier that uses digital switching technology to amplify audio signals efficiently), with very high power ratings – 500W and 600W or more being not uncommon. Bass amps often also make wide use of sophisticated on‑board EQ. Speaker cabinet configurations also tend to be more versatile with reflex ports, horns, tweeters and combining multiple speaker types being common.

There are many other valve, solid state or hybrid bass amplifier manufacturers not mentioned above, including Trace Elliot, Ashdown Engineering, Mesa/Boogie, Peavey, Music Man, Hiwatt, Laney, Sound City, H/H, WEM, Hartke and Orange.


Bass guitar effects

Things have changed a great deal over the decades since 1951. In the early days of the solid body electric bass guitar, most players plugged straight into their amps without much in the way of tone augmentation.

By the 1970s and 1980s bass players had a paucity of effects specially designed for their instruments, so they generally adopted guitar effects with just a few bass‑specific pedals to choose from. Since the industry started to migrate to digital technology from the 1980s onwards, the major effect companies began to produce pedals designed primarily for use with bass guitars. Now, in the 2020s, there is plenty of choice with most of the big players in the effect industry now making bass‑specific effect pedals, including Electro‑Harmonix, MXR, BOSS, Ibanez, Fender, Laney and Ampeg.

In addition, from around the start of the new millennium, a number of manufacturers turned their ideas for integrated multi‑effect units into practical musicians’ tools that became popular for both guitar and bass, including BOSS, VOX, Zoom, Tech 21, Behringer and Valeton.

In 1998, Line 6 introduced a ground‑breaking innovation called the POD, which put many guitar effects, amps and cabinet emulations into a single portable unit. While the little red kidney shaped POD was initially directed at guitarists, the rack mounted Line 6 POD Pro models came in both guitar and bass versions. Since then, Line 6 and other manufacturers now combine guitar and bass amp/effect/cabinet emulations into a single unit. These units are constantly improving and are gradually replacing stage backlines with direct input (DI) into PAs/monitors, as well as into studio desks/DAWs. Along with the POD, Line 6, also now part of Yamaha, is still in the same business with their extensive Helix range.

Alternatives to the Line 6 POD and Helix units include the Axe-Fx III from Fractal Audio, which is a pro‑level amplification/effects processor suitable for both guitar and bass. Meanwhile, Kemper Amps took a slightly different route with their Profiler, which has all‑in‑one effects, amplifier and speaker cabinet profiles designed for both guitar and bass.

Just to finish off, there are numerous boutique effect pedal manufacturers that produce stomp boxes, often to very high degrees of quality, including brands such as Way Huge, TC Electronic, EarthQuaker Devices, Darkglass, Aguilar, Origin Effects, Free The Tone, Providence, Source Audio, Walrus Audio, ZVEX, Mooer Audio, Sansamp, Digitech, Eventide, Strymon, JHS, Keeley and Empress Effects.


Iconic (and other) bass guitars

The next sentence is likely to be highly provocative and intentionally so. While there are innumerable bass guitar models out there from 1951 to the current day, there are probably only four bass guitar models that can truly be called iconic (i.e. something that is widely considered to epitomize an era, culture, community or place). The four key instruments – none of which are based on guitar equivalents – that stand head and shoulders above the rest are:

Truly iconic bass guitars:
Fender Precision Bass (1951‑date)
Fender Jazz Bass (1960‑date)
Rickenbacker 4000 series (1957‑date)
Music Man Stingray Bass (1976‑date)

In addition, below are listed just a very few of the other great electric bass guitars manufactured from 1951 onwards. This is far from a comprehensive list and is intended only to be broadly indicative of the type.

Fender bass guitars:
Fender Bass V
Fender Bass VI
Fender Coronado Bass
Fender Mustang Bass
Fender Musicmaster Bass
Fender Performer
Fender Telecaster Bass
Squier Bronco Bass

Gibson bass guitars:
Gibson EB series
Gibson Thunderbird
Gibson Explorer Bass
Gibson Melody Maker Bass
Gibson Grabber/Ripper/G3
Gibson RD series
Gibson Triumph
Gibson Victory
Gibson 20/20 Bass

Epiphone bass guitars (not including Epiphone versions of Gibson basses):
Epiphone Embassy
Epiphone Newport
Epiphone Rivoli
Epiphone Viola

Other American brand bass guitars:
Alembic Series 1/2
Ampeg Dan Armstrong Lucite
Ampeg AEB-1
BC Rich Eagle
BC Rich Mockingbird
BC Rich Warlock
Danelectro Longhorn 4623
Danelectro Shorthorn 3612
G&L JB2
G&L L1000/L2000
Gretsch 6071/6072
Gretsch G2220 Junior Jet
Gretsch 5440 Electromatic
Guild B-301/B-302
Guild Starfire
Harmony H22
Harmony H27
Jackson JS
Kramer 450-B/650-B
Kramer DMZ
Lakland Skyline
Music Man Sabre
Music Man Sterling
National Val Pro Model 85
Ovation Magnum
Peavey T-40
Peavey Millennium/Milestone
PRS SE Kestrel/Kingfisher
Schecter Omen
Schecter Stilletto
Silvertone 1440 series
Steinberger Spirit XT
Steinberger Synapse
Supro Pocket
Travis Bean TB2000
Washburn Taurus

European bass guitars:
Burns Sonic
Hagström H8
Höfner Club
Höfner HCT-500/1
Höfner President
Hohner B2
Hohner The Jack
VOX Clubman
VOX Cougar
VOX Phantom 4
VOX Sidewinder
VOX VBW Teardrop Bass
Wal Mk1/Mk2
Warwick Thumb/Streamer/Infinity/Corvette
Warwick Rockbass

Japanese bass guitars:
Other than perhaps the Yamaha BB and TRBX series, and the Ibanez SR and TMB series, Japanese bass guitars do not have the same level of brand/model heritage when compared to those produced by American and European companies. There are, however, many Japanese basses produced by companies such as Ibanez, Tokai, Greco, Jedson, Westone, Teisco, ESP/LTD, Fernandes and Aria.

“Without the Fender bass, there’d be no rock n’ roll or no Motown. The electric guitar had been waiting ’round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.” – Quincy Jones (1933‑)


Famous bass players

Below are listed seventy of the world’s most famous and influential bass players – alive and departed – including upright double bass and electric solid body bass guitar players. There are, of course, many, many more but this is an indicative list for those interested in exploring some of the music created by these diverse musicians (in alphabetical order):

Aston ‘Family Man’ Barrett (Bob Marley & The Wailers)
Walter Becker (Steely Dan)
Andy Bell (Oasis)
Bill Black (Elvis Presley)
Jack Bruce (Cream)
Cliff Burton (Metallica)
Geezer Butler (Black Sabbath)
John Cale (Velvet Underground)
Stanley Clarke (Return To Forever, solo)
Adam Clayton (U2)
Bootsy Collins (James Brown, Parliament/Funkadelic)
Tim Commerford (Rage Against The Machine/Audioslave)
Billy Cox (Jimi Hendrix)
John Deacon (Queen)
Kim Deal (Pixies, Breeders)
Willie Dixon
Gail Ann Dorsey (David Bowie)
Bernard Edwards (Chic)
John Entwistle (The Who)
Flea (a.k.a. Michael Peter Balzary – Red Hot Chili Peppers)
Bruce Foxton (The Jam)
Simon Gallup (The Cure)
Roger Glover (Deep Purple)
Kim Gordon (Sonic Youth)
Larry Graham (Sly & The Family Stone)
Marshall Grant (Johnny Cash)
Steve Harris (Iron Maiden)
Dusty Hill (ZZ Top)
Peter Hook (Joy Division, New Order, The Light)
Glenn Hughes (Deep Purple)
Jah Wobble (a.k.a. John Joseph Wardle)
James Jamerson (session musician)
Louis Johnson (The Brothers Johnson)
John Paul Jones (Led Zeppelin)
Carol Kaye (session musician)
Lemmy Kilmister (Hawkwind, Motörhead)
Mark King (Level 42)
Alan Lancaster (Status Quo)
Geddy Lee (Rush)
Phil Lesh (Grateful Dead)
Tony Levin (Peter Gabriel)
Jenny Lee Lindberg (Warpaint)
Phil Lynott (Thin Lizzy)
Glen Matlock (Sex Pistols)
Paul McCartney (The Beatles, Wings, solo)
Duff McKagan (Guns N’ Roses)
John McVie (Fleetwood Mac)
Marcus Miller (Miles Davis, Herbie Hancock, George Benson)
Charles Mingus
Krist Novoselic (Nirvana)
Pino Palladino (session musician)
Jaco Pastorius (Weather Report)
Guy Pratt (Madonna, David Gilmour)
Suzi Quatro
Dee Dee Ramone (Ramones)
Noel Redding (Jimi Hendrix)
Mike Rutherford (Genesis)
Robbie Shakespeare (Sly & Robbie)
Billy Sheehan (Steve Vai, David Lee Roth)
Gene Simmons (KISS)
Nikki Sixx (a.k.a. Frank Carlton Serafino Feranna Jr. – Mötley Crüe)
Chris Squire (Yes)
Sting (a.k.a. Gordon Sumner – The Police)
Danny Thompson (John Martyn)
Thundercat (a.k.a. Stephen Lee Bruner)
Robert Trujillo (Metallica)
Sid Vicious (a.k.a. Simon John Ritchie – Sex Pistols)
Roger Waters (Pink Floyd)
Tina Weymouth (Talking Heads, Tom Tom Club)
Tal Wilkenfeld (Jeff Beck, Prince)
Bill Wyman (Rolling Stones, Bill Wyman’s Rhythm Kings)

“The gunk takes the funk” – James Jamerson (1936‑1983)


Bass in the (near) future

It is difficult for, and unfair of, me as a guitarist, to predict any sort of unified future for the bass guitar but I’ll give it a shot.

The traditional conservative brigade will still stick to tried and tested instruments and equipment. Musicians looking for something a bit different will probably want to experiment with the format, for instance number of strings, scale lengths, pickups and electronics. If anything there will be more radical and custom bass guitar designs from up‑market and boutique luthiers that diverge from the traditional archetype set by Fender over 70 years ago. Many additions to the form extend the flexibility of the core instrument, so it may be a case of further evolution, rather than revolution.

Bass amplification will continue to diverge from its simple valve origins and continue to embrace the digital realm, probably dispensing with backline amps/cabs altogether with signals being DI’d into desks/PA/monitors.

While bass players haven’t been particularly well served in the past for bass‑specific effect pedals, I anticipate that bass effects will achieve greater representation, including some out‑there effects not currently available to guitar players.

Bass guitar players have struggled to compete, with synthesisers dominating the world of modern electronica, dance and popular music. At least, for now (thankfully), the bass guitar remains essential to most guitar‑based music in a sort of symbiotic, co‑dependent relationship. As long as guitars keep going, so will bass, and vice versa. Bass players, being ever inventive individuals, will adapt and cultivate new ways to keep the instrument relevant, current and in the limelight for decades to come.

Technique‑wise, there will continue to be the traditional approaches towards walking bass lines, typically using the fundamental root/fifth styles that has been the general mainstay of modern music for decades. In contrast, there will be many more amazing virtuoso bass players who see the versatility and potential of the instrument in its own right.

So, other than tangible incremental progress around the margins, there is probably not a whole lot that will change profoundly in the near future. I may be wrong with that last sentence. In many ways, I hope so!

Interestingly, while the upright double bass continues to appear in modern music from time to time, the solid body fretted electric bass hasn’t really made any headway into the clique of conservative classical orchestral music, which still relies heavily on the traditional, some may say archaic, acoustic upright double bass.


Resources

Periodicals dedicated to bass guitar may be the best place to keep up‑to‑date with the technology and equipment associated with the instrument. Publications include Bass Musician Magazine, Bass Player Guitar Magazine, Bass Guitar Magazine, Bass Magazine, Bass Musician and Bass Gear Magazine.

Online resources include Music Radar, TalkBass.com, Basschat and No Treble. There are also many books on bass guitars and bass playing techniques, including the inevitable, ‘Bass Guitar For Dummies’.

As far as purchasing bass guitars, there are the large Internet sites, brick & mortar retailers and the usual online sites, Reverb.com and eBay. For vintage and rare bass guitars, there are outlets purely for basses including (in the UK) Andy Baxter Bass, The Bass Gallery, The Bass Centre, Vintage Bass Room and ClassicandcoolGuitars.


Some final thoughts

I certainly learnt a lot from researching and writing this article. At first sight, there may seem to be quite a bit of relevant information on the Internet. It is only when one starts to dig deeper and attempt to put something together that makes some form of sense that things rapidly become unclear. All of a sudden, much of the available information seems incomplete, contradictory, vague and/or outright erroneous. In the end, it comes down to evidence and corroboration but sorting the wheat from the chaff isn’t always easy. It seems that online information about vintage guitars is far more reliable than that about vintage basses. There are far too many poorly informed people who invent facts and present opinion as truth.

Despite my best attempts to piece things together, I may have fallen foul of the same issues raised above. However, I have tried very hard not to fill in gaps with assumptions and/or fiction. While I endeavour to be thorough and rigorous, my approach isn’t academic and I don’t have the time, funds or energy to provide the last word in scholarly fact. The contents herein should therefore probably not be relied upon too heavily. This article should, for that reason alone, be regarded as my best intention to balance fact with entertainment.

“Believe nothing, no matter where you read it, or who said it, unless it agrees with your own reason and your own common sense.” – Buddha (Siddhārtha Gautama – c.480‑400BCE)

This is just the sort of article that would benefit greatly from images to illustrate and break up the narrative. Sadly as a (broke) not‑for‑profit entity, I cannot afford the costly copyright/royalties charged for the use of relevant images, so I have had to rely on very limited free/public domain resources or my own photographs. I apologise for the thousands of words used to describe what images could do in none. Once again, no AI was used in the research and writing of this tome – only my own hard work.

NB. Apologies to anyone disappointed by the wait for a cheap, clichéd joke at the expense of ‘the bass player’! T’ain’t gonna happen here. Love ‘the bass player’.


CRAVE Guitars’ ‘Album of the Month’

Given that this month’s article focuses on the fascinating history of the bass guitar, it seems only fitting to select an album that demonstrates the virtuoso bass playing of one of the greatest bass guitarists of all time, Jaco Pastorius (1951‑1987) and his famous modified fretless Fender Jazz Bass.

Weather Report – Heavy Weather (1977) – The seventh and most commercially successful studio album by the American jazz fusion band. ‘Heavy Weather’ was the first album with Pastorius on full‑time bass duties. The smooth jazz funk production of the album, which was released at the peak of the punk rock movement in the US and UK, stood in stark contrast to the otherwise brutal sounds of the late 1970s. Given that it sold in huge numbers (and still does) is testament to the composition and musicianship on display. Initial sales were about 500,000 and total sales to‑date are over 1.06 million. Other Weather Report albums may be ‘better’ according to purists but this is the one I heard first and it has stuck with me over the years.

Weather Report – Heavy Weather (1977)

To me, this album hit me right between the eyes about what virtuoso bass playing can be like. There are many, many other artists and albums that could arguably take the acclaim, for instance Stanley Clarke’s successful solo album, ‘School Days’ (1976), but on this occasion, the late, great Jaco (& co.) takes the accolade, such as it is.

“I’m the greatest bass player in the world” – Jaco Pastorius (1951‑1987)


Tailpiece

Well, there you go. I think that most of us love a bit of decent low bass in our music. I hope y’all got something out of this fleeting exploration into the defining instruments, artists and music of the lower registers. I think the narrative works well as a complement to the launch of CRAVE Basses at the end of 2023, but that’s just my (obviously biased) opinion.

I hope you feel inclined to come back next month to see what’s currently fermenting in the CRAVE guitars’ secret brewery.

Truth, peace, love, and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Mundanity is the devourer of lost dreams”

© 2024 CRAVE Guitars – Love Vintage Guitars.

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November 2023 – Musical Machinations

Prelude

WELCOME ONCE MORE to CRAVE Guitars’ unhurried cruise through the planet’s turbulent waters this November 2023. While there has been much to protest about in the rapid disintegration of the prevailing ‘world order’ during the 2020s thus far, one has to grasp onto any positive prospects that may present themselves. Arising from the debris and carnage of grinding attrition, the poppies of opportunity are optimistic symbols for hope and prosperity, albeit fleeting. That’s basically all flowery language for carpe diem (from Roman lyric poet, Horace’s work, ‘Odes’ in 23 BCE – literal meaning ‘pluck the day’, commonly interpreted as ‘seize the day’).

“While we speak, envious time will have fled: seize the day, to the least extent possible trusting in the next one.” Quintus Horatius Flaccus (Horace, 65-8 BCE)

I recognise that there has been little in the way of exciting news on CRAVE Guitars core ‘business’ for many reasons outlined in the previous article (October 2023). It has been slow but it hasn’t been a total wipe‑out though and I’ll come back to that on another occasion. Here, I’m focussing purely on recorded music and principally a persistent quest to unearth something a little bit different.

Once again, no AI was used to research or write this article, only the author’s meagre cranial capacity and a bit of old school pre‑AI technology.


Context

The one upside of recent times has been an opportunity to embark on an intentional journey to explore off‑the‑beaten‑track modern music. As in physics, the musical micro‑universe is continuously expanding. The challenge is that the musical catalogue since the 1950s is absolutely massive and, with each passing day, becomes even bigger – far too much to begin with, let alone keep up with. While, on the basis that one’s knowledge is inherently extremely limited, it means that any adventure has plenty of scope for discovery, even if it is only vainly scratching the surface of the iceberg’s tip (there I go mixing metaphors again!).

“I know nothing except the fact of my ignorance.” Greek philosopher Socrates (c.470-399 BCE)

On this particular excursion into the unknown, music discovery means expanding the author’s knowledge and appreciation across many aspects of contemporary music. The exercise is about not only consolidating existing music but also about travelling lands un‑trod for new music, which may mean older music that is new to me as well as recently released music that is new to everyone.

Fortunately, 21st Century explorations are sedate experiences. No longer do we have to fear ‘hic sunt dracones’ in ‘Terra incognita’ (here be dragons in unknown land). Note: The former derives from the Hunt‑Lenox Globe (1504), the latter from Ptolemy’s Geography (c.150).

Over far too many years than I would care to contemplate, I have been buying and listening to music. Nothing unusual about that. For many reasons (space, funds, etc.), music was largely revolved around established genre preferences. Fair enough; isn’t that what it’s all about, buy what you like and don’t bother with everything else? However, such an exercise becomes largely self‑perpetuating and insular. This I was aware of and felt that there was much more to be revealed. Where to start?

During CRAVE Guitars’ 3‑year hiatus (see last month’s article, ‘Return to and from Obscurity’), I became fascinated by exposure to ‘new’ music, rather than the habitual repetitive listening to a small repertoire of familiar choons. This is no new epiphany. When much younger, I made a point of listening to BBC Radio 1 DJ John Peel (1939‑2004) and valued his nonconformist approach towards exciting new bands and their music, especially but not solely during the punk rock era. The late John Peel may not be familiar to readers outside the UK. It was because of John Peel that I bought my very first LP album – ‘Meddle’ by Pink Floyd (1971), after he debuted it in its entirety on his late night radio show.

While so many other things were getting in my way, I consciously elected to spread my musical wings again, mainly because it is something I had wanted to do and it was actually eminently do‑able, especially economically (at first!). I engaged in the hobby of ‘crate digging’ or simply ‘digging’ in the Internet age, i.e. searching anywhere for content, online suppliers and auction sites, charity shops, second hand record shops, brick‑and‑mortar retailers, etc. Buying used albums makes the exercise much more economic, fun and sustainable.

Record Store (credit: Cottonbro Studio)

“Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.” Chuck Berry (1926-2017)

Alternative sources include ‘recommendations’ from other music aficionados and using the Shazam app on a smart phone to identify something unfamiliar and interesting that pops up wherever one might be at the time.

One of the first steps was to identify what I had and where there were obvious gaps. I had already created a Microsoft Access database so that I could scrupulously catalogue the albums, EPs and singles in my possession. That soon ran into the application’s upper limit of 2 GB per database, so had to be split into multiple databases. Now that I readily know what I have (little), what I haven’t (massive). It also enabled me to log what I might want (a continuously growing ‘most wanted’ list). The systematic categorisation was reinforced by importing everything I had from source onto Apple iTunes. Between these two key resources, it became relatively straightforward to keep track of things. Then, it was on to, thankfully dragon‑free, pastures new.

My investigations are basically limited to modern contemporary music from the early‑mid 1950s – basically from the emergence of rock ‘n’ roll – to the current day. It also includes going back further into the history of some long‑standing top‑tier genres such as blues, country and jazz that were direct predecessors to, and influences on, everything from rock ‘n’ roll onwards, as well as continuing to evolve in their own right.

There have to be boundaries or I would go insane just collecting for collecting’s sake, which is not only unrealistic but also pointless. American rapper and entrepreneur Dr. Dre once stated that he accumulated 80,000 albums and kept them in storage, before realising just that basic error. I’m sure that somewhere out there is a comprehensive British Library‑esque collection of music releases over the last 100 or so years, catalogued for historical posterity. That would be one heck of a monumental task. My endeavours are, unsurprisingly, much, much more modest.

One has to enjoy, as well as feel that an avocation is worthwhile, or there is no worth in doing it. It is for this reason that I have to exclude classical music. For some reason, classical music leaves me stone cold dead. Always has done. I’ve tried repeatedly to get into it but to no avail. However, in contemporary music, there are styles of modern classical and minimalist music that blend, fuse or crossover into contemporary electronic sensibilities with classical instrumentation that I can grasp but I’m afraid that’s it. The likes of Max Richter, Tim Hecker, Philip Glass, Jóhann Jóhannsson, Walter/Wendy Carlos and Isao Tomita I can engage with, otherwise, meh. I genuinely apologise to classical music fans. I’m sure it’s fabulous n’all but it just doesn’t do anything for me and going down that particular rabbit hole is an experience I don’t want to pursue… so I won’t. My choice.

Here are just a few figures relevant to the 3‑year hiatus to bandy about. During that period, I’ve purchased circa 3,000 albums along with a (large) handful of EPs and the odd single. That equates to around 90 per month (averaging c.3‑ish per day). I dread to think of the gross expense but at least it is little and often, unlike buying vintage guitars. It’s also relatively quick and easy to do, filling those occasional idle moments. The last 3 years has basically doubled the hoard. The ‘most wanted’ (for want of a better term) list hovers around 1,500‑2,000 depending on timing and motivation. The ‘find out more’ about list of artists is, by comparison, relatively short at around 200‑250. The conclusion is that there is plenty of scope for improvement. Additions to the hoard cover about 100 genres with the largest proportions being mainstream ones.

I haven’t ventured into the realms of rare music collection – most albums I have been looking for are relatively available with patience and digging. Indeed, many have been from bargain bins. I can’t justify or afford two expensive artefact hobbies! Neither has this mission been to create any sort of ‘standout albums of the last 75 years’ or so. I don’t think anyone could possibly agree on what that might comprise.

Right, let’s get down to the business at hand; colouring in the sketch of the musical landscape, so to speak.

“Though this be madness, yet there is method in’t.”  From ‘Hamlet’ (c.1600) by English playwright William Shakespeare (1564‑1616)


Genre gap‑filling

Like most people, one has favourite genres, so‑so ones, and disliked ones. However, to rule music out just because it belongs to a hitherto underappreciated genre tends to limit one’s exposure to some highly regarded music. As an example, I was never very keen on country music. Then I watched an 8‑part documentary called, unsurprisingly, ‘Country Music’ which first aired on American TV channel PBS in 2019. I was struck by a whole bunch of music that I was completely unaware of and had summarily discounted out‑of‑hand because of what it was labelled. I was fascinated by the documentary and what it portrayed. PBS also produced another documentary series called ‘Jazz’ from 2001 that opened my eyes to what that genre also had to offer. Both PBS series were directed by Ken Burns. Actually, finding out more about the cultural history that surrounded the genres provided a context that enhanced the experience of the music greatly. This observation reinforces the (perhaps) blindingly obvious fact that societal change and musical development are both interdependent and co‑dependent. Having fired my imagination, I extrapolated the concept to other genres as well. Sometimes, ‘various artists’ genre compilations can provide a suitable entrée to a musical world less wandered.

Are there any contemporary genres that are considered out of bounds? On the whole, other than aforementioned classical, generally no. I am up for pretty much anything, while still retaining my core preferences, which include reggae/dub, IDM/EDM, ambient electronica, downtempo/chillout, dreampunk/vaporwave, indie, alternative, heavy metal, gothic, dream pop, drone, rap/hip‑hop, shoegaze, grunge, punk, garage, funk/disco, deep house, blues, rock and neo‑psychedelia. That’s a pretty broad spectrum.

My two recent articles on ‘Dub Reggae Revelation’ and ‘Adventures in Ambient’ (August and September 2023 respectively) I think adequately demonstrate the potential of genre gap‑filling. That was just breaking down two genres.

One ‘genre’ that sits outside the normal categories is the Original Soundtrack (OST). Film and TV soundtracks tend to fall into two types, one camp compiles existing music brought together to accompany what happens on screen, while the other camp employs music composed (scored) specifically for the medium. Both camps can be helpful when discovering new music.

“I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection.” Quentin Tarantino (1963‑)

There are only so many genres (my database lists over 140 of them!) but when you consider the bewildering multiplicity of sub‑genres and micro‑genres within the umbrella of, say, heavy metal, dance or electronica, there seems no end to what can be achieved. One great thing about music is that there is always something out there somewhere to match one’s prevailing mood. Genre gap‑filling actively opens doorways into finding a whole raft of ‘new’ artists, and the next task of filling in some of the blanks was added to the ‘to‑do’ list. One simple example was a brief dalliance with Cajun and zydeco music. These originated from the 20th Century intermixing of French Canadian Acadian immigrants, native American peoples, African slaves, and freemen in Louisiana in the deep south of the USA. Fascinating. And, thus, the search goes on.


Artist gap‑filling

There were, as you might expect, quite a few artists already covered, while there were many more that I knew about or was curious enough about to complement existing artists with ones that I hadn’t previously coveted. Some of these artists work could best be exposed by buying ‘best of’ or compilation albums, especially when I wasn’t prepared to go all out and get multiple original albums. This worked well for some artists that I wasn’t overly keen on. The relative randomness of the ‘digging’ process led to many new artist discoveries, simply through browsing and taking a gamble on something that looked intriguing. ‘Digging’ is easier in brick‑and‑mortar shops than online. Although the latter works, it is definitely much less enjoyable. We need to support our mainstream and independent record shops or they will be lost forever (as in the case of Virgin Megastores, Tower Records and many others). We almost lost the HMV chain in the UK, which would have been disastrous for high street music retail. Artist gap‑filling is a never ending expedition with untold treasures to be uncovered beyond the famous big names. Along with the household headliners, there is a multitude of lesser and unknown artists producing some fantastic music. An open mind unlocks entire vistas begging to be perused.

I soon realised that my personal favourite artists are actually few and far between, many of which have had long, consistent careers. During any artist’s long‑term output, there would inevitably be good, average and poor albums. Picking out the wheat from the chaff became an integral part of my newfound preoccupation.

Surprisingly, there are some very famous artists that simply do not resonate with me, including (believe it or not) respected giants like The Beatles and The Who. Yup. Heretical I know. I have tried over and over to get into them but without success.

There are many lesser known artists that I really like at the moment and only time will tell whether they create any sort of lasting legacy. I came across many great artists that I hadn’t even heard of, many with surprisingly extensive back catalogues. They are all out there, just waiting to be found. I realised that artist gap‑filling was the simplest way to stretch one’s listening goal posts. And, thus, the search goes on.

“For me, to turn people on to new music, on to things that are going on in the world, is important.” Nikki Sixx of Mötley Crüe (1958‑)


Release gap-filling

One logical method was to fill obvious gaps in some of the existing artists’ back catalogues or the solo careers by members of established bands. I would have some releases but not others, generally through an essentially arbitrary process, rather than any sort of systematic approach. Some additions were credible releases, while with others, there turned out to be an obvious reason why they weren’t there in the first place. Oops. Other avenues to explore in addition to studio albums include live albums, EPs, singles, compilations, dubs, remixes and various artist DJ mixes. This process wasn’t intended to be comprehensive – some releases simply weren’t/aren’t available, some have been long discontinued while others were obviously a waste of space anyway. Some albums were originally on limited release and have subsequently become rare and valuable. I know that there are plenty of collectors out there prepared to pay vast sums for some of these one‑offs. I’m not in that game and can’t afford to be. There are still plenty of missing pieces but broadly speaking the main bases have (possibly) been covered.

It would be all too easy to fall into the trap of ‘completism’, i.e. getting absolutely everything released by an artist. Given how prolific some artists are, completism would be a venture all unto itself. Frank Zappa has released over 50 studio albums, Brian Eno over 65, Johnny Cash over 75, Lee Perry over 80, Tangerine Dream over 100, and Willie Nelson over 130, not including live albums, EPs, singles, compilations, videos and bootlegs. From now on, release gap‑filling will be a case of diminishing returns, as the gaps decrease along with the overall quality of content.

One notable trend during the coronavirus pandemic was a proliferation of live music releases. Artists couldn’t get out on tour and many couldn’t access recording studios, so record labels scoured existing unreleased resources as a pragmatic stop gap during the lockdowns. Some of these live concert recordings are OK and many would normally be regarded as superfluous under ordinary circumstances. However, when needs must. One silver lining to arise out of the so‑called ‘Chinese Virus’ plague has been the rate and quality of subsequent studio releases once the ‘new normal’ was established. And, thus, the search goes on.

“I look forward to the future – and going into the studio to make new music.” Diana Ross (1944‑)


Record label gap‑filling

Some collectors also go for label gap‑filling but that’s a step too far for me, although there are some great independent labels worth giving a shout out to, such as Ninja Tune, Italians Do It Better, PIAS, Sub‑Pop, XL‑Recording, Jamaican Recordings, 4AD, Bella Union, Pressure Sounds, On‑U Sound, Ariwa Sounds and Hyperdub Records. Beyond the major corporations, there are thousands of record labels out there, so chasing artists and releases starting with a record label is neither quick nor easy. If it wasn’t for the small independent labels, though, we would be subject to commercially driven mainstream mediocrity. However, the method of looking at artists belonging to a certain label can prove promising for finding ‘new’ artists, which can then lead directly onto gap‑filling of their previous works.

“John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.” Jimmy Page (1944‑)


Musical discovery

There is much to be said for and against ‘taking a punt’ on something with which one is unfamiliar. Sometimes it works, sometimes it doesn’t but there is always some sense of eager anticipation involved in lucky dips. This intentionally random exercise can lead onto other artists, and so on, basically ad infinitum. Due to the finite number of listening hours in any given day, week, month, year, this means that some music can only be listened to once or twice, while others warrant repeated auditions. Buying one‑off listens is not really very productive but it happens. One day, they can be re‑used by going to someone who might appreciate them more than I do. Often, genuine appreciation or enjoyment can only be gained by listening multiple times, especially with more experimental, leftfield or avant‑garde music.

“What motivates us is always new music.” Nuno Bettencourt (1966‑)

While physical media has been a main source of content for at least the last 40 years, this is rapidly changing. According to Spotify in 2021, over 60,000 tracks are uploaded to their platform every day. One, perhaps, might wonder about the depth of quality behind such figures. I know I do but then again, I’m a sceptic. There is no shortage of music to discover and no hope of listening to even a tiny fraction of it all. Spotify is also the platform that boasts the most effective method of curated music discovery. Even so, there is still a lot of inherent chance to finding something that will stay with you over the years. One might think that genuinely new discoveries would be infrequent, especially as time goes on. Far from it in practice.

Just one example, I recently came across late Canadian composer, Mort Garson (1924‑2008), renowned for his album, ‘Mother Earth’s Plantasia’ (1976), tag lined, ‘warm earth music for plants… and the people who love them’. When looking more into him and his music, I felt that, somehow, I should have been more aware of him before now. There is plenty of info on him on the hinterwebby thingummy but our meandering paths had not crossed before now. This sort of experience, which many readers who are familiar with Garson will probably snicker at my evident naivety. Such experiences are annoyingly common.

“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.” Mark Knopfler (1949‑)

So, after all that preparatory exposition, you might well be wondering, just who the heck has been ‘discovered’? Here are just a few artists that I came across during the last 3 years. Some of which readers may know, some not. I might, though, challenge anyone to tick them all off so as to expose, pour scorn and ridicule my raw ignorance for what it is, sheer witlessness. Time to position the currency where my oral cavity is (lol!). The following list covers any genre and is in alphabetical‑ish order (Note: These are indicative only and should not be regarded as recommendations)…

*Shels, 100 Gecs, 2814, 9 Lazy 9, A.M.P. Studio, A Winged Victory for the Sullen, Agnes Obel, AK/DK, Aggrolites, The Airborne Toxic Event, The Album Leaf, Arms And Sleepers, Atoms For Peace, Autechre, Be, Benis Cletin, Bent, Big Thief, Blue In Tokio, The Burning Of Rome, Burnt Friedman, Cave In, Chezidek, Clark, Cloud Control, Craven Faults, Creation Rebel, Deadbeat, Deptford Goth, Desire, Devics, Dirty Loops, Divination, Dubkasm, Dynamic Syncopation, Ekoplekz, Ethel Cain, Fink, Flanger, Fragile State, Gallows, George Faith, Girls In Synthesis, Glass Candy, Goblin Cock, Helium, Hint, How To Dress Well, Hybrid, I. Benjahman, The Irresistible Force, Ital Tek, King Creosote, Konx‑Om‑Pax, Labradford, Laurel Halo, Lemonade, Lindsheaven Virtual Plaza, Loop Guru, LoveTrio, Machinedrum, Male Bonding, Man With No Name, Martyn, Midnight Juggernauts, My Sleeping Karma, ott, Plastikman, PreCog, Pretty Girls Make Graves, Psychonauts, Pure Bathing Culture, Purity Ring, The Qemists, Rakoon, Red House Painters, Rhombus, RJD2, Romare, Scrapper Blackwell, SkyTwoHigh, Sleep Token, The Slew, Sentre, Some Girls, Sparklehorse, StarOfAsh, Steve Roach, Suckle, Sunda Arc, Sundara Karma, Sunmonx, Swayzak, Symmetry, The Syncope Threshold, T e l e p a t h, Temu, Trembling Blue Stars, The Vacant Lots, Vessels, Wooden Shjips, Yellowcard and Yppah.

… plus many, many, many more. Phew! Some amazing, some good, some interesting, a few less so, etc. One may wonder how many of these artists – regardless of how ‘good’ they are – may attain the superstar status of, say, another Rolling Stones or The Beatles from the ‘good old days’. Not many, I’ll wager. And, thus, the search goes on.

“The times, they are a‑changin’” Bob Dylan (1941‑).

Live Music

Physical media

From the beginning of recording and playback in 1877 (although there were earlier experiments dating back to 1857), with Thomas Edison’s phonogram, first through wax cylinders and then shellac discs, followed by vinyl discs with the advent of the gramophone, people have been collecting music. For decades, vinyl was really the only practical medium for collectors. Collecting became more popular by the late 1970s with magazines dedicated to the hobby and suggesting values for some rarer releases. Magnetic recording technology added to, rather than replaced, vinyl and became popular with reel‑to‑reel, eight track (remember that?) and audio cassettes.

Portable music was made possible for the masses by the Sony Walkman (TPS‑L2), introduced in 1979, using the then‑ubiquitous analogue compact cassette. Perhaps the most significant portent for the demise of physical media was the introduction of the Apple iPod way back in 2001, sadly now no longer made, which led into the convenient access to music on the go, now with today’s smart phones.

Digital music, mainly through the introduction of digital music Compact Discs (CDs) in 1982 led to a revolution in collecting. CD sales peaked in 2000 at over 2.5 billion worldwide accounting for 91% of the market. By 2020 sales had fallen 95% and accounted for only 5% of global sales. However, CD sales increased again in 2021, although it is too early to predict a revival. The introduction of downloads and streaming has significantly impacted CD sales, precipitating a dramatic decline in physical album sales, as more and more consumers switched to digital streaming services.

Some alternative digital formats arrived in the wake of CD but didn’t survive for long, including Sony’s Mini Disc and DAT (Digital Audio Tape), as well as Philips’ DCC (Digital Compact Cassette). HDCD (High Definition Compatible Digital) and SACD (Super Audio CD) were promising but ultimately failed to supersede CD.

By the 1990s, I had disposed of my collection of then‑seemingly redundant vinyl LPs and singles (and my turntable) and embarked on collecting CDs, starting off with replacing what I had on vinyl and then adding new content over time. Ditching vinyl was something I might have regretted, but don’t. Vinyl represents nostalgia to me and I’m not going back. It is neither practical, desirable nor possible to embark on such a regressive approach now. At the time of writing, my music hoard of CDs comprises well over 6,000 releases by over 2,500 artists. This conglomeration has recently been organised into over 50 crates packed to the gills with the little silver discs. That equates to around 85,000 tracks on iTunes and counting. I don’t know whether this is a lot or not, with all things being relative. Currently, CD remains my main medium of choice. I predict that CDs will not become totally extinct and will experience a resurgance at some point.

The advent of CD was a catalyst to the long‑running analogue versus digital debate. For what it’s worth, my view is the debate is not about encoding, it’s about something far more subjective. Vinyl reproduction flatters music in a way that digital doesn’t and that appeals to us. Digital is technically superior but not as warm and cuddly as vinyl. Simples. Fans of analogue still swear that digital is a poor representation of real music. Fans of digital swear that analogue (and even digital CD) is outmoded and obsolete. That’s a lot of swearing. Streaming has added further fuel for opposing viewpoints with the compressed versus lossless argument. The truth is, does it really matter? As long as we enjoy the music, that’s what counts, isn’t it? Focus on the content, not the carrier. If we have a preference, make the most of it. I do think that the audiophile press is somewhat hypocritical in only going along with the latest tech after having criticised it before it became commercially established. That way, we all keep buying new kit. That is a personal opinion. Ain’t hindsight great?

“The digital world is so convenient and nice, but just playing back a vinyl record is a much warmer, hotter, more present feeling.” Steve Miller (1943‑)

Physical Media (credit: Andre-Moura)

Music streaming

A brief recap of developments may be in order, so a short diversion first. Let us rush past the short‑lived phenomenon of downloads, which have largely been superseded by streaming (which includes off‑line listening). The storage problem associated with physical media has led to the next revolution in listening, which is to dispense with physical media altogether and access music on remote servers held in huge data centres somewhere. This marks a watershed where the listener no longer owns a tangible product but only purchases the right to listen to it. You cannot easily donate tracks to charity or sell purchased music on to other people. Mixtapes? A thing of the past. How unromantic. All this is, to me, a major drawback. I like having something tangible that I can pick up, look at, read the liner notes, view the artwork and so on. Somehow, the old‑school ownership of a physical item is something I value. Streaming just seems like an ephemeral audition of someone else’s music, rather than something personal, bestowed by genuine ownership. Is this simply a transitional symptom? Probably, maybe.

Although streaming was introduced in the early 1990s, it wasn’t until the launch of Napster in 1999, using the new compressed MP3 digital format and exploiting new Internet‑based Broadband services, that downloads and streaming became widely popular. The licensed subscription music service Spotify was launched in 2008, rising from the ashes of the flirtatious fleeting dalliance with illegal downloads. Once again, the industry ‘big boys’ have found a way to re‑assert their dominance over us. Digital streaming now accounts for more than 80% of global music industry revenues.

The Internet and the major music streaming platforms (Spotify, Apple Music, Tidal, Deezer, Qobuz, Amazon Music, YouTube Music, etc.) have facilitated exploratory listening greatly while, at the same time, enabling artists to gain exposure in a way that they couldn’t previously through the traditional studio/record label system. Streaming generally can be on demand, through curated playlists or via Internet radio stations. All are valuable resources for the curious listener. The streaming platforms often state that they have 100,000,000 (100m) or more tracks available to customers. In practice, this is both a mind‑boggling and meaningless figure. There is such a thing as too much choice. It also gives some sense of scale, although it may call into question the balance between volume and quality. Suddenly, my meagre 85,000 tracks seems somewhat miniscule in comparison. I do, however, find it a sign of progress when more than 50 crates of CDs can be stored on an SSD (Solid State Disc) that’s less than half the size of a cigarette packet (remember those too?).

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” John Cage (1912‑1992)

Another problem exposed by streaming is that there is now plenty of material that is not distributed or sold on physical media at all and is only available via the Internet. Streaming‑only releases are essentially simpler and cheaper than managing traditional physical distribution channels. It also pushes new customers towards expensive streaming subscriptions whereby they earn money whether they are used or not. Talk about milking a cash cow! This online‑only approach affects some genres more than others but it means that, in order to continue with this ambitious side project of mine, streaming has become a necessary additional resource. In effect, physical and virtual music has to co‑exist; being an ‘and’ rather than an ‘either/or’ approach. For info, after much deliberation, CRAVE Guitars subscribes to Apple Music.

Some streaming services provide high definition listening, such as Tidal, and they charge a premium for it. Others, such as Spotify are content to go for volume at low definition. The lesson to take from this is that streaming services are not all alike despite peddling similar wares to punters.

