November 2023 – Musical Machinations

Prelude

WELCOME ONCE MORE to CRAVE Guitars’ unhurried cruise through the planet’s turbulent waters this November 2023. While there has been much to protest about in the rapid disintegration of the prevailing ‘world order’ during the 2020s thus far, one has to grasp onto any positive prospects that may present themselves. Arising from the debris and carnage of grinding attrition, the poppies of opportunity are optimistic symbols for hope and prosperity, albeit fleeting. That’s basically all flowery language for carpe diem (from Roman lyric poet, Horace’s work, ‘Odes’ in 23 BCE – literal meaning ‘pluck the day’, commonly interpreted as ‘seize the day’).

“While we speak, envious time will have fled: seize the day, to the least extent possible trusting in the next one.” Quintus Horatius Flaccus (Horace, 65-8 BCE)

I recognise that there has been little in the way of exciting news on CRAVE Guitars core ‘business’ for many reasons outlined in the previous article (October 2023). It has been slow but it hasn’t been a total wipe‑out though and I’ll come back to that on another occasion. Here, I’m focussing purely on recorded music and principally a persistent quest to unearth something a little bit different.

Once again, no AI was used to research or write this article, only the author’s meagre cranial capacity and a bit of old school pre‑AI technology.


Context

The one upside of recent times has been an opportunity to embark on an intentional journey to explore off‑the‑beaten‑track modern music. As in physics, the musical micro‑universe is continuously expanding. The challenge is that the musical catalogue since the 1950s is absolutely massive and, with each passing day, becomes even bigger – far too much to begin with, let alone keep up with. While, on the basis that one’s knowledge is inherently extremely limited, it means that any adventure has plenty of scope for discovery, even if it is only vainly scratching the surface of the iceberg’s tip (there I go mixing metaphors again!).

“I know nothing except the fact of my ignorance.” Greek philosopher Socrates (c.470-399 BCE)

On this particular excursion into the unknown, music discovery means expanding the author’s knowledge and appreciation across many aspects of contemporary music. The exercise is about not only consolidating existing music but also about travelling lands un‑trod for new music, which may mean older music that is new to me as well as recently released music that is new to everyone.

Fortunately, 21st Century explorations are sedate experiences. No longer do we have to fear ‘hic sunt dracones’ in ‘Terra incognita’ (here be dragons in unknown land). Note: The former derives from the Hunt‑Lenox Globe (1504), the latter from Ptolemy’s Geography (c.150).

Over far too many years than I would care to contemplate, I have been buying and listening to music. Nothing unusual about that. For many reasons (space, funds, etc.), music was largely revolved around established genre preferences. Fair enough; isn’t that what it’s all about, buy what you like and don’t bother with everything else? However, such an exercise becomes largely self‑perpetuating and insular. This I was aware of and felt that there was much more to be revealed. Where to start?

During CRAVE Guitars’ 3‑year hiatus (see last month’s article, ‘Return to and from Obscurity’), I became fascinated by exposure to ‘new’ music, rather than the habitual repetitive listening to a small repertoire of familiar choons. This is no new epiphany. When much younger, I made a point of listening to BBC Radio 1 DJ John Peel (1939‑2004) and valued his nonconformist approach towards exciting new bands and their music, especially but not solely during the punk rock era. The late John Peel may not be familiar to readers outside the UK. It was because of John Peel that I bought my very first LP album – ‘Meddle’ by Pink Floyd (1971), after he debuted it in its entirety on his late night radio show.

While so many other things were getting in my way, I consciously elected to spread my musical wings again, mainly because it is something I had wanted to do and it was actually eminently do‑able, especially economically (at first!). I engaged in the hobby of ‘crate digging’ or simply ‘digging’ in the Internet age, i.e. searching anywhere for content, online suppliers and auction sites, charity shops, second hand record shops, brick‑and‑mortar retailers, etc. Buying used albums makes the exercise much more economic, fun and sustainable.

Record Store (credit: Cottonbro Studio)

“Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.” Chuck Berry (1926-2017)

Alternative sources include ‘recommendations’ from other music aficionados and using the Shazam app on a smart phone to identify something unfamiliar and interesting that pops up wherever one might be at the time.

One of the first steps was to identify what I had and where there were obvious gaps. I had already created a Microsoft Access database so that I could scrupulously catalogue the albums, EPs and singles in my possession. That soon ran into the application’s upper limit of 2 GB per database, so had to be split into multiple databases. Now that I readily know what I have (little), what I haven’t (massive). It also enabled me to log what I might want (a continuously growing ‘most wanted’ list). The systematic categorisation was reinforced by importing everything I had from source onto Apple iTunes. Between these two key resources, it became relatively straightforward to keep track of things. Then, it was on to, thankfully dragon‑free, pastures new.

My investigations are basically limited to modern contemporary music from the early‑mid 1950s – basically from the emergence of rock ‘n’ roll – to the current day. It also includes going back further into the history of some long‑standing top‑tier genres such as blues, country and jazz that were direct predecessors to, and influences on, everything from rock ‘n’ roll onwards, as well as continuing to evolve in their own right.

There have to be boundaries or I would go insane just collecting for collecting’s sake, which is not only unrealistic but also pointless. American rapper and entrepreneur Dr. Dre once stated that he accumulated 80,000 albums and kept them in storage, before realising just that basic error. I’m sure that somewhere out there is a comprehensive British Library‑esque collection of music releases over the last 100 or so years, catalogued for historical posterity. That would be one heck of a monumental task. My endeavours are, unsurprisingly, much, much more modest.

One has to enjoy, as well as feel that an avocation is worthwhile, or there is no worth in doing it. It is for this reason that I have to exclude classical music. For some reason, classical music leaves me stone cold dead. Always has done. I’ve tried repeatedly to get into it but to no avail. However, in contemporary music, there are styles of modern classical and minimalist music that blend, fuse or crossover into contemporary electronic sensibilities with classical instrumentation that I can grasp but I’m afraid that’s it. The likes of Max Richter, Tim Hecker, Philip Glass, Jóhann Jóhannsson, Walter/Wendy Carlos and Isao Tomita I can engage with, otherwise, meh. I genuinely apologise to classical music fans. I’m sure it’s fabulous n’all but it just doesn’t do anything for me and going down that particular rabbit hole is an experience I don’t want to pursue… so I won’t. My choice.

Here are just a few figures relevant to the 3‑year hiatus to bandy about. During that period, I’ve purchased circa 3,000 albums along with a (large) handful of EPs and the odd single. That equates to around 90 per month (averaging c.3‑ish per day). I dread to think of the gross expense but at least it is little and often, unlike buying vintage guitars. It’s also relatively quick and easy to do, filling those occasional idle moments. The last 3 years has basically doubled the hoard. The ‘most wanted’ (for want of a better term) list hovers around 1,500‑2,000 depending on timing and motivation. The ‘find out more’ about list of artists is, by comparison, relatively short at around 200‑250. The conclusion is that there is plenty of scope for improvement. Additions to the hoard cover about 100 genres with the largest proportions being mainstream ones.

I haven’t ventured into the realms of rare music collection – most albums I have been looking for are relatively available with patience and digging. Indeed, many have been from bargain bins. I can’t justify or afford two expensive artefact hobbies! Neither has this mission been to create any sort of ‘standout albums of the last 75 years’ or so. I don’t think anyone could possibly agree on what that might comprise.

Right, let’s get down to the business at hand; colouring in the sketch of the musical landscape, so to speak.

“Though this be madness, yet there is method in’t.”  From ‘Hamlet’ (c.1600) by English playwright William Shakespeare (1564‑1616)


Genre gap‑filling

Like most people, one has favourite genres, so‑so ones, and disliked ones. However, to rule music out just because it belongs to a hitherto underappreciated genre tends to limit one’s exposure to some highly regarded music. As an example, I was never very keen on country music. Then I watched an 8‑part documentary called, unsurprisingly, ‘Country Music’ which first aired on American TV channel PBS in 2019. I was struck by a whole bunch of music that I was completely unaware of and had summarily discounted out‑of‑hand because of what it was labelled. I was fascinated by the documentary and what it portrayed. PBS also produced another documentary series called ‘Jazz’ from 2001 that opened my eyes to what that genre also had to offer. Both PBS series were directed by Ken Burns. Actually, finding out more about the cultural history that surrounded the genres provided a context that enhanced the experience of the music greatly. This observation reinforces the (perhaps) blindingly obvious fact that societal change and musical development are both interdependent and co‑dependent. Having fired my imagination, I extrapolated the concept to other genres as well. Sometimes, ‘various artists’ genre compilations can provide a suitable entrée to a musical world less wandered.

Are there any contemporary genres that are considered out of bounds? On the whole, other than aforementioned classical, generally no. I am up for pretty much anything, while still retaining my core preferences, which include reggae/dub, IDM/EDM, ambient electronica, downtempo/chillout, dreampunk/vaporwave, indie, alternative, heavy metal, gothic, dream pop, drone, rap/hip‑hop, shoegaze, grunge, punk, garage, funk/disco, deep house, blues, rock and neo‑psychedelia. That’s a pretty broad spectrum.

My two recent articles on ‘Dub Reggae Revelation’ and ‘Adventures in Ambient’ (August and September 2023 respectively) I think adequately demonstrate the potential of genre gap‑filling. That was just breaking down two genres.

One ‘genre’ that sits outside the normal categories is the Original Soundtrack (OST). Film and TV soundtracks tend to fall into two types, one camp compiles existing music brought together to accompany what happens on screen, while the other camp employs music composed (scored) specifically for the medium. Both camps can be helpful when discovering new music.

“I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection.” Quentin Tarantino (1963‑)

There are only so many genres (my database lists over 140 of them!) but when you consider the bewildering multiplicity of sub‑genres and micro‑genres within the umbrella of, say, heavy metal, dance or electronica, there seems no end to what can be achieved. One great thing about music is that there is always something out there somewhere to match one’s prevailing mood. Genre gap‑filling actively opens doorways into finding a whole raft of ‘new’ artists, and the next task of filling in some of the blanks was added to the ‘to‑do’ list. One simple example was a brief dalliance with Cajun and zydeco music. These originated from the 20th Century intermixing of French Canadian Acadian immigrants, native American peoples, African slaves, and freemen in Louisiana in the deep south of the USA. Fascinating. And, thus, the search goes on.


Artist gap‑filling

There were, as you might expect, quite a few artists already covered, while there were many more that I knew about or was curious enough about to complement existing artists with ones that I hadn’t previously coveted. Some of these artists work could best be exposed by buying ‘best of’ or compilation albums, especially when I wasn’t prepared to go all out and get multiple original albums. This worked well for some artists that I wasn’t overly keen on. The relative randomness of the ‘digging’ process led to many new artist discoveries, simply through browsing and taking a gamble on something that looked intriguing. ‘Digging’ is easier in brick‑and‑mortar shops than online. Although the latter works, it is definitely much less enjoyable. We need to support our mainstream and independent record shops or they will be lost forever (as in the case of Virgin Megastores, Tower Records and many others). We almost lost the HMV chain in the UK, which would have been disastrous for high street music retail. Artist gap‑filling is a never ending expedition with untold treasures to be uncovered beyond the famous big names. Along with the household headliners, there is a multitude of lesser and unknown artists producing some fantastic music. An open mind unlocks entire vistas begging to be perused.

I soon realised that my personal favourite artists are actually few and far between, many of which have had long, consistent careers. During any artist’s long‑term output, there would inevitably be good, average and poor albums. Picking out the wheat from the chaff became an integral part of my newfound preoccupation.

Surprisingly, there are some very famous artists that simply do not resonate with me, including (believe it or not) respected giants like The Beatles and The Who. Yup. Heretical I know. I have tried over and over to get into them but without success.

There are many lesser known artists that I really like at the moment and only time will tell whether they create any sort of lasting legacy. I came across many great artists that I hadn’t even heard of, many with surprisingly extensive back catalogues. They are all out there, just waiting to be found. I realised that artist gap‑filling was the simplest way to stretch one’s listening goal posts. And, thus, the search goes on.

“For me, to turn people on to new music, on to things that are going on in the world, is important.” Nikki Sixx of Mötley Crüe (1958‑)


Release gap-filling

One logical method was to fill obvious gaps in some of the existing artists’ back catalogues or the solo careers by members of established bands. I would have some releases but not others, generally through an essentially arbitrary process, rather than any sort of systematic approach. Some additions were credible releases, while with others, there turned out to be an obvious reason why they weren’t there in the first place. Oops. Other avenues to explore in addition to studio albums include live albums, EPs, singles, compilations, dubs, remixes and various artist DJ mixes. This process wasn’t intended to be comprehensive – some releases simply weren’t/aren’t available, some have been long discontinued while others were obviously a waste of space anyway. Some albums were originally on limited release and have subsequently become rare and valuable. I know that there are plenty of collectors out there prepared to pay vast sums for some of these one‑offs. I’m not in that game and can’t afford to be. There are still plenty of missing pieces but broadly speaking the main bases have (possibly) been covered.

It would be all too easy to fall into the trap of ‘completism’, i.e. getting absolutely everything released by an artist. Given how prolific some artists are, completism would be a venture all unto itself. Frank Zappa has released over 50 studio albums, Brian Eno over 65, Johnny Cash over 75, Lee Perry over 80, Tangerine Dream over 100, and Willie Nelson over 130, not including live albums, EPs, singles, compilations, videos and bootlegs. From now on, release gap‑filling will be a case of diminishing returns, as the gaps decrease along with the overall quality of content.

One notable trend during the coronavirus pandemic was a proliferation of live music releases. Artists couldn’t get out on tour and many couldn’t access recording studios, so record labels scoured existing unreleased resources as a pragmatic stop gap during the lockdowns. Some of these live concert recordings are OK and many would normally be regarded as superfluous under ordinary circumstances. However, when needs must. One silver lining to arise out of the so‑called ‘Chinese Virus’ plague has been the rate and quality of subsequent studio releases once the ‘new normal’ was established. And, thus, the search goes on.

“I look forward to the future – and going into the studio to make new music.” Diana Ross (1944‑)


Record label gap‑filling

Some collectors also go for label gap‑filling but that’s a step too far for me, although there are some great independent labels worth giving a shout out to, such as Ninja Tune, Italians Do It Better, PIAS, Sub‑Pop, XL‑Recording, Jamaican Recordings, 4AD, Bella Union, Pressure Sounds, On‑U Sound, Ariwa Sounds and Hyperdub Records. Beyond the major corporations, there are thousands of record labels out there, so chasing artists and releases starting with a record label is neither quick nor easy. If it wasn’t for the small independent labels, though, we would be subject to commercially driven mainstream mediocrity. However, the method of looking at artists belonging to a certain label can prove promising for finding ‘new’ artists, which can then lead directly onto gap‑filling of their previous works.

“John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.” Jimmy Page (1944‑)


Musical discovery

There is much to be said for and against ‘taking a punt’ on something with which one is unfamiliar. Sometimes it works, sometimes it doesn’t but there is always some sense of eager anticipation involved in lucky dips. This intentionally random exercise can lead onto other artists, and so on, basically ad infinitum. Due to the finite number of listening hours in any given day, week, month, year, this means that some music can only be listened to once or twice, while others warrant repeated auditions. Buying one‑off listens is not really very productive but it happens. One day, they can be re‑used by going to someone who might appreciate them more than I do. Often, genuine appreciation or enjoyment can only be gained by listening multiple times, especially with more experimental, leftfield or avant‑garde music.

“What motivates us is always new music.” Nuno Bettencourt (1966‑)

While physical media has been a main source of content for at least the last 40 years, this is rapidly changing. According to Spotify in 2021, over 60,000 tracks are uploaded to their platform every day. One, perhaps, might wonder about the depth of quality behind such figures. I know I do but then again, I’m a sceptic. There is no shortage of music to discover and no hope of listening to even a tiny fraction of it all. Spotify is also the platform that boasts the most effective method of curated music discovery. Even so, there is still a lot of inherent chance to finding something that will stay with you over the years. One might think that genuinely new discoveries would be infrequent, especially as time goes on. Far from it in practice.

Just one example, I recently came across late Canadian composer, Mort Garson (1924‑2008), renowned for his album, ‘Mother Earth’s Plantasia’ (1976), tag lined, ‘warm earth music for plants… and the people who love them’. When looking more into him and his music, I felt that, somehow, I should have been more aware of him before now. There is plenty of info on him on the hinterwebby thingummy but our meandering paths had not crossed before now. This sort of experience, which many readers who are familiar with Garson will probably snicker at my evident naivety. Such experiences are annoyingly common.

“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.” Mark Knopfler (1949‑)

So, after all that preparatory exposition, you might well be wondering, just who the heck has been ‘discovered’? Here are just a few artists that I came across during the last 3 years. Some of which readers may know, some not. I might, though, challenge anyone to tick them all off so as to expose, pour scorn and ridicule my raw ignorance for what it is, sheer witlessness. Time to position the currency where my oral cavity is (lol!). The following list covers any genre and is in alphabetical‑ish order (Note: These are indicative only and should not be regarded as recommendations)…

*Shels, 100 Gecs, 2814, 9 Lazy 9, A.M.P. Studio, A Winged Victory for the Sullen, Agnes Obel, AK/DK, Aggrolites, The Airborne Toxic Event, The Album Leaf, Arms And Sleepers, Atoms For Peace, Autechre, Be, Benis Cletin, Bent, Big Thief, Blue In Tokio, The Burning Of Rome, Burnt Friedman, Cave In, Chezidek, Clark, Cloud Control, Craven Faults, Creation Rebel, Deadbeat, Deptford Goth, Desire, Devics, Dirty Loops, Divination, Dubkasm, Dynamic Syncopation, Ekoplekz, Ethel Cain, Fink, Flanger, Fragile State, Gallows, George Faith, Girls In Synthesis, Glass Candy, Goblin Cock, Helium, Hint, How To Dress Well, Hybrid, I. Benjahman, The Irresistible Force, Ital Tek, King Creosote, Konx‑Om‑Pax, Labradford, Laurel Halo, Lemonade, Lindsheaven Virtual Plaza, Loop Guru, LoveTrio, Machinedrum, Male Bonding, Man With No Name, Martyn, Midnight Juggernauts, My Sleeping Karma, ott, Plastikman, PreCog, Pretty Girls Make Graves, Psychonauts, Pure Bathing Culture, Purity Ring, The Qemists, Rakoon, Red House Painters, Rhombus, RJD2, Romare, Scrapper Blackwell, SkyTwoHigh, Sleep Token, The Slew, Sentre, Some Girls, Sparklehorse, StarOfAsh, Steve Roach, Suckle, Sunda Arc, Sundara Karma, Sunmonx, Swayzak, Symmetry, The Syncope Threshold, T e l e p a t h, Temu, Trembling Blue Stars, The Vacant Lots, Vessels, Wooden Shjips, Yellowcard and Yppah.

… plus many, many, many more. Phew! Some amazing, some good, some interesting, a few less so, etc. One may wonder how many of these artists – regardless of how ‘good’ they are – may attain the superstar status of, say, another Rolling Stones or The Beatles from the ‘good old days’. Not many, I’ll wager. And, thus, the search goes on.

“The times, they are a‑changin’” Bob Dylan (1941‑).

Live Music

Physical media

From the beginning of recording and playback in 1877 (although there were earlier experiments dating back to 1857), with Thomas Edison’s phonogram, first through wax cylinders and then shellac discs, followed by vinyl discs with the advent of the gramophone, people have been collecting music. For decades, vinyl was really the only practical medium for collectors. Collecting became more popular by the late 1970s with magazines dedicated to the hobby and suggesting values for some rarer releases. Magnetic recording technology added to, rather than replaced, vinyl and became popular with reel‑to‑reel, eight track (remember that?) and audio cassettes.

Portable music was made possible for the masses by the Sony Walkman (TPS‑L2), introduced in 1979, using the then‑ubiquitous analogue compact cassette. Perhaps the most significant portent for the demise of physical media was the introduction of the Apple iPod way back in 2001, sadly now no longer made, which led into the convenient access to music on the go, now with today’s smart phones.

Digital music, mainly through the introduction of digital music Compact Discs (CDs) in 1982 led to a revolution in collecting. CD sales peaked in 2000 at over 2.5 billion worldwide accounting for 91% of the market. By 2020 sales had fallen 95% and accounted for only 5% of global sales. However, CD sales increased again in 2021, although it is too early to predict a revival. The introduction of downloads and streaming has significantly impacted CD sales, precipitating a dramatic decline in physical album sales, as more and more consumers switched to digital streaming services.

Some alternative digital formats arrived in the wake of CD but didn’t survive for long, including Sony’s Mini Disc and DAT (Digital Audio Tape), as well as Philips’ DCC (Digital Compact Cassette). HDCD (High Definition Compatible Digital) and SACD (Super Audio CD) were promising but ultimately failed to supersede CD.

By the 1990s, I had disposed of my collection of then‑seemingly redundant vinyl LPs and singles (and my turntable) and embarked on collecting CDs, starting off with replacing what I had on vinyl and then adding new content over time. Ditching vinyl was something I might have regretted, but don’t. Vinyl represents nostalgia to me and I’m not going back. It is neither practical, desirable nor possible to embark on such a regressive approach now. At the time of writing, my music hoard of CDs comprises well over 6,000 releases by over 2,500 artists. This conglomeration has recently been organised into over 50 crates packed to the gills with the little silver discs. That equates to around 85,000 tracks on iTunes and counting. I don’t know whether this is a lot or not, with all things being relative. Currently, CD remains my main medium of choice. I predict that CDs will not become totally extinct and will experience a resurgance at some point.

The advent of CD was a catalyst to the long‑running analogue versus digital debate. For what it’s worth, my view is the debate is not about encoding, it’s about something far more subjective. Vinyl reproduction flatters music in a way that digital doesn’t and that appeals to us. Digital is technically superior but not as warm and cuddly as vinyl. Simples. Fans of analogue still swear that digital is a poor representation of real music. Fans of digital swear that analogue (and even digital CD) is outmoded and obsolete. That’s a lot of swearing. Streaming has added further fuel for opposing viewpoints with the compressed versus lossless argument. The truth is, does it really matter? As long as we enjoy the music, that’s what counts, isn’t it? Focus on the content, not the carrier. If we have a preference, make the most of it. I do think that the audiophile press is somewhat hypocritical in only going along with the latest tech after having criticised it before it became commercially established. That way, we all keep buying new kit. That is a personal opinion. Ain’t hindsight great?

“The digital world is so convenient and nice, but just playing back a vinyl record is a much warmer, hotter, more present feeling.” Steve Miller (1943‑)

Physical Media (credit: Andre-Moura)

Music streaming

A brief recap of developments may be in order, so a short diversion first. Let us rush past the short‑lived phenomenon of downloads, which have largely been superseded by streaming (which includes off‑line listening). The storage problem associated with physical media has led to the next revolution in listening, which is to dispense with physical media altogether and access music on remote servers held in huge data centres somewhere. This marks a watershed where the listener no longer owns a tangible product but only purchases the right to listen to it. You cannot easily donate tracks to charity or sell purchased music on to other people. Mixtapes? A thing of the past. How unromantic. All this is, to me, a major drawback. I like having something tangible that I can pick up, look at, read the liner notes, view the artwork and so on. Somehow, the old‑school ownership of a physical item is something I value. Streaming just seems like an ephemeral audition of someone else’s music, rather than something personal, bestowed by genuine ownership. Is this simply a transitional symptom? Probably, maybe.