“You pays your money and take your choice” A British lexicographic irregular that first appeared in print in Punch magazine in 1846

Does streamed high definition music (i.e. better than CD quality) make a difference to most listeners? Big question. Well, apparently, not really. The evidence suggests that most average (i.e. non‑industry) people cannot tell the difference in blind listening tests conducted under ‘normal’ conditions. Trained listeners can, allegedly, differentiate formats but “If there’s any discernible difference, it’s so subtle and so slight, you’d have to be somebody who’s been in the business for decades like me to hear it.” (recording and mixing engineer, Prince Charles Alexander, Berklee Online study, 2019). A case of fidelity vs artistry vs money, always good for an argument. Why on Earth spoil music listening by teaching people to identify comparative digital encoding anomalies when they are so small as to be meaningless? Spotify’s strategic positioning seems to agree, while Tidal doesn’t. People who go down the high definition route are, perhaps, hedging their bets. If they have the best, it doesn’t matter whether they can hear a difference or not. No doubt there is some audiophile snobbery lurking in there too. For the sake of throwing my two penny worth into the ring, I can neither tell the difference nor can I be bothered to waste my time trying to spoil the enjoyment that music brings by attempting to do so. Time for some good ol’ fashioned snake oil to leech the contents from your bank account?

Does streaming stop me ‘digging’ for used CDs? NO. Does it stop me buying new CDs? NO. Does it encourage me to buy more CDs? Actually, YES. I still prefer to purchase and store music on CD, while recognising the inevitability of embracing the dark side of streaming culture. On the basis that vinyl and cassette have seen a popular resurgence, CD is not going away anytime soon. In practice, and probably being totally hypocritical in doing so, I tend to rip music from CD on iTunes and then stream (or rather cast) it to my music system. I know that this practice probably makes little sense but, for me, it is the best of both worlds, I have the physical media and the convenience of digital storage. Which leads neatly onto…


CRAVE Guitars’ ‘music room’

If you read my October 2023 article, ‘Return to and from Obscurity’, you will know of the sad loss of ‘mi media naranja’ (my better half) due to the vile and relentless ravages of cancer. Initially crestfallen, once accepting the loss, I set about repurposing the small ‘dining room’ which had been my wife’s bedroom into a dedicated ‘music room’, used for noodling on vintage guitars and listening to recorded music. NO TV or clock allowed! Having previously lost our home and the vast majority of our belongings (another story altogether!), I had to rebuild a hi‑fi from scratch which, in itself, was quite an exciting experience, along with uniquely decorating the room to provide a suitable listening/playing environment. It took a year of painful sacrifices involving the sale of some beloved A/V gear (I’m also a film & TV buff) to raise funds and some lengthy (re)searching for used ‘bargains’. I fully acknowledge that this indulgence seems an excess of a luxury, given everything else but other things had to be compromised to enable it. My choice.

The ‘music room’ is used every day for music listening. For those who are interested in the techy side of things, the main hi‑fi system comprises:

  • Naim Uniti Core music server with 2TB SSD storage
  • Naim ND5 XS2 music streamer
  • Naim CD5 Si CD player
  • Bryston BP17 pre-amplifier
  • Bryston 4BSST power amplifier
  • PMC Twenty.24 floor standing speakers
CRAVE Guitars Music Room

While this is neither a high‑end system nor a budget system, it has been carefully selected to meet the need for critical and enjoyable listening of both physical and streamed music (and within budget). My 500 or so most preferred CDs are immediately to hand in the room, as well as being stored in lossless digital form on the music server, thereby also making them available throughout the house via Wi-Fi (in due course). It’s certainly more than good enough for my tired, aging ears. Being pragmatic, the electronics are, after all, only a means to an end, which is to stimulate an emotional response through music.

At this point, you may be wondering whether I actually listen to all that music. Fair question. Well, yes, is the answer. There wouldn’t be much point in writing about it if I didn’t experience the results of my labours. While I try very hard, there may be the odd track here or there that gets shunted down a listening list but I would hope that’s the exception, rather than the rule. Heck, it’s a tough job but someone’s got to do it!

“Don’t tell me baby you gotta go, I got the hifi high and the lights down low” from, ‘I Need Your Love Tonight‘ (1959) by Elvis Presley (1935‑1977)


Personal top 20 ‘desert island’ albums

Depending on mood, I do go back to long‑term favourites, simply for the comfort and familiarity of a ‘known quantity’. Like chatting with an old friend. At the outset, I said this wasn’t about compiling any sort of ‘best albums of the last 75 years’. That doesn’t mean that there aren’t some albums for which I hold a special affection and which have been part of the hoard for many years (so not ‘new’). Here are 20 of them, all pretty well known mainstream releases, and which I feel have stood the test of time. Regular readers will see no surprises here. This is very much a personal list, chosen at the time of writing – it would undoubtedly be different on different days/weeks/months. Some entries hold special meaning and are therefore highly evocative.

I call this my ‘desert island’ security list. That is, if I could only have 20 albums as a castaway, what would they be? Perhaps, more accurately, it could also be called ‘top 20 memories’ or ’20 comfort classics’. Now how’s all that for wistful nostalgia? For what it’s worth, here is today’s list:

  1. The Cure – Disintegration (1989)
  2. Black Sabbath – Black Sabbath (1970)
  3. The Doors – L.A. Woman (1971)
  4. Pink Floyd – Meddle (1971)
  5. John Martyn – Solid Air (1973)
  6. Steve Hillage – L (1976)
  7. Talking Heads – Remain In Light (1980)
  8. Lee “Scratch” Perry – Roast Fish, Collie Weed & Corn Bread (1977)
  9. Rage Against The Machine – Rage Against The Machine (1992)
  10. Burning Spear – Garvey’s Ghost (1976)
  11. Bob Marley & The Wailers – Live! (live) (1975)
  12. Deep Purple – Made In Japan (live) (1972)
  13. Nick Cave & The Bad Seeds – Push The Sky Away (2013)
  14. Depeche Mode – Violator (1990)
  15. Massive Attack – 100th Window (2003)
  16. David Bowie – Let’s Dance (1983)
  17. Burial – Untrue (2007)
  18. Tangerine Dream – Rubycon (1975)
  19. John Lee Hooker – Boom Boom (1993)
  20. Beck – Sea Change (2002)

“Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” Ludwig van Beethoven (1770-1827)


The future

OK, that’s the past, so now let’s take a brief, casual look at what may happen into the near future. While vinyl is doing remarkably well and CD is showing possible signs of life, it is clear that streaming is the future until something better comes along. It is certainly in the interests of the music industry to retain tight control over their valuable assets, although many artists say that the practice is detrimental to their income. However, this actually means little to the consumer. Better returns for the companies and artists simply mean higher prices for the public who have no say in the matter. The reality is that the few rich get much richer and the many poor get much poorer; sadly the dysfunctional norm of the modern capitalist world.

The commercial interests of multinational companies like Sony BMG, Universal, EMI and Warner Brothers rule their respective roosts. Interestingly, the major corporations don’t own the streaming companies, unlike in the parallel dimension of film and TV where the studios control all levels of vertical integration.

Mega‑artists with mega‑egos to match like Taylor Swift, Madonna, Adele, Jay‑Z/Beyoncé, U2, KISS, Dr. Dre, Timberlake and Ed Sheeran, along with many other big names in the lofty reaches of the higher socioeconomic hierarchy are laughing hysterically all the way to their already mega‑well‑stocked tax‑free offshore bank accounts. The industry ‘big four’ major record labels and powerful business artists together make up a resilient ‘pyramid of power’, that will continue to dominate the economics of the music biz for many years to come. Sadly, your ordinary talented hard working musicians don’t attract such filthy lucre. When push comes to shove, it’s all about the money. T’was ever thus, or more accurately…

“Oh! Ever thus from childhood’s hour” from the poem, ‘The Fire Worshippers’ (1817) by Irish writer and poet, Thomas Moore (1779‑1852)

Perhaps more worrying for creative artists and for many music enthusiasts is that the focus is clearly moving away from coherent album releases and more towards the production of single tracks out of context of other material by the same artist. By that statement, I don’t mean a rejuvenation of chart singles, which have long ceased to mean anything. The evidence shows that people are streaming individual songs, rather than a collection of tracks that would historically have made up a cohesive LP. Just look at the streaming stats of albums on any digital online platform and the predominance of maybe one or two tracks over the rest is unmistakeable. There is a feedback loop that encourages artists to change the way they make music and which goes on to influence curated playlists, radio coverage and, ultimately, sales, then repeat. The modern equivalent of the old‑fashioned radio playlist.

In 2016, it was reported that album releases were plummeting while EPs and single tracks were skyrocketing. Will we ever see (or, rather, hear) any more all‑time classic albums like ‘Sgt Pepper’s Lonely Hearts Club Band’, ‘Dark Side Of The Moon’, ‘Rumours’ or ‘Thriller’? Only time will tell. Will the way that music is created, distributed and accessed mark the death knell of the ‘album’ as we know it? Highly likely, but not just yet. The album may, like many things, see a revival. We’ll just have to wait and see (if we live long enough). Personally, I grew up with the antiquated concept of the album or LP, so it retains a certain sensibility but, then again, I am destined for premature oblivion myself, so what the heck do I know?

The topical buzz around Artificial Intelligence (AI) will inevitably play its part in music creation with virtual artists and AI composed tracks. It’s already here and can only evolve from here on. AI isn’t new, its roots go back to 1956 and the American Dartmouth College in New Hampshire. AI generative music goes back to the mid‑1990s. Is AI a threat? The jury is currently out. Thankfully, if AI is used for music, literature and art, it won’t be used to annihilate mankind (except, perhaps, through technological mediocrity). The ultimate demise of humans is up to humans, directly or indirectly, at least for now. Who needs doomsday generative AI when we all have to endure the antics of egregious corrupt despots like Putin, Xi, Kim and too many others of their insane immoral ilk? Don’t you just love mankind’s determined destiny of denial and doom? I digress (again).

“If we don’t end the war, war will end us.” H.G. Wells (1866‑1946)

One certainty is that music will survive in its manifold forms. One hopes that tired and clichéd genres like the current vapid world of commercial pop and dance music since the new millennium will rejuvenate into something more interesting at some point. Conversely, let us also hope that the more dynamic genres don’t descend to the deplorable depths of hideous homogeneity.

Musicians will proliferate. Music will proliferate. The way we access music will change. Whatever happens, change is inevitable and it will be fascinating to see how it evolves and how we adapt. Music as an essential component of the human condition will prevail in one form or another as long as humans exist. Music is, after all, a phenomenon unique to the human race. Thank goodness for that. And, thus, the search goes on.

“When I hear music that parents hate, or older musicians hate, I know that’s the new music. When I hear older people saying, ‘I hate rap or techno’ I rush to it.” George Clinton (1941‑)


Amateur musicology?

I do not pretend to be some sort of self‑appointed authority on contemporary music. My main obsession is still vintage guitars and vintage guitar gear. Perhaps, though, my passion for music predated my addiction to guitars. Over the decades my love of modern music does, I believe, provide a reasonable insight into the science as well as art of music, with a little alchemy thrown in for good measure.

Strictly speaking, musicology is the analysis and study of music. Musicology belongs to the humanities and social sciences, although some music research also belongs to the fields of psychology, sociology, acoustics, neurology, anthropology and computer science.

Musicology covers three general disciplines; music history, new musicology (the cultural study of music) and ethnomusicology (the study of music in its cultural context). For the life of me, I can’t really (be bothered to) differentiate between the last two of those.

Clearly, I cannot compete with professional experts in the field and my research methods are hardly scholarly. I am, however, happy to be an amateur sleuth, as it allows for significant enjoyment. Music should be overwhelmingly pleasurable, rather than playing second fiddle to methodical and clinical academic enquiry. Again, my choice.

“After silence, that which comes nearest to expressing the inexpressible is music” Aldous Huxley (1894-1963)

In addition, and hopefully obviously to readers by now, I also play music (very badly it must sadly be said). I wouldn’t hoard vintage guitars unless I could actually conjure up something vaguely creative and emotional out of them. Perhaps interestingly, I don’t play other people’s music; I much prefer to ‘do my own thing’ for better or worse. Usually the latter.

I am incessantly amazed at what I don’t know. I know that shouldn’t be the case, but society tends to prejudge ignorance as a weakness and expertise as a virtue. What others regard as the blatantly obvious is utterly oblivious to me until I encounter it. However, isn’t that what exploration and discovery is all about?

If we accept that “Music is the universal language of mankind” Henry Wadsworth Longfellow (1807-1882), one can only trust that exploration is the means by which we enhance and articulate our own individual musical linguistic skills.

Musicology may not be quite the right word for my approach towards modern music but I sure can’t think of a better one. Musicology Lite perhaps? Deluded dilettante? Possibly. Biased? Definitely. We all have our own opinions, right? And, thus, the search goes on.

“Music is the strongest form of magic.” Marilyn Manson (1969‑)


Sex, Drugs & Rock ‘n’ Roll

Musicology suggests an interest in music psychology, which is how music affects the cognitive functions of the human system. Building on some of my opinionated comments last month, here’s a thought for the day. Let us remember that music carries with it enormous power to improve our mental health and wellbeing. Music can boost serotonin, dopamine, endorphin and oxytocin levels that work on the pleasure receptors of the brain. Put simply, these magic substances can act as effective natural anti‑depressants and can help to improve both mood and behaviour. All in all, mostly good stuff then. As we all know, music, can also irritate the heck out of us sometimes, so remember to love what you love.

Now here’s an interesting diversion into music cultural history. All three human activities, sex, drugs and music directly affect the pleasure centres of the brain, so there is something scientific behind the old rockers’ adage, ‘Sex, Drugs and Rock ‘n’ Roll’ after all. While some suggest the phrase came from Ian Dury’s 1977 single, its roots derive from a much earlier hendiatris, ‘wine, women and song’, emanating from Germany in the 1770s, although there is some debate as to who actually coined it. Many scholars attribute its origins date back even further to theologian, Martin Luther.

“Wer nicht liebt Wein, Weib und Gesang, der bleibt ein Narr sein Leben lang. (Who not loves not wine, women and song, remains a fool his whole life long).” Martin Luther (1483‑1546)

The first modern use of the phrase was printed in a LIFE magazine article that dates from 1969, “The counter culture has its sacraments in sex, drugs and rock.” In 1971, The Spectator magazine printed, “Not for nothing is the youth culture characterised by sex, drugs and rock ‘n’ roll.” Ian Dury certainly made the most of it.


CRAVE Guitars ‘Record of the Month’

Once again, as this is a bit of an outlier in the overall scheme of CRAVE Guitars’ articles, I cannot leave without at least mentioning one of those albums that warrants repeat listening (for me). While last month, I was clinging onto sultry summer with dub reggae, this month, with the rapid decline into grim winter, I’m going for something a little more contentedly contemplative.

Biosphere – Microgravity (2015 reissue of the 1991 studio album with additional tracks). Biosphere is electronica artist, Geir Jenssen (1962‑) from Tromsø, Troms, Norway. The 16 tracks fall broadly into the ambient, ambient techno, ambient house, field recording and progressive electronica genres. Microgravity was Biosphere’s debut studio album. Laidback ambient grooves are a wonderful way to escape and transport one’s consciousness into an otherworldly, serene dimension, great for relaxation, stress relief and focus. It is also great for testing the hi‑fi.

“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die” from the play, ‘Twelfth Night’ (c.1601/1602) by William Shakespeare (1564-1616)


Tailpiece

Well that’s another monthly article done and dusted. Number 75 to be precise since I started writing CRAVE Guitars’ articles way back in November 2014. It’s come a long way.

I am genuinely grateful to be in the position whereby I am able freely to undertake such projects as this one. The author is acutely aware of the extreme difficulties faced by innocents around the globe.

The pursuit of new stuff is unlikely to abate now that it has begun in earnest. Is there anything I regret uncovering? Nope. I try hard not to regret anything; I would rather use any missteps along the way as a learning experience. Are there any guilty pleasures that have been adopted? Probably, but now isn’t the time or place for shaming my deviant musical proclivities! Surprises? Plenty. Pleasure? A mixed bag. Top tips? A few. Anticipation? Always.

What is most encouraging is that there is an almost unlimited wealth of awesome, incredible music out there waiting to be discovered if you want to look hard enough. Enjoy!

The plan is to get back to more CRAVE Guitars core raison d’être for the next article. However, we all know what happens to “the best laid schemes o’ mice an’ men” from the poem, ‘To a Mouse’ (1785) by Scottish poet Robert Burns (1759‑1796), so no promises. OK? Thanks for reading.

Peace, love, truth and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Material possessions feed the vanity of the ego, while music nourishes the spirit and sustains the soul”

© 2023 CRAVE Guitars – Love Vintage Guitars.

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September 2023 – Adventures in Ambient: Music of Another Dimension

Prelude

In the last article (August 2023), I explored the alluring realm of dub reggae, as one of my musical passions. This month, as we race headlong into autumn with its cooler, darker evenings, I’d like to explore another musical genre close to my heart, ambient electronica. There seems to be a great deal of consensus about where ambient came from while, at the same time, a great deal of disagreement about what it is today, let alone where it is going. While this may sound inherently contradictory, the convoluted world of ambient music is quite fascinating, at least to me. Unlike reggae, which had a defined geographical origin – the small island of Jamaica in the Caribbean – ambient has a completely different set of roots. Also, while dub reggae and ambient seem entirely discrete, there are some crossovers.

Once again, like dub reggae, the ambient musical landscape is not really guitar‑based. It is essentially one of three things, acoustic – mainly classical – instruments, the sounds of the natural and built world all around us, and electronic sounds, primarily but not exclusively synthesizers.

As with all previous articles, this is not intended to present any sort of definitive academic analysis, it is purely my interpretation of ambient music, past and current, as I see (or rather hear) it. There are a lot of blurred overlaps and permeable boundaries here, so I am certain that some readers will disagree vehemently with my version of the story. That is their prerogative and this is my article, so I’m sticking to my biased version. This is also only the proverbial ‘tip of the iceberg’ with lots more to discover.

No AI has been used in researching and writing this article. All images used are royalty free courtesy of Pixaby and Wikimedia Commons.

So, get comfy, chill and absorb yourself into the mesmerising universe of ambient music for a while.


Defining ambient

Perhaps a good starting point is to understand what the solitary word ‘ambient’ actually means, both in non‑musical and musical contexts.

Literally, ambient is an adjective meaning ‘of the surrounding area or environment’, ‘existing or present on all sides’ or ‘enveloping or completely surrounding’. As a noun, it means ‘an encompassing environment or atmosphere’. In this article we are not talking about ambient temperatures or ambient pressures, although these may affect sound vibrations in the environment. We are also not talking ambient light, although this may affect mood and temperament.

Defining ambient sound

Ambient sound is the total of all background or surrounding noises that exist in every direction, in any immediate surroundings, as measured by sound pressure level (SPL – expressed in decibels). Decibel levels are important because they provide information to the brain on how quiet or loud a sound is in relative terms. Human ears and brains are designed to detect slight variations in SPL in stereo (binaural hearing), which help us determine from which direction a sound originates. Basically, ambient sound is the total of what you can hear in the present moment, wherever you are.

Ambient sound is always present, even if it is at very low levels. Humans cannot tolerate near‑0dB for long. 0dB is unobtainable under normal conditions. Experiments have shown that people who are deprived of ambient sound can quickly become unsettled or disoriented because humans rely on ambient sound to locate themselves within their environment. The dissociation of sight and sound is inherently problematic for us. The quietest place on Earth is an anechoic chamber at Orfield Laboratories in Minnesota, USA. It is so quiet that the longest anybody has been able to experience it is just 45 minutes.

The simple fact is that there is always some ambient sound present in our lives. These ever‑present characteristics play a part in ambient music compositions.

Defining ambient music

Ambient music is a term that means, ‘a genre of instrumental music that focuses on patterns of sound rather than typical melodic form and is used to promote a certain atmosphere or state of mind’. Another definition is ‘incidental music intended to serve as an unobtrusive accompaniment to other activities and characterised by quiet and repetitive instrumental phrases’.

So far, so what? Useful background info but it doesn’t really mean much on its own. So let’s delve a bit deeper.


A brief pre‑history of ambient music

There is a significant amount of information on the hinterwebby thingummy about the history of the genre, so this is a brief retelling of the essential elements, starting in France, then Germany before crossing the Atlantic to America and then back to the UK. These unfolding events were probably all ahead‑of‑their‑time and in the vanguard of experimental art.

Let us begin by going all the way back to 1917. French composer Erik Satie (1866‑1925) used Dadaist‑inspired explorations to invent what he called musique d’ameublement (‘furniture music’ or, more literally, ‘furnishing music’), music played by live musicians and designed to be unconsciously experienced rather than consciously listened to. Satie described his compositions as music that could be performed at a function to create a background atmosphere for the function, rather than being the prime focus of it. In Satie’s words, his music would, “… be part of the noises of the environment”.

Satie’s use of repeated short compositions is said to have influenced ‘minimal music’ from 1960s onwards, particularly the experimental avant‑garde music of composer John Cage. Satie is also regarded as an essential forerunner to modern ambient music and a key influence on British artist, Brian Eno.

During the 1940s, Frenchman Pierre Schaeffer (1910‑1995) who was, amongst other things, a composer, engineer and musicologist took a different approach. Schaeffer experimented with recording sound, then processing the signals to create an abstract sound collage. The resulting sounds and tones were unrecognisable from the originating source material. Schaeffer used musical instruments, vocals, recorded environmental ‘sound objects’ and electronic sound synthesis. This type of music composition became known as musique concrète (concrete music).

Prolific and controversial German composer Karlheinz Stockhausen (1928‑2007) was a pioneer in electronic music. Stockhausen’s electronic music compositions comprised abstract noise collages created through the use of tape loops, oscillators and recorded sounds. He also specialised in ground breaking ‘spatial music’, using multiple sources to locate sounds within a three dimensional space (an early form of surround sound). Stockhausen created one of the first examples of purely electronic music using sine wave generators and filters, called ‘Studie I’ (1953). In 1954, he pushed the boundaries of classical music using acoustic instruments augmented by electronic sounds. The same year, he published the first fully electronic music score. Stockhausen, the so‑called ‘father of electronic music’, was an important figure who rejected conventions and heavily influenced multiple genres outside classical music, including jazz, pop and rock decades later.

Muzak is a type of background music created by American inventor George Owen Squier in 1934. Known commonly as elevator music (or lift music in the UK), it became used predominantly in public spaces, retail stores and other venues. The word muzak has become embedded in the public consciousness as synonymous with all types of generic and inconspicuous background music. Muzak was particularly prominent during the 1960s and 1970s. Muzak has been a registered trademark of Muzak LLC since 1954. Ambient by stealth?

From the 1950s, particularly in Germany, elektronische musik (electronic music) took precedence over previous forms such as musique concrète. The term ‘elektronische musik’ was first used by German composer and musicologist Herbert Eimert in 1952 to describe music created only by the use of electronic instruments and technology. As the genre developed, elements of musique concrète were incorporated into electronic music. Natural environmental recordings combined with music resurfaced later as a popular element of new age music. German electronic music heavily influenced krautrock, an experimental rock genre that emerged out of West Germany in the late 1960s and early 1970s with bands like Can and Neu!.

American composer John Cage was another influential figure in post‑war avant‑garde music including electroacoustic music. He had been experimenting with studio electronics since the late 1930s. In 1952, Cage ‘performed’ his now‑famous composition, 4′33″. The piece is not, as many believe, silence; it is the intentional ‘absence of deliberate sound’. The musicians do nothing but be on the stage with instruments. For the aforementioned duration of the piece, the audience is encouraged simply to listen to and experience the ambient sounds in the auditorium around them.

Minimal music is a form of art music that, as its name suggests, uses a very limited array of components to produce a composition. Minimal can apply to the instruments used, the sounds/tones produced, as well as the studio processes employed. Minimalism may comprise continuous drones, pulses or repetitive phrases. Minimalism emerged in New York in the late 1960s with American composers such as Philip Glass, Terry Riley, Steve Reich and La Monte Young. It has been suggested that minimalism was one influence behind experimental rock band The Velvet Underground during the 1960s and, much later, on electronic dance music (EDM) sub‑genres such as minimal techno. In 1990, British electronica duo The Orb used a sample from Steve Reich’s work on their hit single, ‘Little Fluffy Clouds’.

At this point, it is worth making quick mention of cinematic music, a.k.a. film scores or original soundtracks (OSTs). The first music to accompany film goes back to the earliest part of the 20th Century if not further, although its use really came into its own, ironically, with the advent of talking pictures in 1927. Cinematic music is composed specifically as a background to fit well with what is happening on screen by creating a certain atmosphere. Many classic theme music pieces would simply not exist without the films for which they were created. Some of the best cinematic music is an integral part of the audio‑visual experience, rather than the music being consciously listened to in isolation. The best soundtracks are equally good pieces of music in their own right and the art form has become highly respected (and profitable). John Williams, Ennio Morricone, Jerry Goldsmith, John Barry, Bernard Herrmann, Lalo Schifrin, Vangelis, Jóhann Jóhannsson and Hans Zimmer are some of the principal cinematic music composers.

In the field of television, the BBC Radiophonic Workshop, set up in 1958, stands out for its experimental work in electronic incidental sound design and music for radio and TV. Key members of the unit included Delia Derbyshire, Daphne Oram and David Cain.


A brief history of electronic sound synthesis

It is probably true to say that synthesizers changed the world of music forever. Here’s a short resume of how that change came about. Warning! This is the techy bit.

Analogue synthesizers – The word synthesizer was first used by RCA in 1956, although it has widely been used to refer to electronic musical instruments from the early 20th Century onwards. Early electronic analogue sound synthesizers were developed in the 1920s and included the Theremin, invented by Leon Theremin in Russia in 1920, the Ondes Martenot, invented by Maurice Martenot in France in 1928 and the Trautnium, invented by Friedrich Trautwein in Germany in 1929.

There are basically only three parts to an analogue synthesizer; one or more oscillators to produce the sound, filters to change the sound, and voltage‑controlled amplifiers to adjust the volume of the sound. In addition, envelope generators are frequently used to change the behaviour of the sound (commonly referred to as ADSR – attack, sustain, delay, release).

Another major development in electronic sound synthesis was by American engineer Robert Moog (1934‑2005) who invented the first commercially available analogue synthesizer, the Moog Modular in 1964. The first fully integrated synthesizer, including the keyboard, was the Minimoog released in 1970. Moog developed his products in response to demand for more practical and affordable electronic musical instruments.

Moog Synthesizer

Samplers – A sampler is an electronic device that captures, records and plays back sections of the recordings. The first example was the Chamberlin, invented by American Harry Chamberlin in 1946. The British Mellotron, introduced in 1963, was perhaps the first famous electro‑mechanical instrument used to play back tape recorded sound samples.

Sequencers – A key factor in making music synthesizers usable was the introduction of the programmable sequencer to program and play back multi‑part arrangements. The first example was probably the analogue Buchla 100 synthesizer in 1964. More importantly, Moog introduced the Moog Modular Sequencer Module – the 960 Sequential Controller in 1968.

As synthesizers became more complex, additional features were added, such as arpeggiators that automatically play a sequence of notes based on a chord or scale, and a range of effects used to process the sound even further.

Digital synthesizers – The first digital synthesizer was made by Synclavier in 1977, while the first commercially successful model was made by Yamaha in 1983. The first production polyphonic synthesizer, able to play chords, was the analogue Oberheim Polyphonic Synthesizer, designed by Tom Oberheim, produced from 1975 to 1979. Yamaha, however, may disagree, citing their GX‑1 ‘Dream Machine’. These were followed shortly thereafter by the Polymoog. Another first was the programmable analogue Prophet 5 made by Sequential circuits in 1978. The culmination of these inventions was the introduction of the Fairlight CMI (standing for ‘Computer Musical Instrument’) in 1979, the first polyphonic digital synthesizer, sampler and sequencer.

Finally, polyphonic digital sound synthesis was here to stay, as was the studio recording technology able to exploit it. Miles away from ambient while owing a debt to it, Donna Summer’s massive disco hit single, ‘I Feel Love’ (1977), written and produced by Giorgio Moroder, was seen as a milestone and “a rejection of the intellectualization of the synthesizer in favour of pure pleasure”. It did, however, herald sound synthesis to the popular market. The phenomenal boom in synthpop during the 1980s, leading to the EDM boom of the 1990s, was the tangible result of lengthy electronic music development.

MIDI – MIDI (Musical Instrument Digital Interface) is a powerful industry standard protocol introduced in 1983 that enables wide variety of electronic musical instruments, computers, and audio devices to communicate. MIDI has become essential for synchronizing, playing, editing, and recording music.

These, and many other tools, were a valuable resource for the new generation of experimental composers and musicians. Everything was pretty much now in place.


A brief history of ambient music

Up to this point it is probably fair to say that elements of ambient music’s predecessors existed, and indeed thrived, on the periphery of the popular music of their time, rather than being front and centre of the mainstream. During the 1960s, that was about to change, albeit relatively slowly.

One interpretation of ambient music is that it is a style of calm, often electronic instrumental music with no discernible rhythm or beat, used to create or enhance mood or atmosphere. Ambient music emphasises tone and textural layers of sound that focus on the actual sounds being produced rather than the traditional musical form in which those sounds would normally reside. As such, ambient music may well intentionally eschew formal structured composition, harmony, melody and metre.

While now commonplace, ambient music, at least in the past, broke the rules of what we understand as familiar music or song content. Ambient music is not limited by accepted tropes of how it is produced, making use of acoustic and electronic musical instruments, unorthodox implements used as instruments, environmental sound recordings and sometimes vocals. A large proportion of ambient music is instrumental, not requiring narrative arrangement through either sung lyrics or spoken words.

One characteristic of ambient music since the 1990s has been the ubiquitous use of looping, creating repeated sections of sound, initially using tape and most commonly through digital effects. Another key trait has been the use of modern digital reverb and delay techniques to provide a sense of space, disconnection and otherworldliness.

One key element of ambient music is the way it can reward equally both passive and active listening. The listener can either focus on the content or allow ‘cognitive drift’ to occur, which can encourage a sense of calm, introspection or contemplation, meditation or as an aid to sleep.

While ambient music is a self‑contained genre, it does not stand alone; it has been incorporated into, or fused with, many other musical genres. This fact, in part, contributes to the debate about what ambient music actually means today and why it has become successful both artistically and commercially.

At last, getting to the point now… Ambient music as we now (think) we know it emerged in various forms during the 1960s and 1970s, largely thanks to the commercial availability of synthesizers. The album that is widely regarded as the watershed that brought ambient music to wider attention was, ‘Ambient 1: Music For Airports’ (1978) by British musician, producer and artist Brian Eno. This studio album also established the term ‘ambient music’ in the public mind set. Eno, either solo or in collaboration with other artists, released many subsequent ambient works, further defining the genre. By the early 1980s, the ‘new’ genre had become recognised and widely accepted. Eno has been oft‑quoted that “ambient music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting”.

In 1995, Brian Eno used the term ‘generative music’ to describe any music created by a computer system that is ever‑different, non‑repeating and always changing. Eno has frequently used generative ambient music as a background for visual art installations, thereby creating an immersive audio visual experience. There are now a number of autonomous ambient music generators available on the Internet, such as Generative.fm, that provide completely unique compositions that never end, never repeat and last as long as the listener wants them to. The introduction of Artificial Intelligence (AI) into music is likely to expand the scope of generative music considerably.

A discrete subset of the genre is Japanese ambient pioneered by artists such as Hiroshi Yoshimura, Haruomi Hosono, Midori Takada, Osamu Sato and Susumu Yokota during the 1980s. The offshoot aligned with the Japanese concept of ‘wa’, meaning harmony and serenity. Japanese ambient was an expression of the deep cultural appreciation for nature, an aesthetic preference towards minimalism, and traditional values of maintaining peace.

Ambient has heavily influenced many sub‑genres of downtempo dance music, including ambient house, ambient techno, ambient dub, trip‑hop, nu‑jazz, new age, chillwave and deep house. Ambient has undoubtedly come a very long way from its avant‑garde artsy origins. Ambient was now cool and it was here to stay.

In recent years, ambient music has continued to evolve and expand. Some contemporary artists have incorporated elements of jazz, classical music, and other genres into their work, while others have experimented with new digital technologies such as AI and virtual or augmented reality to create new experiences. Improvisation and extemporisation have become integral elements of many ambient compositions.

Overall, ambient music has remained a vibrant and innovative genre that continues to explore the limits of what is possible in music. Perhaps, the essence of ambient music continues to flourish at the margins, requiring some effort to discover as the means of dissemination moves away from traditional record companies, labels, distributors and physical media. The Internet and streaming services may become the only means to access these esoteric future forms.

Ambient music’s experimental aspirations, though, have been an on‑going thorn in its side, which seems particularly hard to expunge. Partly because of its eclectic roots, many regard the lofty art & culture baggage of ambient as self‑absorbed, arrogant, sanctimonious, pompous and pretentious – or just plain dull and boring. Brian Eno in particular has attracted considerable scorn for refusing to conform to populist ideals and short‑term fads. The fact that he is not fazed by such clichéd criticisms and follows his own path regardless, encourages his opinionated detractors even further.

A predilection for ambient music is a choice, not a requisite and it doesn’t carry any cache amongst some imaginary elitist intellectual cultural community. It is, though, not for everyone, with many seeing ambient as a tedious interminable din. Indeed, if anything has been learned through the decades about ambient music is that its appeal is, at least partially, subliminal, nurturing our subconscious need for enlightened contemplation and therefore beyond our ability to control whether we appreciate it or not. Discuss…

Influential artists that have dabbled in ambient music either in part or whole include (in no particular order) Brian Eno, Aphex Twin, William Basinski, Steve Roach, Robert Rich, Pauline Oliveros, Cluster, Biosphere, Harold Budd, John Hassell, Max Richter, Tim Hecker, Terry Riley, William Orbit, Four Tet, Steve Hillage, Stars Of The Lid, Bonobo, Mark McGuire, Ash Ra Tempel, Alice Coltrane, Jon Hopkins, Edgar Froese, Oneohtrix Point Never, The Caretaker, Laurie Speigel, Tycho, GAS, Boards Of Canada, Burial, Fripp & Eno, Slowdive, Air, Julianna Barwick, A Winged Victory For The Sullen, Ben Chatwin, Richard Norris, Luke Abbott, The Cinematic Orchestra, Daniel Avery, Darshan Ambient, The Gentleman Losers, Ibizarre, A.M.P. Studio, Orbient, Nacho Sotomayor, Sigur Rós, Johnny Jewel, Bicep, Marconi Union, Memory Tapes, Neon Indian, Com Truise, The Orb, The KLF, Divination, Lawrence English and The Irresistible Force.


A brief history of other music genres related to (but not) ambient music

New age music –New age music emerged in the 1970s and 1980s, influenced by a variety of styles including classical music, jazz, world music, religious music, folk and rock. New age music often explores arcane folklore, ancient traditions, ethnic groupings, astrology, mythology, mysticism, spiritualism, fantasy and even the occult. Lacking any precise definition, it is often seen as an umbrella for many different and often divergent styles. Ambient and new‑age music are two distinct genres albeit with some overlap between them.

Starting with the similarities… New age music is a genre of music characterised by its soothing and relaxing qualities. It often features acoustic instruments such as flutes, harps, guitars and pianos, traditional Asian or African instruments as well as nature recordings and synthesizers. New‑age music is often used for relaxation, contemplation, yoga, massage, stress relief and anxiety management. As background music, it is used to create a calm, serene, peaceful atmosphere for other activities.

… and some key differences… Ambient music tends to be more experimental and abstract than new‑age music, with a greater emphasis on soundscapes and textures rather than rhythm, melody or harmony. New age music tends to be more melodic, structured and more easily accessible than ambient music.

Overall, both ambient and new age music are genres designed to create a sense of serenity in the listener (the ends). However, they go about achieving this goal in different ways (the means).

New age music has habitually been ridiculed (erroneously) for being part of hippie culture, with acolytes that embraced new age beliefs being called ‘zippies’. From the 1990s. Zippies were in favour of new age principles such as social change, environmentalism, and alternative lifestyles while also being influenced by rave culture, cyberculture, and psychedelic drugs.

New Age Travellers are a loose grouping of people primarily in the United Kingdom generally adopting new age beliefs along with the counter culture movement of the late 1960s. Their nomadic lifestyle often brought them into conflict with static communities and the authorities.

Prominent new age artists include Enigma, Enya, Deep Forest, Clannad, Gregorian, Phil Thornton, Patrick Kelly, Peter Gabriel, Bernward Koch, Paul Winter, Grouper, All About Eve and William Ackerman.

Nature recordings – Ambient nature sounds or, technically, field recordings are a popular sub‑genre of ambient music that feature environmental recordings such as the sounds of water, animals, thunderstorms, wind and even fire. The origins of combining natural sounds with musical compositions can be traced back to the early 20th century. Field recording is regarded by many as a genre in its own right, with or without music.

Field Recording

The use of field recordings in music became more widespread in the 1950s and 1960s with the advent of portable recording equipment and with digital recording from the 1980s. Musicians such as John Cage and Dan Gibson began using natural or built environmental sounds into their compositions.

The use of field recording in ambient music can be traced back to Brian Eno’s ‘Ambient 1: Music for Airports’, which featured recordings of airport terminal announcements and other environmental sounds. Since then, many ambient artists have incorporated field recordings to create captivating soundscapes that blur the line between music and environmental sound.

Some popular ambient nature sound artists include David Dunn, Chris Watson, Dan Gibson, Diane Hope, Lawrence English, Biosphere and Francisco López.

Downtempo and chillout music – Ambient music did not burst onto the scene overnight and, at least initially, it did not attract significant commercial success. With the popularity of EDM and the domination of house and techno in nightclubs, ambient experienced a mini‑revival towards the late 1980s with sub‑genres including ambient house, ambient trance, ambient techno and ambient dub. During the dance‑dominated 1990s, ambient music became trendy as an after‑party ‘comedown’ with the advent of ‘chillout rooms’; spaces within clubs that served as venues for a relaxing alternative to the high‑energy ‘rave rooms’.

Chillout is a form of downtempo music (or vice versa) characterised by relaxed rhythms, mellow beats, laid back grooves and atmospheric soundscapes intended to induce a tranquil mood – fertile ground for ambient music to proliferate. Chillout is heavily derived from EDM, but typically at slower tempos and with sonic palettes often reminiscent of ambient, electronic‑styled new age, progressive electronic and even elements of instrumental hip hop, dub, deep house and breakbeat.

However, neither chillout nor downtempo come under the definition of ambient, due to their prominent use of structure and rhythm. Sunset beach bars, restaurant venues and cult dance clubs in Ibiza in the 1990s jumped onto the ambient/downtempo/chillout bandwagon as an escape from the more intense side of life and a counterpoint to the hectic rave and acid house scenes of the time. In the UK, the Bristol trip hop scene also capitalised on the chillout boom.

The chillout zeitgeist during the late 1990s was partly due to a proliferation of commercial chillout compilation albums from record labels such as Ministry of Sound, Café del Mar, Café Mambo, Beyond Records, Kompakt Records and Mercury Records. Mainstreaming ultimately motivated underground producers to move away from chillout into other more adventurous leftfield ventures. By the early‑mid 2000s, popularity of chillout music faded heavily. However, it would see a revival in the 2010s and 2020s (so far), which aimed to recapture the spirit of earlier forms of the genre.

Ambient and downtempo/chillout and are not interchangeable, although the boundaries between them are often unclear. Downtempo and chillout would go on a different path to influence subsequent genres like psybient, psychedelic trance, chillwave, lounge, post rock, lo‑fi hip hop, hypnagogic pop and nu‑jazz.

Prominent downtempo and chillout artists include The KLF, The Orb, Thievery Corporation, Deep Dive Corp, East India Youth, The Album Leaf, Nightmares on Wax, Falco, Robert Miles, Morcheeba, Bowery Electric, Mr. Scruff, Tosca, Hallucinogen and Ultramarine.

Trip Hop – Trip hop is a genre of electronic music that emerged from downtempo/chillout in the early 1990s. Trip hop is characterized by its use of hip hop beats, samples, and dense atmospheric soundscapes, fusing influences from jazz, soul, funk, reggae, dub and R&B. Like other forms of electronic music, trip hop uses structure, melody and beats, differentiating it from ambient. The term trip hop was first used in an article in Mixmag magazine in 1994 about American artist and producer DJ Shadow. Trip hop music was popularised mainly by artists from Bristol in the UK such as Portishead, Massive Attack and Tricky. Trip hop further influenced genres like instrumental hip hop and UK garage.

Other artists that have made use of trip hop leanings include Sneaker Pimps, Aim, Howie B, The Dining Rooms, FKA Twigs, Glass Animals, Kosheen, Martina Topley‑Bird, Poliça, Smoke City, 9Lazy9, Bomb The Bass, Coldcut, Morcheeba, Pretty Lights, DJ Shadow, DJ Food, DJ Vadim, Funki Porcini, Gorillaz and London Grammar.

Electronica – Electronica is a massively broad term for music that uses electronic instrumentation and sound manipulation technology as the primary means of production. As such, it is a catch‑all for music that doesn’t slot easily into existing sub‑genres. In its widest sense, electronica is pervasive, directly or indirectly, in much of modern contemporary music. There is, therefore no point in defining it or attempting to establish its scope here.

Since the 1960s, electronica artists have both influenced and taken influence from many other music genres. The commercial breakthrough of electronic music occurred with the advent and subsequent domination of synthpop, Europop and Eurodance in the 1970s. This was followed by EDM sub‑genres such as house, techno and electro from the 1980s onward. The burst in electronic creativity was fuelled by a self‑perpetuating feedback loop, pushing things further in the popular mainstream as well as in the margins that continues to this day.

Some prominent artists under the diverse panoply of electronica include (again in no particular order) Clara Rockmore, Kraftwerk, Aphex Twin, Depeche Mode, Daft Punk, Kraftwerk, Röyksopp, Gary Numan, Japan, David Sylvian, Natural Snow Buildings, Global Communication, Moby, The Chemical Brothers, Orbital, Underworld, The Human League, Visage, Thomas Dolby, Howard Jones, Ultravox, Rick Wakeman, Jean‑Michel Jarre, Skrillex, Leftfield, Herbie Hancock, Electronic, Deadmau5, Fred Again.., Sven Väth, Major Lazer, Armin van Buuren, Sasha, Thom Yorke, Emerson Lake & Palmer (ELP), Daft Punk, Four Tet, Floating Points, Flying Lotus, Hot Chip, Pet Shop Boys, Fatboy Slim, The Prodigy, Giorgio Moroder, M83, Goldfrapp, Amon Tobin, Carl Cox, Crystal Castles, Infected Mushroom, Groove Armada, Eat Static, LCD Soundsystem, Faithless, Disclosure, System 7, 777, Erasure, Yazoo, Paul van Dyk, Eric Prydz, Heaven 17, Orchestral Manoeuvres In The Dark (OMD), Tears For Fears, Monaco, Bronski Beat, Vince Clarke, Eurhythmics, Thompson Twins, Yello, Squarepusher, Machinedrum, Pendulum, Romare, Calvin Harris, Apollo 440, Ladytron, MØ, Flume, Public Service Broadcasting, Solar Fields, The Grid, X‑Press 2, Arms And Sleepers, Caribou and ATB.


A brief history of ambient electronica (and related) artists

OK, so we’ve looked at some of the genres that have led up to the current day and the prevailing view of ambient music in context. Now, it’s time to take a brief look at some key artists involved along the way, whether they could strictly be considered proponents of ambient music or not. Here are some of the most prominent.

Tomita – Isao Tomita (1932‑2016) was a Japanese composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analogue synthesizer arrangements. Tomita is known for his electronic versions and adaptations of familiar classical music pieces as well as futuristic science‑fiction themes and trance‑like rhythms. Tomita received four Grammy Award nominations for his studio album based on music by classical composer Claude Debussy, ‘Snowflakes Are Dancing’ (1974). He also famously adapted Gustav Holst’s ‘The Planets’ (1976).

Wendy Carlos – Wendy Carlos (1939‑) is an American musician and composer born as Walter Carlos and transitioning to female gender in 1972. She is known for her pioneering electronic music and film scores. Carlos studied physics and music at Brown University before studying music composition at Columbia University in New York City. She helped in the development of Robert Moog’s first commercially available synthesizer. Carlos’ breakout release was Grammy Award‑winning ‘Switched‑On Bach’ (1968), an album of music by Johann Sebastian Bach performed entirely on synthesizer. Carlos went on to release further synthesized classical music adaptations, as well as experimental and ambient electronic music. She composed film scores for three major studio films, ‘A Clockwork Orange’ (1971), ‘The Shining’ (1980), and ‘Tron’ (1982).

Tangerine Dream – Tangerine Dream is a German band founded in 1967 by Edgar Froese (1944‑2015). The best‑known incarnation of the group was the mid‑1970s trio of Froese, Christopher Franke and Peter Baumann. Tangerine Dream is considered a pioneer in electronic, ambient and space music, a.k.a. kosmische musik (‘cosmic music’). Tangerine Dream were key members of the so‑called Berlin School of electronic music. Despite having released over one hundred albums over the years, they are best known for their use of synthesizers and sequencers, including milestone albums, Phaedra (1974) and Rubycon (1975). Tangerine Dream has also composed over sixty film soundtracks as well as the score for the video game Grand Theft Auto V. However, it is their mid‑1970s material that profoundly influenced the development of electronic music styles such as ambient, new age and EDM.

Klaus Schulze – German electronic music composer and musician Klaus Schulze (1947‑2022) is considered one of the pioneers of electronic music since the late 1960s. Schulze was an early member of the band Tangerine Dream before leaving to pursue a solo career in 1970. Schulze had a prolific career, releasing over sixty studio albums. Schulze’s music is known for its long, repetitive sequences and its use of analogue synthesizers. His early work was influenced by the psychedelic rock of the late 1960s and early 1970s, while his later work was more experimental and ambient. Schulze’s music has been used in films such as ‘The Exorcist’ (1973).

Brian Eno – English musician, composer, producer and artist Brian Eno (1948‑) has become synonymous with contemporary ambient music, pioneering and contributing to the ambient, electronica and minimalist drone genres. He started out in experimental rock, glam rock, art pop and art rock as former keyboard player with Roxy Music. Along with his extensive solo career, Eno has also collaborated on many side projects with other artists including Harold Budd, David Bowie, David Byrne, Fred Again.., Jon Hopkins and Cluster. Many of his collaborations explored beyond the scope of purist ambient music. He has also been prominent behind the studio desk producing many artists including John Cale, David Bowie, Jon Hassell, Laraaji, Talking Heads, Ultravox, Devo, U2, Coldplay, Daniel Lanois, Laurie Anderson, Grace Jones, Slowdive, James, Kevin Shields and Damon Albarn. In addition, Eno has composed a number of film scores. If that wasn’t enough, Eno has also worked prolifically in other media, including audio visual installations, art installations, film and as an author. As mentioned above, Eno pioneered the introduction and growth of generative music. A little known fact is that Eno also composed the six‑second music snip that accompanied the start‑up of the Windows 95 computer operating system, known as ‘The Microsoft Sound’. Love him or loathe him, Eno’s legacy is probably as far reaching as it is incalculable.

Brian Eno (courtesy of Cosciansky)

Kratwerk – German electronic band Kraftwerk was founded in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Kraftwerk is widely regarded as an innovator and pioneer of electronic music and was one of the first successful acts to popularise and commercialise the genre. The group began as part of West Germany’s experimental krautrock scene in the early 1970s before adopting electronic instruments for which they are best known, including synthesizers, drum machines, and vocoders. Their massive hit single and album, ‘Autobahn’ (1974) cemented their reputation. Kraftwerk inspired many artists including David Bowie, Joy Division, New Order, Daft Punk and LCD Soundsystem.

Jean‑Michel Jarre – Jean‑Michel Jarre (1948‑) is a French composer, musician and record producer. He is widely regarded as an innovator in electronic, ambient, new age and synthpop music. His breakout studio album, ‘Oxygene’ (1977) has become an electronica classic, selling over 18 million copies worldwide. Jarre’s musical style builds on the work of Tangerine Dream and adds a bit of populist French va‑va‑voom. He is famous for organising extravagant outdoor events involving laser light shows, visual projections and pyrotechnics to accompany his stage music. One of his concerts in Moscow, Russia in 1997 holds the world record for the largest audience for a single outdoor event, estimated at 3.5 million people.

The Orb – The Orb is an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. The duo began as ambient and dub DJs based in London before making the move into music production. The Orb is well known for their psychedelic ambient space sound. Over the years, The Orb has developed a cult following among clubbers ‘coming down’ from drug‑induced highs and, as such, their music became popular in club chillout rooms. Their influential debut studio album ‘The Orb’s Adventures Beyond The Ultraworld’ (1991) established the UK’s underground ambient house trend. The Orb’s second album, ‘U.F.Orb’ (1992) confirmed the band’s popularity and ensured their longevity. The Orb was influenced heavily by predecessors, Brian Eno and Kraftwerk. The Orb has maintained their signature science fiction aesthetic throughout their prolific career.

Amorphous Androgynous – British electronic music duo Amorphous Androgynous and its better known alter ego, The Future Sound of London (FSOL), was founded by Garry Cobain and Brian Dougans in 1988. The duo’s music is characterized by its psychedelic, ambient, and experimental sound. They acted as a bridge between the underground and well‑established electronic artists and has been influential in the development of electronic music genres such as ambient house, ambient dub and trip hop. They have released several albums, including ‘Tales of Ephidrina’ (1993) and ‘Lifeforms’ (1994).

Orbital – Orbital is an English electronic music duo founded by brothers Phil and Paul Hartnoll in 1989. The band has had on‑off periods of activity, breaking up and reforming on more than one occasion through the years. The band’s name is taken from the M25, London’s orbital motorway, which was key to the early (illegal) rave scene and (legal) acid house scene of the late 1980s and early 1990s. Orbital’s involvement with dance music has led to its strong reputation as a live band. They have mixed ambient sounds along with techno, trance, breakbeat and electronic rock styles. They have also been hugely influential in the development of modern electronic sub‑genres such as glitch, wonky and Intelligent Dance Music (IDM), as well as EDM.

The Chemical Brothers ‑ English electronic music duo The Chemical Brothers, originally known as The Dust Brothers, was formed in 1989 by Tom Rowlands and Ed Simons in Manchester, UK. Along with peers, The Prodigy and Fatboy Slim, they were pioneers in bringing the big beat, techno, house and EDM to popularity. Their breakout studio album, ‘Dig Your Own Hole’ (1997) rapidly became a rave classic. Like Orbital, they have become regular headliners on the festival and arena circuits. While their music is far from ambient, the origins are still evident and their enduring influence has also been widespread.


Contemporary music genres related to ambient

Here we are now, well into the 3rd decade of the 21st Century, so what position does ambient occupy now? Has it stagnated, frozen in aspic? Is it languishing in some obscure genre limbo? Or is it still evolving either on its own terms or in other ways? Let’s look at where ambient influences have led us and which may give a clue to where it might be going in the future. Here are eight of the most important modern‑day ambient spin‑offs.

Drone – Drone is a music genre that plays on long, sustained tones or repeated single notes. Unlike other genres that use drones as a component, drone music puts drones at the forefront, removing most melody and rhythm. As such, it bears many similarities to ambient. Drone music explores the changing timbre of individual sounds over time. For electronic drone, this is often achieved by slight fluctuations in the drone’s pitch, tone and amplitude.

The origins of drone, whether electronic or classical, are found in traditional music from across the world and date back to the 1940s with ‘Monotone Silence Symphony’ (1949) by Yves Klein. Drone developed through minimal music and through rock. Drone has seen a resurgence in the 2020s. Drone music has expanded to influence countless other genres, including ambient, EDM, drone metal and post‑rock.

Progressive Electronic – Progressive music in its widest sense generally attempts to expand existing stylistic boundaries associated with a specific genre of music. It also places emphasis on creating a sense of progression or development throughout a piece of music. Layered soundscapes, intricate changes in rhythm, a wide range of sound effects and textures are commonly used. Improvisation is also a key characteristic of progressive electronic music, as many musicians use improvisation to create new and inventive sounds rather than relying on pre‑recorded samples or synthesizer presets. Another important aspect is the use of lengthy, extended compositions, with tracks frequently having multiple sections and mood changes. Basically, progressive electronic covers a large proportion of electronic music from the late 1960s to the current day, including post rock. Is it a genre in itself? Make up your own mind.

Vaporwave – Vaporwave emerged in the early 2010s and is characterised by its use of synthesizers, slowed‑down samples and a great deal of studio manipulation including time shifting and cutting up of sound clips, then applying reverb, echo and other studio effects. The advent of computer‑based digital audio workstations (DAWs), such as Pro Tools, Logic Pro, Abelton and Cubase, greatly aided production and the Internet provided the means of distribution through platforms like YouTube, Bandcamp and SoundCloud.

Vaporwave got its name from ‘vaporware’, a term applied to computer hardware or software which is announced by a developer well in advance of release, but which then fails to emerge.

At first, vaporwave was a nostalgic reflection of the sounds of the 1980s and 1990s, drawing from popular music, contemporary R&B, smooth jazz and muzak, as well as from consumer culture, corporate logos, films, radio broadcasts and television commercials. Vaporwave has been described as a form of ‘post‑Internet’ electronic musical movement that reflects the fragmented and disorienting experience of living in the digital age.

The release of ‘Eccojams Vol. 1’ (2010) by Daniel Lopatin, under one of his aliases Chuck Person, is widely regarded as the foundation of vaporwave as a genre. The debut was followed ‘Floral Shoppe’ by Macintosh Plus and ‘Far Side Virtual’ by James Ferraro (both 2011), bringing greater visibility to vaporwave and its associated aesthetics. Despite this, vaporwave remains niche with tracks not readily available on physical media such as CDs or vinyl.

Like ‘pure’ ambient, vaporwave shuns structure and rhythm. The use of looping, glitching, pitch‑bending, panning, and echoing sound samples came to define the sound of vaporwave, giving the patchwork sound a hazy, surreal, dreamy and atmospheric quality with a focus on hyperreality. The vapor movement alludes to a disconnection or separation from reality presented through its original form.

In addition, vaporwave gave birth to a distinct aesthetic based on subcultures like cyberpunk, seapunk, manga and anime. Artist names, album titles and track listings often used uncommon symbols and Japanese script. In conjunction with the heavily manipulated and often intentionally degraded sound of vaporwave music, much of the genre’s artwork featured low‑grade image distortion or digital artefacts, bringing the limitations and flaws of past technology and positioning it within the broader post‑internet artistic landscape. The integration of the visual and the music elements can be interpreted as a criticism of consumer capitalism and hi‑tech culture.

Dreampunk – Dreampunk is an evolution of Vaporwave, also emerging in the mid‑2010s. Dreampunk artists wanting to experiment with more minimal and atmospheric compositions while, at the same time, distancing themselves from the nostalgic restrictions of the 1980s. The Internet record label, Dream Catalogue, helped popularize dreampunk within the vaporwave community as well as further afield.

The abstract, hypnotic, atmospheric soundscapes and repetitive structure of vaporwave is perhaps closer to ambient music, although the presence of rhythm differentiated it from its predecessor. This contributes to the dreamlike ethereal sound for which the genre is known. Dreampunk artists tend to seek anonymity, with many using several Internet aliases to create a sense of mystique around their music, hiding behind the aesthetic, often utilizing abstracted imagery of cityscapes, neon‑lit night scenes and incorporating futuristic dystopian and cyberpunk themes. Like vaporwave, dreampunk also uses Japanese scripts to further mystify their image. Classic dystopian and cyberpunk films such as ‘Blade Runner’ (1982) and ‘Ghost in the Shell’ (1995) also influenced and inspired the music genre. Both vaporwave and dreampunk continue to thrive in the underground.

Ambient, morphed through the lens of vaporwave and dreampunk, heavily influenced other genres such as hypnagogic pop, chillwave, VHS pop, witch house and slushwave.

Some popular vaporwave and dreampunk artists include Blue In Tokio, Fishmans, T e l e p a t h (テレパシー能力者), 2 8 1 4, Windows96, SkyTwoHigh and Lindsheaven Virtual Plaza.

Chillwave – Chillwave, a.k.a. glo‑fi, is an Internet genre that originated predominantly from the United States circa 2009. Chillwave, like vaporwave, looked back to the aesthetics and musical styles of the 1980s and 1990s, intentionally evoking a sense of nostalgic reflection. Chillwave melded analogue instruments with modern recording technologies and techniques to create a hazy dreamlike atmosphere. Chillwave appropriated elements of synthpop, funk, downtempo, EDM and alternative/indie genres like indie pop, neo‑psychedelia and synthwave.

Chillwave, vaporwave and dreampunk led to a great deal of fusion and crossover material, blurring the differences between them. Chillwave declined in popularity by the start of the 2020s but like many other genres, the end of chillwave may have been greatly exaggerated. Expect it to come back to the fore in due course. Chillwave’s influence would go on to play a part in genres such as cloud rap, alternative R&B, future bass, synthwave, ethereal wave and bedroom pop.

Prominent chillwave artists include Toro y Moi, Neon Indian, Washed Out, Memory Tapes, Flume, Com Truise, Tycho, Panda Bear, Lemon Jelly and Nite Jewel.

Intelligent Dance Music and its spin offs, glitch and wonky – Intelligent Dance Music (IDM) is a genre of electronic music that emerged in the early 1990s as a derivative (and rejection) of EDM. It is characterized by complex rhythms, intricate melodies, and a focus on sound design and experimentation. IDM artists often use unconventional time signatures, polyrhythms, glitches and de‑tuned sounds to create a unique listening experience. The genre is also known for its use of ambient textures and atmospheres, which can create a vague or otherworldly feel. IDM has been influential in the development of other electronic music genres such as ambient techno, and intelligent techno.

Some of the most well‑known IDM (and glitch/wonky) artists include Aphex Twin, Four Tet, Daniel Avery, Actress, Floating Points, Machinedrum, Moderat, Oneohtrix Point Never, Boards Of Canada, Mouse On Mars, Flying Lotus, LFO, Clark, Luke Vibert, Autechre and Squarepusher.

Dream pop – Deriving more from structured alternative and indie rock rather than ambient, dream pop uses reverb‑laden guitars, effects‑rich vocals, and dense studio production, to create a psychedelic, spacious, ethereal and surreal sound, albeit with a de‑emphasized beat accompanied by quiet, breathy harmonised vocals to elevate the music from its origins.

Dream pop is commonly fused with other genres such as shoegaze and noise pop, although dream pop does not solely depend on ‘walls of sound’, heavily distorted guitar layers or feedback. Dream pop relies heavily on modulation effects such as chorus, tremolo, vibrato, delay and reverb, to create mesmerising sonic textures. Dream pop bands often employ synthesizer layers to add atmosphere and lush soundscapes. Influences include slow core, post rock and trip hop.

In a similar way to shoegaze, vocals focus on melody and timbre, rather than lyricism. It is not uncommon for dream pop groups to have multiple vocalists to make good use of harmony and ‘instrumental’ vocals.

Prominent dream pop artists include Warpaint, 2:54, Lanterns of the Lake, Beach House, Cigarettes After Sex, The xx, Bat For Lashes, Low, Chromatics, Spiritualized, Julee Cruise, Broadcast, Zero 7, Phantogram, Yo La Tengo, Cocteau Twins, Dévics, Esben And The Witch, Pure Bathing Culture, School Of Seven Bells, His Name Is Alive, How To Dress Well, Lush, London Grammar and Mazzy Star.

Ambient dub – Ambient dub fuses ambient music with dub electronica. Ambient dub is a chillout fusion of ambient, dub reggae and future dub, featuring the atmosphere of the former and the Jamaican‑style basslines, percussion, and psychedelic production techniques of the latter. The name of the genre was coined by record label Beyond Records with a series of compilation albums of the same name, starting with, ‘Ambient Dub Volume 1: The Big Chill’ (1992). Many of the prominent artists within the genre also perform or mix in elements of dub techno, dubstep or ambient techno, which has led to some confusion over ambient dub’s actual sound. While the lines are indistinct between such electronic genres, ambient dub can genuinely be discerned by its denser atmospheres, a heavier use of reverb and/or delay, and an emphasis on bass akin to traditional dub, as well as reggae rhythms.

Notable ambient dub artists include: The Dub Syndicate, Bill Laswell, Dreadzone, Higher Intelligence Agency, The Orb, Ott, Loop Guru, Transglobal Underground, Jon Hopkins, Jah Wobble, Mad Professor, Burnt Friedman, Deadbeat, The Bug, Solar Quest, Ladytron and Banco de Gaia.

Dark ambient – before we leave, it’s worth a quick mention about dark ambient, a.k.a. ambient industrial. While most ambient music creates a peaceful, welcoming and safe place, dark ambient is intended to disturb. Dark ambient emerged as a post‑industrial counterpoint to the wider ambient landscape. It is characterised by an ominous, brooding, eerie, sinister and overbearingly gloomy atmosphere, often with discordant overtones, dissonant timbres and lengthy drones. Dark ambient often crops up in film scores intended to unsettle the audience and create a sense of disorientation or suspense.

Dark ambient artists include Deathprod, Agalloch, David Lynch, Throbbing Gristle, Angelo Badalamenti, Nine Inch Nails, Trent Reznor, William Basinski, Blut Aus Nord, Mortiis, Cabaret Voltaire, Dolorian, NON, Controlled Bleeding, Earth, Jóhann Jóhannsson, Sunn O))) and Steven Wilson.

STOP! Enough already! I hear you cry. We are beginning to go down a bit of a proverbial rabbit hole here, so the short list that follows suggests other sub‑genres heavily influenced by ambient and its derivatives. These sub‑genres include black ambient, ritual ambient, space ambient, space music, ambient Americana, ambient house, ambient techno, ambient trance, psybient, psydub, minimalism, modern classical, ambient industrial, tribal ambient, pop ambient, dubstep and turntable music. Phew!


Key ambient+ albums:

As with my previous article on dub reggae, it would be remiss not to mention some of the key albums that have impressed over the years. Here are some predictable and some very unpredictable selections to showcase the vast expanse of electronic ambient music as it is today. As this article has hopefully shown, ambient isn’t a clearly defined pigeon hole with unbreakable rules but rather a constantly changing complex and diverse approach to experimental soundscapes. Hence this ‘top 20’ collection is more like ‘ambient+’ (as I call it; remember, you read it here first!), intended to demonstrate the ecosystem’s multiplicity. Another ‘desert island disc’ compendium to daydream about. Again, it was a difficult decision‑making process with many excellent works that didn’t make this particular cut. These albums are all classified as contemporary, i.e. 1975 to the current day.

  1. Aphex Twin – Selected Ambient Works 85‑92 (1993) and Vol. II (1994). Two seminal albums in the ambient genre that feature a mix of electronic and acoustic sounds. It is known for its dreamy, otherworldly soundscapes and has been described as ‘a journey through a strange and beautiful world’.
  2. Brian Eno – Ambient 1: Music For Airports (1978). Basically, the one that started it all. Essential listening for devotees of the ambient music genre. A starting point for the many great ambient works that followed and an entrée into Eno’s many other ambient works.
  3. Tangerine Dream – Rubycon (1975). Along with its predecessor, ‘Phaedra’ (1974), the pair stand out from the band’s extensive canon. The band had stopped using traditional instruments in its compositions and focused on analogue synthesizers and sequencers. Truly remarkable.
  4. Max Richter – Sleep (2015). Almost 8½ hours of sweet lilting lullaby, a transcendent, cinematic, post‑minimalist ambient album of gentle music intended to be experienced as much as it is to be listened to, awake or asleep (or, interestingly, in between – a phenomenon known as ‘eyelid movies’; what the mind conjures up when one is in the transitional state of near sleep).
  5. GAS – Pop (2000). A comforting, immersive experience and a lesson in how to make electronica sound organic and engrossing. Transcendent and transformative. A lysergic trip for your ears.
  6. Fripp & Eno – Evening Star (1975). Combining the talents of Brian Eno and Crimson King guitarist Robert Fripp. Good to see guitar making a contribution to ambient music.
  7. Four Tet – Rounds (2003). Not really ambient, more IDM and glitch. However, a disarmingly elegant stripped back intimate album. Perhaps, Kieran Hebdan’s landmark album.
  8. Boards Of Canada – Music Has The Right To Children (1998). Focusing on concepts of childhood nostalgia, created by the use of obscure samples and masterly manipulated layers of sound. The album has become rather essential listening along with ‘The Campfire Headphase’ (2005) and ‘Geogaddi (2002).
  9. Bonobo – Black Sands (2010). Lush, sumptuous and beguiling. Not ambient in a true sense but a great example of downtempo electronica from Simon Green. Also worth a listen is, ‘The North Borders’ (2013). Both also have excellent remix albums.
  10. The KLF – Chill Out (1990). A classic ambient album that features a mix of samples and original music. It’s known for its dreamy, atmospheric soundscapes and has been described as ‘a road movie in music form’.
  11. Stars Of The Lid – Tired Sounds Of Stars Of The Lid (2001). An album that features long, slow‑moving pieces that are built around drones and other ambient textures.
  12. Chromatics – Night Drive (2001) – More ambient pop, dream pop and synthwave than pure ambient. Chromatics’ ethereal style was featured by David Lynch in his surreal TV series, ‘Twin Peaks’.
  13. Burial – Untrue (2007). Enigmatic London‑based dubstep artist burst onto the scene with an album that is stark, blurred, eerie, tender and hauntingly evocative. A breath taking and inimitable event.
  14. William Basinski – The Disintegration Loops I‑IV (2002‑2003). Four albums that feature loops of decaying tape recordings. The music is haunting and melancholic, and has been described as ‘a meditation on loss and decay’. Dedicated to the victims of 9/11. Tape music entropy as it happens, captured for posterity.
  15. Tim Hecker – Radio Amor (2003). An album that features a mix of electronic and acoustic sounds, including guitar and piano. It’s known for its dense, layered soundscapes and has been described as ‘a beautiful, immersive experience’.
  16. Banco de Gaia – Last Train To Lhasa (1995). Along with its predecessor, ‘Maya’ (1994), it shows the approach of Toby Marks to progressive ambient electronica. Again, not really ambient but hugely influenced by it.
  17. Thievery Corporation – The Richest Man In Babylon (2000). Along with its remix EP, ‘Babylon Rewound’ (2004) it takes other influences including reggae and dub and brought it into the downtempo chillout world.
  18. The Higher Intelligence Agency – Freefloater (1995). British artist Bobby Bird started off running experimental electronic music nights in Birmingham. Ambient techno meets ambient dub meets ambient. Also worth a listen is, ‘Colourform’ (2010).
  19. Lindsheaven Virtual Plaza & SkyTwoHigh – Imaginary Pathways (2021). The final Internet album by Brazilian musician and producer, Cesar Alexandre before his untimely death due to covid. More dreampunk, ambient techno and downtempo with a hint of vaporwave rather than ambient. Blissful.
  20. The Gentleman Losers – The Gentleman Losers (2006). Finnish brothers that take a mix of ambient, post rock, lo‑fi, dreamlike slowcore and even a hint of Americana and blend it into a strange place where one isn’t certain of what is light and what is dark.
20 Ambient+ Studio Albums

In addition, referring back to ubiquitous compilation albums of the 1990s, one of the most significant events was ‘Ambient Dub Volumes 1‑4’ by various artists (1992‑1995) – A series of ambient dub compilation albums from Beyond Records that announced ambient dub to the world. The last of the four isn’t quite up to the first three but best seen as a whole. Another name check is for the annual ‘Pop Ambient’ compilations (2001‑) curated by Wolfgang Voigt, the man behind Kompakt Records and his nom de guerre GAS (see #5 above).


The future of ambient and ambient‑related music

The legacy of ambient music in all its facets has had a major impact on pretty much everything we listen to, even if we aren’t always aware of it. The question is, where is it going?

Ambient has exhibited somewhat of a resurgence in the early 2020s. Part of this renewed interest may be because of what is called multi‑sensory branding, where media events attempt to evoke memories through stimulation of all the senses. Another reason may be the rediscovery of obscure Japanese ambient music, as well as an interest in previously experimental, niche or underground music now garnering mainstream recognition. Streaming services make accessing unconventional music much easier. In addition, the growth of interest in mindfulness and mental health & wellbeing as a ‘cure’ for stress and anxiety caused by an increasingly frenetic and unpredictable world has reinforced the search for aids to relaxation, introspection and contemplation.

One thing we’ve learnt from this escapade is that ambient and ambient+ (or whatever else you want to call it) has been pushing the boundaries ever since the start of the 20th Century. If nothing else, it will continue to explore the outer limits while influencing the mainstream.

Probably the most significant tool in the future of ambient electronica won’t even involve human beings or actual instruments! AI will make significant inroads into generative music. Ultimately, though, this is likely to be a bit of a creative dead end. The drawback of AI is that it can only learn from what has come before it, it lacks the imagination and inventiveness of the human mind. At some point, AI generated ambient will become stale and derivative and human creativity will, once again be needed to bring spontaneity and unpredictability back to front and centre of music. Go People!

Given the inherent limitations of traditional musical instruments, electronic music may, arguably, have the greatest potential for innovation and creativity. One can only imagine the possibilities yet to be explored.

While many critics view electronica as soulless, cold and inert, it is sure to develop the ability to elicit more organic, fluid emotional responses. Many artists are looking backwards to analogue instruments and production techniques to add warmth and to create beauty out of its inherent imperfections.

Genre developments can only surprise once before they become part of the historical mosaic. One possible future is that ambient reaches a point where it becomes sterile and disposable. One might envisage it derided in the way that elevator muzak has become. Arguably, a proportion of current‑day throwaway popular music is already demonstrating that bleak possibility with anything new ultimately being short‑lived around the periphery before being subsumed into universal, amorphous homogeneity.

How we will be listening to music is another factor. If music becomes more clichéd, contrived and derivative, it will become more and more dismissible, fading into the background environment. However, isn’t that exactly what Erik Satie intentionally started with back in 1917?

For some, like the author, ambient resonates with the psyche on both a subconscious and conscious level. Others, meanwhile, may find the genre melancholic or even highly irritating. Ultimately, like all music preferences, it is partly a deliberate decision and partly predetermined in some obscure way.

Personally, I have confidence that people who appreciate ‘real’ music and have a passion for creating and performing it that will perpetuate this idiosyncratic form of music into a healthy future. Once again, discuss…


Tailpiece

So… there you have it. Another lengthy (apologies) delve into a relatively narrow niche of the wondrous world of music. Back to the real world, sadly. I cannot write about things that I don’t have some sort of fascination with. Having said that, these ambient+ genres are not exclusive listening. However, they can be just the ticket when one feels like some chillaxing, escaping from reality or as an antidote to insomnia.

Why do I dig ambient and electronic ambient+ music? It just resonates with me, It creates a welcoming oasis of contemplative calm away from a crazily intense ‘real’ world and it is somewhere to go that isn’t, well, here. Nothing profound, transcendent or conceited. See you in The Matrix soon.

I have no idea what’s up next, so it will come as much of a surprise to me as it will to you. Thoughts on a postcard please.

Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “If you could literally have the world, what, exactly, would you do with it?”

© 2023 CRAVE Guitars – Love Vintage Guitars.

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January 2020 – The Story of Modern Music in 1,500+ Facts – Part X

posted in: History, Introduction, Observations | 0

Introduction

Well, here we are once again. Welcome to 2020 one and all – a new year and a new decade, well, sort of. After the temporary intermission last month for the obligatory 2019 end‑of‑year roundup, we’re back on the trail ‘History of Modern Music…’ Cast your mind back for a moment. In more than one way, 1650 and the end of the Renaissance, where this story began seems a long, long time ago now. It struck me during the brief interlude just what a conceivably Sisyphean labour it has become, and there is still quite a bit of fun and games to be played out. Getting straight back into the proverbial saddle, Part X of the story is now rounding up the stragglers from the 20th Century and riding into the dawn of the new millennium with all its first world promises and disappointments.

If you would like to (re)visit the first 9 parts (and 350 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Right, now the prelude is over, let’s get into the groove of the shiny new millennium, starting at 2000 and finishing this month at the end of 2009…

The Story of Modern Music Part X 2000-2009

Without the benefit of lengthy hindsight, the question is, how best to describe early 21st Century music? Arguably, the most notable trend of the noughties was the rise in popularity of indie music standing proud and in stark contrast to the seemingly indomitable, yet strangely bland, soulless and non‑descript merchandise of the commercial pop music industry.

Sadly, time and circumstances resulted in many prominent departures during the decade, adding a touch of pathos among the many achievements. While lost to us, at least we still have their music to appreciate.

In the absence of any particularly significant defining characteristics, perhaps it is best to let the facts speak for themselves. Before we get there, though, it is important to set the turbulent global context within which the musical styles of the new age progressed. Although shorter in content than previous decades, the ‘noughties’, and consequently, the ‘teenies’, will still get their own discrete article.

Historical Context 2000-2009

The opening decade of the 2000s has many popular names, one of which is simply, ‘the noughties’. The widely recognised formal name for the first decade of a new century is the less common, ‘the aughts’. Despite the unbridled optimism for the new millennium, the ‘00s heralded a fractious decade during which terrorism and the rise of dangerous radical Islamic ideologies would dominate international relations and drive brutal armed conflict in many territories. An unsustainable rise in living standards and avaricious materialism during the first half of the decade precipitated another inevitable major ‘boom and bust’ event fuelled by rabid financial mismanagement and, ultimately, greed. The result was the most devastating global recession to hit ordinary people since the 1930s in terms of both impact and longevity. Depression drove increasingly profound social, health and wealth divisions between the richest few percent and the vast majority. The digital revolution boomed and the unbridled growth of the Internet facilitated the promise of global democratisation of knowledge and information, while also enabling massive levels of ‘social’ drivel and inanity. There was a continued expansion in environmental lobbying and ‘green’ industries aiming to tackle the impending and still controversial threat of the ‘greenhouse effect’ on the planet’s fragile ecosystem.

Year

Global Events

2000

An Air France Concorde airliner crashed shortly after take‑off in France, killing 113 people, leading to the suspension of the fleet and effectively ending the era of supersonic passenger flights.

 

The first stage of the world’s largest collaborative biological project, the Human Genome Project was completed, documenting an initial rough draft of the base pairs that make up human DNA.

2001

Republican politician George W. Bush became the 43rd president of the U.S.A. Bush Junior was the son of George H.W. Bush who was the 41st president.

 

Members of the Islamic terrorist group al-Qaeda hijacked and crashed two airliners into the World Trade Center in Manhattan, New York City. A third plane was crashed into the U.S. Department of Defense HQ, the Pentagon in Virginia. A fourth aircraft crashed in Shanksville, Pennsylvania after passengers overpowered the hijackers. The co‑ordinated attacks of 9/11 killed almost 3,000 people.

 

America, supported by its allies, invaded Afghanistan following the unprecedented 9/11 terrorist attacks on the U.S.A. with the intention of dismantling the threat of Islamic terrorist organisation al‑Qaeda at its source.

2002

The Euro was officially introduced in the Eurozone countries, after which the former currencies of those countries ceased to be legal tender.

 

Queen Elizabeth, The Queen Mother of the UK monarchy and the wife of King George VI, died. Her funeral took place at Westminster Abbey in London.

 

The Severe Acute Respiratory Syndrome coronavirus (SARS CoV) outbreak emanated in southern China and the subsequent epidemic caused a global public health crisis.

2003

America and Britain, supported by allies, invaded Iraq to remove the threat of alleged weapons of mass destruction (WMD) and to depose the country’s dictator and head of state, Saddam Hussain.

 

The first successful global social networking website, Myspace was founded by Americans Chris DeWolfe and Tom Anderson, based in Beverly Hills, California. Myspace was overtaken in popularity by rival Facebook in 2008 and, while still in existence, usage has declined significantly.

 

American Space Shuttle Columbia disintegrated during re‑entry to the Earth’s atmosphere, killing all seven astronauts aboard.

2004

The global Internet‑based social media networking web site Facebook was created by American entrepreneur Mark Zuckerberg, based in Menlo Park, California. Facebook has approximately 2.5billion active users.

 

The European Union (EU) expanded by 10 new member states – Poland, Lithuania, Latvia, Estonia, the Czech Republic, Slovakia, Slovenia, Hungary, Malta and Cyprus.

 

A massive 9.3 magnitude earthquake and tsunami in the Indian Ocean near Sumatra killed over 200,000 people.

 

The tallest skyscraper in the world, Taipei 101, at a height of 1,670 feet (510m) opened in Taipei, Taiwan. It was overtaken by the completion of the Burj Khalifa in Dubai in 2010.

2005

The video sharing web site, YouTube was launched. The platform was created by Chad Hurley, Steve Chen, and Jawed Karim, based in San Bruno, California. YouTube is currently owned by technology giant, Google.

 

Polish head of the Catholic Church and sovereign of the Vatican City, Pope John Paul II died. He was succeeded by German national, Pope Benedict XVI.

 

Category 5 Hurricane Katrina devastated the city of New Orleans, Louisiana, U.S.A., killing over 1,800 people and causing billions of dollars’ worth of damage.

2006

Indian Islamic terrorists detonated seven bombs on trains in the city of Mumbai, India, killing more than 200 people.

 

Discovered in 1930, Pluto was demoted from planet status and was re‑designated the largest known dwarf planet in the Kuiper belt. Caltech researcher Mike Brown led the team that led to the declassification.

 

Former president of Iraq, Saddam Hussein was tried and convicted by an Iraqi Special Tribunal and was executed by hanging for crimes against humanity.

2007

Three-year old English girl Madeleine McCann disappeared from the holiday resort of Praia da Luz in the Algarve region of Portugal. She remains missing despite massive media coverage.

 

Technology giant Apple Inc. launched the game‑changing touch screen mobile telephone, the iPhone.

 

The Global Financial Crisis began, caused by poor regulation resulted in the failure of a number of large financial and banking institutions. The severe worldwide economic downturn, known as the Great Recession, was the worst since the Great Depression of the 1930s. The economic impact of the slump lasted for more than a decade.

2008

In physics, the Large Hadron Collider particle accelerator used to detect the presence of sub‑atomic particles was completed by CERN near Geneva in Switzerland. The pioneering science project became fully operational in 2010.

 

Pakistani Islamic terrorists carried out a series of 12 attacks over 4 days in Mumbai, India, killing almost 175 people.

2009

The decentralised digital cryptocurrency Bitcoin was established by pseudonymous Japanese creator Satoshi Nakamoto.

 

Democrat politician Barack Obama became the 44th president of the U.S.A. and was the first African‑American to be elected to the presidency.

Musical Genre Development 2000-2009

The pop music machine sustained commercial success well into the 21st Century. Large record companies continued to focus resources on the lucrative tween and teen audiences with artists such as Avril Lavigne, Miley Cyrus, Justin Bieber, Rihanna, Chris Brown, Usher, P!nk, Beyoncé, Lady Gaga and Katy Perry. Also popular were manufactured groups such as Destiny’s Child, Sugababes, Pussycat Dolls, One Direction, 5 Seconds Of Summer and Little Mix. Country music saw another revival with artists like Shania Twain, Taylor Swift, Faith Hill, Keith Urban and Carrie Underwood achieving notable success. Soul (nu‑soul) also saw a resurgence of interest, including performers like Joss Stone, Natasha Bedingfield, Corinne Bailey Rae, Estelle, Amy Winehouse, Adele and Duffy. Hip‑hop broadened out into contemporary R&B and claimed the resurgent urban music territory with artists such as Jay‑Z, Kanye West, Ludacris and 50 Cent building on the popularity of Dr Dre, Eminem and N.W.A.

Indie (rock) music had its origins in the 1970s as a ‘catch‑all’ umbrella term for artists who produced music through independent record labels rather than the large record companies and their subsidiaries. A new breed of bands began to emerge, aided by Internet exposure, coalescing into the indie rock movement on both sides of the Atlantic Ocean. Emerging rock bands came into their own and reasserted their independence through a rejection of (and by) the structured studio system. One constant characteristic of indie music is the rejuvenated dominance of the electric guitar within a band format. Indie music originated from the punk, alternative and grunge genres of previous decades and represents a very diverse range of musical approaches including dream pop, shoegaze, indie pop, indie dance, garage rock, indietronica, chillwave, hypnagogic pop, lo‑fi, etc. To reflect this diversity, there is a long list of indie artists from varying sub‑genres to give an indication of its broad appeal, including (in no particular order); My Bloody Valentine, Arctic Monkeys, The Jesus & Mary Chain, Eels, Low, The Zutons, Interpol, Charlatans, Slowdive, Ride, Primal Scream, PJ Harvey, The Strokes, The White Stripes, The Hives, The Vines, Snow Patrol, Keane, Pavement, Spiritualized, Blood Red Shoes, The Cribs, Sleater‑Kinney, The Libertines, Franz Ferdinand, Razorlight, Editors, Kasabian, Kings Of Leon, LCD Soundsystem, Crystal Castles, Arcade Fire, Yeah Yeah Yeahs, Paramore, Belle & Sebastian, The Shins, The Kooks, The Killers, The Fratellis, Vampire Weekend, Bombay Bicycle Club, The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, Ariel Pink, My Chemical Romance, Weezer, Death Cab for Cutie, White Lies, Two Door Cinema Club and War On Drugs amongst many others. The sheer volume of artists and material led to the term ‘indie landfill’ used to describe generic and derivative music exploiting indie music credentials.

Musical Facts 2000-2009

Day

Month

Year

Music Fact

6

March

2000

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2000’ including Eric Clapton, Earth Wind & Fire, The Lovin’ Spoonful, Bonnie Raitt, James Taylor, Nat ‘King’ Cole, Billie Holiday and Scotty Moore.

27

March

2000

English punk singer, songwriter and poet, Ian Dury died from cancer in London at the age of 57.

23

May

2000

American hip hop artist Eminem released his classic 3nd studio album, ‘The Marshall Mathers LP’.

20

June

2000

American blues/rock duo The White Stripes released their 2nd studio album, ‘De Stijl’.

2

October

2000

English alternative rock band Radiohead changed stylistic direction when they released their 4th studio album, ‘Kid A’.

9

October

2000

English alternative rock band Placebo released their 3rd studio album, ‘Black Market Music’.

5

December

2000

American political rap rock band, Rage Against The Machine released their 4th and, to‑date, final studio album, ‘Renegades’.

8

December

2000

English bass guitarist, singer, songwriter and former member of rock band The Police, Sting received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.

18

December

2000

English singer and songwriter Kirsty MacColl was killed tragically in a boating incident while on holiday in Cozumel, Quintana Roo, Mexico at the age of 41.