Although streaming was introduced in the early 1990s, it wasn’t until the launch of Napster in 1999, using the new compressed MP3 digital format and exploiting new Internet‑based Broadband services, that downloads and streaming became widely popular. The licensed subscription music service Spotify was launched in 2008, rising from the ashes of the flirtatious fleeting dalliance with illegal downloads. Once again, the industry ‘big boys’ have found a way to re‑assert their dominance over us. Digital streaming now accounts for more than 80% of global music industry revenues.

The Internet and the major music streaming platforms (Spotify, Apple Music, Tidal, Deezer, Qobuz, Amazon Music, YouTube Music, etc.) have facilitated exploratory listening greatly while, at the same time, enabling artists to gain exposure in a way that they couldn’t previously through the traditional studio/record label system. Streaming generally can be on demand, through curated playlists or via Internet radio stations. All are valuable resources for the curious listener. The streaming platforms often state that they have 100,000,000 (100m) or more tracks available to customers. In practice, this is both a mind‑boggling and meaningless figure. There is such a thing as too much choice. It also gives some sense of scale, although it may call into question the balance between volume and quality. Suddenly, my meagre 85,000 tracks seems somewhat miniscule in comparison. I do, however, find it a sign of progress when more than 50 crates of CDs can be stored on an SSD (Solid State Disc) that’s less than half the size of a cigarette packet (remember those too?).

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” John Cage (1912‑1992)

Another problem exposed by streaming is that there is now plenty of material that is not distributed or sold on physical media at all and is only available via the Internet. Streaming‑only releases are essentially simpler and cheaper than managing traditional physical distribution channels. It also pushes new customers towards expensive streaming subscriptions whereby they earn money whether they are used or not. Talk about milking a cash cow! This online‑only approach affects some genres more than others but it means that, in order to continue with this ambitious side project of mine, streaming has become a necessary additional resource. In effect, physical and virtual music has to co‑exist; being an ‘and’ rather than an ‘either/or’ approach. For info, after much deliberation, CRAVE Guitars subscribes to Apple Music.

Some streaming services provide high definition listening, such as Tidal, and they charge a premium for it. Others, such as Spotify are content to go for volume at low definition. The lesson to take from this is that streaming services are not all alike despite peddling similar wares to punters.

“You pays your money and take your choice” A British lexicographic irregular that first appeared in print in Punch magazine in 1846

Does streamed high definition music (i.e. better than CD quality) make a difference to most listeners? Big question. Well, apparently, not really. The evidence suggests that most average (i.e. non‑industry) people cannot tell the difference in blind listening tests conducted under ‘normal’ conditions. Trained listeners can, allegedly, differentiate formats but “If there’s any discernible difference, it’s so subtle and so slight, you’d have to be somebody who’s been in the business for decades like me to hear it.” (recording and mixing engineer, Prince Charles Alexander, Berklee Online study, 2019). A case of fidelity vs artistry vs money, always good for an argument. Why on Earth spoil music listening by teaching people to identify comparative digital encoding anomalies when they are so small as to be meaningless? Spotify’s strategic positioning seems to agree, while Tidal doesn’t. People who go down the high definition route are, perhaps, hedging their bets. If they have the best, it doesn’t matter whether they can hear a difference or not. No doubt there is some audiophile snobbery lurking in there too. For the sake of throwing my two penny worth into the ring, I can neither tell the difference nor can I be bothered to waste my time trying to spoil the enjoyment that music brings by attempting to do so. Time for some good ol’ fashioned snake oil to leech the contents from your bank account?

Does streaming stop me ‘digging’ for used CDs? NO. Does it stop me buying new CDs? NO. Does it encourage me to buy more CDs? Actually, YES. I still prefer to purchase and store music on CD, while recognising the inevitability of embracing the dark side of streaming culture. On the basis that vinyl and cassette have seen a popular resurgence, CD is not going away anytime soon. In practice, and probably being totally hypocritical in doing so, I tend to rip music from CD on iTunes and then stream (or rather cast) it to my music system. I know that this practice probably makes little sense but, for me, it is the best of both worlds, I have the physical media and the convenience of digital storage. Which leads neatly onto…


CRAVE Guitars’ ‘music room’

If you read my October 2023 article, ‘Return to and from Obscurity’, you will know of the sad loss of ‘mi media naranja’ (my better half) due to the vile and relentless ravages of cancer. Initially crestfallen, once accepting the loss, I set about repurposing the small ‘dining room’ which had been my wife’s bedroom into a dedicated ‘music room’, used for noodling on vintage guitars and listening to recorded music. NO TV or clock allowed! Having previously lost our home and the vast majority of our belongings (another story altogether!), I had to rebuild a hi‑fi from scratch which, in itself, was quite an exciting experience, along with uniquely decorating the room to provide a suitable listening/playing environment. It took a year of painful sacrifices involving the sale of some beloved A/V gear (I’m also a film & TV buff) to raise funds and some lengthy (re)searching for used ‘bargains’. I fully acknowledge that this indulgence seems an excess of a luxury, given everything else but other things had to be compromised to enable it. My choice.

The ‘music room’ is used every day for music listening. For those who are interested in the techy side of things, the main hi‑fi system comprises:

  • Naim Uniti Core music server with 2TB SSD storage
  • Naim ND5 XS2 music streamer
  • Naim CD5 Si CD player
  • Bryston BP17 pre-amplifier
  • Bryston 4BSST power amplifier
  • PMC Twenty.24 floor standing speakers
CRAVE Guitars Music Room

While this is neither a high‑end system nor a budget system, it has been carefully selected to meet the need for critical and enjoyable listening of both physical and streamed music (and within budget). My 500 or so most preferred CDs are immediately to hand in the room, as well as being stored in lossless digital form on the music server, thereby also making them available throughout the house via Wi-Fi (in due course). It’s certainly more than good enough for my tired, aging ears. Being pragmatic, the electronics are, after all, only a means to an end, which is to stimulate an emotional response through music.

At this point, you may be wondering whether I actually listen to all that music. Fair question. Well, yes, is the answer. There wouldn’t be much point in writing about it if I didn’t experience the results of my labours. While I try very hard, there may be the odd track here or there that gets shunted down a listening list but I would hope that’s the exception, rather than the rule. Heck, it’s a tough job but someone’s got to do it!

“Don’t tell me baby you gotta go, I got the hifi high and the lights down low” from, ‘I Need Your Love Tonight‘ (1959) by Elvis Presley (1935‑1977)


Personal top 20 ‘desert island’ albums

Depending on mood, I do go back to long‑term favourites, simply for the comfort and familiarity of a ‘known quantity’. Like chatting with an old friend. At the outset, I said this wasn’t about compiling any sort of ‘best albums of the last 75 years’. That doesn’t mean that there aren’t some albums for which I hold a special affection and which have been part of the hoard for many years (so not ‘new’). Here are 20 of them, all pretty well known mainstream releases, and which I feel have stood the test of time. Regular readers will see no surprises here. This is very much a personal list, chosen at the time of writing – it would undoubtedly be different on different days/weeks/months. Some entries hold special meaning and are therefore highly evocative.

I call this my ‘desert island’ security list. That is, if I could only have 20 albums as a castaway, what would they be? Perhaps, more accurately, it could also be called ‘top 20 memories’ or ’20 comfort classics’. Now how’s all that for wistful nostalgia? For what it’s worth, here is today’s list:

  1. The Cure – Disintegration (1989)
  2. Black Sabbath – Black Sabbath (1970)
  3. The Doors – L.A. Woman (1971)
  4. Pink Floyd – Meddle (1971)
  5. John Martyn – Solid Air (1973)
  6. Steve Hillage – L (1976)
  7. Talking Heads – Remain In Light (1980)
  8. Lee “Scratch” Perry – Roast Fish, Collie Weed & Corn Bread (1977)
  9. Rage Against The Machine – Rage Against The Machine (1992)
  10. Burning Spear – Garvey’s Ghost (1976)
  11. Bob Marley & The Wailers – Live! (live) (1975)
  12. Deep Purple – Made In Japan (live) (1972)
  13. Nick Cave & The Bad Seeds – Push The Sky Away (2013)
  14. Depeche Mode – Violator (1990)
  15. Massive Attack – 100th Window (2003)
  16. David Bowie – Let’s Dance (1983)
  17. Burial – Untrue (2007)
  18. Tangerine Dream – Rubycon (1975)
  19. John Lee Hooker – Boom Boom (1993)
  20. Beck – Sea Change (2002)

“Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” Ludwig van Beethoven (1770-1827)


The future

OK, that’s the past, so now let’s take a brief, casual look at what may happen into the near future. While vinyl is doing remarkably well and CD is showing possible signs of life, it is clear that streaming is the future until something better comes along. It is certainly in the interests of the music industry to retain tight control over their valuable assets, although many artists say that the practice is detrimental to their income. However, this actually means little to the consumer. Better returns for the companies and artists simply mean higher prices for the public who have no say in the matter. The reality is that the few rich get much richer and the many poor get much poorer; sadly the dysfunctional norm of the modern capitalist world.

The commercial interests of multinational companies like Sony BMG, Universal, EMI and Warner Brothers rule their respective roosts. Interestingly, the major corporations don’t own the streaming companies, unlike in the parallel dimension of film and TV where the studios control all levels of vertical integration.

Mega‑artists with mega‑egos to match like Taylor Swift, Madonna, Adele, Jay‑Z/Beyoncé, U2, KISS, Dr. Dre, Timberlake and Ed Sheeran, along with many other big names in the lofty reaches of the higher socioeconomic hierarchy are laughing hysterically all the way to their already mega‑well‑stocked tax‑free offshore bank accounts. The industry ‘big four’ major record labels and powerful business artists together make up a resilient ‘pyramid of power’, that will continue to dominate the economics of the music biz for many years to come. Sadly, your ordinary talented hard working musicians don’t attract such filthy lucre. When push comes to shove, it’s all about the money. T’was ever thus, or more accurately…

“Oh! Ever thus from childhood’s hour” from the poem, ‘The Fire Worshippers’ (1817) by Irish writer and poet, Thomas Moore (1779‑1852)

Perhaps more worrying for creative artists and for many music enthusiasts is that the focus is clearly moving away from coherent album releases and more towards the production of single tracks out of context of other material by the same artist. By that statement, I don’t mean a rejuvenation of chart singles, which have long ceased to mean anything. The evidence shows that people are streaming individual songs, rather than a collection of tracks that would historically have made up a cohesive LP. Just look at the streaming stats of albums on any digital online platform and the predominance of maybe one or two tracks over the rest is unmistakeable. There is a feedback loop that encourages artists to change the way they make music and which goes on to influence curated playlists, radio coverage and, ultimately, sales, then repeat. The modern equivalent of the old‑fashioned radio playlist.

In 2016, it was reported that album releases were plummeting while EPs and single tracks were skyrocketing. Will we ever see (or, rather, hear) any more all‑time classic albums like ‘Sgt Pepper’s Lonely Hearts Club Band’, ‘Dark Side Of The Moon’, ‘Rumours’ or ‘Thriller’? Only time will tell. Will the way that music is created, distributed and accessed mark the death knell of the ‘album’ as we know it? Highly likely, but not just yet. The album may, like many things, see a revival. We’ll just have to wait and see (if we live long enough). Personally, I grew up with the antiquated concept of the album or LP, so it retains a certain sensibility but, then again, I am destined for premature oblivion myself, so what the heck do I know?

The topical buzz around Artificial Intelligence (AI) will inevitably play its part in music creation with virtual artists and AI composed tracks. It’s already here and can only evolve from here on. AI isn’t new, its roots go back to 1956 and the American Dartmouth College in New Hampshire. AI generative music goes back to the mid‑1990s. Is AI a threat? The jury is currently out. Thankfully, if AI is used for music, literature and art, it won’t be used to annihilate mankind (except, perhaps, through technological mediocrity). The ultimate demise of humans is up to humans, directly or indirectly, at least for now. Who needs doomsday generative AI when we all have to endure the antics of egregious corrupt despots like Putin, Xi, Kim and too many others of their insane immoral ilk? Don’t you just love mankind’s determined destiny of denial and doom? I digress (again).