20

December

2000

Long-running UK music magazine ‘Melody Maker’ published its final issue. It had run for over 74 years since January 1926. Melody Maker was merged with rival music paper, New Musical Express (NME).

6

March

2001

Jamaican reggae legend Bob Marley received a posthumous Star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

19

March

2001

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2001’ including Aerosmith, Solomon Burke, the Flamingos, Michael Jackson, Queen, Paul Simon, Steely Dan, Ritchie Valens and James Burton.

20

March

2001

Renowned Northern Irish blues/rock guitarist, Gary Moore released his classic 15th studio album, ‘Back To The Blues’ in the UK.

2

April

2001

German industrial heavy metal rock band Rammstein released their top-selling 3rd studio album, ‘Mutter’ (translated as Mother).

3

April

2001

American indie rock band Black Rebel Motorcycle Club released their debut studio album, ‘B.R.M.C.’.

10

April

2001

Indie rock giants, Nick Cave & The Bad Seeds released their 11th studio album, ‘No More Shall We Part’.

4

June

2001

English alternative rock band Radiohead released their classic 5th studio album, ‘Amnesiac’ in the UK.

18

June

2001

English alternative rock band Muse released their breakout 2nd studio album, ‘Origin of Symmetry’.

30

June

2001

American guitarist, nicknamed the ‘Country Gentleman’, Chet Atkins died from cancer at his home in Nashville, Tennessee at the age of 77.

3

July

2001

American blues/rock duo The White Stripes released their 3rd studio album, ‘White Blood Cells’.

18

July

2001

American hard rock band KISS introduced a unique, if somewhat sinister, item of brand merchandise, a burial coffin humorously known as the ‘KISS Kasket’.

27

July

2001

American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson died of chronic liver and lung disease in Ponte Vedra Beach, Florida at the age of 49.

30

July

2001

Emerging American indie rock band The Strokes released their classic debut album, ‘Is This It’.

18

September

2001

American alternative/indie rock band Wilco released their classic 4th studio album, ‘Yankee Hotel Foxtrot’.

23

October

2001

American technology giant Apple Inc. introduced the first iPod solid state portable media player, linked to the iTunes media storage library.

29

November

2001

English former member of The Beatles, George Harrison died of cancer in Los Angeles, California at the age of 58.

16

December

2001

Scottish guitarist and singer with punk rock band Skids and then Big Country, Stuart Adamson committed suicide in Honolulu, Hawaii at the age of 43.

5

March

2002

MTV broadcast the first episode of their reality TV show ‘The Osbournes’, featuring a portrayal of the Black Sabbath singer Ozzy Osbourne’s family life.

18

March

2002

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2002’ including Isaac Hayes, Brenda Lee, Tom Petty and the Heartbreakers, Gene Pitney, Ramones, Talking Heads and Chet Atkins.

26

March

2002

British heavy metal rock band, Iron Maiden released their massive live concert album, ‘Rock In Rio’.

12

April

2002

English heavy metal singer with Black Sabbath and TV reality show celebrity, Ozzy Osbourne received a star on the Hollywood Walk of Fame at 6780 Hollywood Boulevard.

14

May

2002

Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his commercially successful 6th studio album, ‘18’.

5

June

2002

American bass guitarist Dee Dee Ramone of punk rock band Ramones died from a heroin drug overdose at his home in Hollywood, California at the age of 50.

27

June

2002

English bass guitarist with rock band The Who, John Entwistle, nicknamed ‘The Ox’, died of a cocaine‑related heart attack in a Hard Rock hotel room in Paradise, Nevada at the age of 57.

27

August

2002

American rock band Queens Of The Stone Age released their classic 3rd studio album, ‘Songs For The Deaf’.

24

September

2002

American alternative rock artist, Beck released his introspective and highly underrated 8th studio album, ‘Sea Change’.

14

October

2002

English indie rock band The Libertines released their successful debut studio album, ‘Up The Bracket’.

18

October

2002

English pop/rock band Queen received a star on the Hollywood Walk of Fame at 6356 Hollywood Boulevard.

27

October

2002

Highly renowned American record producer who worked for Atlantic Records, Tom Dowd died of emphysema in Aventura, Florida at the age of 77.

3

November

2002

Scottish singer and guitarist, crowned the ‘King of Skiffle’, Lonnie Donegan died of a heart attack in Market Deeping, Lincolnshire at the age of 71.

22

December

2002

English singer, songwriter and guitarist, Joe Strummer of punk rock band The Clash died from a congenital heart defect at his home in Somerset, UK at the age of 50.

30

December

2002

The funeral of English guitarist, singer and songwriter with punk rock band The Clash, Joe Strummer took place in London, UK.

3

February

2003

Famous American ‘wall of sound’ record producer, Phil Spector murdered actress Lana Clarkson in his California Alhambra mansion.

10

February

2003

English trip-hop group, Massive Attack released their underrated 4th studio album, ‘100th Window’ in the UK.

10

March

2003

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2003’ including AC/DC, The Clash, Elvis Costello & The Attractions, The Police, The Righteous Brothers and Floyd Cramer.

1

April

2003

American blues/rock duo The White Stripes released their highly regarded 4th studio album, ‘Elephant’.

1

April

2003

English alternative rock band Placebo released their 4th studio album, ‘Sleeping With Ghosts’.

18

April

2003

Legendary American blues/R&B, soul and jazz singer Etta James received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

11

May

2003

English bass guitarist with The Jimi Hendrix Experience, Noel Redding died of liver disease in Clonakilty, County Cork, Ireland at the age of 57.

15

May

2003

American country music singer and wife of Johnny Cash, June Carter Cash died following heart surgery in Nashville, Tennessee at the age of 73.

30

May

2003

Successful English record producer behind many massive chart hits, Mickie Most died from abdominal cancer at his home in London at the age of 64.

9

June

2003

Acclaimed English alternative rock band Radiohead released their 6th studio album, ‘Hail To The Thief’.

13

June

2003

English guitarist, singer, songwriter and former member of progressive rock band Pink Floyd, David Gilmour was awarded a CBE by Her Majesty the Queen.

30

July

2003

Legendary American record producer Sam Phillips, founder of Sun Records and the man responsible for signing Elvis Presley, Jerry Lee Lewis, Roy Orbison and Johnny Cash, died of respiratory failure in Memphis Tennessee at the age of 80.

25

August

2003

American indie rock band Black Rebel Motorcycle Club released their 2nd studio album, ‘Take Them On, On Your Own’.

12

September

2003

Less than 4 months after his wife passed away, American country legend Johnny Cash died of complications caused by diabetes in Nashville at the age of 71.

26

September

2003

English singer, songwriter, musician, solo artist and former member of the pop rock band Power Station, Robert Palmer died of a heart attack in a hotel room in Paris, France at the age of 54.

29

September

2003

English alternative rock band Muse released their successful 3nd studio album, ‘Absolution’.

12

December

2003

English singer and songwriter with The Rolling Stones, Mick Jagger received a knighthood from HRH Prince Charles at Buckingham Palace.

9

February

2004

English indie rock band Franz Ferdinand released their successful debut studio album, the self-titled ‘Franz Ferdinand’.

15

March

2004

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2004’ including Jackson Browne, George Harrison, Prince, Bob Seger, Traffic and ZZ Top.

6

May

2004

American virtuoso jazz guitarist and session musician with The Wrecking Crew, Barney Kessel died from a brain tumour at his home in San Diego, California at the age of 80.

10

June

2004

American singer, songwriter, musician, and composer Ray Charles died from complications as a result of acute liver disease at his home in Beverly Hills, California at the age of 73.

15

June

2004

Emerging American rock band The Killers released their hugely successful debut studio album, ‘Hot Fuss’.

23

June

2004

American folk/rock singer, songwriter and guitarist, Bob Dylan was made ‘Doctor of Music’ at St. Andrews University in Scotland, UK.

24

June

2004

Exactly 5 years after his first sale, English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. Together, the two auctions raised $11 million for the Crossroads Centre he founded in Antigua, a residential treatment centre for alcohol and chemical dependencies.

21

July

2004

American music composer, Jerry Goldsmith, famous for his many TV and film scores, died from cancer in Beverley Hills, California at the age of 75.

30

August

2004

English indie rock band The Libertines released their successful eponymous 2nd studio album, ‘The Libertines’.

6

September

2004

English indie rock band Kasabian released their classic self-titled debut studio album, ‘Kasabian’.

9

September

2004

Successful American guitar and musical equipment entrepreneur and businessman, Ernie Ball died in San Luis Obispo, California at the age of 74.

15

September

2004

American guitarist and songwriter with punk rock band Ramones, Johnny Ramone died of prostate cancer at his home in Los Angeles, California at the age of 56.

20

September

2004

Indie/alternative rock giants, Nick Cave & The Bad Seeds released their epic 13th double studio album, ‘Abattoir Blues / The Lyre of Orpheus’.

21

September

2004

American post-punk rock band Green Day released their top-selling 7th studio album, ‘American Idiot’ in the U.S.

27

September

2004

German industrial heavy metal band Rammstein released their 4th studio album, ‘Reise, Reise’ (roughly translated as ‘Arise, Arise’).

25

October

2004

Highly acclaimed English DJ and BBC radio presenter, John Peel died from a heart attack while working on holiday in Cusco, Peru at the age of 65.

1

November

2004

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’ in the UK (22 February 2005 in the US).

3

November

2004

English blues/rock guitarist, singer and songwriter, Eric Clapton received a CBE from the Princess Royal at Buckingham Palace in London for his services to music.

8

December

2004

American guitarist, ‘Dimebag’ Darrell Abbott, co-founder of heavy metal bands Pantera and Damageplan was murdered while performing on stage in Columbus, Ohio at the age of 38.

14

December

2004

The funeral of American guitarist with heavy rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Abbott, took place in Arlington, Texas.

10

February

2005

English singer with The Who, Roger Daltrey was awarded a CBE by HM The Queen at Buckingham Palace.

14

March

2005

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2005’ including Buddy Guy, The O’Jays, The Pretenders, Percy Sledge and U2.

22

March

2005

American alternative rock band Queens Of The Stone Age released their 4th studio album ‘Lullabies to Paralyze’.

11

June

2005

Two English rock guitarists were rewarded for their contributions to music in the Queen’s Birthday Honours. Jimmy Page of Led Zeppelin was awarded an OBE and Brian May of Queen a CBE.

22

August

2005

American indie rock band Black Rebel Motorcycle Club released their 3rd studio album, ‘Howl’.

30

August

2005

American indie rock band Death Cab For Cutie released their 5th studio album, ‘Plans’.

1

September

2005

American blues singer, songwriter and guitarist R.L. Burnside died of heart disease in a hospital in Memphis, Tennessee at the age of 78.

4

September

2005

The major feature film chronicling the life of country legend Johnny Cash, ‘Walk The Line’, starring Joaquin Phoenix and Reese Witherspoon, directed by James Mangold, was released in the USA.

10

September

2005

American guitarist and Blues Hall of Famer, Clarence ‘Gatemouth’ Brown died from cancer in Orange, Texas at the age of 81.

5

November

2005

Influential American rock ‘n’ roll guitarist Link Wray died of heart failure at his home in Copenhagen, Denmark at the age of 76.

23

January

2006

English indie rock sensation, Arctic Monkeys released their debut studio album, ‘Whatever People Say I Am, That’s What I’m Not’.

13

March

2006

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2006’ including Black Sabbath, Blondie, Miles Davis, Lynyrd Skynyrd, Sex Pistols and Herb Alpert.

7

July

2006

English guitarist, songwriter and founder of progressive rock band Pink Floyd, Syd Barrett died of pancreatic cancer at his home in Cambridge at the age of 60.

25

July

2005

British indie rock band Editors released their debut studio album, ‘The Back Room’ in the UK.

30

July

2006

Popular weekly UK music chart TV programme ‘Top Of The Pops’ (TOTP) was broadcast by the BBC for the final time, after running for 42 years.

28

August

2006

English indie rock band Kasabian released their classic 2nd studio album, ‘Empire’.

15

October

2006

After American singer Patti Smith finished her live set at New York City’s famous punk rock music venue CBGB & OMFUG, the club finally closed its doors for good, following a rent dispute and thereby ending an era.

25

December

2006

Legendary American singer and the ‘Godfather of Soul’, James Brown died of pneumonia in Atlanta, Georgia at the age of 73.

28

February

2007

American rock band The Doors received a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard.

12

March

2007

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2007’ including Grandmaster Flash & The Furious Five, R.E.M., The Ronettes, Patti Smith and Van Halen.

23

April

2007

English indie rock band, Arctic Monkeys released their sophomore studio album, ‘Favourite Worst Nightmare’.

25

June

2007

British indie rock band Editors released their sophomore studio album, ‘An End Has a Start’.

5

November

2007

English downtempo artist William Emmanuel Bevan (a.k.a. Burial) released his melancholic genre breaking 2nd studio album, ‘Untrue’.

12

December

2007

Controversial American rock ‘n’ roll and R&B pioneer, Ike Turner died from a cocaine overdose at his home in San Marcos, California at the age of 76.

2

March

2008

Extraordinary blind Canadian blues/rock guitarist Jeff Healey died from lung cancer in Toronto at the age of 41.

10

March

2008

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2008’ including Leonard Cohen, The Dave Clark Five, Madonna, John Mellencamp, The Ventures and Little Walter.

1

April

2008

American blues/rock duo The Black Keys released their classic 5th studio album, ‘Attack & Release’.

3

April

2008

American media and technology giant Apple Inc. became the top seller of recorded music in the USA.

19

April

2008

The annual global campaign to promote the importance of independent music stores ‘Record Store Day’ began in California, USA.

28

April

2008

English trip-hop band, Portishead released their 3rd studio album, the originally titled, ‘Third’.

12

May

2008

American indie rock band Death Cab For Cutie released their 6th studio album, ‘Narrow Stairs’.

26

May

2008

English indie rock band Spiritualized released their 6th studio album, ‘Songs In A&E’.

2

June

2008

Legendary American blues and rock ‘n’ roll guitarist Bo Diddley died from heart failure at his home in Archer, Florida at the age of 79.

7

June

2008

The ‘homecoming’ funeral of American blues guitarist and singer Bo Diddley took place in Gainseville Florida.

19

June

2008

American indie rock band The War On Drugs released their debut studio album, ‘Wagonwheel Blues’.

10

August

2008

Acclaimed American soul singer, songwriter, producer and actor, Isaac Hayes died of a stroke at his home in Memphis, Tennessee at the age of 65.

19

September

2008

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’.

10

October

2008

English alternative rock band Radiohead released their 7th studio album, ‘In Rainbows’ in the UK.

24

November

2008

Experimental virtuoso English rock guitarist, Jeff Beck released his highly acclaimed live concert album, ‘Performing This Week… Live At Ronnie Scott’s’.

15

December

2008

Hugely influential English folk acoustic guitarist Davey Graham died of lung cancer at the age of 68.

6

January

2009

American guitarist and songwriter with The Stooges and Iggy Pop, Ron Asheton died of a heart attack at his home in Ann Arbor, Michigan at the age of 60.

29

January

2009

Influential British singer, songwriter and guitarist, John Martyn died from pneumonia in Kilkenny, Ireland at the age of 60.

23

February

2009

English rave band The Prodigy released their resurgent 5th studio album, ‘Invaders Must Die’.

4

April

2009

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2009’ including Jeff Beck, Metallica, Run‑D.M.C., Bobby Womack, Bill Black and D.J. Fontana.

13

April

2009

Controversial American record producer Phil Spector was convicted of murdering actress Lana Clarkson at his Alhambra mansion in California in February 2003.

14

April

2009

English former member of The Beatles, George Harrison received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.

29

May

2009

Notorious American record producer, Phil Spector was sentenced to 19 years to life in prison for murdering actress Lana Clarkson at his California mansion in 2003.

5

June

2009

English indie rock band Kasabian released their classic 3rd studio album, ‘West Ryder Pauper Lunatic Asylum’.

25

June

2009

American superstar singer Michael Jackson died of a drug overdose in Los Angeles, California at the age of 50.

12

August

2009

Legendary American jazz guitarist, singer, inventor and recording innovator, Les Paul, died from pneumonia in White Plains, New York at the age of 94.

19

August

2009

English indie rock band, Arctic Monkeys released their 3rd studio album, ‘Humbug’.

12

October

2009

British indie rock band Editors released their 3rd studio album, ‘In This Light And On This Evening’.

Tailpiece

Help! We are running out of decades from which to poach pertinent and poignant particulars (pardon the flowery alliteration). Just one more decade and a few hundred facts to be revealed before the chronological timeline has to remain as‑yet‑unwritten for another epoch. The next instalment looking at the 2010s will, by definition, bring us pretty much up‑to‑date. I hope you feel inclined to re-join me in the next enthralling part of the journey.

In the meantime, warmer days and longer evenings of spring beckon. There are plenty of guitars to be played and much music to be listened to. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It really doesn’t matter what music you play, or how good you are at playing it, as long as you play”

© 2020 CRAVE Guitars – Love Vintage Guitars.

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October 2019 – The Story of Modern Music in 1,500+ Facts – Part VIII

posted in: History, Introduction, Observations | 0

Introduction

Hello and welcome to the 8th article in this particular magnum opus of modern music history. I hope by now, you know the way this works, so I won’t say much more, other than welcome to the 1980s. If not by the start of the ‘80s, at least by the end of the decade, most readers will likely have some experience of living through the many events documented here, although I cannot assume that to be the case. I hope you have some fond memories of the time – personally, I can’t believe how long ago it was, as it seems like almost yesterday to me.

As always, if you would like to (re)visit any or all of the first seven parts (and well over 375 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Once again, although notably shorter than the last four articles, this month is dedicated to a single decade, if only to ensure that it is given sufficient focus.

The Story of Modern Music Part VIII 1980-1989

While arguably not quite hitting the heady heights of the previous three decades, the 1980s (or simply, ‘the eighties’) still had much to relate both about the human condition and musical variety. The 1980s were notable for many catchy, sing‑along‑able chart choons and the emergence of commercial pop videos, along with accompanying fashion trends. One personal observation is that, perhaps, there were the first real signs of divergence between what was happening culturally and the music being produced. Interdependence between society and its music were still there but, maybe, not quite as strongly intertwined as previously.

Historical Context 1980-1989

The 1980s were sometimes called the ‘greed decade’ or the ‘old school days’. There was a worldwide move away from planned economies and towards laissez‑faire capitalism, allied to a western post-industrial move to supply side economic policies. This shift had a destabilizing effect on international trade that led to many developing countries being faced by crippling debt crises. Following the 1970s’ oil crisis, crude oil was in over supply, resulting in a glut during the 1980s. The start of the 1980s saw widespread economic recession and damaging labour disputes that hit the less well‑off disproportionately hard. Downturn was followed by a period of rapid capitalist growth towards the end of the decade. Increased economic prosperity facilitated the ‘yuppie’ boom, epitomised by hot hatchback/sports cars, wine bars and early ‘brick’ mobile phones, accompanied by an insatiable appetite for designer fashion. Western society’s affluence further polarised the wealth divide between rich and poor. Fervent materialism and a status driven desire for exposure acted as a catalyst for the start of the vapid public fascination with the ‘celebrity’ phenomenon and subsequent emergence of banal reality TV ‘entertainment’. Fundamental industrial restructuring took place in the developed world that migrated many countries away from traditional manufacturing towards economies based on IT, finance, tourism and service sectors. A rapid growth in digital technology and consumerism began that would change how people would live, work and play forever, including the advent of the ‘information superhighway’ that we now call the Internet. During the 1980s, the world’s population grew at the fastest rate yet, causing heightened fears about unsustainable human expansion and its impact on the planet’s fragile ecosystem.

Year

Global Events

1980

The massively popular maze video game Pac-Man was released by Japanese software company Namco.

 

The bitter war between Middle East neighbours Iran and Iraq began, which would last until 1988.

 

American volcano Mount St. Helens in Washington State erupted violently killing 57 people and causing widespread damage.

 

Former actor and Republican politician Ronald Reagan was elected to become the 40th President of the U.S.A.

1981

American President Ronald Reagan was shot and wounded by attempted assassin John Hinckley Jr. in Washington D.C.

 

An assassination attempt on the life of Pope John Paul II took place in Vatican City, when he was shot and wounded by Mehmet Ali Ağca.

 

The IBM 5150 Personal Computer, commonly known as the IBM PC was introduced, soon establishing it as an industry standard.

 

American actress Jane Fonda published her hugely successful book, ‘Jane Fonda’s Workout’, which spawned multiple videos and an album.

 

NASA’s Space Shuttle programme began with the first launch of the Earth orbiter Columbia.

 

Heir to the British throne, Prince Charles married Lady Diana Spencer in St. Paul’s Cathedral, London.

 

The retrovirus that causes HIV (human immunodeficiency virus) and AIDS (acquired immune deficiency syndrome) was identified. The life‑threatening condition spread rapidly, becoming a global public health threat and causing widespread hysteria.

1982

King Henry VIII’s Tudor warship and flagship of the British Navy, the Mary Rose, which sank in 1545 during a battle against the French, was raised from the bed of the Solent off the south coast of England.

 

Britain defeated Argentina to regain control of the Falkland Islands in the South Atlantic Ocean, following an unprompted Argentinian invasion and occupation.

1983

American telecommunications company Motorola introduced the first mobile telephones to North America.

 

The final episode of the Korean War‑set comedy drama ‘M*A*S*H’ was broadcast, achieving the record for most watched television episode to‑date.

1984

English policewoman Yvonne Fletcher was shot and killed by an unknown gunman in the Libyan Embassy in London, prompting an 11‑day siege of the embassy resulting in Libyan citizens being expelled and diplomatic relations between the UK and Libya being severed.

 

Indian Prime Minister Indira Gandhi was assassinated by two Sikh bodyguards, Satwant Singh and Beant Singh, at her residence in New Delhi.

 

American network TV aired the first episodes of crime drama series Miami Vice, produced by Michael Mann for NBC. It was notable for its ground breaking amalgamation of music and visuals. The show ran until 1989.

1985

Politician Mikhail Gorbachev became Russian Premiere and began leading major political and social reform across the USSR.

 

Technology company, Microsoft released the first version of its PC‑based Windows operating system.

 

Acclaimed American screenwriter, director and producer John Hughes released, ‘The Breakfast Club’, followed up a year later by ‘Ferris Bueller’s Day Off’ and ‘Pretty In Pink’.

 

The shipwreck of the ocean liner RMS Titanic was discovered in the North Atlantic Ocean, 73 years after it sank in 1912 following a collision with an iceberg.

1986

The American Space shuttle Challenger exploded shortly after launch at Cape Canaveral, Florida, killing all seven astronauts aboard.

 

The nuclear power plant at Chernobyl in Ukraine, Russia suffered a catastrophic meltdown, causing global pollution and resulting in devastating radioactive environmental damage.

 

The Soviet Union’s Mir project became the first modular manned space station in low Earth orbit. It was used predominantly as a scientific research laboratory. Mir broke up on re‑entry into the Earth’s atmosphere in 2001.

1987

The animated American family comedy, The Simpsons, first appeared on American television as a series of shorts.

 

The film ‘Wall Street’ was released, typifying the zeitgeist of the 1980s and its ‘greed is good’ power of money mentality, directed by Oliver Stone and starring Michael Douglas and Charlie Sheen.

 

The antidepressant medication Fluoxetine, commonly known as Prozac, was approved for use in the U.S.A.

1988

A Pan-Am 747 airliner exploded as a result of a Libyan terrorist bomb, which caused the plane to crash into the village of Lockerbie in Scotland, killing a total of 270 people.

1989

Republican politician George H.W. Bush became the 41st President of the U.S.A.

 

The pro‑democracy protest in Tiananmen Square, Beijing was brutally crushed by Communist Chinese authorities, resulting in many deaths and widespread international criticism over the state’s human rights violations.

 

Russian military forces pulled out of Afghanistan 10 years after invading the country.

 

Significant environmental pollution occurred when the Exxon Valdez oil tanker struck a reef in Prince William Sound off the coast of Alaska, spilling nearly 11 million gallons (37,000 metric tonnes) of crude oil into the coastal waters.

 

The Berlin Wall in Germany, built in 1961 to divide the city and prevent movement between east and west, was demolished, marking massive political change in Europe, including in Poland, Hungary, East Germany, Bulgaria, Czechoslovakia and Rumania.

 

British computer scientist and engineer, Sir Tim Berners-Lee invented the World Wide Web, now known as the Internet, while he was employed at CERN (the European Organization for Nuclear Research) near Geneva, Switzerland.

Musical Genre Development 1980-1989

After the creative revolutions of the 1950s (rock ‘n’ roll), 1960s (rock and pop) and the 1970s (heavy metal, punk, reggae, disco, rap), the 1980s was largely a decade of reflection, consolidation, cross‑fertilisation and diversification. In short, quite a lot happened but, conversely, there was not a lot that was genuinely new in musical genre subversion. Pop was, erm, as popular as ever with artists such as Debbie Gibson, Tiffany, New Kids on the Block, Wham!, New Edition and Kylie Minogue.

Punk rock’s implosion left a vacuum that needed to be filled and the answer came in post‑punk diversity at the beginning of the 1980s. New wave is associated with the birth of MTV and the music video phase and was seen as a more commercial sub‑genre of post‑punk performed by artists such as Blondie, Talking Heads, Devo, The Cars, The Police, Jam, Elvis Costello, The Smiths, Ian Dury, Adam & The Ants, New Model Army, The Fall, Echo & The Bunnymen, and the Pretenders. Also deriving from post‑punk and encompassing a number of different styles was the new romantic sub‑genre heavily influenced by glam rock from the early 1970s, as exemplified by bands like Duran Duran, Culture Club, Visage, Spandau Ballet, Thompson Twins and Eurythmics. Synth pop also came and went in the post‑punk period of the early‑mid 1980s with electronica‑driven artists like Gary Numan, Kraftwerk, Japan, Human League, Depeche Mode, Pet Shop Boys, New Order, Orchestral Manoeuvres in the Dark (OMD) and Ultravox. These highly produced music fads dominated the charts before beginning to decline by the mid‑1980s, followed by a revival of guitar‑driven music, often harking back to previous decades.

World and new age music became popular during the 1980s after being heavily promoted by record companies, even though neither has its roots in the decade. World music (not to be confused with third world music) isn’t really a genre but rather a broad marketing categorisation for a very wide and diverse range of traditional and contemporary music from around the globe including western music that doesn’t fall easily within more clearly defined genres. It also covers music that fuses ethnic influences from other genres to create something different. The umbrella term may also be used to promote niche music that was potentially under threat from music’s big business. Since 1987, World Music Day has become an annual celebration of the global music scene. Two of the leading artists associated with world music are African bands Ladysmith Black Mambazo and Savuka. Western artists such as Paul Simon and Peter Gabriel have embraced world music, fusing it with their own material. New age music is another loose marketing category for music that aims to promote positive mental wellbeing, spirituality and meditation. It is also used to complement physical activities such as yoga and massage. It has also been used to enhance inspiration and to manage stress. New age music is often acoustic or electronic and predominantly ambient (i.e. not having an obvious beat, rhythm or structure), regularly instrumental and minimalist or comprising recorded sound effects from nature. Popular western new age artists include Tangerine Dream, Vangelis, Jean Michel Jarre, Mike Oldfield, Klaus Schulze, Enya, Enigma and Clannad. Both world and new age music have influenced numerous subsequent musical ventures and projects.

Other established genres experienced revivals during the 1980s. For instance, hip hop’s ‘golden era’ spawned a plethora of artists, including LL Cool J, Run–D.M.C., Public Enemy and the Beastie Boys. Jazz also made a concerted comeback of sorts starting in the ‘70s and continuing into the ‘80s with jazz/rock fusion artists like Mahavishnu Orchestra, Weather Report and Pat Metheny. Partly driven by MTV and ubiquitous pop videos, the 1980s saw the rise of success of mega­‑pop stars like Michael Jackson, Madonna, Lionel Ritchie, Billy Joel, Prince and Whitney Houston. Heavy metal saw a 1980s resurgence that lasted well into the 1990s including artists like, Pantera, Queensrÿche, Extreme, Marilyn Manson and Danzig, while Iron Maiden led the charge of the New Wave of British Heavy Metal (NWOBHM) genre along with Def Leppard and Judas Priest. Nu‑metal pioneers began to appear at the very end of the decade including, Korn, Limp Bizkit, Staind and Linkin Park.

Musical Facts 1980-1989

Day

Month

Year

Music Fact

3

January

1980

American lo-fi indie/rock singer, songwriter, guitarist, former member of indie rock band The War On Drugs and successful solo artist, Kurt Vile was born in Lansdowne, Pennsylvania.

26

January

1980

American guitarist, singer and songwriter Prince made his first U.S. television appearance on the show ‘American Bandstand’.

19

February

1980

Scottish singer with Australian hard rock band AC/DC, Bon Scott died from acute alcohol poisoning in a friend’s car in London at the age of 33.

14

March

1980

Renowned American music producer Quincy Jones received a star on the Hollywood Walk of Fame at 1500 Vine Street.

14

April

1980

English heavy metal rock band, Iron Maiden released their storming debut studio album, the self-titled ‘Iron Maiden’ in the UK.

22

April

1980

English indie rock icons, The Cure released their 2nd studio album, ‘Seventeen Seconds’ in the UK.

23

April

1980

English heavy metal band Judas Priest released their classic 6th studio album, ‘British Steel’.

2

May

1980

English alternative post-punk rock band Joy Division played their final live gig with singer Ian Curtis, two weeks before he committed suicide.

18

May

1980

English singer, songwriter and driving force behind post‑punk rock band Joy Division, Ian Curtis was found hanged at this home in Macclesfield, Cheshire at the age of 23.

7

July

1980

English hard rock band Led Zeppelin played their final live concert with John Bonham as drummer in Berlin, Germany.

10

July

1980

Jamaican reggae giants, Bob Marley & The Wailers released their final studio album before Marley’s untimely death, ‘Uprising’.

18

July

1980

English post-punk rock band Joy Division released their classic sophomore studio album, ‘Closer’.

25

July

1980

Australian heavy rock band, AC/DC, released their career-redefining 7th studio album, ‘Back In Black’.

12

September

1980

English rock singer and songwriter David Bowie released his standout studio album, ‘Scary Monsters (And Super Creeps)’ in the UK.

20

September

1980

English heavy metal singer and ex-member of Black Sabbath, Ozzy Osbourne released his debut solo studio album, ‘Blizzard Of Ozz’ in the UK.

23

September

1980

Jamaican reggae star Bob Marley made his final live concert performance in Pennsylvania, USA, during which he collapsed on stage.

25

September

1980

English drummer with rock band Led Zeppelin, John Bonham, died tragically of alcohol-induced asphyxia in Clewer, Berkshire at the age of 32.

3

October

1980

English post-punk rock band The Police released their 3rd studio album, ‘Zenyattà Mondatta’ in the UK.

8

October

1980

American alternative rock band Talking Heads released their exceptional career-best studio album produced by Brian Eno, ‘Remain In Light’.

10

October

1980

American singer, songwriter and guitarist Bruce Springsteen released his 5th studio album, ‘The River’.

20

October

1980

Emerging Irish rock band, U2 released their debut studio album, ‘Boy’, to critical acclaim in the UK.

8

November

1980

English rock band Motörhead, released their massive 5th studio album, ‘Ace Of Spades’ in the UK.

8

December

1980

English former member of The Beatles, John Lennon was murdered by gunman Mark Chapman outside the Dakota hotel in New York City at the age of 40.

12

December

1980

English punk rock band, The Clash released their follow up to the epic ‘London Calling’ with their even more ambitious 4th studio triple album, ‘Sandinista!’.

15

December

1980

English guitarist, singer and songwriter with rock band Kasabian, Sergio Pizzorno was born in Newton Abbot, Devon.

16

January

1981

American guitarist, singer, songwriter and founding member of indie/alternative rock band The Strokes, Nick Valensi was born in New York City.

2

February

1981

English heavy metal rock band, Iron Maiden released their sophomore studio album, ‘Killers’ in the UK.

9

February

1981

American Rock ‘n’ Roll pioneer, Bill Haley, having been diagnosed with a brain tumour, died at his home in Harlingen, Texas at the age of 55.

15

February

1981

American blues/rock guitarist Mike Bloomfield died from an accidental drug overdose and was found in his car in San Francisco, California at the age of 37.

4

April

1981

UK pop group Bucks Fizz won the 26th Eurovision Song Contest with, ‘Making Your Mind Up’.

14

April

1981

Legendary English indie rock band, The Cure released their classic 3rd studio album, ‘Faith’ in the UK.

11

May

1981

Jamaican reggae singer, songwriter and guitarist, Robert Nesta ‘Bob’ Marley died from cancer in Miami, Florida at the age of 36.

21

May

1981

Rastafarian reggae legend Bob Marley received a state funeral in his home town of Kingston, Jamaica.

6

June

1981

The very first issue of weekly heavy metal music magazine ‘KERRANG!’ was published, featuring AC/DC on the front cover.

1

August

1981

Revolutionary 24 hour music video channel, MTV (Music Television), broadcast for the very first time in the USA at 12:01am Eastern Time, introduced by creator John Lack with, “Ladies and gentlemen, rock and roll”

8

October

1981

English post-punk rock band Joy Division released their 3rd and final studio album, ‘Still’.

7

November

1981

English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his sophomore solo studio album, ‘Diary of a Madman’.

30

January

1982

Legendary American country blues guitarist, singer and songwriter Sam ‘Lightnin’’ Hopkins died from cancer in Houston, Texas at the age of 69.

14

March

1982

American thrash metal band, Metallica performed their debut live concert at Radio City, Anaheim, California, taglined, ‘Metalus Maximus’.

19

March

1982

American heavy metal guitarist Randy Rhoads, best known as member of Ozzy Osbourne’s band died tragically in a plane crash in Leesburg, Florida at the age of 25.

22

March

1982

English heavy metal rock band, Iron Maiden released their 3rd studio album, ‘The Number Of The Beast’ in the UK.

3

May

1982

English indie rock icons, The Cure released their dark and brooding masterpiece 4th studio album, ‘Pornography’ in the UK.

6

May

1982

American singer and actress, Diana Ross received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.

14

May

1982

English punk rock legends, The Clash released their 5th and penultimate studio album, ‘Combat Rock’ in the UK.

16

June

1982

English guitarist, songwriter and founding member of The Pretenders, James Honeyman-Scott died of drug‑related heart failure in London at the age of 25.

14

July

1982

English heavy metal rock band Judas Priest released their classic 8th studio album, ‘Screaming for Vengeance’.

17

August

1982

Company executives from Philips, Sony and Polygram announced the pressing of the first commercial digital Compact Disc (CD).

20

September

1982

American singer, songwriter and guitarist Bruce Springsteen released his 6th studio album, the often‑overlooked haunting and elegiac, ‘Nebraska’.

1

October

1982

Technology giant, Sony released the first ever digital Compact Disc (CD) player, the CDP-101, to the eager public in Japan.

27

October

1982

Legendary American singer, songwriter, guitarist and producer, Prince, released his top-selling 5th studio album, ‘1999’.

5

November

1982

UK TV broadcaster Channel 4 aired its edgy music and lifestyle programme, ‘The Tube’ for the first time. Presenters included Jools Holland and the late Paula Yates. The show ran for 5 series until April 1987.

30

November

1982

American singer, Michael Jackson released his career‑defining mega‑hit 6th studio album, ‘Thriller’. It is estimated that sales have well‑exceeded 50 million copies worldwide.

11

December

1982

English punk rock and mod revival band, The Jam played their final live concert in Brighton, UK before splitting up for good.

29

December

1982

The Jamaican Post Office released a set of postage stamps commemorating the life and music of reggae legend Bob Marley.

18

January

1983

English guitarist, singer and member of indie pop duo The Ting Tings, Katie White was born in Lowton, Greater Mancester.

28

February

1983

Irish mega-rock band U2 released their highly acclaimed chart-topping gold 3rd studio album, ‘War’.

2

March

1983

The digital Compact Disc (CD) was launched in Europe and America by Philips, Sony and Polygram, 7 months after it had debuted in Japan.

23

March

1983

American Texas blues/rock giants ZZ Top released their massive 7th studio album, the classic, ‘Eliminator’.

14

April

1983

English rock singer David Bowie released his 15th and perhaps most commercial studio album, the great Nile Rodgers‑produced, ‘Let’s Dance’.

30

April

1983

Renowned American Chicago blues guitarist, Muddy Waters (McKinley Morganfield) died from a heart attack at his home in Westmont, Illinois at the age of 70.

16

May

1983

Pioneering English heavy metal rock band Iron Maiden released their massively successful 4th studio album, ‘Piece Of Mind’.

23

May

1983

Jamaican reggae legends Bob Marley & The Wailers released their studio album, ‘Confrontation’ posthumously, after Bob Marley’s death in 1981.

12

June

1983

Influential American blues slide guitarist and singer J.B. Hutto died from cancer in Harvey, Illinois at the age of 57.

13

June

1983

Emerging American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their debut studio album, ‘Texas Flood’.

25

July

1983

Up-and-coming American thrash metal band Metallica released their standout debut studio album, ‘Kill ‘Em All’.

20

October

1983

American country music guitarist Merle Travis died of a heart attack at his home in Tahlequah, Oklahoma at the age of 65.

10

November

1983

English singer, songwriter and one-time member of punk rock band Generation X, Billy Idol released his highly popular 2nd studio album, ‘Rebel Yell’.

15

November

1983

English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his 3rd solo studio album, ‘Bark At The Moon’ in the UK.

2

December

1983

Music television channel MTV aired the full 14-minute pop video to Michael Jackson’s massive hit single, ‘Thriller’ for the first time.

1

January

1984

Widely regarded as the founding father of British Blues, guitarist and broadcaster Alexis Korner died of lung cancer in London at the age of 55.

21

January

1984

American rock band Bon Jovi released their debut studio album, the self-titled ‘Bon Jovi’ in the U.S.

1

April

1984

American soul singer Marvin Gaye was shot and killed by his father in Los Angeles, California at the age of 44.

26

April

1984

Eleven years after the famous original Cavern Club in Liverpool, UK was demolished in 1973, it was rebuilt and the new venue opened its doors.

4

May

1984

The classic music rock/mock/documentary film about the experiences of an English rock band, ‘This Is Spinal Tap’, directed by Rob Reiner, was released in the UK.

15

May

1984

American blues rock guitarist, Stevie Ray Vaughan with his band Double Trouble released their 2nd studio album, ‘Couldn’t Stand the Weather’.

19

May

1984

American southern rock band ZZ Top released their hit single, ‘Legs’ with the B-Side ‘Bad Girl’, both from their career‑defining album, ‘Eliminator’.

21

May

1984

Emerging indie rock band, Nick Cave & The Bad Seeds released their impressive debut album, ‘From Her to Eternity’.

4

June

1984

American singer, songwriter and guitarist Bruce Springsteen released his massive 7th studio album, ‘Born In The U.S.A.’.

14

June

1984

American country singer Dolly Parton received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.

25

June

1984

Legendary flamboyant American musician Prince released the massive original soundtrack album for the film, ‘Purple Rain’.

30

July

1984

American thrash metal rock band Metallica released their sophomore studio album, ‘Ride The Lightning’.

3

September

1984

English heavy metal rock band Iron Maiden released their classic 5th studio album, ‘Powerslave’ in the UK.

16

September

1984

Talented Georgian/British singer, songwriter and guitarist Katie Melua was born in Kutaisi, Georgia.

24

September

1984

English electronic/alternative rock band Depeche Mode released their 4th studio album, ‘Some Great Reward’ in the UK.

27

September

1984

Canadian pop-punk singer, songwriter and guitarist, Avril Lavigne was born in Ontario.

1

October

1984

Irish rock band U2 released their classic 4th studio album, ‘The Unforgettable Fire’ in the UK.

20

November

1984

American pop singer, Michael Jackson received a star on the Hollywood Walk of Fame at 6927 Hollywood Boulevard.

3

December

1984

Assembled super group Band Aid released their massive Christmas charity single, ‘Do They Know It’s Christmas?’ in response to the famine in Ethiopia.

15

December

1984

Charity super group, Band Aid entered the UK singles chart at number 1 with their song, ‘Do They Know It’s Christmas?’ in aid of Ethiopian famine victims.

22

January

1985

Australian guitarist, famous for working with Alice Cooper and Michael Jackson, Orianthi Panagaris was born in Adelaide, South Australia.

13

May

1985

English rock band Dire Straits released their massive hit 5th studio album, ‘Brothers In Arms’.

4

June

1985

American guitarist with heavy rock band Black Stone Cherry, Chris Robertson was born in Kentucky.

29

June

1985

English rock singers David Bowie and Mick Jagger recorded their version of the classic Martha Reeves and the Vandellas’ soul hit, ‘Dancing In The Street’ in support of the Live Aid charity.

13

July

1985

Two Live Aid fundraising concerts took place in London and Philadelphia to benefit the plight of Ethiopian famine victims.

30

September

1985

American blues/rock guitarist Stevie Ray Vaughan with his band Double Trouble released their 3rd studio album, ‘Soul to Soul’.

9

October

1985

Japanese artist Yoko Ono dedicated the Strawberry Fields memorial in New York City’s Central Park to her late husband, John Lennon on what would have been his 45th birthday.

28

October

1985

American Texas blues/rock trio, ZZ Top released their 9th studio album, ‘Afterburner’, the follow up to their massive 1983 hit, ‘Eliminator’.

30

October

1985

American thrash metal masters Anthrax released their career classic 2nd studio album, ‘Spreading The Disease’.

4

January

1986

Irish bass guitarist with rock band Thin Lizzy, Phil Lynott died of complications due to septicaemia in Salisbury, Wiltshire, UK, at the age of 36.

6

January

1986

English singer, songwriter and guitarist of indie/rock bands Arctic Monkeys and The Last Shadow Puppets, Alex Turner was born in Sheffield.

3

March

1986

American heavy metal band Metallica released their 3rd studio album, the last with Cliff Burton playing bass guitar in the line-up, ‘Master Of Puppets’.

14

March

1986

The classic film inspired by the mythology surrounding blues guitarist Robert Johnson, directed by Walter Hill, ‘Crossroads’ was released in the USA.

17

March

1986

English electronic/alternative rock band Depeche Mode released their 5th studio album, ‘Black Celebration’ in the UK.

19

May

1986

English singer, songwriter and former member of progressive rock band Genesis, Peter Gabriel released his commercially successful 5th solo studio album, ‘So’.

20

July

1986

The feature film ‘Sid And Nancy’ focusing on the tragic lives of Sex Pistols’ bass guitarist Sid Vicious and his girlfriend Nancy Spungen premiered in London. The film was directed by Alex Cox and starred Gary Oldman.

25

August

1986

American singer and songwriter Paul Simon released his classic 7th solo studio album, ‘Graceland’.

28

August

1986

American pop singer, Tina Turner received a star on the Hollywood Walk of Fame at 1750 North Vine Street.

27

September

1986

American bass guitarist and songwriter with thrash metal rock band Metallica, Cliff Burton was tragically killed in a tour coach crash in Dörarp, Sweden at the age of 24.

29

September

1986

English heavy metal band Iron Maiden released their 6th studio album, ‘Somewhere In Time’ in the UK.

7

October

1986

American thrash metal band Slayer released their huge genre classic 3rd studio album, ‘Reign In Blood’.

15

November

1986

American hip-hop group from NYC, Beastie Boys, released their debut studio album, ‘Licensed To Ill’, including their massive hit single, ‘(You Gotta) Fight for Your Right (To Party!)’.

2

December

1986

Supremely talented Australian bass guitarist and singer, Tal Wilkenfeld was born in Sydney.

21

January

1987

American soul legend Aretha Franklin became the first woman inducted into the American Rock and Roll Hall of Fame.

22

February

1987

American pop artist and manager of experimental rock band Velvet Underground, Andy Warhol died following gall bladder surgery in New York at the age of 58.

9

March

1987

Irish rock band U2 released their 5th studio album, the massive ‘The Joshua Tree’ in the UK.

22

March

1987

American thrash metal masters Anthrax released their career classic 3rd studio album, ‘Among The Living’.

30

March

1987

Diminutive American singer, songwriter and guitarist Prince released his ambitious, epic change of direction 9th studio album, ‘Sign ☮ The Times’.

2

April

1987

Highly acclaimed American jazz drummer Buddy Rich died from respiratory and heart failure following treatment for a brain tumour in Los Angeles, California at the age of 69.

5

May

1987

English indie rock icons The Cure released their lip‑smacking 7th studio double album, ‘Kiss Me Kiss Me Kiss Me’ in the UK.

2

June

1987

Virtuoso Spanish classical guitarist Andrés Segovia died from a heart attack in Madrid at the age of 94.

14

July

1987

American rock group The Steve Miller Band received a star on the Hollywood Walk of Fame at 1750 Vine Street.

21

July

1987

American hard rock band, Guns N’ Roses released their storming debut studio album, ‘Appetite For Destruction’.

3

August

1987

English heavy metal rock band Def Leppard released their best-selling classic 4th studio album, ‘Hysteria’.

25

August

1987

American singer and songwriter Michael Jackson released his 7th solo studio album, ‘Bad’, as a follow up to his massive 1982 LP, ‘Thriller’.

11

September

1987

Jamaican reggae artist Peter Tosh was shot dead along with two others by a gang of three armed robbers at his home in Kingston, Jamaica at the age of 42.

12

September

1987

English alternative rock singer and songwriter Morrissey left his band, The Smiths to pursue a successful solo music career.

21

September

1987

American bass guitarist and member of jazz fusion band Weather Report from 1976-1981, the inimitable Jaco Pastorius died from injuries following an altercation at a club in Wilton Manors, Florida at the age of 35.

28

September

1987

English electronic/alternative rock band Depeche Mode released their 6th studio album, ‘Music For The Masses’ in the UK.

8

October

1987

Legendary American rock ‘n’ roll guitarist Chuck Berry received a star on the Hollywood Walk of Fame at 1777 North Vine Street.

15

October

1987

American virtuoso instrumental rock guitarist Joe Satriani released his classic 2nd studio album, ‘Surfing With The Alien’.

1

December

1987

Puerto Rican guitarist and singer, Jose Feliciano received a star on the Hollywood Walk of Fame at 6541 Hollywood Boulevard.

31

December

1987

After 17 years and 445 episodes, British TV broadcaster, the BBC aired the final edition of contemporary music show, ‘The Old Grey Whistle Test’.

20

January

1988

Legendary English pop/rock band The Beatles were inducted into the American Rock and Roll Hall of Fame.

11

April

1988

English heavy metal band Iron Maiden released their 7th studio album, ‘Seventh Son Of A Seventh Son’.

5

May

1988

Highly successful English singer and songwriter Adele MBE was born in London.

5

July

1988

American thrash metal rock band, Slayer, released their mega hit 4th studio album, ‘South Of Heaven’.

14

August

1988

American blues/rock guitarist Roy Buchanan was found hanged (a disputed suicide) in a jail cell after he was arrested for public intoxication in Fairfax, Virginia at the age of 48.

25

August

1988

American heavy metal rock band Metallica released their classic 4th studio album, ‘… And Justice For All’.

19

September

1988

Alternative rock band Nick Cave & The Bad Seeds released their highly acclaimed 5th studio album, ‘Tender Prey’.

30

September

1988

English former member of The Beatles, John Lennon received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.

10

October

1988

Irish rock band U2 released their classic 6th studio album (and complementary ‘rockumentary’ film), ‘Rattle and Hum’ in the UK.

18

October

1988

American alternative rock band Sonic Youth released their landmark 6th studio album, ‘Daydream Nation’.

19

October

1988

Legendary American delta blues guitarist and singer, Son House died of cancer of the larynx in Detroit, Michigan at the age of 86.

6

December

1988

American singer, songwriter and musician, Roy Orbison died of a heart attack in Hendersonville, Tennessee at the age of 52.

18

January

1989

Music greats, The Rolling Stones, Stevie Wonder, The Temptations, Otis Redding and others were inducted into the American Rock and Roll Hall of Fame.

2

May

1989

English indie rock group The Stone Roses released their eponymous debut studio album, ‘The Stone Roses’.

2

May

1989

English indie rock icons, The Cure released their near‑perfect career-defining 8th studio album, ‘Disintegration’ in the UK.

29

May

1989

American guitarist, John Cipollina of rock band Quicksilver Messenger Service died of alpha‑1 antitrypsin deficiency in San Francisco at the age of 45.

1

June

1989

Underground American grunge band, Nirvana released their debut studio album, ‘Bleach’ to an unsuspecting public.

6

June

1989

Legendary American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their 4th and final studio album before SRV’s tragic death, ‘In Step’.

15

July

1989

English progressive rock band Pink Floyd performed a live concert on a floating stage at Venice, Italy, watched by over 200,000 people.

25

July

1989

American rap rock band, Beastie Boys released their classic sophomore studio album, ‘Paul’s Boutique’.

12

September

1989

English virtuoso instrumental rock guitarist Jeff Beck released his impressive 6th studio album ‘Jeff Beck’s Guitar Shop’ in the UK.

26

November

1989

British pop/rock band, Squeeze performed in concert for the very first broadcast of ‘MTV Unplugged’ in the US.

13

December

1989

One of the best‑selling artists of all time, American country/pop singer and songwriter Taylor Swift was born in Reading, Pennsylvania.

Tailpiece

Well that’s the eighties for you in a (sizeable) nutshell. We are now getting much closer to the end of the story (at least as far as I am able to document it) and the new millennium beckons tantalisingly out of reach. However, before that, we will fill in the gap with the 1990s next month. Will it be a Brave New World or just more of the same? To discover the facts behind the memories, please return here next month for some more manic music history. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Never trust your memories but cherish the good ones regardless”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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September 2019 – The Story of Modern Music in 1,500+ Facts – Part VII

posted in: History, Introduction, Observations | 0

Introduction

Welcome to the 1970s. Well kinda. Yep, here we are yet again, with the 7th article in the current series of musical discovery, focusing on the delightful ‘Seventies’. As is often the case with monumental projects, the amount of work involved has been colossal and the amount of information has been considerable. The scale alone has meant that compressing it all into logical and manageable chunks has proved somewhat of a challenge. Unsurprisingly, perhaps, it has been the 1950s, 1960s and 1970s that have proved to be the most eventful and remarkable. This month’s article focuses on the unpredictable 1970s as it follows on from the previous two tumultuous decades.

If you would like to (re)visit the first four parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In terms of this article as part of the overall series, the 1970s has, by far, more content than any other single decade. While it is inherently fascinating, it makes for quite a hefty read (over 300 facts this month)… so be prepared and apologies.

The Story of Modern Music Part VII 1970-1979

The so-called ‘golden era’ of music (1950s-1970s inclusive) was characterised by major seismic musical movements. The 1950s saw rock ‘n’ roll burst onto the scene, the 1960s saw the fan hysteria of the ‘British Invasion’ followed by heady idealism of hippie flower power full of peace & love, while the 1970s heralded a very different form of youth rebelliousness, veritably bristling with vigorous nihilistic punk attitude.

Gone was the positivity and optimism to be replaced with disaffection distrust and deeply seated urban angst. Instead of striving for some sort of wistful, unobtainable utopia, the desperate pursuit for a grimy dystopian anarchy became almost an end in itself. The zeitgeist of warts‑and‑all realism was striking back.

The 1970s would ultimately descend into gritty and chaotic demands for change without a clear idea of what outcome the disillusioned generation was rebelling for or against. In many respects, it didn’t matter as the alienated youth voice was seen as irrelevant to detached and remote institutions who weren’t listening and, worse, seemed not to care.

As social provocateur Malcolm McLaren proclaimed, “What matters is this: Being fearless of failure arms you to break the rules. In doing so, you may change the culture and just possibly, for a moment, change life itself.” He went on to comment, “I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.”

Civilisation wasn’t really breaking down of course and not everything was tainted by dismal doom and gloom. However, western societies were being tested and forced to adapt to a darker, more uncertain, complex and ambiguous new world.

Historical Context 1970-1979

The self-indulgent 1970s was described as the ‘Me Decade’ (coined by writer Tom Wolfe), with a move away from the model of social collectivism (communities) to individualism (self). To many, the ‘70s may well be remembered as a caricature of kitsch, a gaudy facsimile of 1960s’ sybaritic, exuberant excess. While not devoid of conflict and warfare, particularly in Asia and the Middle East, the world was slowly becoming accustomed to a period of extended and stable peace around the globe. Even the tension of the Cold War became a continuous mutual standoff. Progressive political, cultural and social change that began in the 1960s continued, including the emergence of the Women’s Liberation Movement, enabling greater social mobility for many. The ever‑more liberal ‘permissive society’ was well under way representing a crucial stage in that generation’s struggle for greater individual freedom and equality. Technology was developing at a rapid pace, providing much greater work, leisure and recreational opportunities for people in their everyday lives. However, a number of disruptive economic and political events began to destabilise a long period of post‑war economic expansion. Widespread social discontent and a rejection of a stagnant status quo resulted in widespread riots, protests, labour strikes, direct action and hints of anarchy, culminating in the UK with the infamous ‘winter of discontent’.

Year

Global Events

1970

Manned moon mission Apollo 13 narrowly avoided tragedy after an emergency in space, ultimately returning all 3 astronauts safely to Earth.

 

After being signed in 1968, 43 nations ratified The Treaty on the Non‑Proliferation of Nuclear Weapons, intended to curb the spread of nuclear weapons and promote co‑operation on the peaceful use of nuclear power.

1971

The phenomenally successful coffee empire, the Starbucks Corporation, was founded in Seattle, Washington, U.S.A.

 

The massive Aswan High Dam across the River Nile in Egypt was opened. The project had required moving the ancient Egyptian temples of Ramses at Abu Simbel (in 1964) above the rising waters of Lake Nasser.

1972

The first commercial video game, Pong was released by Atari.

 

The classic gangster movie, ‘The Godfather’, directed by Francis Ford Coppola and starring Marlon Brando was released.

 

Britain imposed direct rule over Northern Ireland following the so‑called ‘Bloody Sunday’ massacre.

 

A Palestinian terrorist group killed 11 Israeli Olympic team members and a German police officer at the 1972 Olympic Games in Munich, West Germany.

 

Apollo 17 became the last moon landing (to‑date) where humans have walked on the surface of the Moon.

1973

The United Kingdom joined the expanding European Economic Community (EEC).

 

The seminal and controversial ‘horror’ movie about faith, ‘The Exorcist’ was released, directed by Willian Friedkin and starring Linda Blair.

 

A global oil crisis was triggered by OPEC, the confederation of Arab oil producing nations, which imposed an embargo on oil exports to countries supporting Israel in the Yom Kippur War, also known as the Arab-Israeli War.

 

The famous Spanish artist and co‑founder of the Cubist movement, Pablo Picasso died at the age of 91.

1974

American President Richard Nixon resigned from office following the Watergate scandal, to be succeeded by Gerald Ford as the 38th U.S. president.

 

The popular 3-D combination puzzle Rubik’s Cube was invented by Hungarian sculptor and professor of architecture, Ernő Rubik.

 

The ubiquitous Bar Code was introduced. It was notable because it was the first standardised method of representing data in a visual, machine-readable form.

1975

America finally pulled out of the Vietnam War after the Fall of Saigon, leading to the formal reunification of north and south Vietnam.

 

An historic joint American/Russian Apollo and Soyuz space mission took place in Earth orbit. It was the first time that spacecraft from different nations docked in space.

 

Widely recognised as the first modern summer blockbuster film, ‘Jaws’ was released, directed by Steven Spielberg and based on the novel by Peter Benchley published in 1974.

 

American technology innovators, Bill Gates and Paul Allen co‑founded the Microsoft Corporation in Albuquerque, New Mexico.

1976

American technology entrepreneurs, Steve Jobs, Steve Wozniak and Ronald Wayne co‑founded Apple Computer Company (now Apple Inc.) in California.

 

The infamous ‘Son of Sam’ serial murders began in New York City, sparking the largest manhunt in the city’s history. The notorious killer, David Berkowitz, was finally arrested in 1977.

 

Chinese communist leader, Chairman Mao Zedong died, effectively ending the decade‑long Chinese Cultural Revolution.

1977

South African activist and anti-apartheid campaigner Stephen Biko died while in police custody after violating an order to restrict his movements.

 

The cinema phenomenon and start of a major film and merchandise franchise, Star Wars Episode 4 was released, directed by George Lucas.

1978

English woman Louise Brown, the world’s first test tube baby, was born after conception by in‑vitro fertilisation (IVF).

 

The classic video game created by Tomohiro Nishikado, Space Invaders was released.

 

The Camp David Accords signifying a negotiated peace agreement between Israel and Egypt was signed in Maryland in the U.S.A, leading to the Egypt‑Israel Peace Treaty of 1979.

1979

Conservative Party leader Margaret Thatcher became the UK’s first female Prime Minister. She was Prime Minister for nearly 12 years.

 

Russia invaded the Democratic Republic of Afghanistan, starting the Soviet‑Afghan war that would last until 1989.

 

Revolutionary Iranian religious leader Ayatollah Khomeini proclaimed Iran to be an Islamic Republic in the Middle East, starting decades of international isolation.

 

The epic Vietnam war film, ‘Apocalypse Now’, written and directed by Francis Ford Coppola, starring Martin Sheen and Marlon Brando was released.

 

In Africa, the notorious Ugandan president and dictator Idi Amin was forced to leave the country into exile.

 

The nuclear power plant at Three Mile Island in Pennsylvania, America suffered a catastrophic meltdown.

Musical Genre Development 1970-1979

If the 1960s was memorable for its own musical revolutions, the 1970s was about to unleash its own rebellious step changes. The music of the 1970s can be categorised by bursts of creativity, using existing musical styles to come up with something relevant, new, raw and vital with something important to say. Perhaps more than any other decade, the 1970s produced greater musical diversity than any other before or since. Pop music continued to be commercially successful into the 1970s including artists like David Cassidy, The Osmonds, Abba, The Bay City Rollers and the Jackson 5.

Progressive rock, often abbreviated to ‘prog’, is a broad musical genre that grew largely from psychedelic rock and the British Canterbury Scene to achieve significant appeal in the late 1960s and early 1970s. Progressive rock can be characterised by long instrumental compositions influenced by fusing classical, jazz, rock and folk styles often complemented by elegiac, poetic lyrics. Prog music was usually only released by bands on LP albums rather than singles. Studio technology and instrumental proficiency were central to the artistic soundscapes used. Like most classical music, it was intended to be listened to, rather than danced to. To some critics, prog rock was seen as avant‑garde, pompous, overblown and boring, being not readily accessible to casual listeners. For some prog musicians, it was important to elevate music from largely populist to the status of art and included experimental arrangements to create debate and stimulate interpretation. This attitude was regarded by some as pretentious and elitist, pushing the genre into somewhat of a dead end niche. Prog rock reached its peak around 1973 and had largely been rejected by the rise of punk rock in the mid‑1970s. Early artists associated with prog rock include Procol Harum, Colosseum, Soft Machine, Barclay James Harvest, Caravan and Curved Air, paving the way for the progressive giants of the genre, including Jethro Tull, King Crimson, Yes, Genesis, Van der Graaf Generator, Emerson, Lake and Palmer (ELP), as well as Pink Floyd and Mike Oldfield.

The underpinnings of heavy metal began in the late 1960s as hard rock explored new musical territories. Often cited as the pioneers of the genre were Led Zeppelin, Deep Purple and Black Sabbath, all forming in 1968. Arguably, though, the first two, while clearly influencing metal, lean more towards hard rock and its successors. Even though many of the characteristics of metal had been used before, Black Sabbath are widely regarded as the true forefathers of today’s heavy metal. The sound of heavy metal took hard rock and laid on layers of thick, heavy distorted riffs using power chords, high volume levels, searing guitar solos, pounding drums and thundering bass. Vocals were often strong and bold and had a dark or satanic emphasis. During the formative 1970s, there were a few bands that adopted the metal tropes, including Judas Priest. By the end of the 1970s, a new wave of British heavy metal (NWOBHM) was spearheaded by bands such as Iron Maiden, Def Leppard, Saxon and UFO. Although more rock than metal, Motörhead played their part in promoting heavy rock to audiences. The sub‑culture surrounding heavy metal grew alongside the music with fans branded as ‘headbangers’ with a dress code not unlike the rockers of the previous decade but taken further. By 1984 and the release of the mockumentary film ‘This Is Spinal Tap’, metal had reached a point of self‑parody. During the 1980s and beyond, metal gave birth to sub‑genres including hair metal (Van Halen, Bon Jovi and Mötley Crüe), thrash metal (Metallica, Slayer, Anthrax and Megadeth), groove metal (Pantera, Blackstone Cherry and White Zombie), industrial (Rammstein and Marilyn Manson), alternative metal (Alter Bridge, Avenged Sevenfold, Slipknot, Deftones, Tool and Queensryche) and nu‑metal (Linkin Park, Limp Bizkit, Papa Roach, Korn and Disturbed), amongst many others such as glam metal, progressive metal, black metal, doom metal, death metal, power metal, metalcore, Christian metal, etc. Possibly more than any other style of music, heavy metal has proliferated sub‑genres.

Glam rock is a relatively short‑lived offshoot of rock music that developed in the early 1970s, particularly in the UK. Glam rock’s heyday was roughly between 1970 and 1975. The music was tightly interwoven with flamboyant and colourful fashions, being performed by musicians who wore outrageous costumes, stark makeup and pronounced hairstyles. The impact of the symbolism was to blur the traditional gender stereotyping that was prevalent before 1970. The visuals often extended to custom instruments used by some artists. Although it may not appear obvious, glam rock influenced subsequent genres such as punk rock, new romantics, Goth rock and new wave that followed. Significant artists included Marc Bolan and T.Rex, David Bowie, Queen, Sweet, Slade, Elton John, Mud, Roxy Music and Gary Glitter. Although its impact was lower profile in the USA, artists such as Alice Cooper, New York Dolls and Iggy Pop adapted glam imagery for their own purposes.

Reggae emanated from Jamaica in the late 1960s and significantly became popular internationally during the 1970s. Reggae evolved from ska and a transitional form between ska and reggae called rocksteady. Reggae is distinctive in that it has a 4/4 rhythm with the drum marking the 3rd beat of the bar with a guitar or keyboard staccato ‘skank’ on the 2nd and 4th (off) beats of the bar. Reggae is also often associated with strong and heavy rhythmic bass lines, sometimes complemented by horn arrangements. Reggae is often but not exclusively connected to Rastafarianism which also features strongly in many reggae songs, as does the use of marijuana. Roots reggae refers to its African roots and the black diaspora. Jamaican record producers also played a strong part in moulding the sound of reggae and developed a complete sub‑genre known as ‘versions’ or dub reggae that used production techniques to remove vocals and remix instrumental elements of drum, bass and guitar. Dub reggae was often played on loud PA sound systems. Key producers include Lee ‘Scratch’ Perry, King Tubby, Mad Professor and Scientist. Reggae has been successfully exported worldwide, although the UK remains a key consumer market. One of the major artists who not only popularised commercial reggae globally but also acted as an ambassador for Jamaica was Bob Marley who, with his band, The Wailers became an international icon. Other major artists also include Peter Tosh, Toots & The Maytals, Burning Spear, Augustus Pablo, Horace Andy, I‑Roy, U‑Roy, The Abyssinians, Black Uhuru, Sly & Robbie, The Upsetters, Desmond Decker, Jimmy Cliff, Johnny Nash, Third World, Gregory Isaacs and many others. British reggae artists include Aswad, Steel Pulse, Linton Kwesi Johnson and UB40. After Bob Marley’s death, the genre diversified into other forms, such as dancehall and ragga.

The origins of rap and hip hop music derived from vocal a cappella rapping and African American urban street music originating in New York house and block parties in the Bronx during the early 1970s. The largely vernacular spoken rhyming lyrics were backed by rhythmic percussive soul, funk and disco beats of the period. The sub‑culture expanded by the late 1970s to include MCing, DJ scratching, sampling and beatboxing frequently using drum machines. Also associated with rapping were break dancing, urban graffiti art and aggressive gangland/gun culture. The broader cultural definition has become widely known as hip hop, which is the current common categorisation. Early practitioners included Grandmaster Flash & The Furious Five, the Sugarhill Gang and Afrika Bambaataa. The genre spread widely during the ‘golden age of hip hop’ from the 1980s up to the early 1990s spawning many sub‑genres, often associated with the region or country. For instance, there was intense rivalry between U.S. West Coast and East Coast hip hop during the 1990s, coining the term ‘gangsta rap’. Hip hop became massively influential in many other mainstream musical genres who adapted the rhyming lyrical style and sparse percussive beats. Despite a decline in the mid‑2000s, hip hop is now a global phenomenon with numerous offshoots and diverse styles. While its origins are African American, a few white artists have been successful including the Beastie Boys and Eminem. There are way too many hip hop artists to mention all of them. However, they include Run-D.M.C., LL Cool J, Public Enemy, A Tribe Called Quest, De La Soul, Ice‑T, Ice Cube, Snoop Dogg, Cypress Hill, N.W.A., The Notorious B.I.G., Tupac Shakur, Wu-Tang Clan, Dr. Dre, 50 Cent, OutKast, Jay‑Z and Kanye West among many others.

Like other musical forms, funk and disco adapted from previous genres, becoming mainstream during the 1970s. Funk emerged from African American communities and mixed soul, jazz and R&B. Funk is recognisable by have an addictively danceable groove. Funk focused on a strong first beat of the bar and was driven by strong insistent bass and drum rhythms. Funk artists included James Brown, Sly & The Family Stone, Parliament/Funkadelic, Chaka Khan, Earth Wind & Fire and Kool & The Gang. Later, artists like Rick James and Prince would adopt funk as a key ingredient in their dance‑fused arrangements. Funk tends to be more musically complex than its sister genre, disco. Disco originated in America and rapidly spread to the UK. It is associated with urban nightclubs and DJs mixing dance records through loud sound systems to audiences in clubs and discothèques. Discos also used complex light and strobes to emphasise the beat. Disco is a heavily produced bass and drum‑driven 4/4 rhythm, often using electronic instruments to add syncopation. Disco’s core rationale was music to dance to, so disco dancing became very popular. Culturally, disco is also associated with fashion, drug use and promiscuity. Disco artists included Gloria Gaynor, The Bee Gees, Donna Summer, The Village People, Sylvester and Chic. Disco was hugely influential on later dance genres such as house, techno, drum ‘n’ bass and rave. Like many other broad genres, funk and disco have diversified into many other related sub‑genres over the years.

Widespread social dissatisfaction and a rejection of established musical forms on both sides of the Atlantic during the mid‑1970s led to the emergence of punk rock. Loud, brash, nihilistic and stripped‑back arrangements performed mainly on guitar, bass and drums were used to support often angry and alienated anti‑establishment lyrics. The result was short, sharp bursts of controversial and provocative music. The emergence of punk in America is associated with artists such as Television, Patti Smith and Ramones, building on the work of proto‑punk bands like Velvet Underground, New York Dolls and Iggy & The Stooges. Meanwhile a parallel evolution in the UK was epitomised by bands such as Sex Pistols, The Clash, The Damned, Buzzcocks, Sham 69 and The Ruts. As with many other music‑related sub‑cultures, punk led to distinctive fashions (Vivienne Westwood), art (Jamie Reid) and agressive attitudes. The anarchic punk movement spread rapidly and by 1977 was pervasive in many westernised countries. As popularity increased and punk sensibilities were adopted by the commercial mainstream, the essential ethos of punk imploded and was overtaken by the music business machinery that, ironically, was punk’s original anathema. The demise of chaotic punk rock principles led to post‑punk sub‑genres that expanded its appeal beyond the original audience, including artists like Joy Division, Bauhaus, Siouxsie & the Banshees, Ian Dury, The Cure and The Sisters Of Mercy. Punk in its purest form could not and did not last long. However, it was very influential in subsequent styles such as new wave, new romantic, emo and Goth sub‑genres. Live music venues were very important for audiences to experience the visceral nature of punk rock first hand, including CBGBs in New York and the Marquee in London. Punk saw a revival in the 1990s with bands like Green Day, Blink‑182 and The Offspring but it was far more commercial and lacking the authenticity of the original.

Musical Facts 1970-1979

Day

Month

Year

Music Fact

26

January

1970

American folk rock duo Paul Simon and Art Garfunkel released their 5th and final classic studio album, ‘Bridge Over Troubled Water’.

3

February

1970

Multi-talented American guitarist, singer, songwriter, producer, solo artist and member of rock super group The Winery Dogs, Richie Kotzen was born in Reading, Pennsylvania.

13

February

1970

English heavy metal legends Black Sabbath released their classic, game-changing self-titled debut album, ‘Black Sabbath’ in the UK (NB. appropriately on Friday 13th).

14

February

1970

English rock band The Who performed a concert at Leeds University. The show was recorded and released as the band’s first official live album, ‘Live At Leeds’.

5

March

1970

American guitarist, former member of rock band Red Hot Chili Peppers and solo artist, John Frusciante was born in New York City.

9

March

1970

After changing their name from Earth, English heavy metal rock band Black Sabbath performed their debut live concert at the Roundhouse in London.

22

March

1970

Marc Bolan and Tyrannosaurus Rex released their last studio album before transforming into glam rockers T.Rex, ‘A Beard of Stars’.

10

April

1970

English singer, songwriter and bass guitarist, Paul McCartney issued a press statement that he was leaving The Beatles, signalling the band’s break up.

21

April

1970

American Chicago blues guitarist Earl Hooker died of complications from tuberculosis in Chicago, Illinois at the age of 40.

1

May

1970

English guitarist, singer, songwriter, producer and former member of indie rock band Suede, Bernard Butler was born in London.

3

May

1970

English rock band The Who released their classic live album, ‘Live At Leeds in the UK.

8

May

1970

Legendary English pop/rock band The Beatles released what would be the group’s 12th and final studio album, ‘Let It Be’, after the band split up.

3

June

1970

British heavy rock band Deep Purple released their classic breakout studio album, ‘Deep Purple in Rock’ in the UK.

5

June

1970

English heavy rock band Deep Purple released their breakthrough hit single ‘Black Night’ in the UK.

6

June

1970

American rhythm guitarist and co-founder of Nu-Metal rock band Korn, James Shaffer (a.k.a. Munky) was born in Bakersfield, California.

8

July

1970

Innovative and massively talented American alternative rock singer, songwriter, guitarist and producer, Beck was born in Los Angeles, California.

18

July

1970

London hosted the third Free Concert held in Hyde Park featuring Pink Floyd, Roy Harper, Kevin Ayers, and the Edgar Broughton Band.

14

August

1970

English psychedelic space rock band Hawkwind released their debut studio album, the eponymous, ‘Hawkwind’.

23

August

1970

American singer, songwriter and guitarist Lou Reed performed his final live concert appearance with The Velvet Underground (bar reunions) at Max’s Kansas City rock club in Manhattan, New York City.

26

August

1970

The famous Isle of Wight Festival began at Afton Down, attracting between 600,000 and 700,000 attendees, the largest open air music festival of its kind. Tickets for the weekend cost £3.

28

August

1970

Well over half a million people attended the 3rd day of the UK’s famous Isle of Wight Festival to see artists including Taste, Chicago, Family and Procol Harum.

29

August

1970

The 4th day of the massive Isle of Wight Festival continued starring Joni Mitchell, Miles Davis, Ten Years After, ELP, The Doors, The Who and Sly & The Family Stone.

30

August

1970

The 5th and final day of the gigantic Isle of Wight Festival took place starring Jethro Tull, Jimi Hendrix, Joan Baez, Leonard Cohen and Richie Havens.

4

September

1970

English rock group The Rolling Stones released their classic live album, ‘Get Yer Ya-Ya’s Out’ in the UK.

6

September

1970

Legendary American rock guitarist Jimi Hendrix played his final live concert at the Isle of Fehmarn in Germany.

11

September

1970

American rock guitarist, singer and songwriter Jimi Hendrix gave his final interview for the UK weekly music magazine New Musical Express (NME).

12

September

1970

London hosted the fourth Free Concert held in Hyde Park (the 2nd that year) featuring Canned Heat, Eric Burdon and War, John Sebastian, Michael Chapman, Stoneground and others.

18

September

1970

Legendary American rock guitarist, singer and songwriter, Jimi Hendrix died tragically of asphyxia in his London flat at the age of 27.

18

September

1970

Pioneering English heavy metal rock band, Black Sabbath released their classic sophomore studio album, ‘Paranoid’ in the UK.

19

September

1970

The very first Glastonbury Pop, Folk & Blues Festival took place at Worthy Farm, Pilton, Somerset, UK, attended by approximately 1,700 people.

19

September

1970

Canadian singer, songwriter and guitarist Neil Young released his classic 3rd studio album, ‘After The Gold Rush’.

1

October

1970

American guitarist Jimi Hendrix’s funeral service took place at Dunlap Baptist Church in his hometown of Seattle before he was buried at the Greenwood Cemetery in Renton, also in Seattle.

2

October

1970

English glam rock band Marc Bolan and T.Rex released their classic breakout hit single ‘Ride A White Swan’ in the UK.

2

October

1970

English progressive rock band, Pink Floyd released their 4th studio album, ‘Atom Heart Mother’ in the UK.

4

October

1970

Respected American rock, soul and blues singer Janis Joplin was found dead following an accidental heroin overdose in Los Angeles, California at the age of 27.

5

October

1970

English heavy rock band Led Zeppelin released their classic 3rd studio album, ‘Led Zeppelin III’ in the UK.

10

October

1970

English heavy metal rock band, Black Sabbath had their classic 2nd studio album, ‘Paranoid’ reach No. 1 in the UK album chart.

23

October

1970

The Jimi Hendrix Experience released the song ‘Voodoo Child (Slight Return)’ shortly after the guitarist’s untimely death. It reached number 1 in the UK singles chart.

23

October

1970

English progressive rock band Genesis released their breakout studio album, ‘Trespass’ in the UK.

1

November

1970

Legendary American psychedelic rock band Grateful Dead released their classic 5th studio album, ‘American Beauty’.

4

November

1970

English singer and songwriter David Bowie released his classic 3rd studio album, ‘The Man Who Sold the World’ in the UK.

6

November

1970

Emerging American rock band Aerosmith made their debut live appearance in the gymnasium at what was Nipmuc Regional High School (now Miscoe Hill Middle School) in Mendon, Massachusetts.

9

November

1970

American blues/rock guitarist, singer and member of the Tedeschi Trucks Band along with hubby, Derek Trucks, Susan Tedeschi was born in Boston, Massachusetts.

15

November

1970

American alternative rock band, The Velvet Underground released their 4th and possibly most commercial studio album, ‘Loaded’.

27

November

1970

Former member of English rock band The Beatles, George Harrison released his hugely successful solo triple studio album, ‘All Things Must Pass’ in the UK.

11

December

1970

English singer, songwriter and guitarist, Marc Bolan and T.Rex released the first post-Tyrannosaurus Rex studio album, ‘T.Rex’ in the UK.

11

December

1970

English singer and songwriter John Lennon released his post-Beatles solo album, ‘John Lennon/Plastic Ono Band’ in the UK.

12

December

1970

American rock band, The Doors played their final live concert with singer Jim Morrison at the Warehouse in New Orleans, Louisiana.

16

January

1971

American blues rock band, ZZ Top, released their debut studio album, ‘ZZ Top’s First Album’ in the UK.

17

March

1971

Renowned Canadian singer, songwriter and poet, Leonard Cohen released his classic 3rd studio album, ‘Songs of Love and Hate’ in the UK.

19

March

1971

English progressive rock band Jethro Tull released their classic 4th studio album, ‘Aqualung’ in the UK.

16

April

1971

English blues rock band The Rolling Stones released their huge hit single, ‘Brown Sugar’, taken from the album, ‘Sticky Fingers’.

23

April

1971

The Rolling Stones released what was probably their career peak 9th studio album, ‘Sticky Fingers’.

29

April

1971

American rock band, The Doors released their massive 6th studio album, ‘L.A. Woman’, including the classic single, ‘Riders On The Storm’, recorded shortly before singer, Jim Morrison’s death.

22

June

1971

The second Glastonbury Festival took place in Pilton, Somerset, UK, attended by c.12,000 fans. Artists included Hawkwind, Traffic, David Bowie, Joan Baez, Fairport Convention, Quintessence and Melanie.

2

July

1971

English glam rock group T.Rex, led by the late Marc Bolan, released their classic hit single ‘Get It On’.

3

July

1971

American singer, poet and member of rock band The Doors, Jim Morrison died from reported heart failure at an apartment in Paris, France at the age of 27.

6

July

1971

American jazz trumpeter and singer, Louis Armstrong died of a heart attack in a New York hospital at the age of 69.

31

July

1971

American guitarist known for his work with heavy rock bands Marilyn Manson and Rob Zombie, as well as a solo artist, John Lowery (a.k.a. John 5) was born in Grosse Pointe, Michigan.

25

August

1971

English rock band, The Who, released their 5th studio album, ‘Who’s Next’ in the UK.

9

September

1971

English singer, songwriter, guitarist and former Beatle, John Lennon released his career-defining solo studio album, ‘Imagine’ in the UK.

15

September

1971

English heavy rock band, Deep Purple released their flaming hot 5th studio album, ‘Fireball’ in the UK.

21

September

1971

UK broadcaster, the BBC aired their highly regarded long-running contemporary music TV programme, ‘The Old Grey Whistle Test’ for the first time.

8

October

1971

English psychedelic space rock band Hawkwind, released their 2nd studio album ‘In Search Of Space’ in the UK.

29

October

1971

American guitarist and co-founder of rock band The Allman Brothers Band, Duane Allman died tragically in a motorcycle accident in Macon, Georgia at the age of 24.

30

October

1971

English former member of The Beatles, John Lennon had his classic solo studio album, ‘Imagine’ reach number 1 in the UK album chart.

1

November

1971

The classic hit single ‘Jeepster’ was released, performed by English glam rock pioneer Marc Bolan and T.Rex, reaching No. 2 in the UK singles chart.

1

November

1971

British guitarist, singer and songwriter John Martyn released his classic 3rd solo album ‘Bless The Weather’ in the UK.

5

November

1971

Supremely versatile English lead guitarist with alternative rock band Radiohead, Jonny Greenwood was born in Oxford.

8

November

1971

English hard rock band Led Zeppelin released their classic multi-million-selling 4th studio album, ‘Led Zeppelin IV’ in the UK, which included the track, ‘Stairway To Heaven’.

12

November

1971

English progressive rock band Genesis released their ambitious 3rd studio album, ‘Nursery Cryme’ in the UK.

13

November

1971

English progressive rock band Pink Floyd released their outstanding 6th studio album, ‘Meddle’ in the UK.

4

December

1971

The Montreux Casino in Switzerland, built in 1881, burnt down during a Frank Zappa gig, inspiring Deep Purple’s classic rock song, ‘Smoke On The Water’.

17

December

1971

Legendary English rock singer, songwriter and actor, David Bowie released his classic 4th studio album, ‘Hunky Dory’ in the UK.

27

December

1971

Remarkable English guitarist with The Aristocrats and noted guitar teacher, Guthrie Govan was born in Chelmsford, Essex.

21

January

1972

English glam rockers Marc Bolan with T.Rex released the classic hit single ‘Telegram Sam’ in the UK.

10

February

1972

English glam rock singer David Bowie made his debut live appearance as his legendary alter-ego, Ziggy Stardust at the Toby Jug pub in London.

17

February

1972

American singer, songwriter, guitarist, front man and co‑founder of pop punk rock band Green Day, Billie Joe Armstrong was born in Oakland, California.

25

February

1972

English singer, songwriter and guitarist, Nick Drake, released his sublime 3rd and final studio album, ‘Pink Moon’.

25

February

1972

Legendary Canadian singer, songwriter and guitarist, Neil Young, released his classic 4th studio album, ‘Harvest’.

3

March

1972

English progressive rock band Jethro Tull released their classic 5th studio album, ‘Thick As A Brick’ in the UK.

25

March

1972

English heavy rock band Deep Purple released their classic 6th studio album, ‘Machine Head’ in the UK, which included the track, ‘Smoke On The Water’.

29

April

1972

English hard rock band Wishbone Ash released their career-defining classic 3rd studio album, ‘Argus’.

5

May

1972

English glam rockers, Marc Bolan and T.Rex released their classic hit single ‘Metal Guru’ in the UK.

12

May

1972

English rock band, The Rolling Stones released their massive 10th studio double album, ‘Exile On Main Street’.

6

June

1972

English glam rock singer and songwriter, David Bowie released his classic 5th studio album, ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’.

3

July

1972

American country blues guitarist, Mississippi Fred McDowell died from cancer in Memphis, Tennessee at the age of 66.

23

July

1972

British glam rock band, Marc Bolan and T.Rex released their classic studio album ‘The Slider’ in the UK.

8

September

1972

British glam rock star Marc Bolan and his band T.Rex released the classic hit single ‘Children Of The Revolution’.

11

October

1972

Mexican-American guitarist Carlos Santana with his band released their classic 4th studio album, ‘Caravanserai’.

17

October

1972

American rapper and hip-hop artist, Eminem was born as Marshall Bruce Mathers III, a.k.a. ‘Slim Shady’ in St. Joseph, Missouri.

10

December

1972

British singer, songwriter, guitarist and co-founder of alternative rock band Placebo, Brian Molko was born in Brussels, Belgium.

5

January

1973

American rock band, Aerosmith, released their eponymous debut studio album, ‘Aerosmith’.

5

January

1973

American singer and songwriter Bruce Springsteen released his debut studio album, ‘Greetings From Asbury Park, N.J.’.

30

January

1973

After changing their name to KISS, the American rock band made their debut live performance in Queens, New York.

1

February

1973

British singer, songwriter and guitarist, John Martyn released his classic 4th solo studio album, the sublime and career-defining, ‘Solid Air’.

7

February

1973

American proto punk rock band Iggy The Stooges released their hugely influential 3rd studio album, ‘Raw Power’.

8

February

1973

Max Yasgur, who owned the New York dairy farm on which the legendary Woodstock Festival was held in August 1969, died from a heart attack in Florida at the age of 53.

23

February

1973

English pop/rock band Slade released their classic hit single, ‘Cum On Feel The Noize’ in the UK.

2

March

1973

British glam rockers, Marc Bolan and T.Rex released their classic hit single ‘20th Century Boy’ in the UK.

16

March

1973

English progressive rock group Pink Floyd released their career pinnacle 8th studio album, ‘The Dark Side Of The Moon’ in the UK.

23

March

1973

English progressive rock band King Crimson released their 5th studio album, ‘Larks’ Tongues in Aspic’.