“If we don’t end the war, war will end us.” H.G. Wells (1866‑1946)

One certainty is that music will survive in its manifold forms. One hopes that tired and clichéd genres like the current vapid world of commercial pop and dance music since the new millennium will rejuvenate into something more interesting at some point. Conversely, let us also hope that the more dynamic genres don’t descend to the deplorable depths of hideous homogeneity.

Musicians will proliferate. Music will proliferate. The way we access music will change. Whatever happens, change is inevitable and it will be fascinating to see how it evolves and how we adapt. Music as an essential component of the human condition will prevail in one form or another as long as humans exist. Music is, after all, a phenomenon unique to the human race. Thank goodness for that. And, thus, the search goes on.

“When I hear music that parents hate, or older musicians hate, I know that’s the new music. When I hear older people saying, ‘I hate rap or techno’ I rush to it.” George Clinton (1941‑)


Amateur musicology?

I do not pretend to be some sort of self‑appointed authority on contemporary music. My main obsession is still vintage guitars and vintage guitar gear. Perhaps, though, my passion for music predated my addiction to guitars. Over the decades my love of modern music does, I believe, provide a reasonable insight into the science as well as art of music, with a little alchemy thrown in for good measure.

Strictly speaking, musicology is the analysis and study of music. Musicology belongs to the humanities and social sciences, although some music research also belongs to the fields of psychology, sociology, acoustics, neurology, anthropology and computer science.

Musicology covers three general disciplines; music history, new musicology (the cultural study of music) and ethnomusicology (the study of music in its cultural context). For the life of me, I can’t really (be bothered to) differentiate between the last two of those.

Clearly, I cannot compete with professional experts in the field and my research methods are hardly scholarly. I am, however, happy to be an amateur sleuth, as it allows for significant enjoyment. Music should be overwhelmingly pleasurable, rather than playing second fiddle to methodical and clinical academic enquiry. Again, my choice.

“After silence, that which comes nearest to expressing the inexpressible is music” Aldous Huxley (1894-1963)

In addition, and hopefully obviously to readers by now, I also play music (very badly it must sadly be said). I wouldn’t hoard vintage guitars unless I could actually conjure up something vaguely creative and emotional out of them. Perhaps interestingly, I don’t play other people’s music; I much prefer to ‘do my own thing’ for better or worse. Usually the latter.

I am incessantly amazed at what I don’t know. I know that shouldn’t be the case, but society tends to prejudge ignorance as a weakness and expertise as a virtue. What others regard as the blatantly obvious is utterly oblivious to me until I encounter it. However, isn’t that what exploration and discovery is all about?

If we accept that “Music is the universal language of mankind” Henry Wadsworth Longfellow (1807-1882), one can only trust that exploration is the means by which we enhance and articulate our own individual musical linguistic skills.

Musicology may not be quite the right word for my approach towards modern music but I sure can’t think of a better one. Musicology Lite perhaps? Deluded dilettante? Possibly. Biased? Definitely. We all have our own opinions, right? And, thus, the search goes on.

“Music is the strongest form of magic.” Marilyn Manson (1969‑)


Sex, Drugs & Rock ‘n’ Roll

Musicology suggests an interest in music psychology, which is how music affects the cognitive functions of the human system. Building on some of my opinionated comments last month, here’s a thought for the day. Let us remember that music carries with it enormous power to improve our mental health and wellbeing. Music can boost serotonin, dopamine, endorphin and oxytocin levels that work on the pleasure receptors of the brain. Put simply, these magic substances can act as effective natural anti‑depressants and can help to improve both mood and behaviour. All in all, mostly good stuff then. As we all know, music, can also irritate the heck out of us sometimes, so remember to love what you love.

Now here’s an interesting diversion into music cultural history. All three human activities, sex, drugs and music directly affect the pleasure centres of the brain, so there is something scientific behind the old rockers’ adage, ‘Sex, Drugs and Rock ‘n’ Roll’ after all. While some suggest the phrase came from Ian Dury’s 1977 single, its roots derive from a much earlier hendiatris, ‘wine, women and song’, emanating from Germany in the 1770s, although there is some debate as to who actually coined it. Many scholars attribute its origins date back even further to theologian, Martin Luther.

“Wer nicht liebt Wein, Weib und Gesang, der bleibt ein Narr sein Leben lang. (Who not loves not wine, women and song, remains a fool his whole life long).” Martin Luther (1483‑1546)

The first modern use of the phrase was printed in a LIFE magazine article that dates from 1969, “The counter culture has its sacraments in sex, drugs and rock.” In 1971, The Spectator magazine printed, “Not for nothing is the youth culture characterised by sex, drugs and rock ‘n’ roll.” Ian Dury certainly made the most of it.


CRAVE Guitars ‘Record of the Month’

Once again, as this is a bit of an outlier in the overall scheme of CRAVE Guitars’ articles, I cannot leave without at least mentioning one of those albums that warrants repeat listening (for me). While last month, I was clinging onto sultry summer with dub reggae, this month, with the rapid decline into grim winter, I’m going for something a little more contentedly contemplative.

Biosphere – Microgravity (2015 reissue of the 1991 studio album with additional tracks). Biosphere is electronica artist, Geir Jenssen (1962‑) from Tromsø, Troms, Norway. The 16 tracks fall broadly into the ambient, ambient techno, ambient house, field recording and progressive electronica genres. Microgravity was Biosphere’s debut studio album. Laidback ambient grooves are a wonderful way to escape and transport one’s consciousness into an otherworldly, serene dimension, great for relaxation, stress relief and focus. It is also great for testing the hi‑fi.

“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die” from the play, ‘Twelfth Night’ (c.1601/1602) by William Shakespeare (1564-1616)


Tailpiece

Well that’s another monthly article done and dusted. Number 75 to be precise since I started writing CRAVE Guitars’ articles way back in November 2014. It’s come a long way.

I am genuinely grateful to be in the position whereby I am able freely to undertake such projects as this one. The author is acutely aware of the extreme difficulties faced by innocents around the globe.

The pursuit of new stuff is unlikely to abate now that it has begun in earnest. Is there anything I regret uncovering? Nope. I try hard not to regret anything; I would rather use any missteps along the way as a learning experience. Are there any guilty pleasures that have been adopted? Probably, but now isn’t the time or place for shaming my deviant musical proclivities! Surprises? Plenty. Pleasure? A mixed bag. Top tips? A few. Anticipation? Always.

What is most encouraging is that there is an almost unlimited wealth of awesome, incredible music out there waiting to be discovered if you want to look hard enough. Enjoy!

The plan is to get back to more CRAVE Guitars core raison d’être for the next article. However, we all know what happens to “the best laid schemes o’ mice an’ men” from the poem, ‘To a Mouse’ (1785) by Scottish poet Robert Burns (1759‑1796), so no promises. OK? Thanks for reading.

Peace, love, truth and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Material possessions feed the vanity of the ego, while music nourishes the spirit and sustains the soul”

© 2023 CRAVE Guitars – Love Vintage Guitars.

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January 2020 – The Story of Modern Music in 1,500+ Facts – Part X

posted in: History, Introduction, Observations | 0

Introduction

Well, here we are once again. Welcome to 2020 one and all – a new year and a new decade, well, sort of. After the temporary intermission last month for the obligatory 2019 end‑of‑year roundup, we’re back on the trail ‘History of Modern Music…’ Cast your mind back for a moment. In more than one way, 1650 and the end of the Renaissance, where this story began seems a long, long time ago now. It struck me during the brief interlude just what a conceivably Sisyphean labour it has become, and there is still quite a bit of fun and games to be played out. Getting straight back into the proverbial saddle, Part X of the story is now rounding up the stragglers from the 20th Century and riding into the dawn of the new millennium with all its first world promises and disappointments.

If you would like to (re)visit the first 9 parts (and 350 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Right, now the prelude is over, let’s get into the groove of the shiny new millennium, starting at 2000 and finishing this month at the end of 2009…

The Story of Modern Music Part X 2000-2009

Without the benefit of lengthy hindsight, the question is, how best to describe early 21st Century music? Arguably, the most notable trend of the noughties was the rise in popularity of indie music standing proud and in stark contrast to the seemingly indomitable, yet strangely bland, soulless and non‑descript merchandise of the commercial pop music industry.

Sadly, time and circumstances resulted in many prominent departures during the decade, adding a touch of pathos among the many achievements. While lost to us, at least we still have their music to appreciate.

In the absence of any particularly significant defining characteristics, perhaps it is best to let the facts speak for themselves. Before we get there, though, it is important to set the turbulent global context within which the musical styles of the new age progressed. Although shorter in content than previous decades, the ‘noughties’, and consequently, the ‘teenies’, will still get their own discrete article.

Historical Context 2000-2009

The opening decade of the 2000s has many popular names, one of which is simply, ‘the noughties’. The widely recognised formal name for the first decade of a new century is the less common, ‘the aughts’. Despite the unbridled optimism for the new millennium, the ‘00s heralded a fractious decade during which terrorism and the rise of dangerous radical Islamic ideologies would dominate international relations and drive brutal armed conflict in many territories. An unsustainable rise in living standards and avaricious materialism during the first half of the decade precipitated another inevitable major ‘boom and bust’ event fuelled by rabid financial mismanagement and, ultimately, greed. The result was the most devastating global recession to hit ordinary people since the 1930s in terms of both impact and longevity. Depression drove increasingly profound social, health and wealth divisions between the richest few percent and the vast majority. The digital revolution boomed and the unbridled growth of the Internet facilitated the promise of global democratisation of knowledge and information, while also enabling massive levels of ‘social’ drivel and inanity. There was a continued expansion in environmental lobbying and ‘green’ industries aiming to tackle the impending and still controversial threat of the ‘greenhouse effect’ on the planet’s fragile ecosystem.

Year

Global Events

2000

An Air France Concorde airliner crashed shortly after take‑off in France, killing 113 people, leading to the suspension of the fleet and effectively ending the era of supersonic passenger flights.

 

The first stage of the world’s largest collaborative biological project, the Human Genome Project was completed, documenting an initial rough draft of the base pairs that make up human DNA.

2001

Republican politician George W. Bush became the 43rd president of the U.S.A. Bush Junior was the son of George H.W. Bush who was the 41st president.

 

Members of the Islamic terrorist group al-Qaeda hijacked and crashed two airliners into the World Trade Center in Manhattan, New York City. A third plane was crashed into the U.S. Department of Defense HQ, the Pentagon in Virginia. A fourth aircraft crashed in Shanksville, Pennsylvania after passengers overpowered the hijackers. The co‑ordinated attacks of 9/11 killed almost 3,000 people.

 

America, supported by its allies, invaded Afghanistan following the unprecedented 9/11 terrorist attacks on the U.S.A. with the intention of dismantling the threat of Islamic terrorist organisation al‑Qaeda at its source.

2002

The Euro was officially introduced in the Eurozone countries, after which the former currencies of those countries ceased to be legal tender.

 

Queen Elizabeth, The Queen Mother of the UK monarchy and the wife of King George VI, died. Her funeral took place at Westminster Abbey in London.

 

The Severe Acute Respiratory Syndrome coronavirus (SARS CoV) outbreak emanated in southern China and the subsequent epidemic caused a global public health crisis.

2003

America and Britain, supported by allies, invaded Iraq to remove the threat of alleged weapons of mass destruction (WMD) and to depose the country’s dictator and head of state, Saddam Hussain.

 

The first successful global social networking website, Myspace was founded by Americans Chris DeWolfe and Tom Anderson, based in Beverly Hills, California. Myspace was overtaken in popularity by rival Facebook in 2008 and, while still in existence, usage has declined significantly.

 

American Space Shuttle Columbia disintegrated during re‑entry to the Earth’s atmosphere, killing all seven astronauts aboard.

2004

The global Internet‑based social media networking web site Facebook was created by American entrepreneur Mark Zuckerberg, based in Menlo Park, California. Facebook has approximately 2.5billion active users.

 

The European Union (EU) expanded by 10 new member states – Poland, Lithuania, Latvia, Estonia, the Czech Republic, Slovakia, Slovenia, Hungary, Malta and Cyprus.

 

A massive 9.3 magnitude earthquake and tsunami in the Indian Ocean near Sumatra killed over 200,000 people.

 

The tallest skyscraper in the world, Taipei 101, at a height of 1,670 feet (510m) opened in Taipei, Taiwan. It was overtaken by the completion of the Burj Khalifa in Dubai in 2010.

2005

The video sharing web site, YouTube was launched. The platform was created by Chad Hurley, Steve Chen, and Jawed Karim, based in San Bruno, California. YouTube is currently owned by technology giant, Google.

 

Polish head of the Catholic Church and sovereign of the Vatican City, Pope John Paul II died. He was succeeded by German national, Pope Benedict XVI.

 

Category 5 Hurricane Katrina devastated the city of New Orleans, Louisiana, U.S.A., killing over 1,800 people and causing billions of dollars’ worth of damage.

2006

Indian Islamic terrorists detonated seven bombs on trains in the city of Mumbai, India, killing more than 200 people.

 

Discovered in 1930, Pluto was demoted from planet status and was re‑designated the largest known dwarf planet in the Kuiper belt. Caltech researcher Mike Brown led the team that led to the declassification.

 

Former president of Iraq, Saddam Hussein was tried and convicted by an Iraqi Special Tribunal and was executed by hanging for crimes against humanity.

2007

Three-year old English girl Madeleine McCann disappeared from the holiday resort of Praia da Luz in the Algarve region of Portugal. She remains missing despite massive media coverage.

 

Technology giant Apple Inc. launched the game‑changing touch screen mobile telephone, the iPhone.

 

The Global Financial Crisis began, caused by poor regulation resulted in the failure of a number of large financial and banking institutions. The severe worldwide economic downturn, known as the Great Recession, was the worst since the Great Depression of the 1930s. The economic impact of the slump lasted for more than a decade.

2008

In physics, the Large Hadron Collider particle accelerator used to detect the presence of sub‑atomic particles was completed by CERN near Geneva in Switzerland. The pioneering science project became fully operational in 2010.

 

Pakistani Islamic terrorists carried out a series of 12 attacks over 4 days in Mumbai, India, killing almost 175 people.

2009

The decentralised digital cryptocurrency Bitcoin was established by pseudonymous Japanese creator Satoshi Nakamoto.

 

Democrat politician Barack Obama became the 44th president of the U.S.A. and was the first African‑American to be elected to the presidency.

Musical Genre Development 2000-2009

The pop music machine sustained commercial success well into the 21st Century. Large record companies continued to focus resources on the lucrative tween and teen audiences with artists such as Avril Lavigne, Miley Cyrus, Justin Bieber, Rihanna, Chris Brown, Usher, P!nk, Beyoncé, Lady Gaga and Katy Perry. Also popular were manufactured groups such as Destiny’s Child, Sugababes, Pussycat Dolls, One Direction, 5 Seconds Of Summer and Little Mix. Country music saw another revival with artists like Shania Twain, Taylor Swift, Faith Hill, Keith Urban and Carrie Underwood achieving notable success. Soul (nu‑soul) also saw a resurgence of interest, including performers like Joss Stone, Natasha Bedingfield, Corinne Bailey Rae, Estelle, Amy Winehouse, Adele and Duffy. Hip‑hop broadened out into contemporary R&B and claimed the resurgent urban music territory with artists such as Jay‑Z, Kanye West, Ludacris and 50 Cent building on the popularity of Dr Dre, Eminem and N.W.A.

Indie (rock) music had its origins in the 1970s as a ‘catch‑all’ umbrella term for artists who produced music through independent record labels rather than the large record companies and their subsidiaries. A new breed of bands began to emerge, aided by Internet exposure, coalescing into the indie rock movement on both sides of the Atlantic Ocean. Emerging rock bands came into their own and reasserted their independence through a rejection of (and by) the structured studio system. One constant characteristic of indie music is the rejuvenated dominance of the electric guitar within a band format. Indie music originated from the punk, alternative and grunge genres of previous decades and represents a very diverse range of musical approaches including dream pop, shoegaze, indie pop, indie dance, garage rock, indietronica, chillwave, hypnagogic pop, lo‑fi, etc. To reflect this diversity, there is a long list of indie artists from varying sub‑genres to give an indication of its broad appeal, including (in no particular order); My Bloody Valentine, Arctic Monkeys, The Jesus & Mary Chain, Eels, Low, The Zutons, Interpol, Charlatans, Slowdive, Ride, Primal Scream, PJ Harvey, The Strokes, The White Stripes, The Hives, The Vines, Snow Patrol, Keane, Pavement, Spiritualized, Blood Red Shoes, The Cribs, Sleater‑Kinney, The Libertines, Franz Ferdinand, Razorlight, Editors, Kasabian, Kings Of Leon, LCD Soundsystem, Crystal Castles, Arcade Fire, Yeah Yeah Yeahs, Paramore, Belle & Sebastian, The Shins, The Kooks, The Killers, The Fratellis, Vampire Weekend, Bombay Bicycle Club, The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, Ariel Pink, My Chemical Romance, Weezer, Death Cab for Cutie, White Lies, Two Door Cinema Club and War On Drugs amongst many others. The sheer volume of artists and material led to the term ‘indie landfill’ used to describe generic and derivative music exploiting indie music credentials.

Musical Facts 2000-2009

Day

Month

Year

Music Fact

6

March

2000

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2000’ including Eric Clapton, Earth Wind & Fire, The Lovin’ Spoonful, Bonnie Raitt, James Taylor, Nat ‘King’ Cole, Billie Holiday and Scotty Moore.

27

March

2000

English punk singer, songwriter and poet, Ian Dury died from cancer in London at the age of 57.

23

May

2000

American hip hop artist Eminem released his classic 3nd studio album, ‘The Marshall Mathers LP’.

20

June

2000

American blues/rock duo The White Stripes released their 2nd studio album, ‘De Stijl’.

2

October

2000

English alternative rock band Radiohead changed stylistic direction when they released their 4th studio album, ‘Kid A’.

9

October

2000

English alternative rock band Placebo released their 3rd studio album, ‘Black Market Music’.

5

December

2000

American political rap rock band, Rage Against The Machine released their 4th and, to‑date, final studio album, ‘Renegades’.

8

December

2000

English bass guitarist, singer, songwriter and former member of rock band The Police, Sting received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.

18

December

2000

English singer and songwriter Kirsty MacColl was killed tragically in a boating incident while on holiday in Cozumel, Quintana Roo, Mexico at the age of 41.

20

December

2000

Long-running UK music magazine ‘Melody Maker’ published its final issue. It had run for over 74 years since January 1926. Melody Maker was merged with rival music paper, New Musical Express (NME).

6

March

2001

Jamaican reggae legend Bob Marley received a posthumous Star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

19

March

2001

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2001’ including Aerosmith, Solomon Burke, the Flamingos, Michael Jackson, Queen, Paul Simon, Steely Dan, Ritchie Valens and James Burton.

20

March

2001

Renowned Northern Irish blues/rock guitarist, Gary Moore released his classic 15th studio album, ‘Back To The Blues’ in the UK.

2

April

2001

German industrial heavy metal rock band Rammstein released their top-selling 3rd studio album, ‘Mutter’ (translated as Mother).

3

April

2001

American indie rock band Black Rebel Motorcycle Club released their debut studio album, ‘B.R.M.C.’.

10

April

2001

Indie rock giants, Nick Cave & The Bad Seeds released their 11th studio album, ‘No More Shall We Part’.

4

June

2001

English alternative rock band Radiohead released their classic 5th studio album, ‘Amnesiac’ in the UK.

18

June

2001

English alternative rock band Muse released their breakout 2nd studio album, ‘Origin of Symmetry’.

30

June

2001

American guitarist, nicknamed the ‘Country Gentleman’, Chet Atkins died from cancer at his home in Nashville, Tennessee at the age of 77.

3

July

2001

American blues/rock duo The White Stripes released their 3rd studio album, ‘White Blood Cells’.

18

July

2001

American hard rock band KISS introduced a unique, if somewhat sinister, item of brand merchandise, a burial coffin humorously known as the ‘KISS Kasket’.

27

July

2001

American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson died of chronic liver and lung disease in Ponte Vedra Beach, Florida at the age of 49.

30

July

2001

Emerging American indie rock band The Strokes released their classic debut album, ‘Is This It’.

18

September

2001

American alternative/indie rock band Wilco released their classic 4th studio album, ‘Yankee Hotel Foxtrot’.

23

October

2001

American technology giant Apple Inc. introduced the first iPod solid state portable media player, linked to the iTunes media storage library.

29

November

2001

English former member of The Beatles, George Harrison died of cancer in Los Angeles, California at the age of 58.

16

December

2001

Scottish guitarist and singer with punk rock band Skids and then Big Country, Stuart Adamson committed suicide in Honolulu, Hawaii at the age of 43.

5

March

2002

MTV broadcast the first episode of their reality TV show ‘The Osbournes’, featuring a portrayal of the Black Sabbath singer Ozzy Osbourne’s family life.

18

March

2002

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2002’ including Isaac Hayes, Brenda Lee, Tom Petty and the Heartbreakers, Gene Pitney, Ramones, Talking Heads and Chet Atkins.

26

March

2002

British heavy metal rock band, Iron Maiden released their massive live concert album, ‘Rock In Rio’.

12

April

2002

English heavy metal singer with Black Sabbath and TV reality show celebrity, Ozzy Osbourne received a star on the Hollywood Walk of Fame at 6780 Hollywood Boulevard.

14

May

2002

Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his commercially successful 6th studio album, ‘18’.

5

June

2002

American bass guitarist Dee Dee Ramone of punk rock band Ramones died from a heroin drug overdose at his home in Hollywood, California at the age of 50.

27

June

2002

English bass guitarist with rock band The Who, John Entwistle, nicknamed ‘The Ox’, died of a cocaine‑related heart attack in a Hard Rock hotel room in Paradise, Nevada at the age of 57.

27

August

2002

American rock band Queens Of The Stone Age released their classic 3rd studio album, ‘Songs For The Deaf’.

24

September

2002

American alternative rock artist, Beck released his introspective and highly underrated 8th studio album, ‘Sea Change’.

14

October

2002

English indie rock band The Libertines released their successful debut studio album, ‘Up The Bracket’.

18

October

2002

English pop/rock band Queen received a star on the Hollywood Walk of Fame at 6356 Hollywood Boulevard.

27

October

2002

Highly renowned American record producer who worked for Atlantic Records, Tom Dowd died of emphysema in Aventura, Florida at the age of 77.

3

November

2002

Scottish singer and guitarist, crowned the ‘King of Skiffle’, Lonnie Donegan died of a heart attack in Market Deeping, Lincolnshire at the age of 71.

22

December

2002

English singer, songwriter and guitarist, Joe Strummer of punk rock band The Clash died from a congenital heart defect at his home in Somerset, UK at the age of 50.

30

December

2002

The funeral of English guitarist, singer and songwriter with punk rock band The Clash, Joe Strummer took place in London, UK.

3

February

2003

Famous American ‘wall of sound’ record producer, Phil Spector murdered actress Lana Clarkson in his California Alhambra mansion.

10

February

2003

English trip-hop group, Massive Attack released their underrated 4th studio album, ‘100th Window’ in the UK.

10

March

2003

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2003’ including AC/DC, The Clash, Elvis Costello & The Attractions, The Police, The Righteous Brothers and Floyd Cramer.