28

March

1973

British heavy rock band Led Zeppelin released their 5th studio album, ‘Houses Of The Holy’ in the UK.

12

April

1973

English glam rock singer, David Bowie released his milestone classic 6th studio album, ‘Aladdin Sane’ in the UK.

13

April

1973

Jamaican Reggae legends, Bob Marley & The Wailers released their classic 4th studio album ‘Catch A Fire’ in the UK.

17

May

1973

American singer, songwriter, guitarist, producer, actor and founder of rock bands Queens Of The Stone Age and Eagles Of Death Metal, Josh Homme was born in Joshua Tree, California.

25

May

1973

Richard Branson’s Virgin Records label was launched, marked by the release of Mike Oldfield’s seminal studio album, ‘Tubular Bells’.

18

June

1973

American folk rock singer, songwriter and guitarist, Ray LaMontagne was born in New Hampshire.

22

June

1973

English glam rock singer David Bowie released his classic hit single, ‘Life On Mars?’, with ‘The Man Who Sold the World’ on the B-side.

3

July

1973

English glam rock star David Bowie announced that his iconic on-stage persona, Ziggy Stardust was to retire (not Bowie himself, as was widely reported in the press).

13

July

1973

English rock/pop band Queen released their great debut studio album in the UK, the eponymous ‘Queen’.

15

July

1973

American bluegrass and country rock guitarist, a member of rock band The Byrds and an accomplished session musician, Clarence White died in a car accident in Palmdale, California at the age of 29.

26

July

1973

American southern blues/rock power trio ZZ Top released their critically acclaimed 3rd studio album, ‘Tres Hombres’.

6

August

1973

Influential American blues singer, songwriter and guitarist Memphis Minnie (real name Lizzie Douglas) died from a stroke in a nursing home in Memphis, Tennessee at the age of 76.

13

August

1973

American southern rock band, Lynyrd Skynyrd released their storming debut album, ‘(pronounced ‘lĕh-‘nérd ‘skin-‘nérd)’, featuring their career-defining signature song, ‘Freebird’.

11

September

1973

American rock singer, songwriter and guitarist, Bruce Springsteen released his sophomore studio album, ‘The Wild, the Innocent & the E Street Shuffle’.

19

September

1973

American guitarist with country rock band The Byrds, Gram Parsons died of a drug overdose in Joshua Tree, California at the age of 26.

20

September

1973

American folk/rock guitarist, singer and songwriter, Jim Croce died tragically along with 5 others in a plane crash in Natchitoches, Louisiana at the age of 30.

1

October

1973

British singer, songwriter and guitarist John Martyn released his remarkable change of direction 5th studio album, ‘Inside Out’ in the UK.

9

October

1973

Influential American blues singer, songwriter and guitarist Sister Rosetta Tharpe died from a stroke in Philadelphia, Pennsylvania at the age of 58.

12

October

1973

English progressive rock band Genesis released their classic 5th studio album, ‘Selling England By The Pound’.

19

October

1973

Jamaican reggae legends (Bob Marley &) The Wailers released their classic studio album, ‘Burnin’’ in the UK.

19

October

1973

English singer and songwriter David Bowie released his 7th studio album comprising cover songs, ‘Pin Ups’ in the UK.

26

October

1973

English rock band, The Who, released their classic 6th studio double album; the rock opera and ode to the UK’s mod movement, ‘Quadrophenia’.

11

November

1973

Legendary Irish blues/rock guitarist, Rory Gallagher, released his 4th studio album, ‘Tattoo’ in the UK.

1

December

1973

English heavy metal band Black Sabbath released their 5th studio album, ‘Sabbath Bloody Sabbath’.

5

December

1973

English former member of The Beatles, Paul McCartney and Wings released his 5th and most successful ‘solo’ studio album, ‘Band On The Run’ in the UK.

10

December

1973

The legendary New York alternative, punk and New Wave music venue at 315 Bowery, Manhattan, CBGB & OMFUG, was opened by club owner Hilly Kristal.

31

December

1973

Australian heavy rock band AC/DC made their debut live performance at a local bar in Sydney, Australia.

17

January

1974

Legendary American guitarist, singer and songwriter Bob Dylan released the studio album recorded with The Band, ‘Planet Waves’.

15

February

1974

British hard rock band, Deep Purple released their classic 8th studio album, ‘Burn’ in the UK.

20

February

1974

American jazz rock band Steely Dan released their critically well-received and commercially successful classic 3rd studio album, ‘Pretzel Logic’.

8

March

1974

English rock band, Queen released their classic 2nd studio album, ‘Queen II’ in the UK.

15

April

1974

American southern rock group, Lynyrd Skynyrd released their classic breakout 2nd studio album ‘Second Helping’.

17

April

1974

Swedish guitarist, singer and songwriter with progressive death metal rock band Opeth, Mikael Åkerfeldt was born in Stockholm.

18

April

1974

Accomplished American guitarist, singer and songwriter with rock bands Creed, Alter Bridge and as a solo artist, Mark Tremonti was born in Detroit, Michigan.

24

April

1974

English glam rock legend, David Bowie released his classic 8th studio album, ‘Diamond Dogs’ in the UK.

1

June

1974

Talented Canadian singer, songwriter, guitarist, producer, activist and actress Alanis Morissette was born in Ottawa, Ontario.

15

June

1974

English rock super group Bad Company released their self‑titled debut studio album, ‘Bad Company’ in the UK.

1

July

1974

English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 2nd studio album, ‘461 Ocean Boulevard’.

21

July

1974

Highly acclaimed Irish blues/rock guitarist Rory Gallagher released his hugely successful live album, ‘Irish Tour ‘74’.

29

July

1974

Perennial Canadian singer, songwriter and guitarist Neil Young released his classic 5th studio album, ‘On The Beach’.

16

August

1974

American punk rock band Ramones played their first live concert at the legendary CBGB & OMFUG music venue in New York City.

6

September

1974

English space rock band, Hawkwind, released their classic 4th studio album, ‘Hall of the Mountain Grill’.

14

September

1974

English guitarist, singer and songwriter Eric Clapton released his cover of Bob Marley’s ‘I Shot The Sherriff’ as a single, which reached number 1 in the U.S.

6

October

1974

English progressive rock band King Crimson released their 7th studio album, ‘Red’.

12

October

1974

American punk rock band Blondie made their first appearance at the legendary CBGB & OMFUG music venue in New York City.

25

October

1974

Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Natty Dread’ in the UK, the first Wailers’ album to bear Marley’s name in the title.

29

October

1974

Hugely impressive American blues/rock guitarist, Eric Gales was born in Memphis, Tennessee.

8

November

1974

English rock band Queen moved in a more commercial direction and released their successful 3rd studio album, ‘Sheer Heart Attack’ in the UK.

18

November

1974

English progressive rock band Genesis released their 6th studio double concept album, and their final LP with singer Peter Gabriel, ‘The Lamb Lies Down on Broadway’.

25

November

1974

English singer, songwriter and guitarist, Nick Drake died from a drug overdose at his home in Tanworth-in-Arden, Warwickshire at the age of 26.

28

November

1974

English former Beatle, John Lennon made his final live appearance, joining Elton John on stage at Madison Square Garden in New York City.

16

December

1974

After 5 years as a member of The Rolling Stones, English guitarist, Mick Taylor announced that he was leaving the band.

17

January

1975

English former member of The Beatles John Lennon released his classic solo covers album, ‘Rock ‘n’ Roll’ in the UK.

18

January

1975

American jazz, blues and country rock guitarist, Johnny Hiland was born, growing up in Maine.

20

January

1975

Legendary American guitarist, singer and songwriter, Bob Dylan released his renaissance studio album, ‘Blood On The Tracks’ in the UK.

24

January

1975

Influential and pioneering British singer, songwriter and guitarist John Martyn released his 6th studio album, ‘Sunday’s Child’.

7

February

1975

American guitarist and member of nu-metal band Limp Bizkit and Black Light Burns, Wes Borland was born in Richmond, Virginia.

17

February

1975

Australian hard rock band, AC/DC released their debut studio album, ‘High Voltage’.

24

February

1975

English heavy rock band, Led Zeppelin released their epic 6th studio double album, ‘Physical Graffiti’.

7

March

1975

English singer, songwriter and true rock legend, David Bowie released his change of direction classic 9th studio album, the soul-oriented ‘Young Americans’ in the UK.

11

March

1975

English pop/art/rock band 10cc released their hugely successful 3rd studio album, ‘The Original Soundtrack’ in the UK.

16

March

1975

American blues legend, Aaron Thibeaux ‘T-Bone’ Walker died from pneumonia following a stroke in Los Angeles, California at the age of 64.

17

March

1975

English singer, songwriter and guitarist, best known as member of hard rock band The Darkness, Justin Hawkins was born in Chertsey, Surrey.

29

March

1975

Experimental virtuoso English rock guitarist, Jeff Beck released his seminal and commercially successful 2nd solo album, ‘Blow By Blow’ in the UK.

2

April

1975

English super group Bad Company released their classic sophomore studio album, ‘Straight Shooter’.

8

April

1975

American hard rock band Aerosmith released one of their most successful records, their 3rd studio album, ‘Toys In The Attic’, including the hit track, ‘Walk This Way’.

9

May

1975

English space rock perennials, Hawkwind, released their 5th studio album ‘Warrior On The Edge Of Time’ in the UK.

23

May

1975

English pop/rock band 10cc released their superbly written and produced massive hit single, ‘I’m Not In Love’.

20

June

1975

Canadian singer, songwriter and guitarist Neil Young released his classic 6th studio album, ‘Tonight’s The Night’.

23

June

1975

Hugely talented Scottish multi-genre singer, songwriter and guitarist, KT Tunstall was born in Edinburgh.

29

June

1975

Influential American singer, songwriter and guitarist Tim Buckley died from a drug overdose in Los Angeles, California, at the age of 28.

9

July

1975

Mercurial American singer, songwriter and flamboyant guitarist with The White Stripes, The Dead Weather and The Raconteurs, as well as solo artist, Jack White was born in Detroit, Michigan.

11

July

1975

British/American rock band Fleetwood Mac released their self-titled 10th studio album, ‘Fleetwood Mac’.

17

July

1975

Jamaican reggae icons, Bob Marley And The Wailers performed the first of 2 live concerts at London’s Lyceum. The concerts were recorded for the classic live album, ‘Live!’

25

July

1975

English singer and songwriter, David Bowie released his hit single, ‘Fame’, co-written with Carlos Alomar and with backing vocals by John Lennon. It was reportedly a jibe at Bowie’s artist management.

16

August

1975

English singer and songwriter Peter Gabriel announced that he was leaving Genesis, the progressive rock band he co‑founded.

25

August

1975

American rock icon Bruce Springsteen released his massively successful 3rd studio album, ‘Born To Run’.

1

September

1975

British singer, songwriter and guitarist John Martyn released his masterful live concert album, ‘Live At Leeds’.

5

September

1975

English progressive rock band Jethro Tull released their 8th studio album, ‘Minstrel In The Gallery’ in the UK (8 September in the U.S.).

12

September

1975

English progressive rock band, Pink Floyd released their massive classic 7th studio album, ‘Wish You Were Here’.

23

October

1975

English singer and songwriter, Elton John received a star on the Hollywood Walk of Fame at 6915 Hollywood Boulevard.

6

November

1975

British punk rock band, Sex Pistols made their debut live performance as a support act in the Common Room of Saint Martin’s School Of Art at Charing Cross Road in central London.

10

November

1975

Canadian singer, songwriter and guitarist, Neil Young with his band Crazy Horse released the classic 7th studio album, ‘Zuma’.

2

December

1975

English pop/rock band Queen released their 4th studio album, ‘A Night At The Opera’, including the massive hit single ‘Bohemian Rhapsody’.

5

December

1975

Jamaican reggae legends Bob Marley And The Wailers released their classic live album, ‘Live!’ recorded at London’s Lyceum Theatre on 17 & 18 July 1975.

13

December

1975

American punk rock singer, beat poet and political activist, Patti Smith released her classic anti‑establishment debut studio album, ‘Horses’, produced by John Cale.

13

December

1975

American guitarist, singer, songwriter, producer and co‑founder of pop punk rock band Blink-182, Tom DeLonge was born in Poway, California.

20

December

1975

American guitarist Joe Walsh joined the country rock band Eagles, replacing former band guitarist Bernie Leadon.

5

January

1976

Renowned American guitarist, singer and songwriter, Bob Dylan released his classic mid-career studio album, ‘Desire’ in the UK.

10

January

1976

American blues legend Howlin’ Wolf died from complications of kidney surgery in Hines, Illinois at the age of 65.

23

January

1976

Legendary English rock singer and songwriter, David Bowie released his classic 10th studio album, ‘Station To Station’.

9

March

1976

Country music legend Johnny Cash received a star on the Hollywood Walk of Fame at 6320 Hollywood Boulevard.

18

March

1976

The classic sci-fi film ‘The Man Who Fell To Earth’, directed by Nicolas Roeg and starring English singer David Bowie was released in the UK.

19

March

1976

English guitarist with rock band Free, Paul Kossoff died from a drug-related heart attack on a flight from Los Angeles to New York City at the age of 25.

21

March

1976

Guitar pioneer, innovator and entrepreneur, Adolph Rickenbacker died from cancer in Orange County, California at the age of 89.

23

March

1976

English heavy metal band Judas Priest released their classic sophomore studio album, ‘Sad Wings of Destiny’.

26

March

1976

Irish rock group, Thin Lizzy released their breakout classic 6th studio album, ‘Jailbreak’.

28

March

1976

American guitarist with rock group The Killers, Dave Keuning was born in Pella, Iowa.

31

March

1976

Legendary English heavy rock band Led Zeppelin released their 7th studio album, ‘Presence’.

3

April

1976

British pop group Brotherhood Of Man won the 21st Eurovision Song Contest with, ‘Save Your Kisses for Me’.

23

April

1976

American punk rock band, Ramones released their eponymous debut studio album, ‘Ramones’.

30

April

1976

Jamaican reggae legends, Bob Marley & The Wailers released their commercially successful studio album, ‘Rastaman Vibration’.

3

May

1976

American hard rock band, Aerosmith, released their 4th studio album, ‘Rocks’.

4

July

1976

British punk rock band The Clash made their live concert debut supporting the Sex Pistols at the Black Swan pub (known to locals as ‘The Mucky Duck’) in Sheffield, England.

27

July

1976

English singer, songwriter, guitarist and former member of The Beatles, John Lennon, finally had his application for permanent American residency approved by the U.S. Government.

31

July

1976

American hard rock band, Blue Öyster Cult released their signature tune and huge commercial hit, the classic single, ‘(Don’t Fear) The Reaper’.

29

August

1976

Exemplary American blues guitarist and singer, Jimmy Reed died from respiratory failure in Oakland, California at the age of 50.

13

September

1976

American southern rock band Lynyrd Skynyrd released their great live double album ‘One More From The Road’ in the US.

7

October

1976

Following an appeal hearing, English former member of The Beatles, John Lennon had his permanent residency of the USA confirmed.

8

October

1976

American jazz fusion pioneer and bass guitarist Stanley Clarke released his ground breaking studio album ‘School Days’.

22

October

1976

Influential American poet, singer, songwriter, artist and activist Patti Smith released her 2nd studio album, ‘Radio Ethiopia’.

24

October

1976

Legendary Irish guitarist, Rory Gallagher, released his classic 6th studio album, ‘Calling Card’.

25

November

1976

Canadian/American rock group, The Band, played their final concert in San Francisco, California, ‘The Last Waltz’, documented by filmmaker Martin Scorsese.

26

November

1976

English punk rock pioneers, Sex Pistols released their controversial debut single, ‘Anarchy In The UK’ on EMI Records.

2

December

1976

The photoshoot for the iconic album cover to Pink Floyd’s ‘Animals’ (released in 1977) took place at Battersea Power Station in London, complete with giant inflatable pig.

3

December

1976

Jamaican reggae star Bob Marley was wounded when gunmen shot him, his wife and manager at his home in Kingston. The incident was widely thought to be a politically motivated act.

5

December

1976

French electronic musician Jean Michel Jarre released his milestone 3rd studio album Oxygène in France.

8

December

1976

American country rock band Eagles released their top‑selling and career-defining classic 5th studio album, ‘Hotel California’.

12

December

1976

English guitarist with hard rock bands The Darkness and Stone Gods, Dan Hawkins was born in Chertsey, Surrey.

28

December

1976

American blues guitar legend, Freddie King died of complications from ulcers and acute pancreatitis in Texas at the age of 42.

14

January

1977

English rock singer David Bowie released his 11th studio album and the first part of his highly acclaimed ‘Berlin Trilogy’, ‘Low’ in the UK.

23

January

1977

Highly acclaimed English progressive rock band, Pink Floyd, released their 10th studio album, ‘Animals’, in the UK.

4

February

1977

Anglo-American rock band, Fleetwood Mac released their massive career-topping 11th studio album, ‘Rumours’ in the US.

26

February

1977

American delta blues guitarist and singer Booker T. Washington ‘Bukka’ White died from cancer in Memphis, Tennessee at the age of 67 or 70 (age disputed).

2

March

1977

English singer, songwriter, co-founder and front man of band Coldplay, Chris Martin was born in Exeter, Devon.

10

March

1977

English punk rock band Sex Pistols controversially ‘signed’ a short-lived recording contract with A&M Records outside Buckingham Palace in London.

21

March

1977

Australian hard blues/rock band, AC/DC, released their 4th studio album, ‘Let There Be Rock’.

8

April

1977

English punk rock band, The Clash released their classic eponymous debut studio album, ‘The Clash’. Often considered to be one of the finest British punk albums.

8

May

1977

Great American blues rock guitar maestro, Joe Bonamassa was born in New Hartford, New York.

27

May

1977

In the same year as Queen Elizabeth II’s Silver Jubilee, British punk pioneers Sex Pistols released their controversial 2nd single, ‘God Save The Queen’ in the UK.

31

May

1977

The BBC and the Independent Broadcasting Authority banned the Sex Pistols’ controversial single, ‘God Save The Queen’ from being played on UK radio for being “in gross bad taste”.

3

June

1977

Jamaican reggae icons Bob Marley & The Wailers released their career-defining massively successful 9th studio album, ‘Exodus’.

12

June

1977

Talented American blues/rock guitarist, singer and songwriter Kenny Wayne Shepherd was born in Shreveport Louisiana.

15

June

1977

English punk rock band Sex Pistols infamously performed ‘Anarchy In The UK’ aboard a party boat on the River Thames outside the Houses of Parliament in London.

20

June

1977

Canadian singer, songwriter and guitarist Neil Young released his 8th studio album, ‘American Stars ‘n Bars’.

30

June

1977

Marvel Comics published the first comic book with characters loosely based on members of the American rock band KISS.

2

July

1977

British punk rock pioneers Sex Pistols released their controversial 3rd single, ‘Pretty Vacant’ in the UK.

16

August

1977

American rock ‘n’ roll legend, Elvis Presley died from a drug-related heart attack in Memphis, Tennessee at the age of 42.

18

August

1977

The funeral of American singing legend, Elvis Presley took place at Forest Hill Cemetery in Memphis, Tennessee.

11

September

1977

Welsh guitarist and co-founder of rock band Coldplay, Jonny Buckland was born in London.

16

September

1977

Flamboyant English glam rock guitarist, singer and songwriter Marc Bolan of Tyrannosaurus Rex and later T.Rex died tragically in a car accident in London at the age of 29.

16

September

1977

American alternative rock band, Talking Heads, released their remarkable debut studio album, ‘Talking Heads: 77’.

23

September

1977

English singer and songwriter David Bowie released the single ‘Heroes’, which would become one of his greatest signature songs.

24

September

1977

English heavy rock band Motörhead released their debut studio album, the self-titled ‘Motörhead’ in the UK.

30

September

1977

English post-punk and new wave singer, songwriter and actor, Ian Dury released his debut studio album with The Blockheads, ‘New Boots And Panties!!’ in the UK.

30

September

1977

Fiery American blues/rock guitarist and member of Supersonic Blues Machine, Lance Lopez was born in Galveston, Texas.

7

October

1977

English guitarist Steve Hackett left progressive rock band Genesis to pursue a successful solo career.

12

October

1977

American singer, songwriter and guitarist Bruce Springsteen released his 4th studio album, ‘Darkness on the Edge of Town’.

14

October

1977

English singer and songwriter David Bowie released his 12th studio album, ‘Heroes’, the 2nd part of his famed ‘Berlin Trilogy’.

16

October

1977

Award-winning American blues/rock guitarist, singer, songwriter and producer John Mayer was born in Bridgeport, Connecticut.

17

October

1977

American southern rock band Lynyrd Skynyrd released their 5th studio album, ‘Street Survivors’, just days before the band’s tragic plane crash.

20

October

1977

Several members of American rock band Lynyrd Skynyrd, including singer Ronnie Van Zant, guitarist Steve Gaines and his sister, singer Cassie Gaines were among those tragically killed and injured in a plane crash near Gillsburgh, Mississippi.

21

October

1977

American rock band, Meat Loaf, released their best‑selling debut studio album, ‘Bat Out Of Hell’.

28

October

1977

English punk rock band, Sex Pistols released their controversial debut (and currently only) studio album, ‘Never Mind the Bollocks Here’s the Sex Pistols’.

4

November

1977

American punk rock pioneers, Ramones released their definitive 3rd studio album, ‘Rocket To Russia’.

4

November

1977

British guitarist, singer and songwriter John Martyn released his classic 7th solo studio album, ‘One World’ in the UK.

25

November

1977

English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 5th studio album, ‘Slowhand’.

1

December

1977

American guitarist, producer and founding member of nu-metal rock band Linkin Park, Brad Delson was born in Agoura, California.

25

January

1978

After changing their name from Warsaw to Joy Division, the post-punk rock band made their first live performance in Manchester, UK.

6

February

1978

Influential Dutch/American guitarist, Eddie Van Halen released the eponymous debut studio album that launched the band’s career ‘Van Halen’.

10

February

1978

English heavy metal band Judas Priest released their classic 4th studio album, ‘Stained Class’.

3

March

1978

American punk rock singer, poet, activist and artist, Patti Smith released her classic 3rd studio album, ‘Easter’.

23

March

1978

Jamaican reggae legends, Bob Marley & The Wailers released their 9th studio album and follow up to the massive ‘Exodus’, ‘Kaya’.

5

April

1978

English new romantic and pop/rock band Duran Duran performed their debut live concert at Birmingham Polytechnic.

15

May

1978

Antipodean heavy rock band, AC/DC released their storming 5th studio album, ‘Powerage’.

19

May

1978

British rock band, Dire Straits released their breakout debut single, ‘Sultans of Swing’ in the UK.

2

June

1978

Irish rock band, Thin Lizzy released their massive live double album, ‘Live And Dangerous’ in the UK.

9

June

1978

Mercurial English guitarist, singer, songwriter and founding member of rock band Muse, Matt Bellamy was born in Cambridge.

7

July

1978

American indie rock band, Talking Heads, released their 2nd studio album, ‘More Songs About Buildings and Food’.

7

September

1978

English drummer with rock band The Who, Keith Moon, died of a drug overdose in London at the age of 31.

12

October

1978

English bass guitarist with the Sex Pistols, John Ritchie (a.k.a. Sid Vicious) was arrested for the murder of his girlfriend Nancy Spungen at the Chelsea Hotel in New York City.

30

October

1978

American punk rock band Blondie released their single ‘Hanging On The Telephone’, their first Top 10 hit in the UK singles chart.

2

November

1978

English post-punk rock band The Police released their astounding debut studio album, ‘Outlandos d’Amour’ in the UK.

11

November

1978

The first commercially available vinyl 7” single picture disc was released by the Elektra label, featuring The Cars, ‘My Best Friend’s Girl’.

23

November

1978

American singer, songwriter, artist and occasional guitarist with rock bands, The Kills and The Dead Weather, Alison Mosshart was born in Vero Beach, Florida.

2

January

1979

The trial of English bass guitarist with Sex Pistols, Sid Vicious, started in New York. He was accused of murdering his American girlfriend, Nancy Spungen in 1978.

31

January

1979

American virtuoso jazz guitarist Grant Green died of a heart attack while on the road in New York City at the age of 43.

2

February

1979

English bass guitarist of Sex Pistols, Sid Vicious (John Ritchie) died from a heroin overdose in New York City at the age of 21.

7

February

1979

American guitarist, singer and songwriter Stephen Stills became the first major rock artist to record tracks using digital studio equipment at the Record Plant in Los Angeles, California.

3

March

1979

American guitarist, singer and songwriter, Frank Zappa released his highly successful and humorous part studio, part live double album, ‘Sheik Yerbouti’.

12

March

1979

English singer, songwriter, guitarist and founding member of indie rock bands The Libertines and Babyshambles, Pete Doherty was born in Hexham, Northumberland.

24

March

1979

English rock band, Motörhead hit the mainstream with the release of their classic 2nd studio album, ‘Overkill’.

8

May

1979

English indie rock giants The Cure released their debut studio album, ‘Three Imaginary Boys’ in the UK.

14

May

1979

Great American guitarist, singer, songwriter, producer and member of blues rock band The Black Keys, Dan Auerbach was born in Akron, Ohio.

18

May

1979

Legendary English rock singer and songwriter David Bowie released his 13th studio album and the third part of his ‘Berlin Trilogy’, ‘Lodger’.

8

June

1979

American guitarist, songwriter, member of rock band The Allman Brothers Band and founder of The Derek Trucks Band, Derek Trucks was born in Jacksonville, Florida.

15

June

1979

English post-punk band Joy Division released their impressive debut studio album, ‘Unknown Pleasures’.

20

June

1979

English guitarist, singer, songwriter, former member of indie rock band Ash and then solo artist, Charlotte Hatherley was born in London.

29

June

1979

American singer, songwriter and guitarist with Little Feat, Lowell George died from a cocaine-related heart attack in Arlington, Virginia at the age of 34.

1

July

1979

Japanese technology company Sony launched the first Walkman portable media player, capable of playing Compact Cassettes while on the move.

27

July

1979

Australian hard rock band AC/DC released their classic 6th studio album, ‘Highway To Hell’.

3

August

1979

American alternative rock band Talking Heads released their classic 3rd studio album, ‘Fear Of Music’, produced by Brian Eno.

11

August

1979

English hard rock band Led Zeppelin played their final UK concert with their original line up at Knebworth Festival in Hertfordshire.

12

August

1979

American pop singer and songwriter Michael Jackson released his 5th studio album, ‘Off The Wall’, marking his status as a global superstar.

15

August

1979

English heavy rock band Led Zeppelin released their last album with their original group line up, ‘In Through The Out Door’.

24

August

1979

American guitarist Peter Frampton received a star on the Hollywood Walk of Fame at 6819 Hollywood Boulevard.

17

September

1979

American rock guitarist, singer, songwriter and composer Frank Zappa released his studio album, ‘Joe’s Garage Act I’. The first of 3 ‘parts’.

29

September

1979

English post-punk rock trio The Police had their first UK No.1 hit single with, ‘Message In A Bottle’, the band’s 3rd Top 20 hit.

2

October

1979

Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Survival’ in the UK.

2

October

1979

English post-punk rock band The Police released their massively commercial chart-topping 2nd studio album, ‘Reggatta de Blanc’ in the UK.

7

October

1979

English post-punk rock band Joy Division released their debut single ‘Transmission’ on Factory Records in the UK.

19

October

1979

Anglo-American rock group Fleetwood Mac released their divisive, experimental 12th studio album, ‘Tusk’ amidst reports of the band’s excess.

27

October

1979

English rock band Motörhead released their strong 3rd studio album, ‘Bomber’ in the UK, with the classic line up of Lemmy, Eddie Clarke and Phil Taylor.

19

November

1979

American rock guitarist, singer, songwriter and composer Frank Zappa released his classic studio double album, ‘Joe’s Garage Acts II & III’.

30

November

1979

English progressive rock band, Pink Floyd released their epic 11th studio double concept album, ‘The Wall’. Estimated worldwide sales are around 30 million copies.

14

December

1979

English punk rock band, The Clash released their mighty 3rd studio double album, ‘London Calling’ in the UK.

Tailpiece

That’s more than enough for now! Looking at the list of artists, it is a veritable roll call of modern music. Just contrast the albums that started and ended the decade to see how much irreversible change had occurred in just 10 years. For many, the 1970s was the last decade to witness truly fundamental changes in musical and social paradigms. While not being strictly true, it was always going to be a tough task to sustain the energy and innovation of the 1950s, 1960s and 1970s into subsequent decades. However, this didn’t stop existing and emerging artists trying to break the constraints of predictability. So, the 1980s was to prove a different kettle of fish altogether and that is what the story seeks to explore in the next article. Are you with me? Until next time…

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July 2019 – The Story of Modern Music in 1,500+ Facts – Part V

posted in: History, Introduction, Observations | 0

Introduction

Okeydokey guitar and music fans out there. If you are reading this 5th part of the series of articles, I hope you know the routine by now, so I won’t bore you with any further preamble and we can get on with the latest episode.

If you would like to (re)visit the first four parts (covering 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Before we delve in to the Fifties, I was asked a very good question following the last article, which was…

Question(s): “A young Elvis Presley sang ‘Old Shep’ in a talent contest… he came 2nd. I would dearly like to know who beat the future ‘King’ of rock and roll. Do you happen to know if it was a fellow pop star?”

Answer: Many reports say that the young Elvis came 2nd. However, in a later interview, Presley said that he came 5th. The photograph of the prize giving presentation suggests that Presley may be correct in his recollection as three others are holding prizes while the young Presley, standing on the far right of the photo below wearing glasses, is standing empty-handed. The winners, as far as anyone knows, did not go on to become famous.

 

This also raises the point of illustrating the facts. I actually have some interesting images for each and every fact listed in these articles. While a picture can convey many words, to add that many photos, each publication would become humongous to wade through. I know people like to see pictures, rather than read volumes of sometimes repetitive narrative. On this occasion, it is probably better not to illustrate each fact. Apologies to all the picture loving people out there.

Once again, so much happened in the course of the 1950s that the decade demands a discrete article to itself. Let’s go…

The Story of Modern Music Part V 1950-1959

For many people, the birth of rock ‘n’ roll heralded a whole new era of popular music. So, as we get to the 1950s, this article will cover what was going on in the world that enabled such a musical revolution to take place and the fundamental cultural changes that went along with it. The world would never be the same again. It is worth remembering that, at the time, not everyone was excited about change and many conservative traditionalists fiercely rejected and resisted such a rebellious and irreversible transformation.

Historical Context 1950-1959

For most developed economies, the 1950s was a period of slow recovery from the severe consequences of WWII. However, the world was not without conflict and warfare in many other regions including in Asia, Africa and South America. The Cold War continued to fester, fuelled by intense competition between the democratic United States and communism Soviet Russia. The bitter rivalry included reciprocal nuclear weapons testing, military escalation and the start of the ‘space race’. The McCarthy ‘witch hunts’ of communist subversive and treasonous American citizens fuelled bitter political conspiracy and widespread public paranoia. The threat of mutually assured destruction maintained a fragile stalemate between west and east. By the end of the decade, as employment and income levels began to improve, individual freedoms and opportunities would lead to a paradigm shift in civilised countries including radical social, political, technological and cultural change that would set the dynamic scene for following decades.

Year

Global Events

1950

The Korean War started between the communist North supported by Russia and China, and the capitalist South supported by America – the war lasted until 1953 when the Korean Demilitarized Zone was implemented to separate North and South.

1951

The precursor to the European Union, the European Coal and Steel Community (ECSC), was formed when six countries signed the Treaty of Paris.

1952

British monarch, King George VI died and Elizabeth II became Queen of the United Kingdom.

 

Republican politician and army general Dwight D. Eisenhower was elected 34th President of the U.S.A.

1953

New Zealand mountaineer Sir Edmund Hillary and Nepalese Sherpa Tenzing Norgay became the first people to reach the summit of the world’s highest mountain, Mount Everest.

 

One of the first films to depict youthful rebellion and which would become a reflection on American social tensions, ‘The Wild One’ was released, directed by Laslo Benedek and starring Marlon Brando.

 

The scientific paper describing the double-helix structure of DNA was authored by Britain Francis Crick and American James Watson.

1954

The term rock ‘n’ roll was coined by DJ Alan Freed and the associated teen culture became hugely popular, particularly in America and Britain.

 

British athlete Roger Bannister becomes the first man to run the four minute mile.

1955

Renowned German physicist Albert Einstein died in Princeton, New Jersey, America in 1955 at the age of 76.

 

The Warsaw Pact defence treaty between Russia and seven neighbouring Eastern Bloc states was signed during the ‘Cold War’ standoff.

 

The classic film drama of teen alienation, ‘Rebel Without A Cause’ was released, directed by Nicholas Ray and starring James Dean.

 

The phenomenally successful MacDonald’s fast food chain was established in America by Ray Kroc.

 

The Vietnam War between the Communist North and the Capitalist South started, which lasted until 1975.

1956

The Suez Crisis erupted following Egyptian nationalisation of the Suez Canal, creating conflict in the Middle East.

1957

Russia launched the Sputnik 1, the first artificial Earth satellite into space, effectively triggering the space race.

 

The European Economic Community (EEC) was established when six countries signed the Treaty of Rome.

1958

The American National Aeronautics and Space Administration (NASA) was set up in Washington D.C.

1959

Marxist leader Fidel Castro established the long‑standing communist dictatorship in Cuba after overthrowing the Batista regime.

 

The British Motor Corporation launched the revolutionary and hugely successful small family car, the Mini, designed by Sir Alec Issigonis. The original model stayed in production until 2000.

 

Alaska and Hawaii formally become an integral part of the United States of America.

Musical Genre Development 1950-1959

The 1950s was a decade of innovation that saw the massive explosion of musical creativity across many genres, fusing influences and generating many new musical styles. Arguably, it was during the 1950s that modern music ‘grew up’ and any suggestions that the popular music crazes of the time were ephemeral ‘fads’ were finally dispelled. Country music remained popular with artists such as Johnny Cash and Hank Williams at the forefront of a revival.

Possibly not a genre in itself but easy listening music became popular in the 1950s and lasted until the 1970s. A form of middle‑of‑the‑road (MOR) music, it found popularity on radio and then extended into various styles of background music, elevator music or ‘muzak’. Easy listening music was often instrumental or vocal interpretations of past popular music standards, rather than anything new in its own right. Some major artists tapped into the appeal, including Burt Bacharach, Henry Mancini, Herp Alpert, The Carpenters and Richard Clayderman.

In the post‑war years, modernistic music, broadly also encompassing experimental and avant‑garde music was being explored by many composers wishing to push boundaries either within existing traditions or by introducing original elements outside prevailing styles. The aim of many composers was to break rules, reject established conventions and challenge audiences in a creative, if frequently alienating, way. Practitioners included Arnold Schoenberg and John Cage.

During the 1950s rhythm and blues music, often shortened to R&B, became popular, being a more upbeat form of blues music. R&B emanated from mainly African‑American music that was widespread during the late 1940s. Record companies promoted R&B toward predominantly urban African American audiences. R&B’s popularity was based on a fusing many influences such as jazz, blues, country and gospel to create strongly rhythmic, beat‑based songs. R&B would, in turn, influence the emergence of rock ‘n’ roll and soul of the late 1950s and 1960s. In response to other influences, R&B changed to include other styles such as doo‑wop. Famous R&B artists of the time included Ray Charles, The Drifters, Sam Cooke, The Platters and the Coasters.

By the mid‑1950s, the cultural clash of blues, jazz and country combined to create a new phenomenon in the United States, rock ‘n’ roll, a phrase popularised by radio disc jockey Alan Freed in 1954. Bill Haley (And His Comets) is often credited as the catalyst although many other artists were instrumental in creating the new youth musical revolution, including Elvis Presley, Jerry Lee Lewis, Fats Domino, Carl Perkins, Chuck Berry and Little Richard. Rockabilly was a very close relation to rock ‘n’ roll at the time popularised by artists such as Buddy Holly and Gene Vincent. Classic rock ‘n’ roll is essentially based on a backbeat dance rhythm performed on electric guitar, bass, and drums, replacing the piano and saxophone as lead instruments. The cultural importance of rock ‘n’ roll cannot be underestimated and its impact went far beyond just a musical genre, influencing lifestyle, film & TV, art, fashion, attitudes, and language. Although its roots can be traced back to the 1930s, it was in the 1950s that rock ‘n’ roll began to pervade modern society, coming as it did at a time of immense post‑war technological, economic, social and political change. On the back of radio coverage, the 45rpm single record would provide a massive boost to sales of rock ‘n’ roll songs to America’s urban counterculture youth. Rock ‘n’ roll began to decline by the early 1960s as other forms of popular music began to dilute its impact.

Musical Facts 1950-1959

During the Fifties, many more household names that we take for granted today came into the world. Modern music began the transition from the traditional forms to more contemporary genres. As younger artists born in the 1930s and 1940s began to create the ‘new’ music, the shift in the balance of ‘facts’ from births, through achievements, to deaths are just beginning to become apparent.

Day

Month

Year

Music Fact

5

January

1950

American guitarist, producer, photographer and co‑founder of punk/new wave/pop band Blondie, Chris Stein was born in Brooklyn, New York.

12

February

1950

English guitarist, former member of progressive rock band Genesis and now a successful solo artist, Steve Hackett was born in London.

13

February

1950

English solo singer, songwriter and ex-member of progressive rock band Genesis, Peter Gabriel was born in Chobham, Surrey.

19

February

1950

English singer, songwriter, guitarist and founder of rock group Wishbone Ash, Andy Powell was born in London.

20

February

1950

American bassist, guitarist, songwriter and co‑founder of jazz rock band Steely Dan, Walter Becker (1950-2017, 67) was born in New York City.

24

February

1950

American singer, songwriter, guitarist and perennial rocker George Thorogood was born in Wilmington, Delaware.

22

April

1950

English born American singer, songwriter and guitarist, Peter Frampton was born 1950 in Bromley, Kent.

13

May

1950

Legendary American soul singer, songwriter, keyboard player and producer, Stevie Wonder was born in Saginaw, Michigan.

13

May

1950

English guitarist, singer, songwriter and member of Anglo‑American rock group Fleetwood Mac from 1968 to 1972, Danny Kirwan (1950-2018, 68) was born in London.

3

June

1950

Pioneering American singer, songwriter, bass guitarist and actor, Suzi Quatro was born in Detroit, Michigan.

18

July

1950

English business entrepreneur and founder of the Virgin empire including Virgin Records and Virgin record stores, Richard Branson was born in London

2

August

1950

English guitarist and singer, best known for his work with rock band Wishbone Ash, Ted Turner was born in Sheldon, Birmingham.

30

August

1950

English guitarist with, amongst others, Whitesnake and Snafu, Micky Moody was born in Middlesbrough, North Yorkshire.

10

September

1950

American guitarist, singer, songwriter and member of rock band Aerosmith, Joe Perry was born in Lawrence, Massachusetts.

14

September

1950

Great English guitarist and co-founder off blues/rock band Free, Paul Kossoff (1950-1976, 25) was born in London.

2

October

1950

English guitarist, bass guitarist and founding member of progressive rock bands Genesis and Mike + The Mechanics, Mike Rutherford was born in Portsmouth, Hampshire.

5

October

1950

Great English guitarist and one-time member of rock band Motörhead, ‘Fast’ Eddie Clarke (1950-2018, 67) was born in London.

20

October

1950

Legendary American singer, songwriter, guitarist, producer and bandleader of The Heartbreakers, Tom Petty (1950-2017, 66) was born in Gainesville, Florida.

22

November

1950

American guitarist, actor and member of Bruce Springsteen’s E. Street Band, Steven Van Zandt was born in Winthrop, Massachusetts.

22

November

1950

American bass guitarist and co-founder of post-punk alternative rock bands Talking Heads and Tom Tom Club, Tina Weymouth was born in Coronado, California.

9

December

1950

Award-winning British singer, songwriter and guitarist, Joan Armatrading was born in Basseterre, Saint Kitts in the Caribbean.

31

January

1951

English guitarist, producer and former member of art rock bands Roxy Music, 801 and Quiet Sun, Phil Manzanera was born in London.

1

February

1951

Great American blues guitarist and skilled slide guitarist, Sonny Landreth was born in Canton, Mississippi.

4

March

1951

Highly accomplished English pop, rock and blues guitarist, singer and songwriter, Chris Rea was born in Middlesbrough.

6

March

1951

Terrific American blues/rock guitarist, singer and songwriter, Walter Trout was born in Ocean City, New Jersey.

17

March

1951

American guitarist, best known as co-lead guitarist with rock bands Thin Lizzy and more recently, Black Star Riders, Scott Gorham was born in Glendale California.

20

March

1951

American blues/rock guitarist, singer, bandmate and older brother of the late Stevie Ray, Jimmie Vaughan was born in Dallas, Texas.

27

April

1951

American guitarist, songwriter, co-founder and former member of hard rock group, KISS, nicknamed ‘Spaceman’, Ace Frehley was born in The Bronx, New York City.

7

May

1951

Formidable Puerto Rican/American rock guitarist, who frequently played with David Bowie and James Brown, Carlos Alomar was born in Ponce.

7

May

1951

Prolific English guitarist and former member of heavy rock band Whitesnake, Bernie Marsden was born in Buckingham, Buckinghamshire.