1

April

2003

American blues/rock duo The White Stripes released their highly regarded 4th studio album, ‘Elephant’.

1

April

2003

English alternative rock band Placebo released their 4th studio album, ‘Sleeping With Ghosts’.

18

April

2003

Legendary American blues/R&B, soul and jazz singer Etta James received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

11

May

2003

English bass guitarist with The Jimi Hendrix Experience, Noel Redding died of liver disease in Clonakilty, County Cork, Ireland at the age of 57.

15

May

2003

American country music singer and wife of Johnny Cash, June Carter Cash died following heart surgery in Nashville, Tennessee at the age of 73.

30

May

2003

Successful English record producer behind many massive chart hits, Mickie Most died from abdominal cancer at his home in London at the age of 64.

9

June

2003

Acclaimed English alternative rock band Radiohead released their 6th studio album, ‘Hail To The Thief’.

13

June

2003

English guitarist, singer, songwriter and former member of progressive rock band Pink Floyd, David Gilmour was awarded a CBE by Her Majesty the Queen.

30

July

2003

Legendary American record producer Sam Phillips, founder of Sun Records and the man responsible for signing Elvis Presley, Jerry Lee Lewis, Roy Orbison and Johnny Cash, died of respiratory failure in Memphis Tennessee at the age of 80.

25

August

2003

American indie rock band Black Rebel Motorcycle Club released their 2nd studio album, ‘Take Them On, On Your Own’.

12

September

2003

Less than 4 months after his wife passed away, American country legend Johnny Cash died of complications caused by diabetes in Nashville at the age of 71.

26

September

2003

English singer, songwriter, musician, solo artist and former member of the pop rock band Power Station, Robert Palmer died of a heart attack in a hotel room in Paris, France at the age of 54.

29

September

2003

English alternative rock band Muse released their successful 3nd studio album, ‘Absolution’.

12

December

2003

English singer and songwriter with The Rolling Stones, Mick Jagger received a knighthood from HRH Prince Charles at Buckingham Palace.

9

February

2004

English indie rock band Franz Ferdinand released their successful debut studio album, the self-titled ‘Franz Ferdinand’.

15

March

2004

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2004’ including Jackson Browne, George Harrison, Prince, Bob Seger, Traffic and ZZ Top.

6

May

2004

American virtuoso jazz guitarist and session musician with The Wrecking Crew, Barney Kessel died from a brain tumour at his home in San Diego, California at the age of 80.

10

June

2004

American singer, songwriter, musician, and composer Ray Charles died from complications as a result of acute liver disease at his home in Beverly Hills, California at the age of 73.

15

June

2004

Emerging American rock band The Killers released their hugely successful debut studio album, ‘Hot Fuss’.

23

June

2004

American folk/rock singer, songwriter and guitarist, Bob Dylan was made ‘Doctor of Music’ at St. Andrews University in Scotland, UK.

24

June

2004

Exactly 5 years after his first sale, English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. Together, the two auctions raised $11 million for the Crossroads Centre he founded in Antigua, a residential treatment centre for alcohol and chemical dependencies.

21

July

2004

American music composer, Jerry Goldsmith, famous for his many TV and film scores, died from cancer in Beverley Hills, California at the age of 75.

30

August

2004

English indie rock band The Libertines released their successful eponymous 2nd studio album, ‘The Libertines’.

6

September

2004

English indie rock band Kasabian released their classic self-titled debut studio album, ‘Kasabian’.

9

September

2004

Successful American guitar and musical equipment entrepreneur and businessman, Ernie Ball died in San Luis Obispo, California at the age of 74.

15

September

2004

American guitarist and songwriter with punk rock band Ramones, Johnny Ramone died of prostate cancer at his home in Los Angeles, California at the age of 56.

20

September

2004

Indie/alternative rock giants, Nick Cave & The Bad Seeds released their epic 13th double studio album, ‘Abattoir Blues / The Lyre of Orpheus’.

21

September

2004

American post-punk rock band Green Day released their top-selling 7th studio album, ‘American Idiot’ in the U.S.

27

September

2004

German industrial heavy metal band Rammstein released their 4th studio album, ‘Reise, Reise’ (roughly translated as ‘Arise, Arise’).

25

October

2004

Highly acclaimed English DJ and BBC radio presenter, John Peel died from a heart attack while working on holiday in Cusco, Peru at the age of 65.

1

November

2004

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’ in the UK (22 February 2005 in the US).

3

November

2004

English blues/rock guitarist, singer and songwriter, Eric Clapton received a CBE from the Princess Royal at Buckingham Palace in London for his services to music.

8

December

2004

American guitarist, ‘Dimebag’ Darrell Abbott, co-founder of heavy metal bands Pantera and Damageplan was murdered while performing on stage in Columbus, Ohio at the age of 38.

14

December

2004

The funeral of American guitarist with heavy rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Abbott, took place in Arlington, Texas.

10

February

2005

English singer with The Who, Roger Daltrey was awarded a CBE by HM The Queen at Buckingham Palace.

14

March

2005

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2005’ including Buddy Guy, The O’Jays, The Pretenders, Percy Sledge and U2.

22

March

2005

American alternative rock band Queens Of The Stone Age released their 4th studio album ‘Lullabies to Paralyze’.

11

June

2005

Two English rock guitarists were rewarded for their contributions to music in the Queen’s Birthday Honours. Jimmy Page of Led Zeppelin was awarded an OBE and Brian May of Queen a CBE.

22

August

2005

American indie rock band Black Rebel Motorcycle Club released their 3rd studio album, ‘Howl’.

30

August

2005

American indie rock band Death Cab For Cutie released their 5th studio album, ‘Plans’.

1

September

2005

American blues singer, songwriter and guitarist R.L. Burnside died of heart disease in a hospital in Memphis, Tennessee at the age of 78.

4

September

2005

The major feature film chronicling the life of country legend Johnny Cash, ‘Walk The Line’, starring Joaquin Phoenix and Reese Witherspoon, directed by James Mangold, was released in the USA.

10

September

2005

American guitarist and Blues Hall of Famer, Clarence ‘Gatemouth’ Brown died from cancer in Orange, Texas at the age of 81.

5

November

2005

Influential American rock ‘n’ roll guitarist Link Wray died of heart failure at his home in Copenhagen, Denmark at the age of 76.

23

January

2006

English indie rock sensation, Arctic Monkeys released their debut studio album, ‘Whatever People Say I Am, That’s What I’m Not’.

13

March

2006

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2006’ including Black Sabbath, Blondie, Miles Davis, Lynyrd Skynyrd, Sex Pistols and Herb Alpert.

7

July

2006

English guitarist, songwriter and founder of progressive rock band Pink Floyd, Syd Barrett died of pancreatic cancer at his home in Cambridge at the age of 60.

25

July

2005

British indie rock band Editors released their debut studio album, ‘The Back Room’ in the UK.

30

July

2006

Popular weekly UK music chart TV programme ‘Top Of The Pops’ (TOTP) was broadcast by the BBC for the final time, after running for 42 years.

28

August

2006

English indie rock band Kasabian released their classic 2nd studio album, ‘Empire’.

15

October

2006

After American singer Patti Smith finished her live set at New York City’s famous punk rock music venue CBGB & OMFUG, the club finally closed its doors for good, following a rent dispute and thereby ending an era.

25

December

2006

Legendary American singer and the ‘Godfather of Soul’, James Brown died of pneumonia in Atlanta, Georgia at the age of 73.

28

February

2007

American rock band The Doors received a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard.

12

March

2007

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2007’ including Grandmaster Flash & The Furious Five, R.E.M., The Ronettes, Patti Smith and Van Halen.

23

April

2007

English indie rock band, Arctic Monkeys released their sophomore studio album, ‘Favourite Worst Nightmare’.

25

June

2007

British indie rock band Editors released their sophomore studio album, ‘An End Has a Start’.

5

November

2007

English downtempo artist William Emmanuel Bevan (a.k.a. Burial) released his melancholic genre breaking 2nd studio album, ‘Untrue’.

12

December

2007

Controversial American rock ‘n’ roll and R&B pioneer, Ike Turner died from a cocaine overdose at his home in San Marcos, California at the age of 76.

2

March

2008

Extraordinary blind Canadian blues/rock guitarist Jeff Healey died from lung cancer in Toronto at the age of 41.

10

March

2008

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2008’ including Leonard Cohen, The Dave Clark Five, Madonna, John Mellencamp, The Ventures and Little Walter.

1

April

2008

American blues/rock duo The Black Keys released their classic 5th studio album, ‘Attack & Release’.

3

April

2008

American media and technology giant Apple Inc. became the top seller of recorded music in the USA.

19

April

2008

The annual global campaign to promote the importance of independent music stores ‘Record Store Day’ began in California, USA.

28

April

2008

English trip-hop band, Portishead released their 3rd studio album, the originally titled, ‘Third’.

12

May

2008

American indie rock band Death Cab For Cutie released their 6th studio album, ‘Narrow Stairs’.

26

May

2008

English indie rock band Spiritualized released their 6th studio album, ‘Songs In A&E’.

2

June

2008

Legendary American blues and rock ‘n’ roll guitarist Bo Diddley died from heart failure at his home in Archer, Florida at the age of 79.

7

June

2008

The ‘homecoming’ funeral of American blues guitarist and singer Bo Diddley took place in Gainseville Florida.

19

June

2008

American indie rock band The War On Drugs released their debut studio album, ‘Wagonwheel Blues’.

10

August

2008

Acclaimed American soul singer, songwriter, producer and actor, Isaac Hayes died of a stroke at his home in Memphis, Tennessee at the age of 65.

19

September

2008

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’.

10

October

2008

English alternative rock band Radiohead released their 7th studio album, ‘In Rainbows’ in the UK.

24

November

2008

Experimental virtuoso English rock guitarist, Jeff Beck released his highly acclaimed live concert album, ‘Performing This Week… Live At Ronnie Scott’s’.

15

December

2008

Hugely influential English folk acoustic guitarist Davey Graham died of lung cancer at the age of 68.

6

January

2009

American guitarist and songwriter with The Stooges and Iggy Pop, Ron Asheton died of a heart attack at his home in Ann Arbor, Michigan at the age of 60.

29

January

2009

Influential British singer, songwriter and guitarist, John Martyn died from pneumonia in Kilkenny, Ireland at the age of 60.

23

February

2009

English rave band The Prodigy released their resurgent 5th studio album, ‘Invaders Must Die’.

4

April

2009

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2009’ including Jeff Beck, Metallica, Run‑D.M.C., Bobby Womack, Bill Black and D.J. Fontana.

13

April

2009

Controversial American record producer Phil Spector was convicted of murdering actress Lana Clarkson at his Alhambra mansion in California in February 2003.

14

April

2009

English former member of The Beatles, George Harrison received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.

29

May

2009

Notorious American record producer, Phil Spector was sentenced to 19 years to life in prison for murdering actress Lana Clarkson at his California mansion in 2003.

5

June

2009

English indie rock band Kasabian released their classic 3rd studio album, ‘West Ryder Pauper Lunatic Asylum’.

25

June

2009

American superstar singer Michael Jackson died of a drug overdose in Los Angeles, California at the age of 50.

12

August

2009

Legendary American jazz guitarist, singer, inventor and recording innovator, Les Paul, died from pneumonia in White Plains, New York at the age of 94.

19

August

2009

English indie rock band, Arctic Monkeys released their 3rd studio album, ‘Humbug’.

12

October

2009

British indie rock band Editors released their 3rd studio album, ‘In This Light And On This Evening’.

Tailpiece

Help! We are running out of decades from which to poach pertinent and poignant particulars (pardon the flowery alliteration). Just one more decade and a few hundred facts to be revealed before the chronological timeline has to remain as‑yet‑unwritten for another epoch. The next instalment looking at the 2010s will, by definition, bring us pretty much up‑to‑date. I hope you feel inclined to re-join me in the next enthralling part of the journey.