21

June

1951

American rock guitarist, often seen as sideman to ‘The Boss’, as well as a solo artist, Nils Lofgren was born in Chicago, Illinois.

30

June

1951

Amazing American jazz fusion bass guitarist, composer and founding member of Return to Forever, Stanley Clarke was born in Philadelphia, Pennsylvania.

2

August

1951

English guitarist and member of psychedelic progressive rock band Gong and founder of electronic dance band System 7, Steve Hillage was born in London.

19

August

1951

Retired English bass guitarist for the rock/pop band Queen, John Deacon was born in Leicester.

21

August

1951

English bass guitarist, solo artist, one time member of hard rock band Deep Purple and currently with super group Black Country Communion, Glenn Hughes was born in Cannock, Staffordshire.

7

September

1951

American singer, songwriter, guitarist and founder of post‑punk rock/pop group The Pretenders, Chrissie Hynde was born in Akron, Ohio.

18

September

1951

American punk rock pioneer, bass guitarist and member of the Ramones, Dee Dee Ramone (1951-2002, 50) was born in Fort Lee, Virginia.

2

October

1951

English singer, songwriter, bass guitarist, actor, ex‑member of rock band The Police and successful solo artist, Gordon Sumner CBE, a.k.a. Sting, was born in Wallsend, Northumberland.

3

October

1951

Award-winning American blues guitarist, singer and songwriter Keb’ Mo’ was born in Los Angeles, California.

26

October

1951

Flamboyant American bass guitarist and singer with funk/soul artists James Brown and Funkadelic/Parliament, the illustrious Bootsy Collins was born in Cincinnati, Ohio.

1

December

1951

Influential virtuoso American jazz bass guitarist who worked with Weather Report, Pat Metheny and Joni Mitchell, as well as a solo artist, the incomparable Jaco Pastorius (1951-1987, 35) was born in Norristown, Pennsylvania.

4

December

1951

American guitarist and founding member of Southern rock band Lynyrd Skynyrd, Gary Rossington was born in Jacksonville, Florida.

16

December

1951

Influential American jazz, blues and rock guitarist Robben Ford was born in Woodlake, California.

26

December

1951

Talented American jazz/rock guitarist who has collaborated with many great musicians over the course of his career, John Scofield was born in Dayton, Ohio.

11

January

1952

American contemporary jazz session and solo guitarist, Lee Ritenour was born in Los Angeles, California.

20

January

1952

American guitarist, singer, songwriter, artist and long‑term member of iconic rock band KISS, nicknamed ‘The Starchild’, Paul Stanley was born in New York City.

7

March

1952

The influential and popular weekly music magazine, The New Musical Express (NME), was launched in the UK.

7

March

1952

American guitarist (as well as bassist and drummer), singer, songwriter and member of funk band The Isley Brothers, Ernie Isley was born in Cincinnati, Ohio.

17

March

1952

Irish guitarist and member of heavy rock bands Gillan and Ozzy Osbourne, Bernie Tormé (1952-2019, 66) was born in Dublin.

2

April

1952

American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson (1952-2001, 49) was born in Newport, Rhode Island.

4

April

1952

Legendary Northern Irish blues and rock guitarist extraordinaire, Gary Moore (1952-2011, 58) was born in Belfast.

14

May

1952

Scottish/American singer, songwriter, guitarist founder of alternative rock band Talking Heads and solo artist, David Byrne, was born in Dumbarton, Scotland.

15

July

1952

American guitarist, singer, songwriter and member of proto punk rock band New York Dolls, Johnny Thunders (John Genzale, 1952-1991, 38) was born in Queens, New York.

19

July

1952

American guitarist and member of southern rock band Lynyrd Skynyrd, Allen Collins (1952-1990, 37) was born in Jacksonville, Florida.

21

August

1952

Hugely influential English guitarist, singer, songwriter, actor and co-founder of punk rock bands The Clash and The Mescaleros, the great Joe Strummer (1952-2002, 50) was born in Ankara, Turkey.

19

September

1952

Legendary American guitarist, songwriter, producer and co‑founder of funk/disco/dance band Chic, Nile Rodgers was born in New York.

1

October

1952

Great American rock guitarist and sideman extraordinaire, Earl Slick was born in Brooklyn, New York.

8

November

1952

The UK’s first ever popular music singles chart was introduced by The New Musical Express (NME) magazine. At Number 1 was Al Martino with ‘Here In My Heart’.

14

November

1952

Versatile and prolific American guitarist and songwriter, Johnny A (a.k.a. John Antonopoulos) was born in Malden, Massachusetts.

1

January

1953

American country singer, songwriter and guitarist, Hank Williams died of drug and alcohol-related heart failure in Oak Hill, West Virginia at the age of 29.

6

January

1953

Scottish-born guitarist and co-founder of Australian rock band AC/DC, Malcolm Young (1953-2017, 64) was born in Glasgow.

10

January

1953

American jazz guitarist who has played with Blood, Sweat & Tears, Billy Cobham and Miles Davis, as well a successful solo artist, Mike Stern was born in Boston, Massachusetts.

20

February

1953

American guitarist and co-founder of psychobilly rock band, The Cramps, Poison Ivy (Kristy Wallace) was born in San Bernardino, California.

19

March

1953

American bass player who has played with many great musicians and has a successful solo career, Billy Sheehan was born in Buffalo, New York.

28

April

1953

American bassist, guitarist, and vocalist of alternative rock band Sonic Youth, Kim Gordon was born in Rochester, New York.

5

May

1953

Highly respected English folk singer, songwriter and guitarist, Martin Simpson was born in Scunthorpe, Lincolnshire.

15

May

1953

English multi-instrumentalist, composer and talented guitarist, the man behind ‘Tubular Bells’ in 1973, Mike Oldfield was born in Reading, Berkshire.

16

May

1953

Mercurial Belgian-born French gypsy jazz guitarist and composer, Django Reinhardt died from a brain haemorrhage in Fontainebleau, France at the age of 43.

29

July

1953

Influential Canadian singer, songwriter and bass guitarist with rock band Rush, Geddy Lee was born in North York, Ontario.

1

August

1953

Award-winning American blues guitarist, singer and band leader, Robert Cray was born in Columbus, Georgia.

27

August

1953

Hugely influential Canadian guitarist and co-founder of rock group Rush, Alex Lifeson was born in Toronto, Ontario.

27

September

1953

Great Jamaican reggae riddim ‘n’ dub bass guitarist and producer, Robbie Shakespeare, best known as half of Sly & Robbie was born in Kingston.

18

December

1953

American guitarist and singer, well known for his work with The Cars up to 1988, Elliott Easton was born in Brooklyn, New York.

27

February

1954

American guitarist and member of rock groups Santana, Journey and Bad English, Neal Schon was born in Tinker Air Force Base, Oklahoma.

16

March

1954

American singer, songwriter, guitarist and core member of the rock band Heart, Nancy Wilson was born in San Francisco, California.

12

April

1954

Canadian guitarist and singer who has collaborated with many artists over the years and is bandleader of the Pat Travers Band, Pat Travers was born in Toronto, Ontario.

10

May

1954

American rock ‘n’ roll pioneers, Bill Haley And His Comets originally released ‘(We’re Gonna) Rock Around The Clock’. The world wasn’t ready yet and it didn’t hit the charts until 1955.

12

July

1954

19‑year old American singer, Elvis Presley left his job and signed his first recording contract with producer Sam Phillips at Sun Records in Memphis, Tennessee.

19

July

1954

American record label, Sun Records released the debut single by aspiring American rock ‘n’ roll singer, Elvis Presley, ‘That’s All Right’.

22

July

1954

Virtuoso American jazz fusion/Latin rock guitarist Al Di Meola was born in Jersey City, New Jersey.

28

July

1954

Multi-talented American guitarist and member of hard rock band Deep Purple since 1994, Steve Morse was born in Hamilton, Ohio.

12

August

1954

Influential American virtuoso progressive jazz fusion guitarist, Pat Metheny was born in Lee’s Summit, Missouri.

17

August

1954

Award-winning American virtuoso instrumental rock guitarist Eric Johnson was born in Austin, Texas.

25

August

1954

English punk, pop and alternative rock singer, songwriter, guitarist and producer, Declan MacManus (a.k.a. Elvis Costello) was born in London.

3

October

1954

Legendary American blues/rock guitarist, singer, songwriter and producer, Stevie Ray Vaughan (1954‑1990, 35) was born in Dallas, Texas.

1

December

1954

Australian-born British guitarist, singer and songwriter with punk rock band The Slits, Viv Albertine was born in Sydney.

18

December

1954

German guitarist, known for his work with Scorpions and the innovator behind the Sky Guitar, Uli Jon Roth was born in Düsseldorf.

7

January

1955

The classic hit song, ‘Rock Around The Clock’ was re‑released by Bill Haley & His Comets, entering the UK singles chart. Rock ‘n’ roll had truly arrived.

10

January

1955

German guitarist, best known as a member of rock bands Scorpions and UFO, as well as a successful solo career with his own band, Michael Schenker was born in Sarstedt.

24

January

1955

English pianist, singer, songwriter, bandleader, TV presenter and former member of Squeeze, Jools Holland was born in London.

26

January

1955

Dutch/American guitarist, singer, songwriter and producer Eddie Van Halen was born in Amsterdam, Netherlands.

5

March

1955

American singer Elvis Presley made his American television debut on the KWKH TV show ‘Louisiana Hayride’ broadcast from Shreveport, Louisiana.

31

March

1955

Australian guitarist and co-founder of hard rock band AC/DC, Angus Young was born in Glasgow, Scotland, UK.

13

April

1955

American bass guitarist with funk masters Brothers Johnson, Louis Johnson (1955-2015, 60) was born in Los Angeles, California.

31

May

1955

Australian virtuoso session musician and solo guitarist, Tommy Emmanuel was born in Muswellbrook, New South Wales.

26

June

1955

English guitarist and co-founder of punk rock band The Clash and Big Audio Dynamite, Mick Jones was born in London.

1

September

1955

English bass guitarist, singer and songwriter, best known for his work with punk rock band, The Jam from 1972 to 1982, Bruce Foxton was born in Woking, Surrey.

3

September

1955

English guitarist and ex-member of punk rock band Sex Pistols, Steve Jones was born in London.

12

November

1955

Hugely influential Canadian singer, songwriter and guitarist, former member of Buffalo Springfield, CSN&Y, as well as a phenomenal solo artist, the incomparable Neil Young was born in Toronto, Ontario.

15

December

1955

English bass guitarist best known as a member of punk rock icons The Clash and more recently collaborating with Damon Albarn in The Good, The Bad & The Queen, Paul Simonon was born in Croydon.

4

January

1956

English singer, songwriter, guitarist, producer and founding member of post-punk rock bands Joy Division and New Order, Bernard Sumner was born in Salford.

10

January

1956

The ‘King of Rock ‘n’ Roll’, Elvis Presley made his first recordings for RCA/Victor, including the classic hit single, ‘Heartbreak Hotel’.

27

January

1956

Legendary American singer, Elvis Presley released his classic breakout single for RCA, ‘Heartbreak Hotel’.

28

January

1956

American rock ‘n’ roll singer Elvis Presley made his first national television appearance in America on the CBS TV programme, the ‘Dorsey Brothers Stage Show’.

31

January

1956

English singer and member of punk rock bands Sex Pistols and Public Image Ltd, John Lydon (a.k.a. Johnny Rotten), was born in London.

3

February

1956

American guitarist, singer, songwriter, producer, artist and co-founder of alternative rock band Sonic Youth, Lee Ranaldo was born in Long Island, New York.

12

February

1956

Scottish guitarist and one-time member of rock bands Thin Lizzy and Motörhead, Brian Robertson was born in Clarkston.

13

February

1956

English bass guitarist, best known as member of post‑punk rock bands Joy Division and New Order, Peter Hook was born in Salford.

18

February

1956

Renowned American master luthier, innovator, entrepreneur, guitar maker extraordinaire and founder of PRS Guitars since 1985, Paul Reed Smith was born in Stevensville, Maryland.

12

March

1956

English bass guitarist and founder of heavy metal band Iron Maiden, Steve Harris was born in Leytonstone, Essex.

23

March

1956

American singer Elvis Presley released his eponymous debut album, ‘Elvis Presley’, a milestone that heralded the unstoppable explosion of the rock ‘n’ roll era.

4

June

1956

American guitarist, songwriter and producer, known for playing with David Bowie, Tin Machine and indie rock band The Cure, Reeves Gabrels was born in New York City.

26

June

1956

American singer, songwriter, rock (‘n’ roll) guitarist and actor, Chris Isaak was born in Stockton, California.

15

July

1956

Influential American virtuoso instrumental rock guitarist, Joe ‘Satch’ Satriani was born in Westbury, New York.

27

August

1956

English bass guitarist, songwriter and original member of punk rock band Sex Pistols, Glen Matlock was born in London.

29

September

1956

The rock ‘n’ roll era had clearly arrived when Bill Haley & His Comets had 5 songs in the UK Singles Chart Top 30 including the all-time classic hit, ‘Rock Around The Clock’.

4

November

1956

English guitarist and co-founding member of rock band The Pretenders, James Honeyman-Scott (1956-1982, 25) was born in Hereford, Herefordshire.

6

December

1956

Hugely talented American heavy rock guitarist who played with Ozzy Osbourne and Quiet Riot, Randy Rhoads (1956-1982, 25) was born in Santa Monica, California.

6

December

1956

American guitarist, songwriter and co-founder of rock band R.E.M., Peter Buck was born in Berkeley, California.

23

December

1956

English guitarist, songwriter and long-term member of heavy metal rock band Iron Maiden, Dave Murray was born in London.

16

January

1957

The legendary Liverpool live music venue, The Cavern Club opened its doors for business. The Beatles appeared there an impressive total of 292 times.

27

January

1957

English guitarist with heavy rock bands Gillan and latterly Iron Maiden, Janick Gers was born in Hartlepool.

27

February

1957

English guitarist, songwriter and member of heavy metal band Iron Maiden, Adrian Smith was born in London.

17

March

1957

American singer, Elvis Presley bought the famous 23‑room Graceland mansion at 3764 Elvis Presley Boulevard in Memphis, Tennessee for $102,500.

28

April

1957

English guitarist, composer, producer and member of Bristol‑based trip‑hop group Portishead, Adrian Utley was born in Northampton.

10

May

1957

English bass guitarist with the Sex Pistols, John Simon Ritchie, a.k.a. Sid Vicious (1957-1979, 21) was born in London.

27

May

1957

American rock ‘n’ roll band The Crickets, featuring the late Buddy Holly, released their debut hit single, ‘That’ll Be The Day’ in the US.

2

August

1957

American record producer Butch Vig was born. Vig has worked with many famous rock bands including Nirvana, Sonic Youth and The Smashing Pumpkins.

12

September

1957

Acclaimed German film composer and producer, Hans Zimmer was born in Frankfurt.

22

September

1957

Australian alternative/indie rock singer, songwriter, multi-instrumentalist and band leader of The Bad Seeds, Nick Cave was born in Warracknabeal, Victoria.

24

September

1957

American rock ‘n’ roll legend Elvis Presley released his massively popular hit single ‘Jailhouse Rock’ in the U.S.

10

October

1957

American country music legend Johnny Cash released his debut studio album on Sun Records, ‘Johnny Cash With His Hot and Blue Guitar!’

21

October

1957

American guitarist, singer, songwriter, producer, session musician and a founding member of rock band Toto, Steve Lukather was born in San Fernando Valley, California.

1

November

1957

Award-winning American country singer, songwriter, guitarist and actor, Lyle Lovett was born in Klein, Texas.

8

November

1957

English guitarist and artist best known as a member of the original line up of indie/alternative rock band The Cure, Porl (now Pearl) Thompson was born in Surrey.

8

December

1957

English guitarist and long-time member of heavy rock band Def Leppard – one half of ‘The Terror Twins’ – Phil Collen was born in London.

20

December

1957

American rock ‘n’ roll singer Elvis Presley was served with his U.S. Army draft notice while at his home at Graceland in Memphis, Tennessee.

20

December

1957

English guitarist, protest singer, songwriter, charity founder and political activist, Billy Bragg was born in Barking, Essex.

21

February

1958

The very first ‘modernist’ Flying V guitar, designed by the legendary Ted McCarty, was shipped from the Gibson factory in Kalamazoo, Michigan.

24

March

1958

American rock ‘n’ roll singer Elvis Presley was inducted into the U.S. Army in Memphis, Tennessee.

27

March

1958

CBS Records announced the invention of the stereophonic record, ensuring that they were backwards compatible with the mono record players of the time.

31

March

1958

American rock ‘n’ roll legend, Chuck Berry released his all‑time classic hit single, ‘Johnny B. Goode’. 2 min. 30 sec. of pure magic.

19

April

1958

London’s (in)famous music venue, The Marquee Club first opened its doors at 165 Oxford Street, its original site before moving to 90 Wardour Street in 1964.

25

May

1958

The ‘modfather’ of post-punk rock, member of The Jam, The Style Council and solo artist, Paul Weller was born in Woking, Surrey.

7

June

1958

Legendary singer, songwriter and guitarist, Prince Rogers Nelson (1958-2016, 57) was born in Minneapolis, Minnesota.

8

July

1958

The Recording Industry Association of America awarded the first official ‘Gold’ album to the soundtrack of the hit film, ‘Oklahoma’.

9

July

1958

After leaving Sam Phillips at Sun Records, country music legend Johnny Cash signed a lucrative contract with Columbia Records, a successful association that lasted for three decades.

25

July

1958

American guitarist, singer and songwriter with alternative rock band Sonic Youth, Thurston Moore was born in Coral Gables, Florida.

7

August

1958

English singer and on-off-on member of heavy metal band Iron Maiden, Bruce Dickinson was born in Worksop, Nottinghamshire.

14

August

1958

American blues singer, songwriter and guitarist, Big Bill Broonzy died from cancer in Chicago, Illinois at the age of 55 or 65, depending on who you believe.

16

August

1958

American singer, songwriter, actress and entrepreneur, Madonna Louise Ciccone, or as we know her, Madonna, was born in Bay City, Michigan.

29

August

1958

American singer, songwriter and member of the Jackson Five, as well as successful solo artist, nicknamed the ‘King of Pop’, Michael Jackson was born in Gary, Indiana.

19

September

1958

English/American rock guitarist, ex-member of The Runaways and successful solo artist, Lita Ford was born in London.

22

September

1958

American singer and US Army conscript Private Elvis Presley sailed on the USS Randall to Friedberg, Germany to serve in the 1st Battalion, 32nd Armor Regiment, 3rd Armored Division.

22

September

1958

American rock singer, songwriter, guitarist, founding member of the Runaways and Joan Jett & The Blackhearts, Joan Jett was born in Wynnewood, Pennsylvania.

20

October

1958

English bass guitarist, singer and co-founder of jazz/funk/pop band Level 42, Mark King was born in Cowes on the Isle of Wight.

28

October

1958

Scottish guitarist, composer and co-founder of indie/alternative rock band The Jesus And Mary Chain, William Reid was born in East Kilbride.

7

November

1958

American rockabilly/rock ‘n’ roll icon, Eddie Cochran had his first hit with the classic song, ‘Summertime Blues’. It reached number 18 in the UK singles chart.

11

December

1958

American bass guitarist, songwriter, producer and co‑founder of heavy rock band Mötley Crüe, Nikki Sixx (real name Frank Feranna, Jr.) was born in San Jose, California.

17

December

1958

American bass guitarist, singer, composer and founding member of alternative rock band R.E.M., Mike Mills was born in Orange County, California.

1

January

1959

American country music legend Johnny Cash performed his first live concert for inmates at the infamous San Quentin State Prison in California.

17

January

1959

American guitarist, singer, songwriter, actress and co‑founder of pop/rock band The Bangles, Susanna Hoffs was born in Los Angeles, California.

3

February

1959

American singer Buddy Holly and 3 others (including stars Ritchie Valens and The Big Bopper) died tragically in a plane crash in Iowa. Holly was just 22 years old. ‘The Day the Music Died’.

7

February

1959

American blues guitarist, Eddie ‘Guitar Slim’ Jones died of pneumonia in New York City at the age of 32.

7

February

1959

The funeral of American rock & roll singer, songwriter and guitarist Buddy Holly took place in Lubbock, Texas.

10

April

1959

American rockabilly/swing guitarist, songwriter and bandleader of Stray Cats and the Brian Setzer Orchestra, Brian Setzer was born in Massapequa, New York.

21

April

1959

English, guitarist, singer, songwriter, co-founder and main inspiration behind indie rock icons The Cure, Robert Smith was born in Blackpool, Lancashire.

4

May

1959

The first Annual Grammy Awards was held in two venues simultaneously, in Beverly Hills, California and in New York City. Winners included Ella Fitzgerald, Count Basie and Henry Mancini.

5

May

1959

American guitarist and songwriter, best known as guitarist for Billy Idol since the early 1980s, Steve Stevens was born in Brooklyn, New York.

22

May

1959

Controversial English singer, songwriter and former front man of indie rock band The Smiths, Steven Morrissey, was born in Davyhulme, Lancashire.

1

June

1959

The BBC broadcast the first celebrity music panel TV show ‘Juke Box Jury’ in the UK. Guests judged new record releases as a ‘hit’ or ‘miss’. It was hosted by presenter David Jacobs and ran until December 1967.

14

June

1959

American jazz fusion bass guitarist, famed for his work with Miles Davis and Herbie Hancock, Marcus Miller was born in Brooklyn, New York.

11

July

1959

American guitarist, singer, songwriter, producer and long‑term member of rock band Bon Jovi, Richie Sambora was born in Perth Amboy, New Jersey.

17

July

1959

Legendary American jazz singer Billie Holiday died of pulmonary oedema and heart failure caused by cirrhosis of the liver in New York at the age of 44.

29

July

1959

English guitarist, best known for playing with hard rock band Whitesnake, John Sykes was born in Reading, Berkshire.

19

August

1959

American country blues and ragtime guitarist and singer, Blind Willie McTell died from a stroke in Milledgeville, Georgia, at the age of 61.

16

October

1959

English guitarist and member of new wave/pop band Spandau Ballet, Gary Kemp was born in London.

Tailpiece

So… by the end of the 1950s, KABOOM! – Rock ‘n’ Roll had well and truly arrived and there was no going back. The significant influence of rock ‘n’ roll had set in motion further evolutionary strands that would continue to expand horizons in all sorts of different directions during a period of unprecedented creativity. New musical genres demanded technological developments in recording, distribution and consumption of music.

Things are only going to get even more interesting as we go forward. I hope you will return and see what happened in the 1960s and beyond. No cliff‑hanger required, just a touch of gentle encouragement to return here next month. In the meantime, I have plenty more vintage guitars that need some tender loving care, followed by some serious playing workouts. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Exercise your right to be you or regret the denial of yourself.”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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June 2019 – The Story of Modern Music in 1,500+ Facts – Part IV

posted in: History, Introduction, Observations | 0

Introduction

Welcome once again all guitar and music aficionados. We are now half way through 2019 and not only are the evenings once again beginning to draw in but also the end of the ‘noughties’ is just a few months away. What a sobering thought. One wonders whether the 2020s will match the exhilarating heights (and lows) of the ‘Roaring Twenties’ of last Century. Sometimes, I doubt it and there are too many ‘harbingers of doom’ for optimism and hope to reign too strongly but perhaps it was ever thus – I hope I’m wrong. However, that sort of future speculation is for another place an time, as this month we are looking back to some 70‑80 years’ ago.

We are here in the midst of a series of articles chronicling the story of modern music by way of numerous guitar‑oriented facts and events. If you’ve been following the series so far, you’ll already know that, so I won’t bang on about it any longer.

If you would like to (re)visit the first three parts (and nearly 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part IV 1940-1949

There are so many facets to the 1940s that to cover the 1950s as well would make for an overlong article, so for the sake of our mutual sanity, let’s take it one step (and decade) at a time. So… this month, we concentrate solely on the 1940s, a watershed decade during which epochal change was increasing in both pace, scale and scope. Without further ado, assuming you know the routine and format by now, let us dispatch our ‘boots on the ground’ and get on with the show. Onward to the fascinating Forties…

Historical Context 1940-1949

The 1940s was known simply, and rather unimaginatively, as ‘The Forties’. During the first half of the decade the world was dominated by major conflict and brutal warfare. As if the world had not already seen enough, almost as soon as WWII ended, the Cold War began, again raising international political and military tensions between the capitalist west and communist eastern blocs, a struggle that would last for several decades. Ordinary people in many countries suffered on‑going economic austerity, adversity and disadvantage for many years as a consequence of WWII. Socially, concerns over the possibility of widespread post‑war friction sat at odds with hopes for long‑term peace. Technological progress was closely linked to competitive military advances and many major innovations spawned during the 1940s would ultimately benefit future generations.

Year

Global Events

1940

Conservative MP Winston Churchill became British Prime Minister and would remain in power to lead Britain to victory in WWII.

 

The mass evacuation of more than 330,000 allied soldiers from the beaches of Dunkirk in northern France to England took place during WWII.

 

In WWII, the German Luftwaffe carried out the ‘Blitz’, the massive air bombardment of London, UK.

 

The WWII aerial Battle of Britain took place in the skies over Britain and Europe.

1941

Russia entered WWII when German‑led Axis forces crossed the area covered by the German–Soviet Nonaggression Pact, thereby effectively invading the Soviet Union.

 

The classic motion picture film, ‘Citizen Cane’ directed by and starring Orson Welles was released.

 

After 14 years of labour, the Mount Rushmore National Memorial in Black Hills, South Dakota was opened to the public, depicting the massive sculptures of four American presidents; George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln.

 

America joined WWII after the Japanese attacked Pearl Harbor in Hawaii.

1942

The classic movie, ‘Casablanca’ was premiered, starring Humphrey Bogart and Ingrid Bergman.

1943

The world’s largest office building and headquarters of the United States Department of Defense, The Pentagon, was completed in Virginia.

1944

Operation Overlord (commonly known as ‘D-Day’) saw 150,000 allied troops successfully storm the beaches of Normandy in France against German defences.

1945

Germany surrendered to the allied forces, effectively ending WWII in Europe.

 

U.S. atomic weapons testing was undertaken at the Trinity nuclear test site in New Mexico as part of the research & development programme known as the Manhattan Project.

 

Two American atomic bombs were dropped on Hiroshima and Nagasaki in Japan leading to unconditional surrender and the formal end of WWII. Over 60 million people were killed during the conflict.

 

The United Nations (UN) organisation was formed, with a mission to maintain international peace and security.

 

Democrat Harry S. Truman became 33rd President of the U.S.A. following the death of Franklin D. Roosevelt.

 

The Nuremburg Trials began; a military tribunal established to prosecute the most prominent political and military leaders of Nazi Germany for war crimes during WWII.

1946

ENIAC (Electronic Numerical Integrator and Computer), the first programmable electronic computer was unveiled at the University of Pennsylvania.

1946/

1947

The Cold War between Russia with its neighbouring Eastern Bloc states and America with its western allies started and lasted until the collapse of Communism and the Soviet Union between 1889 and 1991.

 

The transistor semiconductor was developed by American technology company, Bell Labs in New Jersey.

1947

Italian motor company Ferrari started production of luxury sports cars in Modena.

 

American test pilot Captain Chuck Yeager became the first person to break the sound barrier in level flight in a rocket-propelled Bell X-1 aircraft that he nicknamed ‘Glamorous Glennis’, achieving a recorded top speed of Mach 1.06 (807.2mph) at an altitude of 45,000 ft.

1948

British author George Orwell wrote his prophetic dystopian novel, ‘1984’.

 

The independent state of Israel was established after the British pulled out of Palestine.

 

The British National Health Service (NHS) was founded and would become the model for universal health care in the country. The NHS was part of the wider liberal welfare state system reforms that were implemented the UK.

1949

The Communist People’s Republic of China was proclaimed by Chairman Mao Zedong.

 

The North Atlantic Treaty Organisation (NATO) was formed comprising 29 independent member states committed to mutual defence in response to an attack by any non‑member countries.

Well that is where the world was at, at the time. Now to refocus our attention onto the matter in hand, musical history.

Musical Genre Development 1940-1949

Music of the 1940s built on the sustained popularity of jazz, bebop and swing/big band music to provide upbeat positivity against the background of WWII, as played by Duke Ellington, Count Basie and Artie Shaw. Electric blues had spread to the west coast of America, particularly California, performed by artists such as T-Bone Walker and B.B. King. Chicago also became a vital locus for electric blues, as played by Buddy Guy, Howlin’ Wolf and Muddy Waters, as did Detroit with the likes of John Lee Hooker, and Indiana with Albert King and Jimmy Reed. Blues remained strong in the southern states, including artists like Lightnin’ Hopkins and Freddie King. Country and western music also became popular again with ‘singing cowboys’ such as Gene Autry and Roy Rogers. Wartime songs would feature across many musical genres and many entertainers helped to support the allied forces at home and abroad, including Vera Lynn, Gracie Fields and The Andrews Sisters. It was also during the 1940s that the influence of Latin music began to be felt across other genres, popularised by the likes of ‘The Brazilian Bombshell’, Carmen Miranda brought to western cinemagoers by film director Busby Berkeley.

Around 1945, bluegrass began to make its mark. Bluegrass fused many American, European and African roots styles culminating in a unique blend of country, folk, traditional and Appalachian mountain music incorporating blues and jazz influences. The music is usually played on acoustic string instruments including fiddle, five-string banjo, guitar, mandolin, and upright bass. Bluegrass was particularly popular for dancing, including dance styles such as buckdancing, flatfooting and clogging. The term ‘bluegrass’ arose not only from a type of grass in the region near Kentucky but also from the name used by pioneers of the genre, Bill Monroe and the Blue Grass Boys. Monroe is often called the ‘Father of Bluegrass’ and his band notably featured Earl Scruggs on banjo and Lester Flatt on guitar. In the early days, bluegrass was categorised along with country & western, hillbilly and folk music before being defined as a discrete genre that remains popular today.

Traditional popular music is generally defined as having broad appeal for a wide audience and has existed throughout time and across the globe. While the ‘pop song’ originated in the 1920s, modern popular music is largely accepted to be Anglo‑American in origin and arose during the 1940s as the big bands declined and before rock & roll music took off in the mid‑1950s. Popular music was notable for structured song writing, often comprising repeated verse and chorus with a middle bridge section. Popular music was often based on musical standards, sung by ‘crooners’. In addition, popular music was also often composed by professional songwriters, which was then performed by a vocalist accompanied by a backing band or orchestra. Success was characterised by record sales and chart position as a measure of achievement. Perhaps the most famous popular music artists of the early popular music era were Frank Sinatra and Bing Crosby who achieved enormous commercial success. The familiar term ‘pop music’ actually appears to have its origins in Britain in the mid‑1950s. Popular music is often referred to as, but not synonymous with, ‘pop’ music; however, pop music developed as a major separate genre during the 1960s and has largely remained so to the current day. Another characteristic is that popular music is constantly evolving into many different formats and styles to keep pace with social and cultural changes, including aging western populations. Traditional popular standards were being released well into the 1950s by the likes of Perry Como, Tony Bennett, Nat King Cole and Dean Martin.

During the late 1940s, there was already indicative evidence of the sounds that would coalesce and become what we now call rock ‘n’ roll during the 1950s, particularly by blues/R&B artists such as Sister Rosetta Tharpe. That fundamental step-change is now for the next article.

Musical Facts 1940-1949

Many legendary artists that we now take for granted as part of today’s musical landscape were not yet born or still mere fledglings yet to make their indelible mark on our collective consciousness. As with last month’s article, a large proportion of the musical facts relate to births of future stars.

Looking down the long list of nearly 200 musical events during the 1940s, it could quickly become repetitive, e.g. American/English blah‑de‑blah was born in blah, blah. However, just a scan of the names and places gives a sense about what these youthful individuals were experiencing as teenagers during the ‘big bang’ of rock ‘n’ roll and the tsunami of the ‘British Invasion’, just a few years later. Just think of the exposure they had to sweeping new music crazes and how the fads might have inspired and stimulated these curious youngsters on to great music careers that they could never have foreseen. Some of these fabulous flames would burn brightly and briefly, while others would endure as wizened veterans still working hard and influencing today’s generations. As time passes, the balance between births, lifetime achievements and, sadly, deaths will shift considerably.

Day

Month

Year

Music Fact

1940

American blues/rock guitarist, singer and songwriter, Seasick Steve was born c.1940 or 1941 (date not disclosed) in Oakland, California.

27

July

1940

Billboard magazine published its first Music Popularity Chart. Topping the chart at No. 1 was Tommy Dorsey with his hit song, ‘I’ll Never Smile Again’.

9

October

1940

Massively influential of English singer, songwriter, guitarist, former member of The Beatles and successful solo artist, John Lennon MBE (1940-1980, 40) was born in Liverpool.

26

November

1940

Hugely influential English folk guitarist, Davey Graham (1940-2008, 68) was born in Market Bosworth, Leicestershire.

21

December

1940

Prolific genius, American guitarist, singer, songwriter and composer, the one and only Mr Frank Vincent Zappa (1940-1993, 52) was born in Baltimore, Maryland.

9

January

1941

Legendary perennial American folk/protest singer, songwriter, guitarist, and political activist, Joan Baez was born in Staten Island, New York.

15

January

1941

Influential American rock singer, songwriter and musician, Don Van Vliet (better known as Captain Beefheart) was born in Glendale, California.

24

January

1941

Acclaimed American singer, songwriter, guitarist and actor Neil Diamond was born in Brooklyn, New York.

24

January

1941

English folk singer, songwriter and guitarist Michael Chapman was born in Leeds, Yorkshire.

14

February

1941

Prolific English studio session guitarist Big Jim Sullivan (1941-2012, 71) was born in Uxbridge, Middlesex. Sullivan appeared on about 750 chart singles including 54 chart toppers.

24

April

1941

Australian virtuoso classical and contemporary guitarist, as well as one-time member of instrumental fusion rock group SKY, John Williams was born in Melbourne.

24

May

1941

Nobel prize-winner for literature, American folk/rock singer, songwriter and guitarist, Bob Dylan was born in Duluth, Minnesota.

18

July

1941

Influential country/blues/rock guitarist and singer songwriter, Lonnie Mack (1941-2016, 74) was born in West Harrison, Indiana.

14

August

1941

American singer, songwriter and guitarist, founder of The Byrds and Crosby, Stills & Nash, Hall of Famer, David Crosby was born in Los Angeles, California.

20

August

1941

The ‘grandfather of space rock’, English guitarist, singer, songwriter and co-founder of psychedelic rock band Hawkwind, Dave Brock was born in Isleworth, Middlesex.

13

October

1941

Living legend, American singer, songwriter, guitarist, formerly half of Simon & Garfunkel and a successful solo artist, Paul Simon was born in Newark, New Jersey.

21

October

1941

Multi-Hall of Famer, American guitarist, songwriter, record producer and member of Stax Records’ house band Booker T. & the MG’s, Steve Cropper was born in Dora, Missouri.

28

October

1941

English guitarist, singer and songwriter, best known for his uniquely distinctive work with The Shadows, Hank Marvin was born in Newcastle upon Tyne.

2

November

1941

English guitarist, singer, songwriter and producer, best known as an original member of instrumental pop/rock band The Shadows, Bruce Welch OBE was born in Bognor Regis, West Sussex.

20

November

1941

Great American singer, songwriter, pianist and occasional guitarist Dr John was born in New Orleans, Louisiana.

4

January

1942

English jazz/rock fusion guitarist, composer, solo artist and member of Mahavishnu Orchestra, John McLaughlin was born in Doncaster, South Yorkshire.

28

February

1942

English guitarist and founding member of rock band The Rolling Stones, Brian Jones (1942-1969, 27) was born in Cheltenham, Gloucestershire.

2

March

1942

Legendary American virtuoso jazz guitarist Charlie Christian died from tuberculosis in New York at the age of just 25.

2

March

1942

American singer, songwriter and guitarist with The Velvet Underground and as a successful solo artist, Lou Reed (1942-2013, 71) was born in Brooklyn, New York.

24

April

1942

Oscar-winning American singer, songwriter, actress and film maker Barbra Streisand was born in New York City.

17

May

1942

Hugely influential American blues guitarist, singer and songwriter, Taj Mahal (a.k.a. Henry Saint Clair Fredericks, Jr) was born in Harlem, New York.

1

June

1942

Highly influential virtuoso Spanish flamenco guitarist, Paco Peña was born in Cordoba.

18

June

1942

English bass guitarist, singer, songwriter and former member of pop/rock bands The Beatles and Wings, as well as a successful solo artist, Sir Paul McCartney MBE was born in Liverpool.

13

July

1942

American singer, songwriter, guitarist and co-founder of rock band The Byrds, Roger McGuinn was born in Chicago, Illinois.

1

August

1942

Influential American singer/songwriter and guitarist with Grateful Dead, Jerry Garcia (1942-1995, 53) was born in San Francisco, California.

27

November

1942

A true music legend, American rock guitarist, singer and songwriter, the one and only James Marshall Hendrix (1942-1970, 27) was born in Seattle, Washington.

31

December

1942

English guitarist, composer, member of rock band The Police and successful solo artist, Andy Summers was born in Poulton-le-Fylde, Lancashire.

10

January

1943

American folk/rock singer, songwriter and guitarist, Jim Croce (1943-1973, 30) was born in Philadelphia, Pennsylvania.

19

January

1943

Legendary American psychedelic blues/rock singer Janis Joplin was born in Port Arthur, Texas.

25

February

1943

English singer, songwriter, guitarist and member of The Beatles, George Harrison (1943-2001, 58) was born in Liverpool.

22

March

1943

Influential American jazz/soul/R&B guitarist, singer and songwriter, George Benson was born in Pittsburgh, Pennsylvania.

2

April

1943

American jazz guitarist, the ‘Godfather of Fusion’, Larry Coryell (1943-2017, 73) was born in Galveston, Texas.

14

May

1943

Scottish bass guitarist, singer, songwriter and former member of blues rock super group Cream, Jack Bruce (1943-2014, 71) was born in Bishopbriggs, Lanarkshire.

5

July

1943

Canadian guitarist, songwriter, composer, producer and former member of Americana rock group The Band, Robbie Robertson was born in Toronto, Ontario.

26

July

1943

English singer, songwriter and occasional guitarist, a founding member of rock band the Rolling Stones, Mick Jagger was born in Dartford, Kent.

28

July

1943

Renowned American blues guitarist and Hall of Famer, Mike Bloomfield (1943-1981, 37) was born in Chicago, Illinois.

24

August

1943

American guitarist and founder of west coast rock bands Quicksilver Messenger Service and Copperhead, John Cipollina (1943-1989, 45) was born in Berkeley, California.

6

September

1943

English bass guitarist, singer, songwriter and co-founder of progressive rock band Pink Floyd, Roger Waters was born in Great Bookham, Surrey.

5

October

1943

American guitarist, singer, songwriter and bandleader, Steve Miller was born in Milwaukee, Wisconsin.

3

November

1943

Sublimely talented Scottish guitarist and founding member of folk revival band Pentangle, Bert Jansch (1943-2011, 67) was born in Glasgow.

7

November

1943

Highly influential Canadian folk, jazz, rock and pop guitarist, singer and songwriter Joni Mitchell was born in Fort Macleod, Alberta.

28

November

1943

Highly acclaimed American singer, songwriter and composer of numerous film scores, Randy Newman was born in Los Angeles, California.

8

December

1943

Iconic American singer, poet, counter-culture rebel and front man of rock band, The Doors, Jim Morrison was born in Melbourne, Florida.

12

December

1943

American guitarist, singer, songwriter, composer and founding member of rock band The Allman Brothers Band, Dickey Betts was born in West Palm Beach, Florida.

18

December

1943

Legendary English guitarist, singer, songwriter and co-founder of rock band The Rolling Stones, Keith Richards was born in Dartford, Kent.

21

December

1943

Hugely talented English guitarist and songwriter known for his country/rock hybrid picking style, Albert Lee was born in Lingen, Herefordshire.

31

December

1943

American singer, songwriter, guitarist and producer, John Denver (1943-1997, 53) was born in Roswell, New Mexico.

9

January

1944

English musical innovator and legendary guitarist, best known for his work with hard rock band Led Zeppelin, the highly influential Jimmy Page OBE was born in Heston, Middlesex.

23

February

1944

Great American blues guitarist and Blues Hall of Famer, Johnny Winter (1944-2014, 70) was born in Beaumont, Texas.

1

March

1944

English singer, actor, founder and long-term front man of rock group The Who, Roger Daltrey was born in London.

23

March

1944

Trailblazing English guitarist and founder of blues/rock band Groundhogs, Tony McPhee was born in Humberston, Lincolnshire.

15

April

1944

Welsh rock guitarist, singer, songwriter and producer Dave Edmunds was born in Cardiff.

28

May

1944

American Motown legend and award-winning ‘Empress of Soul’, the formidable Gladys Knight was born in Atlanta, Georgia.

7

June

1944

American bluegrass and country rock guitarist who was a member of rock band The Byrds and an accomplished session musician, Clarence White was born in Lewiston, Maine.

8

June

1944

American singer, songwriter and guitarist, former member of the Steve Miller Band and a successful solo artist, Boz Scaggs was born in Canton, Ohio.

17

June

1944

Respected, versatile and prolific English session guitarist, singer and producer, Chris Spedding was born in Staveley, Derbyshire.