In the meantime, warmer days and longer evenings of spring beckon. There are plenty of guitars to be played and much music to be listened to. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It really doesn’t matter what music you play, or how good you are at playing it, as long as you play”

© 2020 CRAVE Guitars – Love Vintage Guitars.

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October 2019 – The Story of Modern Music in 1,500+ Facts – Part VIII

posted in: History, Introduction, Observations | 0

Introduction

Hello and welcome to the 8th article in this particular magnum opus of modern music history. I hope by now, you know the way this works, so I won’t say much more, other than welcome to the 1980s. If not by the start of the ‘80s, at least by the end of the decade, most readers will likely have some experience of living through the many events documented here, although I cannot assume that to be the case. I hope you have some fond memories of the time – personally, I can’t believe how long ago it was, as it seems like almost yesterday to me.

As always, if you would like to (re)visit any or all of the first seven parts (and well over 375 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Once again, although notably shorter than the last four articles, this month is dedicated to a single decade, if only to ensure that it is given sufficient focus.

The Story of Modern Music Part VIII 1980-1989

While arguably not quite hitting the heady heights of the previous three decades, the 1980s (or simply, ‘the eighties’) still had much to relate both about the human condition and musical variety. The 1980s were notable for many catchy, sing‑along‑able chart choons and the emergence of commercial pop videos, along with accompanying fashion trends. One personal observation is that, perhaps, there were the first real signs of divergence between what was happening culturally and the music being produced. Interdependence between society and its music were still there but, maybe, not quite as strongly intertwined as previously.

Historical Context 1980-1989

The 1980s were sometimes called the ‘greed decade’ or the ‘old school days’. There was a worldwide move away from planned economies and towards laissez‑faire capitalism, allied to a western post-industrial move to supply side economic policies. This shift had a destabilizing effect on international trade that led to many developing countries being faced by crippling debt crises. Following the 1970s’ oil crisis, crude oil was in over supply, resulting in a glut during the 1980s. The start of the 1980s saw widespread economic recession and damaging labour disputes that hit the less well‑off disproportionately hard. Downturn was followed by a period of rapid capitalist growth towards the end of the decade. Increased economic prosperity facilitated the ‘yuppie’ boom, epitomised by hot hatchback/sports cars, wine bars and early ‘brick’ mobile phones, accompanied by an insatiable appetite for designer fashion. Western society’s affluence further polarised the wealth divide between rich and poor. Fervent materialism and a status driven desire for exposure acted as a catalyst for the start of the vapid public fascination with the ‘celebrity’ phenomenon and subsequent emergence of banal reality TV ‘entertainment’. Fundamental industrial restructuring took place in the developed world that migrated many countries away from traditional manufacturing towards economies based on IT, finance, tourism and service sectors. A rapid growth in digital technology and consumerism began that would change how people would live, work and play forever, including the advent of the ‘information superhighway’ that we now call the Internet. During the 1980s, the world’s population grew at the fastest rate yet, causing heightened fears about unsustainable human expansion and its impact on the planet’s fragile ecosystem.

Year

Global Events

1980

The massively popular maze video game Pac-Man was released by Japanese software company Namco.

 

The bitter war between Middle East neighbours Iran and Iraq began, which would last until 1988.

 

American volcano Mount St. Helens in Washington State erupted violently killing 57 people and causing widespread damage.

 

Former actor and Republican politician Ronald Reagan was elected to become the 40th President of the U.S.A.

1981

American President Ronald Reagan was shot and wounded by attempted assassin John Hinckley Jr. in Washington D.C.

 

An assassination attempt on the life of Pope John Paul II took place in Vatican City, when he was shot and wounded by Mehmet Ali Ağca.

 

The IBM 5150 Personal Computer, commonly known as the IBM PC was introduced, soon establishing it as an industry standard.

 

American actress Jane Fonda published her hugely successful book, ‘Jane Fonda’s Workout’, which spawned multiple videos and an album.

 

NASA’s Space Shuttle programme began with the first launch of the Earth orbiter Columbia.

 

Heir to the British throne, Prince Charles married Lady Diana Spencer in St. Paul’s Cathedral, London.

 

The retrovirus that causes HIV (human immunodeficiency virus) and AIDS (acquired immune deficiency syndrome) was identified. The life‑threatening condition spread rapidly, becoming a global public health threat and causing widespread hysteria.

1982

King Henry VIII’s Tudor warship and flagship of the British Navy, the Mary Rose, which sank in 1545 during a battle against the French, was raised from the bed of the Solent off the south coast of England.

 

Britain defeated Argentina to regain control of the Falkland Islands in the South Atlantic Ocean, following an unprompted Argentinian invasion and occupation.

1983

American telecommunications company Motorola introduced the first mobile telephones to North America.

 

The final episode of the Korean War‑set comedy drama ‘M*A*S*H’ was broadcast, achieving the record for most watched television episode to‑date.

1984

English policewoman Yvonne Fletcher was shot and killed by an unknown gunman in the Libyan Embassy in London, prompting an 11‑day siege of the embassy resulting in Libyan citizens being expelled and diplomatic relations between the UK and Libya being severed.

 

Indian Prime Minister Indira Gandhi was assassinated by two Sikh bodyguards, Satwant Singh and Beant Singh, at her residence in New Delhi.

 

American network TV aired the first episodes of crime drama series Miami Vice, produced by Michael Mann for NBC. It was notable for its ground breaking amalgamation of music and visuals. The show ran until 1989.

1985

Politician Mikhail Gorbachev became Russian Premiere and began leading major political and social reform across the USSR.

 

Technology company, Microsoft released the first version of its PC‑based Windows operating system.

 

Acclaimed American screenwriter, director and producer John Hughes released, ‘The Breakfast Club’, followed up a year later by ‘Ferris Bueller’s Day Off’ and ‘Pretty In Pink’.

 

The shipwreck of the ocean liner RMS Titanic was discovered in the North Atlantic Ocean, 73 years after it sank in 1912 following a collision with an iceberg.

1986

The American Space shuttle Challenger exploded shortly after launch at Cape Canaveral, Florida, killing all seven astronauts aboard.

 

The nuclear power plant at Chernobyl in Ukraine, Russia suffered a catastrophic meltdown, causing global pollution and resulting in devastating radioactive environmental damage.

 

The Soviet Union’s Mir project became the first modular manned space station in low Earth orbit. It was used predominantly as a scientific research laboratory. Mir broke up on re‑entry into the Earth’s atmosphere in 2001.

1987

The animated American family comedy, The Simpsons, first appeared on American television as a series of shorts.

 

The film ‘Wall Street’ was released, typifying the zeitgeist of the 1980s and its ‘greed is good’ power of money mentality, directed by Oliver Stone and starring Michael Douglas and Charlie Sheen.

 

The antidepressant medication Fluoxetine, commonly known as Prozac, was approved for use in the U.S.A.

1988

A Pan-Am 747 airliner exploded as a result of a Libyan terrorist bomb, which caused the plane to crash into the village of Lockerbie in Scotland, killing a total of 270 people.

1989

Republican politician George H.W. Bush became the 41st President of the U.S.A.

 

The pro‑democracy protest in Tiananmen Square, Beijing was brutally crushed by Communist Chinese authorities, resulting in many deaths and widespread international criticism over the state’s human rights violations.

 

Russian military forces pulled out of Afghanistan 10 years after invading the country.

 

Significant environmental pollution occurred when the Exxon Valdez oil tanker struck a reef in Prince William Sound off the coast of Alaska, spilling nearly 11 million gallons (37,000 metric tonnes) of crude oil into the coastal waters.

 

The Berlin Wall in Germany, built in 1961 to divide the city and prevent movement between east and west, was demolished, marking massive political change in Europe, including in Poland, Hungary, East Germany, Bulgaria, Czechoslovakia and Rumania.

 

British computer scientist and engineer, Sir Tim Berners-Lee invented the World Wide Web, now known as the Internet, while he was employed at CERN (the European Organization for Nuclear Research) near Geneva, Switzerland.

Musical Genre Development 1980-1989

After the creative revolutions of the 1950s (rock ‘n’ roll), 1960s (rock and pop) and the 1970s (heavy metal, punk, reggae, disco, rap), the 1980s was largely a decade of reflection, consolidation, cross‑fertilisation and diversification. In short, quite a lot happened but, conversely, there was not a lot that was genuinely new in musical genre subversion. Pop was, erm, as popular as ever with artists such as Debbie Gibson, Tiffany, New Kids on the Block, Wham!, New Edition and Kylie Minogue.

Punk rock’s implosion left a vacuum that needed to be filled and the answer came in post‑punk diversity at the beginning of the 1980s. New wave is associated with the birth of MTV and the music video phase and was seen as a more commercial sub‑genre of post‑punk performed by artists such as Blondie, Talking Heads, Devo, The Cars, The Police, Jam, Elvis Costello, The Smiths, Ian Dury, Adam & The Ants, New Model Army, The Fall, Echo & The Bunnymen, and the Pretenders. Also deriving from post‑punk and encompassing a number of different styles was the new romantic sub‑genre heavily influenced by glam rock from the early 1970s, as exemplified by bands like Duran Duran, Culture Club, Visage, Spandau Ballet, Thompson Twins and Eurythmics. Synth pop also came and went in the post‑punk period of the early‑mid 1980s with electronica‑driven artists like Gary Numan, Kraftwerk, Japan, Human League, Depeche Mode, Pet Shop Boys, New Order, Orchestral Manoeuvres in the Dark (OMD) and Ultravox. These highly produced music fads dominated the charts before beginning to decline by the mid‑1980s, followed by a revival of guitar‑driven music, often harking back to previous decades.

World and new age music became popular during the 1980s after being heavily promoted by record companies, even though neither has its roots in the decade. World music (not to be confused with third world music) isn’t really a genre but rather a broad marketing categorisation for a very wide and diverse range of traditional and contemporary music from around the globe including western music that doesn’t fall easily within more clearly defined genres. It also covers music that fuses ethnic influences from other genres to create something different. The umbrella term may also be used to promote niche music that was potentially under threat from music’s big business. Since 1987, World Music Day has become an annual celebration of the global music scene. Two of the leading artists associated with world music are African bands Ladysmith Black Mambazo and Savuka. Western artists such as Paul Simon and Peter Gabriel have embraced world music, fusing it with their own material. New age music is another loose marketing category for music that aims to promote positive mental wellbeing, spirituality and meditation. It is also used to complement physical activities such as yoga and massage. It has also been used to enhance inspiration and to manage stress. New age music is often acoustic or electronic and predominantly ambient (i.e. not having an obvious beat, rhythm or structure), regularly instrumental and minimalist or comprising recorded sound effects from nature. Popular western new age artists include Tangerine Dream, Vangelis, Jean Michel Jarre, Mike Oldfield, Klaus Schulze, Enya, Enigma and Clannad. Both world and new age music have influenced numerous subsequent musical ventures and projects.

Other established genres experienced revivals during the 1980s. For instance, hip hop’s ‘golden era’ spawned a plethora of artists, including LL Cool J, Run–D.M.C., Public Enemy and the Beastie Boys. Jazz also made a concerted comeback of sorts starting in the ‘70s and continuing into the ‘80s with jazz/rock fusion artists like Mahavishnu Orchestra, Weather Report and Pat Metheny. Partly driven by MTV and ubiquitous pop videos, the 1980s saw the rise of success of mega­‑pop stars like Michael Jackson, Madonna, Lionel Ritchie, Billy Joel, Prince and Whitney Houston. Heavy metal saw a 1980s resurgence that lasted well into the 1990s including artists like, Pantera, Queensrÿche, Extreme, Marilyn Manson and Danzig, while Iron Maiden led the charge of the New Wave of British Heavy Metal (NWOBHM) genre along with Def Leppard and Judas Priest. Nu‑metal pioneers began to appear at the very end of the decade including, Korn, Limp Bizkit, Staind and Linkin Park.