21

June

1944

English singer, songwriter, guitarist and former front man of pop/rock band The Kinks, as well as solo artist, Sir Ray Davies CBE was born in London.

24

June

1944

Outstanding and prolific English instrumental guitar genius, as well as former member of blues/rock band The Yardbirds, Jeff Beck was born in Wallington, Surrey.

8

August

1944

Renowned English guitarist and songwriter, known for his work with Bert Jansch and folk revival group Pentangle, John Renbourn (1944-2015, 70) was born in London.

16

August

1944

English singer, songwriter and guitarist with psychedelic rock band Soft Machine, as well as a successful solo artist, Kevin Ayers (1944-2013, 68) was born in Herne Bay, Kent.

9

October

1944

Legendary English bass guitarist with rock band The Who, nicknamed ‘The Ox’, John Entwistle (1944-2002, 57) was born in London.

19

October

1944

Jamaican reggae guitarist, singer and songwriter, a member of Bob Marley & The Wailers and a successful solo artist, Peter Tosh was born in Grange Hill, Jamaica.

15

December

1944

Famous American big band leader and musician Glenn Miller was killed when the plane in which he was flying disappeared in bad weather over the English Channel during WWII at the age of 40.

18

December

1944

British guitarist, best known as member of progressive rock band Man, Deke Leonard (1944-2017, 72) was born in Llanelli, South Wales.

19

December

1944

Highly regarded English guitarist, singer, and member of blues/rock group Ten Years After, Alvin Lee (1944-2013, 68) was born in Nottingham.

3

January

1945

American guitarist, singer and songwriter, famous for his work with Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY), Stephen Stills was born in Dallas, Texas.

6

February

1945

A true legend as well as a great ambassador for Jamaica and reggae music with The Wailers, Rastafarian singer, songwriter and guitarist Bob Marley (1945-1981, 36) was born in Nine Mile, Jamaica.

9

March

1945

English blues/rock guitarist who came to fame as a member of rock band Procol Harum, before embarking on a long and successful solo career, Robin Trower was born in London.

11

March

1945

American guitarist, member of Canned Heat amongst others, and one of the first to popularise the two-handed tapping playing technique, Harvey Mandel was born in Detroit, Michigan.

30

March

1945

Highly renowned English blues/rock guitarist, singer, songwriter and Hall of Famer, Eric Clapton CBE was born in Ripley, Surrey.

13

April

1945

Great American guitarist, singer and songwriter with Little Feat, Lowell George (1945-1979, 34) was born in Hollywood, California.

14

April

1945

Hugely influential English guitarist and co-founder of hard rock bands Deep Purple and Rainbow, as well as folk rock duo Blackmore’s Night, Ritchie Blackmore was born in Weston-super-Mare, Somerset.

6

May

1945

American rock singer, songwriter, guitarist, pianist and leader of the Silver Bullet Band, Bob Seger was born in Detroit, Michigan.

19

May

1945

English rock guitarist, singer, songwriter and member of The Who, Pete Townshend was born in London.

28

May

1945

American rock singer, songwriter, guitarist and former member of Creedence Clearwater Revival, John Fogerty was born in Berkeley, California.

1

July

1945

American singer, songwriter, actress and founding member of rock band Blondie, Debbie Harry was born in Miami, Florida.

31

August

1945

Northern Irish rhythm & blues singer, songwriter and producer, Sir Van Morrison OBE was born in Belfast.

4

September

1945

Amazing American ‘Redneck Jazz’ guitarist, Danny Gatton (1945-1994, 49) was born in Washington D.C.

10

September

1945

Prolific Puerto Rican guitarist, singer and songwriter, José Feliciano was born in Lares.

11

September

1945

Extraordinary American multi-genre acoustic guitarist and a true master of his instrument, Leo Kottke was born in Athens, Georgia.

26

September

1945

English singer, songwriter and former front man of glam art rock band Roxy Music, Bryan Ferry CBE was born in Washington, County Durham.

3

October

1945

American singer Elvis Presley made his first public performance at the age of 10 when he sang ‘Old Shep’ at the Mississippi/Alabama Dairy Show talent competition. Reports say he came 2nd and won $5, while Elvis later recollected coming 5th and not winning a prize.

31

October

1945

English guitarist, singer, producer and one time member of rock band Argent, Russ Ballard was born in Waltham Cross, Hertfordshire.

26

November

1945

English bass guitarist with rock bands John Mayall’s Bluesbreakers and then Fleetwood Mac, John McVie was born in London.

30

November

1945

Welsh bass guitarist, songwriter and producer, best known as a member of heavy rock bands Deep Purple and Rainbow, Roger Glover was born in Brecon, Powys.

24

December

1945

English bass guitarist, singer, songwriter and founder of rock band Motörhead, Ian ‘Lemmy’ Kilmister (1945-2015, 70) was born in Stoke-on-Trent, Staffordshire.

25

December

1945

English bass guitarist and member of the Jimi Hendrix Experience, Noel Redding (1945-2003, 57) was born in Folkestone, Kent.

3

January

1946

English bass guitarist, songwriter, former member of hard rock band Led Zeppelin, solo artist as well as a member of Them Crooked Vultures, John Paul Jones was born in Sidcup, Kent.

6

January

1946

English singer, songwriter, guitarist and founding member of psychedelic/progressive rock band Pink Floyd, Syd Barrett (1946-2006, 60) was born in Cambridge.

8

January

1946

American guitarist, singer and songwriter, best known as a key member of rock band The Doors, Robby Krieger was born in Los Angeles, California.

19

January

1946

Larger-than-life American country music legend, successful business woman and actress, Dolly Parton was born in Pitman Center, Tennessee.

20

February

1946

American guitarist and leader of The J. Geils Band, John ‘J’ Geils (1946-2017, 71) was born in New York City.

6

March

1946

English guitarist, singer, songwriter, and former member of Pink Floyd, as well as a successful solo artist, the incomparable David Gilmour was born in Cambridge.

12

March

1946

Oscar-winning American singer and actress, Liza Minelli was born in Los Angeles, California.

1

April

1946

English bass player, singer, songwriter and founder of rock bands the Small Faces and the Faces, Ronnie Lane (1946-1997, 51) was born in Plaistow, Essex.

4

April

1946

English guitarist and member of pop/glam rock band Slade, Dave Hill was born in Holbeton, Devon.

16

May

1946

One of the great experimental English guitarists of our time and member of progressive rock band King Crimson, Robert Fripp was born in Wimborne Minster, Dorset.

26

May

1946

Great English rock guitarist and close companion of David Bowie, Mick Ronson (1946-1993, 46) was born in Kingston upon Hull.

7

June

1946

Welsh guitarist and co-founder of progressive/psychedelic rock band Man, Micky Jones (1946-2010, 63) born in Merthyr Tydfil.

15

June

1946

English guitarist and singer with glam pop/rock group Slade, Noddy Holder MBE was born in Walsall, Staffordshire.

6

August

1946

Extraordinarily talented English virtuoso fusion/rock guitarist Allan Holdsworth (1946-2017, 70) was born in Bradford.

23

August

1946

Influential and eccentric English drummer and member of rock band The Who, Keith Moon, was born in Wembley, Middlesex.

5

September

1946

Flamboyant English singer with rock/pop band Queen, Freddie Mercury (real name Farrokh Bulsara) was born in Stone Town in the Sultanate of Zanzibar (now Tanzania).

14

October

1946

English singer, songwriter and guitarist with rock band The Moody Blues, Justin Hayward was born in Swindon, Wiltshire.

29

October

1946

Highly acclaimed and influential English guitarist and co-founder of blues/rock band Fleetwood Mac, Peter Green was born in London.

5

November

1946

American country rock guitarist with The Byrds, Gram Parsons (1946-1973, 26) was born in Winter Haven, Florida.

17

November

1946

Great English guitarist, best known as a long-term member of rock band Jethro Tull, Martin Barre was born in Birmingham.

20

November

1946

Legendary American guitarist and co-founder of the Allman Brothers Band, nicknamed ‘Skydog’, Duane Allman (1946-1971, 24) was born in Nashville, Tennessee.

22

November

1946

Jamaican bass guitarist and producer who played with reggae bands Bob Marley & The Wailers and The Upsetters, Aston ‘Family Man’ Barrett was born in Kingston.

24

December

1946

Dutch progressive rock and jazz fusion guitarist best known for his work with rock band Focus, as well as a long solo career, Jan Akkerman was born in Amsterdam, Netherlands.

30

December

1946

Influential American singer, poet and activist, part of the vibrant New York punk movement, Patti Smith was born in Chicago, Illinois.

1947

American session guitarist and collaborator, best known for his work with Steely Dan, Elliott Randall was born (exact date not known).

8

January

1947

A true legend, English singer, songwriter, occasional guitarist and actor, the one and only David Bowie (1947-2016, 69) was born in London.

22

January

1947

English punk pioneer, the manager of New York Dolls and the Sex Pistols, as well as a solo music artist, Malcolm McLaren was born in London.

30

January

1947

English ‘mod’ guitarist with rock bands Small Faces and Humble Pie, Steve Marriott (1947-1991, 44) was born in London.

3

February

1947

English guitarist, singer and songwriter who, along with his older brother Ray, provided the driving force behind pop/rock band The Kinks, Dave Davies was born in London.

14

February

1947

American multi-genre singer, songwriter and guitarist, Tim Buckley (1947-1975, 28) was born in Washington D.C.

15

March

1947

American musician, composer, songwriter and phenomenal slide guitarist, Ry Cooder was born in Los Angeles, California.

25

March

1947

Flamboyant multi-award-winning English pop singer, songwriter and pianist, Sir Elton John CBE was born in Pinner, Middlesex.

8

April

1947

Great English guitarist, songwriter and producer best known as a long-time member of progressive rock group Yes, Steve Howe was born in London.

1

June

1947

English guitarist with rock band The Rolling Stones and previously the Faces and the Jeff Beck Group, Ronnie Wood was born in Hillingdon, Middlesex.

5

June

1947

American guitarist, singer, co-founder of funk band Sly And The Family Stone, and now a Christian pastor, Freddie Stone was born in Vallejo, California.

9

June

1947

English guitarist and long-time member of rock band Uriah Heep, Mick Box was born in Walthamstow, East London.

12

July

1947

Influential English guitarist, singer, songwriter and former member of pub rock band Dr. Feelgood, Wilko Johnson was born in Canvey Island, Essex.

19

July

1947

Award-winning English guitarist, astrophysicist, animal rights activist and co-founder of rock/pop band Queen, Dr. Brian May CBE was born in Hampton, Middlesex.

20

July

1947

Highly acclaimed Mexican/American guitarist, songwriter and main man for Latin/jazz/fusion/rock group Santana, Carlos Santana was born in Autlán de Navarro, Jalisco.

3

September

1947

Northern Irish blues/rock guitarist and founder of rock group Thin Lizzy, Eric Bell was born in Dublin.

30

September

1947

Massively influential English glam rock pioneer Marc Bolan of Tyrannosaurus Rex and then T.Rex (1947-1977, 29) was born in London.

1

October

1947

English bass guitarist, singer and founding member of rock band Wishbone Ash, Martin Turner was born in Torquay, Devon.

8

November

1947

English guitarist, singer, songwriter and former member of pop/rock bands The Move, Electric Light Orchestra (ELO) and Wizzard, Roy Wood was born in Birmingham.

10

November

1947

English bass guitarist, singer and songwriter, famous for his work with progressive rock bands King Crimson and ELP, as well as a successful solo artist, Greg Lake (1947-2016, 69) was born in Poole, Dorset.

10

November

1947

American guitarist best known for working with the original Alice Cooper band, Glen Buxton (1947-1997, 49) was born in Akron, Ohio.

12

November

1947

American guitarist with rock band Blue Öyster Cult since its formation in 1967, Buck Dharma (a.k.a. David Roeser) was born in Long Island, New York.

20

November

1947

Great American guitarist, singer, songwriter, solo artist and member of country rock band Eagles, Joe Walsh was born in Wichita, Kansas.

8

December

1947

American guitarist, singer, songwriter and co-founder of the Allman Brothers Band, Gregg Allman (1947-2017, 69) was born in Nashville, Tennessee.

21

December

1947

Highly influential Spanish virtuoso Flamenco guitarist, Paco de Lucíá (1947-2014, 66) was born in Cadiz.

12

January

1948

English jazz fusion guitarist supreme and long-term member of progressive rock band Soft Machine, John Etheridge was born in London.

15

January

1948

American singer and frontman of Southern rock band Lynyrd Skynyrd, the great Ronnie Van Zant was born in Jacksonville, Florida.

2

February

1948

American guitarist, songwriter, producer and ex-member of funk band Earth Wind & Fire, Al McKay was born in New Orleans, Louisiana.

4

February

1948

Theatrical American rock singer, songwriter, actor and presenter, Alice Cooper was born in Detroit, Michigan.

19

February

1948

English rock guitarist with Black Sabbath and the ‘Godfather of Heavy Metal’, Tony Iommi was born in Birmingham.

2

March

1948

Legendary Irish blues/rock guitarist, singer and songwriter Rory Gallagher (1948-1995, 47) was born in Ballyshannon, County Donegal.

2

March

1948

American jazz fusion guitarist, composer and prolific multi‑genre session musician, the great Larry Carlton was born in Torrance, California.

4

March

1948

Renowned English bass guitarist and co-founder of progressive rock band Yes, Chris Squire (1948-2015, 67) was born in London.

6

April

1948

Talented English multi-genre guitarist and composer, Gordon Giltrap was born in Brenchley, Kent.

30

April

1948

American guitarist, singer, songwriter, producer, composer and co-founder of rock band MC5, Wayne Kramer was born in Detroit, Michigan.

15

May

1948

Pioneering experimental English composer, producer, musician and founding member of glam rock band Roxy Music, Brian Eno was born in Melton, Suffolk.

18

June

1948

Columbia Records began mass producing the 33RPM long‑playing (LP) record. The original concept of the vinyl ‘album’ has endured and has undergone a retro revival in the digital age.

19

June

1948

Highly respected English singer, songwriter and guitarist, Nick Drake (1948-1974, 26) was born in Rangoon, Burma (now Myanmar).

20

June

1948

Scottish bass guitarist and founding member of 1970s pop group, The Bay City Rollers, Alan Longmuir (1948-2018, 70) was born in Edinburgh.

22

June

1948

American singer, songwriter, guitarist and producer, solo artist and founding member of progressive rock band Utopia, Todd Rundgren was born in Philadelphia, Pennsylvania.

17

July

1948

American guitarist and songwriter with Iggy Pop and the Stooges, Ron Asheton (1948-2009, 60) was born in Washington D.C.

2

August

1948

Welsh singer, songwriter, guitarist and founding member of rock band Amen Corner, Andy Fairweather Low was born in Ystrad Mynach.

24

August

1948

French electronic composer, instrumentalist and producer, Jean-Michel Jarre was born in Lyon.

31

August

1948

German rhythm guitarist, songwriter and founder of hard rock band Scorpions, Rudolf Schenker was born in Hildesheim.

11

September

1948

Hugely influential and innovative British singer, songwriter and guitarist, John Martyn (1948-2009, 60) was born in London.

8

October

1948

Pioneering American punk rock guitarist and songwriter with the Ramones, Johnny Ramone (1948-2004, 56) was born in New York.

12

October

1948

English guitarist and long-term member of rock band Status Quo, Rick Parfitt (1948-2016, 68) was born in Woking, Surrey. ‏

6

November

1948

American guitarist, singer, songwriter, actor and founding member of country rock band Eagles, Glenn Frey (1948-2016, 67) was born in Detroit, Michigan.

3

December

1948

English singer, songwriter, TV personality and member of heavy metal rock band Black Sabbath, nicknamed ‘The Prince of Darkness’, Ozzy Osbourne was born in Birmingham.

13

December

1948

American guitarist, best known for his work with Steely Dan, The Doobie Brothers and Spirit, Jeff ‘Skunk’ Baxter was born in Washington D.C.

13

December

1948

Controversial American singer, songwriter and guitarist, known for his ultra-conservative political views, the ‘Motor City Madman’, Ted Nugent was born in Redford, Michigan.

18

December

1948

English guitarist, singer, songwriter and producer best known for his work with experimental rock band Be-Bop Deluxe, Bill Nelson was born in Wakefield, Yorkshire.

22

December

1948

American guitarist, singer and songwriter with rock band Cheap Trick, Rick Nielsen was born in Elmhurst, Illinois.

17

January

1949

English guitarist and former member of blues/rock bands John Mayall’s Bluesbreakers and The Rolling Stones, Mick Taylor was born in Welwyn Garden City.

19

January

1949

English pop/rock singer and songwriter and member of rock bands Vinegar Joe and the Power Station, Robert Palmer was born in Batley, Yorkshire.

7

February

1949

English bass guitarist and founding member of pop/rock band Status Quo, Alan Lancaster was born in London.

31

March

1949

Record company, RCA Victor released their first 45RPM 7″ single, ‘Texarkana Baby’ by Eddy Arnold… on green vinyl.

3

April

1949

English guitarist, singer, songwriter, solo artist and former member of folk rock band Fairport Convention, Richard Thompson was born in London.

4

May

1949

Scottish guitarist, best known for his work with The Sensational Alex Harvey Band in the 1970s, Zal Cleminson was born in Glasgow.

17

May

1949

English guitarist, singer, composer and founder of progressive rock band Camel, Andrew Latimer was born in Guildford, Surrey.

19

May

1949

American bass guitarist and long-term member of southern blues/rock band ZZ Top, Dusty Hill was born in Dallas, Texas.

29

May

1949

English singer, songwriter and guitarist with rock/pop band Status Quo, Francis Rossi OBE was born in London.

17

July

1949

Great English bass guitarist with heavy metal rock band Black Sabbath, Terence ‘Geezer’ Butler was born in Aston, Birmingham.

12

August

1949

British guitarist, singer, songwriter, producer, composer and co-founder of rock band Dire Straits, Mark Knopfler OBE was born in Glasgow.

20

August

1949

Irish bass guitarist, singer, songwriter and founding member of rock group Thin Lizzy, Phil Lynott, (1949-1986, 36) was born in West Bromwich, Staffordshire, England.

25

August

1949

Israeli/American bass guitarist, singer, actor, businessman and co-founder of rock band KISS, Gene Simmons, nicknamed ‘The Demon’ was born in Tirat Carmel, Haifa, Israel.

28

August

1949

English guitarist, singer, songwriter and ex-member of punk rock pioneers, The Stranglers from 1974-1990, Hugh Cornwell was born in London.

5

September

1949

English guitarist with rock bands Colosseum, Humble Pie and a successful solo artist, Clem Clempson was born in Tamworth, Staffordshire.

14

September

1949

American guitarist with southern rock band Lynyrd Skynyrd, Steve Gaines (1949-1977, 28) was born in Seneca, Missouri.

14

September

1949

American guitarist and bass guitarist with southern rock band Lynyrd Skynyrd, Ed King (1949-2018, 68) was born in Glendale, California.

23

September

1949

American living legend that is ‘The Boss’, Mr. Bruce Springsteen was born in Long Branch, New Jersey.

3

October

1949

American guitarist, singer and songwriter primarily with rock band Fleetwood Mac and now solo, Lindsey Buckingham was born in Palo Alto, California.

8

November

1949

American blues, rock, Americana roots and with a hint of country guitarist, singer, songwriter and activist, Bonnie Raitt was born in Burbank, California.

6

December

1949

American blues/folk guitarist and singer, Lead Belly (Huddie William Ledbetter) died of motor neurone disease in New York at the age of 61.

7

December

1949

Prolific and hugely influential American singer, songwriter, composer and actor, Tom Waits was born in Pomona, California.

13

December

1949

American singer, songwriter and guitarist with alternative post-punk rock band Television, Tom Verlaine was born in Denville, New Jersey.

16

December

1949

American guitarist, singer and songwriter with blues/rock band ZZ Top and solo artist, Billy F. Gibbons was born in Houston, Texas.

23

December

1949

American guitarist and singer with a long solo career and known for his work with British progressive rock band King Crimson and a host of others including Frank Zappa, David Bowie and Talking Heads, Adrian Belew was born in Covington, Kentucky.

Tailpiece

Well, that’s it for another month – that is a veritable roll call of rock ‘n’ roll, all packed into just 10 years. The thing that struck me most about this article is the overwhelming focus on America and Britain as the drivers for musical change in the 20th Century. Today, we readily accept a much more diverse, global infusion of styles and influences. One can pontificate that it had to start somewhere and these two countries largely made it happen bilaterally; maybe not exclusively but certainly predominantly. Unsurprisingly, perhaps given the period, it is also male dominated.

Just how quickly we proceed from here depends entirely on the volume of the content. At this rate, we could be at this for a while yet. I didn’t realise when I started, what a colossal exercise it was going to be. However, I have found it fascinating to focus on musical evolution through this lens and I hope that you have found something of interest along the way. Maybe the Forties were not a great deal of interest to you, they were certainly before my time. We will get around to other periods that may motivate your attention span in a different way, I promise… eventually.

We are now well past the chronological midway point but we haven’t yet reached half way in terms of content. The massive upsurge of musical events that took place over the latter part of the 20th Century has still to unfold fully, raising the anticipation of plenty more to come… and, boy, is there plenty more! The ambitious effort to bring an interrelated bunch of musical factoids to life within the context of the broader human condition continues unabated. I hope you will join me on the rest of the journey, hopefully reconvening here‑ish next month. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Material things feed the vanity of the ego, while music nourishes the spirit and sustains the soul.”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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May 2017 – 50 Albums of the Last Half-Century(-ish)

posted in: Observations, Opinion | 0

A little while ago, someone looked at the development of heavy metal from the 1970s to the 2000s and exemplified it by listing one album per year. Of course, this was just one perspective but, more generally, I thought it might be interesting to do something similar across all modern music genres.

This is only my catalogue of 50 years (actually 52 years but who’s counting?) of modern musical history. It is, of course, value-laden and massively subjective, with many great artists and albums excluded by the ruthless application of selection criteria, which included:

  • Must be an original album, not an EP or single
  • Only 1 album from each year (no reissues – original release date applies)
  • Only 1 album by any artist (band or solo)
  • The album must include some guitar work (i.e. no pure electronica)
  • Albums may come from any modern music genre
  • No compilations, ‘best of’ or various artist collections
  • They must be appreciated and owned by the author (i.e. not just made up or copied from elsewhere)

The resulting compendium is not representative of popularity, perceived wisdom, other people’s opinion or commercial success. It is simply my choices for a timeline covering over half a century of great music.

Why pick these 52 years? My age makes it difficult to go back further than the mid‑1960s for a start, so there aren’t any selections from the ‘birth’ of rock ‘n’ roll in about 1954 to the ‘dawn of rock’ in about 1965 – to be honest, I don’t own and am not particularly familiar with pre-’65 albums. I’ve brought it right up to date with 2016 being the last full year at the time of writing. However, anything beyond about 2010 is probably too recent to really place any kind of enduring significance to the entries – historical retrospective can be beneficial that respect. Arguably, the longer the intervening time period, the more consolidated, reliable and credible that hindsight becomes within context (discuss…).

Feel free to make up your own timeline over whatever period you like, using your own criteria. This is just my perspective; I can guarantee that anyone reading it will disagree with it and would produce a VERY different route through the roadmap of time. Actually, that’s both the point and the fun of it – if we all ended up with the same journey, we would live in a very dull world.

So… here we go, in chronological order…

The 1960s(-ish):

1965 Bob Dylan – Highway 61 Revisited

1966 John Mayall’s Blues Breakers – Blues Breakers With Eric Clapton

1967 Jimi Hendrix – Are You Experienced

1968 The Velvet Underground – White Light/White Heat

1969 King Crimson – In The Court Of The Crimson King

The 1970s:

1970 Black Sabbath – Black Sabbath

1971 The Doors – L.A. Woman

1972 David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

1973 John Martyn – Solid Air

1974 Lynyrd Skynyrd – Second Helping

1975 Led Zeppelin – Physical Graffiti

1976 Thin Lizzy – Jailbreak

1977 Bob Marley & The Wailers – Exodus

1978 AC/DC – Powerage

1979 The Clash – London Calling

The 1980s:

1980 Talking Heads – Remain In Light

1981 The Cramps – Psychedelic Jungle

1982 Bruce Springsteen – Nebraska

1983 ZZ Top – Eliminator

1984 Iron Maiden – Powerslave

1985 Dire Straits – Brothers In Arms

1986 Metallica – Master Of Puppets

1987 Guns n’ Roses – Appetite For Destruction

1988 Cowboy Junkies – The Trinity Session

1989 The Cure – Disintegration

The 1990s:

1990 Megadeth – Rust In Peace

1991 Nirvana – Nevermind

1992 Rage Against The Machine – Rage Against The Machine

1993 Dinosaur Jr – Where you BEEN

1994 Portishead – Dummy

1995 Sonic Youth – Washing Machine

1996 Nick Cave And The Bad Seeds – Murder Ballads

1997 Rammstein – Sehnsucht

1998 Massive Attack – Mezzanine

1999 Suede – Head Music

The 2000s:

2000 The White Stripes – De Stijl

2001 The Strokes – Is This It

2002 Beck – Sea Change

2003 Placebo – Sleeping With Ghosts

2004 Kasabian – Kasabian

2005 Editors – The Back Room

2006 Johnny Cash – American V: A Hundred Highways

2007 Seasick Steve – Dog House Music

2008 The Black Keys – Attack & Release

2009 The Horrors – Primary Colours

The 2010s (so far):

2010 Warpaint – The Fool

2011 The Kills – Blood Pressures

2012 Richard Hawley – Standing At The Sky’s Edge

2013 Savages – Silence Yourself

2014 Band Of Skulls – Himalayan

2015 Wolf Alice – My Love Is Cool

2016 Leonard Cohen – You Want It Darker

So… how many of these do you own and/or like? What course would you take through the last 5 decades? I’m sure that readers will be up in arms about what’s missing.

As with other CRAVE Guitars’ challenges, this exercise wasn’t as easy as when it was first envisaged. Reflecting on the list and making a few observations…

The albums listed are not necessarily my favourites; just ones that carry some meaning within the context of the topic. See my rant of July 2016 for my suggested top 20 most influential albums, some of which also appear in this list. There were many beloved albums (and favourite guitarists – see CRAVE Guitars’ February 2017 article) that didn’t make the final list. There are some great albums by great artists that don’t appear. Some albums on the list may not be the pinnacle of achievement by the artist but they appear because of the way the selection criteria worked.

The widely-regarded, guitar-dependent and ‘important classics’ on the timeline tend to come from the 1960s and ‘70s. These albums have stood the test of time and still have relevance today. Some represent ground-breaking events and their appearance on the timeline will be of no great surprise. Why no Rolling Stones or The Beatles on this list? Well, I’m not a Beatles fan and the Stones came close for a number of years including 2016 but got pipped at the post elsewhere. No Pink Floyd? Surprisingly not. No watershed albums like, for instance, Fleetwood Mac’s ‘Rumours’, Mike Oldfield’s ‘Tubular Bells’ or Sex Pistols ‘Never Mind The Bollocks’? Not on this occasion. No manufactured boy/girl bands from the formulaic TV ‘talent’ production line (or their heinous celebrity-driven ilk)? Heck no! Real music only, please.

While the available choice of albums seemed to increase significantly from the mid‑1990s, the quality of output seemed to become more homogenous with the increase in quantity, meaning that it was harder to pick outstanding entries and, by the time the new millennium arrived, it becomes increasingly difficult to pick out the exemplary future classics from amongst the multiplicity of also-ran material. This doesn’t mean that quality deteriorated, simply that the market became increasingly saturated and tour de forces became more difficult to define. Time will tell as to which ones (if any) will have the longevity to stand out as true masterpieces.

Some years were spoilt for choice and it was a VERY hard task to select just one entry from a wealth of great albums, while other years were very sparse and it was a case of selecting from the ‘best of the rest’. For some years, there was an obvious shoo-in, while for others years it was actually quite difficult to pick a ‘winner’ from an amorphous morass of uninspiring averageness.

Within modern western popular music, it is probably not a surprise that the majority of artists in the timeline are British or American, with a smattering from elsewhere (Canada, Jamaica, Germany and Australia). Perhaps increased globalisation and geographical dispersion may introduce new influences, especially from those areas with different musical cultures, e.g. the middle east, far east, Africa and South America. Perhaps these influences, generally categorised as ‘world music’, will become more mainstream, especially as the Internet provides greater access to hitherto niche markets.

In terms of diversity, certainly the older music was male/white dominated. While a few more females populate the latter years, there is still a general shortage of female musicians in the industry. Ethnicity is predominantly white, which was a bit of a surprise and it certainly wasn’t a conscious choice. Music is one of those industries where artists from diverse backgrounds have been able to succeed and influence successive generations. As in other forms of 21st century life, ensuring equality of opportunity for everyone and the music industry depends on the best talent, rather than to segregate on the basis of specific upbringings.

Many genres were evenly distributed. However, a number of genres were under‑represented including rap/hip-hop, reggae, dance/funk/disco, etc. Surprisingly, indie music seems to have taken more of a centre stage in the noughties and tweenies, at least in this exercise. How these albums age over time will be interesting. Bands tended to feature, rather than solo artists, which was notable.

There is some pretty impressive album artwork over the half-century. It is amazing how effective musical packaging design has been. We are, sadly, long past the heyday of album art integrated with popular cultural references. I can’t see that changing with current and future media delivery systems. Why should credible artists and designers stake their reputation on, say, the latest download fad?

The rigorous application of the selection criteria was particularly challenging and may well account for some of the more obvious anomalies. A different approach might have led to a more balanced (and perhaps more predictable) result.

A slight grammatical oddity; there are 3 albums on the list whose titles are clearly prima facie questions and none of them end in a ‘?’ (1967, 1993 and 2001). Weird or what?

A number of albums on the list were debut or sophomore albums, perhaps indicating that for many artists, the pool of inventive material is more furtive early on in the limelight and, for some, success actually seems to dilute the fire of creativity, resulting in shortened professional careers. There are relatively few who have the longevity of a lifelong career. Sadly, a large proportion of the artists are no longer with us and their potential is lost forever. We miss their imagination.

When thinking about future direction within the context of the past, the outlook appears healthy and increasingly disparate, despite the broadcast media’s obsession with exploitative ‘talent’ drivel. The days when a single type of music would dominate the ‘air waves’ (remember them?) looks increasingly unlikely, simply because of the volume of new music and the ways in which it is made available to the listening public.

What will be ‘the next big thing’ and will there be any (counter-)culturally significant new genre developments like metal, new wave, punk, rave, grunge, etc.? Major mainstream step changes are possibly unlikely; the musical landscape is now so varied that anything fundamentally new is likely to be genre-specific, for example dancehall and dubstep, rather than a mass‑market popular revolution.

The emergence of completely new trends becomes less likely over time, as it can also be argued that most original ideas have pretty much been used up by now. There can only be a finite number of combinations of existing musical patterns to fuel experimentation and ultimate acceptance. The number of plagiarism litigations suggests that the future will increasingly have to recycle and re-use existing ideas, rather than create new ones. Existing genre conventions, once they have become well‑established, also tend to constrain further creativity within that particular genre. Perhaps we will see more genre cross-overs in an attempt to find that spark of innovation and inspiration.

So there you have it. It has been another interesting little challenge that has also raised a few more peripheral questions. While it doesn’t really add anything to humanity’s collective knowledge, it passes time and the task makes one think (again).

Finally, seeing as CRAVE (Cool & Rare American Vintage Electric) Guitars is all about the venerable instrument, think of all the great guitars and the guitarists that wielded them that feature on not only all the albums listed above but also all the ones that have been missed out.

This is the final monthly article before the ‘big move’ and, hopefully, things beginning to get back on track. Proverbially, I’ll see you on the other side. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “If actions speak louder than words, why can’t people hear what I’m doing?”

© 2017 CRAVE Guitars – Love Vintage Guitars.

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July 2016 – Personal Top 20 Most Influential Guitar Albums

posted in: Observations, Opinion | 0

In previous articles, I’ve touched on various personal aspects of guitars and guitar playing, including:

  • ‘why’ – the reason I picked up and played guitar
  • ‘how’ – the way that my relationship with the guitar developed from first contact to the current day
  • ‘what’ – the actual bits of wood, metal and plastic that keep me enthralled and passionate about the electric guitar as a musical instrument

This month, it’s a bit about more about the ‘who’ – no, not the band but the artists that made albums which have in some way motivated me to keep playing guitar over the years and perhaps most influenced the type of music I still listen to regularly

Just think of the great guitars, many of them now vintage, that were used by talented musicians to create the music in the first place. It is worth saying that these recordings probably wouldn’t have perpetuated as well as they have without these artists also working incredibly hard to play live music in front of ticket-paying audiences. The point is that it is really important to keep music live.

So… here is CRAVE Guitars’ Top 20 Guitar Albums that have been most influential to me. They aren’t necessarily ones you might think of as great guitar albums and many don’t have guitars as the focal point, so the impact has been subtle but profound. Flashy, flamboyant fretwork may be impressive but it is not enough on its own to make the grade.I have never been artist obsessed; I just don’t have guitar idols or role models so there is no celebrity reverence involved in the choices. Unlike many people, my tastes are also not fixed to one particular period of time or genre of music.

It was very hard to compile the list, knowing that it would not be representative of the wealth of great guitar music over the last 60+ years. The eventual ones that made it haven’t been ranked, so are presented in date order – just too difficult. Does the list represent the pinnacle of guitar playing? No, it doesn’t and it isn’t intended to; it’s a very personal list. Is the whole album great? No, there are no ‘perfect’ albums but they are, in my opinion, particularly notable – that’s all. What about the ones missed out? Too many to mention, including many that are ‘better’ for so many reasons, just not to me as part of this exercise. In addition, there are many, many great albums that don’t feature guitars at all, which naturally excludes them from this list.

What is it about these albums that makes them stand out above the average and, perhaps more tellingly, why they usurped other, perhaps more traditionally fashionable ‘great guitar albums’. The criteria (the first is a killer!) included:

  1. There could only be one album from any artist
  2. They could come from any period of modern music
  3. They must feature guitar playing, not necessarily front-and-centre but somewhere in the mix
  4. Live albums are included, hoever ‘best of’ collections and compilations are not
  5. They had to be ones I own and listen to, not just ones with a strong reputation
  6. They had a major ‘wow’ factor on first listen and, importantly, they have stood the test of time
  7. There is an emotional connection with the music, not just band credibility
  8. They transcend mood and can actually change one’s attitude
  9. Enrich one’s existence to some degree and make life worth experiencing

Here are the albums presented in chronological order, each with a short explanation as to why each is here:

  1. Santana – Abraxas (1970) – amongst the many classic Latin-tinged songs is the sublime leisurely instrumental ‘Samba Pa Ti’, which stood out for Carlos’ exquisite and nuanced guitar phrasing and tone
  2. Black Sabbath – Black Sabbath (1970) – nothing else like it before or, frankly, since; the album that started metal, especially with the archetypal doom-laden opening title track
  3. The Doors – L.A. Woman (1971) – such great song writing including, amongst others, the insistently driving title track and the massively moody laid-back ‘Riders On The Storm’
  4. T. Rex – Electric Warrior (1971) – Marc Bolan’s shift of style signalled the birth of glam rock. Who could have seen this coming or imagined the legacy it would leave. Familiar chart hits include ‘Jeepster’ and ‘Get It On’
  5. Pink Floyd – Meddle (1971) – my very first album purchase after hearing it premiered on John Peel’s radio show. It transfixed from start to end. Just amazing at the time, especially ‘One Of These Days’ and the epic ‘Echoes’
  6. David Bowie – Aladdin Sane (1972) – less pop-like than other obvious alternatives. Some striking musical innovation and some astounding avant garde moments. The chart hits included the title track and ‘The Jean Genie’
  7. John Martyn – Solid Air (1973) – Martyn had been experimenting with processed guitar and was pushing the boundaries of what it could do, resulting in this very special landmark album including the achingly cool title track and the desperately melancholic ‘May You Never’
  8. Lynyrd Skynyrd – Second Helping (1974) – no ‘Freebird’ here, but the album that brought the Florida wild boys to the UK’s attention. A really solid sophomore album that is so much more than the now clichéd ‘Sweet Home Alabama’, for instance the simple but effective riff on ‘Working For MCA’
  9. Bob Marley & The Wailers – Live! At The Lyceum (1975) – sometimes, a live album captures the essence of an artist’s best work in a single time and place, this is one, topped by the passionate and evocative ‘No Woman No Cry’
  10. Led Zeppelin – Physical Graffiti (1975) – not any of the first 5 iconic LPs but the double album that came out when I went to see them play live in London as a teenager. The colossal ‘Kashmir’ instantly blew me away, ‘nuff said
  11. Rory Gallagher – Against The Grain (1975) – another artist who came across better live than in the studio. Rory released this around the time that I saw him play in Brighton, so it beat ‘Irish Tour ‘74’ to the list
  12. Steve Hillage – L (1976) – a highly underrated guitarist and a post-Gong solo album that epitomised the alternative trippy-hippy, effect-laden space rock of the era. No chart material here but lovely guitar, clearly ‘in the zone’
  13. The Clash – London Calling (1979) – the title track nails the social context of the immediate post-punk period, articulating deep social unrest, the country’s polarised economic divisions and a generation’s frustrations with pre‑Thatcherite politics. Both timeless and very much of its time
  14. Talking Heads – Remain In Light (1980) – it starts with David Byrne’s complex, overlaid upbeat grooves and distinctive vocals, then descends into deep dark interwoven ambient territory. Go beyond the familiar hits and explore the brooding and intense ‘Listening Wind’ and ‘The Overload’. Scary
  15. ZZ Top – Eliminator (1983) – Texas boogie-blues morphs into mega-pop extravaganza with the now overplayed massive chart hits and much more, like ‘TV Dinners’ and ‘Bad Girl’. Ignore the sexist whinging and just enjoy the hot‑rodded road trip
  16. Stevie Ray Vaughan – Couldn’t Stand The Weather (1984) – kicks off with the frenzied instrumental ‘Scuttle Buttin’’, homages and almost upstages Hendrix’s ‘Voodoo Chile’ and then caps it with the knock-out slow blues of ‘Tin Pan Alley’. Pure blues genius
  17. Dire Straits – Brothers In Arms (1985) – consistently great song writing with some natty guitar work too, including the classic riffing of ‘Money for Nothing’ and closing with the poignant title track. Personally significant as this was my very last vinyl purchase, so ushering in the digital age
  18. The Cure – Disintegration (1989) – my all-time favourite album (so far) and as close as Robert Smith came to a coherently perfect recording. Contrast the heartfelt warmth of ‘Love Song’, with creepy ‘Lullaby’ and the deeply dark and sinister ‘Fascination Street’. Understated guitar work, compelling and hard to beat over a quarter of a century later
  19. Metallica – Metallica (1991) – migrating from thrash genre roots to full-on heavy metal rock stardom, the shift of tone resulted in massive commercial success. Now regarded as an all-time classic, which belies its original achievement, including the ubiquitous guitar-shop riff, ‘Enter Sandman’. Go beyond and admire
  20. Rage Against The Machine – Rage Against The Machine (1992) – the genre‑busting aural assault fused highly politicised rap lyrics and Tom Morello’s stunning guitar work to create something genuinely ground‑breaking. Never bettered, the eponymous debut album includes the storming ‘Killing In The Name’ and ‘Bullet In The Head’. Still edgy today

Nothing really from before 1970 you say? Well, only because it was a bit before my time and many of the gems from that era were discovered later, Hendrix, Cream, Velvet Underground, etc. Nothing newer than 1992 you ask? It is disappointing that the most recent album is now 24 years old, begging the question, “Where are the great guitar albums of the 21st century?” This is lamentable, especially as there are so many excellent guitarists out there. Clearly, it is time to do something about it guys and gals.

If that list is too exclusive, here are some close runners up (also in date order):

  • Jimi Hendrix – Electric Ladyland (1968)
  • King Crimson – In The Court Of The Crimson King (1969)
  • Neil Young – After The Goldrush (1970)
  • The Rolling Stones – Sticky Fingers (1971)
  • Genesis – Nursery Cryme (1971)
  • Deep Purple – Made In Japan (1972)
  • Thin Lizzy – Jailbreak (1975)
  • 801 – 801 Live (1976)
  • Burning Spear – Garvey’s Ghost (1976)
  • Fleetwood Mac – Rumours (1977)
  • Nirvana – Never Mind (1991)
  • Beck – Odelay (1996)
  • Kasabian – Kasabian (2004)
  • The Kills – Blood Pressures (2011)
  • Richard Hawley – Standing at the Sky’s Edge (2012)

So, there you have it – my personal top 20 guitar albums… so far. These are not recommendations and it doesn’t prescribe essential listening. It is just one individual’s biased choice. I Have to say that it was more difficult than I thought to justify my limited selection. What inspires you is, of course, for you to decide for yourself. I hope there’s something in my list that provides a refreshing change, while also acknowledging the recognised greats. Doing this has made me review my longer ‘Top 100’ list on the CRAVE Guitars web site, take a look (click here to see the long list…).

What next? I am always looking to the future and curious about what’s yet to come. I hope that future great guitar albums can match the excellence of the past. Here’s anticipating. Until next time…

CRAVE Guitars ‘Music Quote of the Month’: “Over think music and it becomes sterile. Under think music and you have probably been sterilised”

© 2016 CRAVE Guitars – Love Vintage Guitars.

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