Musical Facts 1980-1989

Day

Month

Year

Music Fact

3

January

1980

American lo-fi indie/rock singer, songwriter, guitarist, former member of indie rock band The War On Drugs and successful solo artist, Kurt Vile was born in Lansdowne, Pennsylvania.

26

January

1980

American guitarist, singer and songwriter Prince made his first U.S. television appearance on the show ‘American Bandstand’.

19

February

1980

Scottish singer with Australian hard rock band AC/DC, Bon Scott died from acute alcohol poisoning in a friend’s car in London at the age of 33.

14

March

1980

Renowned American music producer Quincy Jones received a star on the Hollywood Walk of Fame at 1500 Vine Street.

14

April

1980

English heavy metal rock band, Iron Maiden released their storming debut studio album, the self-titled ‘Iron Maiden’ in the UK.

22

April

1980

English indie rock icons, The Cure released their 2nd studio album, ‘Seventeen Seconds’ in the UK.

23

April

1980

English heavy metal band Judas Priest released their classic 6th studio album, ‘British Steel’.

2

May

1980

English alternative post-punk rock band Joy Division played their final live gig with singer Ian Curtis, two weeks before he committed suicide.

18

May

1980

English singer, songwriter and driving force behind post‑punk rock band Joy Division, Ian Curtis was found hanged at this home in Macclesfield, Cheshire at the age of 23.

7

July

1980

English hard rock band Led Zeppelin played their final live concert with John Bonham as drummer in Berlin, Germany.

10

July

1980

Jamaican reggae giants, Bob Marley & The Wailers released their final studio album before Marley’s untimely death, ‘Uprising’.

18

July

1980

English post-punk rock band Joy Division released their classic sophomore studio album, ‘Closer’.

25

July

1980

Australian heavy rock band, AC/DC, released their career-redefining 7th studio album, ‘Back In Black’.

12

September

1980

English rock singer and songwriter David Bowie released his standout studio album, ‘Scary Monsters (And Super Creeps)’ in the UK.

20

September

1980

English heavy metal singer and ex-member of Black Sabbath, Ozzy Osbourne released his debut solo studio album, ‘Blizzard Of Ozz’ in the UK.

23

September

1980

Jamaican reggae star Bob Marley made his final live concert performance in Pennsylvania, USA, during which he collapsed on stage.

25

September

1980

English drummer with rock band Led Zeppelin, John Bonham, died tragically of alcohol-induced asphyxia in Clewer, Berkshire at the age of 32.

3

October

1980

English post-punk rock band The Police released their 3rd studio album, ‘Zenyattà Mondatta’ in the UK.

8

October

1980

American alternative rock band Talking Heads released their exceptional career-best studio album produced by Brian Eno, ‘Remain In Light’.

10

October

1980

American singer, songwriter and guitarist Bruce Springsteen released his 5th studio album, ‘The River’.

20

October

1980

Emerging Irish rock band, U2 released their debut studio album, ‘Boy’, to critical acclaim in the UK.

8

November

1980

English rock band Motörhead, released their massive 5th studio album, ‘Ace Of Spades’ in the UK.

8

December

1980

English former member of The Beatles, John Lennon was murdered by gunman Mark Chapman outside the Dakota hotel in New York City at the age of 40.

12

December

1980

English punk rock band, The Clash released their follow up to the epic ‘London Calling’ with their even more ambitious 4th studio triple album, ‘Sandinista!’.

15

December

1980

English guitarist, singer and songwriter with rock band Kasabian, Sergio Pizzorno was born in Newton Abbot, Devon.

16

January

1981

American guitarist, singer, songwriter and founding member of indie/alternative rock band The Strokes, Nick Valensi was born in New York City.

2

February

1981

English heavy metal rock band, Iron Maiden released their sophomore studio album, ‘Killers’ in the UK.

9

February

1981

American Rock ‘n’ Roll pioneer, Bill Haley, having been diagnosed with a brain tumour, died at his home in Harlingen, Texas at the age of 55.

15

February

1981

American blues/rock guitarist Mike Bloomfield died from an accidental drug overdose and was found in his car in San Francisco, California at the age of 37.

4

April

1981

UK pop group Bucks Fizz won the 26th Eurovision Song Contest with, ‘Making Your Mind Up’.

14

April

1981

Legendary English indie rock band, The Cure released their classic 3rd studio album, ‘Faith’ in the UK.

11

May

1981

Jamaican reggae singer, songwriter and guitarist, Robert Nesta ‘Bob’ Marley died from cancer in Miami, Florida at the age of 36.

21

May

1981

Rastafarian reggae legend Bob Marley received a state funeral in his home town of Kingston, Jamaica.

6

June

1981

The very first issue of weekly heavy metal music magazine ‘KERRANG!’ was published, featuring AC/DC on the front cover.

1

August

1981

Revolutionary 24 hour music video channel, MTV (Music Television), broadcast for the very first time in the USA at 12:01am Eastern Time, introduced by creator John Lack with, “Ladies and gentlemen, rock and roll”

8

October

1981

English post-punk rock band Joy Division released their 3rd and final studio album, ‘Still’.

7

November

1981

English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his sophomore solo studio album, ‘Diary of a Madman’.

30

January

1982

Legendary American country blues guitarist, singer and songwriter Sam ‘Lightnin’’ Hopkins died from cancer in Houston, Texas at the age of 69.

14

March

1982

American thrash metal band, Metallica performed their debut live concert at Radio City, Anaheim, California, taglined, ‘Metalus Maximus’.

19

March

1982

American heavy metal guitarist Randy Rhoads, best known as member of Ozzy Osbourne’s band died tragically in a plane crash in Leesburg, Florida at the age of 25.

22

March

1982

English heavy metal rock band, Iron Maiden released their 3rd studio album, ‘The Number Of The Beast’ in the UK.

3

May

1982

English indie rock icons, The Cure released their dark and brooding masterpiece 4th studio album, ‘Pornography’ in the UK.

6

May

1982

American singer and actress, Diana Ross received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.

14

May

1982

English punk rock legends, The Clash released their 5th and penultimate studio album, ‘Combat Rock’ in the UK.

16

June

1982

English guitarist, songwriter and founding member of The Pretenders, James Honeyman-Scott died of drug‑related heart failure in London at the age of 25.

14

July

1982

English heavy metal rock band Judas Priest released their classic 8th studio album, ‘Screaming for Vengeance’.

17

August

1982

Company executives from Philips, Sony and Polygram announced the pressing of the first commercial digital Compact Disc (CD).

20

September

1982

American singer, songwriter and guitarist Bruce Springsteen released his 6th studio album, the often‑overlooked haunting and elegiac, ‘Nebraska’.

1

October

1982

Technology giant, Sony released the first ever digital Compact Disc (CD) player, the CDP-101, to the eager public in Japan.

27

October

1982

Legendary American singer, songwriter, guitarist and producer, Prince, released his top-selling 5th studio album, ‘1999’.

5

November

1982

UK TV broadcaster Channel 4 aired its edgy music and lifestyle programme, ‘The Tube’ for the first time. Presenters included Jools Holland and the late Paula Yates. The show ran for 5 series until April 1987.

30

November

1982

American singer, Michael Jackson released his career‑defining mega‑hit 6th studio album, ‘Thriller’. It is estimated that sales have well‑exceeded 50 million copies worldwide.

11

December

1982

English punk rock and mod revival band, The Jam played their final live concert in Brighton, UK before splitting up for good.

29

December

1982

The Jamaican Post Office released a set of postage stamps commemorating the life and music of reggae legend Bob Marley.

18

January

1983

English guitarist, singer and member of indie pop duo The Ting Tings, Katie White was born in Lowton, Greater Mancester.

28

February

1983

Irish mega-rock band U2 released their highly acclaimed chart-topping gold 3rd studio album, ‘War’.

2

March

1983

The digital Compact Disc (CD) was launched in Europe and America by Philips, Sony and Polygram, 7 months after it had debuted in Japan.

23

March

1983

American Texas blues/rock giants ZZ Top released their massive 7th studio album, the classic, ‘Eliminator’.

14

April

1983

English rock singer David Bowie released his 15th and perhaps most commercial studio album, the great Nile Rodgers‑produced, ‘Let’s Dance’.

30

April

1983

Renowned American Chicago blues guitarist, Muddy Waters (McKinley Morganfield) died from a heart attack at his home in Westmont, Illinois at the age of 70.

16

May

1983

Pioneering English heavy metal rock band Iron Maiden released their massively successful 4th studio album, ‘Piece Of Mind’.

23

May

1983

Jamaican reggae legends Bob Marley & The Wailers released their studio album, ‘Confrontation’ posthumously, after Bob Marley’s death in 1981.

12

June

1983

Influential American blues slide guitarist and singer J.B. Hutto died from cancer in Harvey, Illinois at the age of 57.

13

June

1983

Emerging American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their debut studio album, ‘Texas Flood’.

25

July

1983

Up-and-coming American thrash metal band Metallica released their standout debut studio album, ‘Kill ‘Em All’.

20

October

1983

American country music guitarist Merle Travis died of a heart attack at his home in Tahlequah, Oklahoma at the age of 65.

10

November

1983

English singer, songwriter and one-time member of punk rock band Generation X, Billy Idol released his highly popular 2nd studio album, ‘Rebel Yell’.

15

November

1983

English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his 3rd solo studio album, ‘Bark At The Moon’ in the UK.

2

December

1983

Music television channel MTV aired the full 14-minute pop video to Michael Jackson’s massive hit single, ‘Thriller’ for the first time.

1

January

1984

Widely regarded as the founding father of British Blues, guitarist and broadcaster Alexis Korner died of lung cancer in London at the age of 55.

21

January

1984

American rock band Bon Jovi released their debut studio album, the self-titled ‘Bon Jovi’ in the U.S.

1

April

1984

American soul singer Marvin Gaye was shot and killed by his father in Los Angeles, California at the age of 44.

26

April

1984

Eleven years after the famous original Cavern Club in Liverpool, UK was demolished in 1973, it was rebuilt and the new venue opened its doors.

4

May

1984

The classic music rock/mock/documentary film about the experiences of an English rock band, ‘This Is Spinal Tap’, directed by Rob Reiner, was released in the UK.

15

May

1984

American blues rock guitarist, Stevie Ray Vaughan with his band Double Trouble released their 2nd studio album, ‘Couldn’t Stand the Weather’.

19

May

1984

American southern rock band ZZ Top released their hit single, ‘Legs’ with the B-Side ‘Bad Girl’, both from their career‑defining album, ‘Eliminator’.

21

May

1984

Emerging indie rock band, Nick Cave & The Bad Seeds released their impressive debut album, ‘From Her to Eternity’.

4

June

1984

American singer, songwriter and guitarist Bruce Springsteen released his massive 7th studio album, ‘Born In The U.S.A.’.

14

June

1984

American country singer Dolly Parton received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.

25

June

1984

Legendary flamboyant American musician Prince released the massive original soundtrack album for the film, ‘Purple Rain’.

30

July

1984

American thrash metal rock band Metallica released their sophomore studio album, ‘Ride The Lightning’.

3

September

1984

English heavy metal rock band Iron Maiden released their classic 5th studio album, ‘Powerslave’ in the UK.

16

September

1984

Talented Georgian/British singer, songwriter and guitarist Katie Melua was born in Kutaisi, Georgia.

24

September

1984

English electronic/alternative rock band Depeche Mode released their 4th studio album, ‘Some Great Reward’ in the UK.

27

September

1984

Canadian pop-punk singer, songwriter and guitarist, Avril Lavigne was born in Ontario.

1

October

1984

Irish rock band U2 released their classic 4th studio album, ‘The Unforgettable Fire’ in the UK.

20

November

1984

American pop singer, Michael Jackson received a star on the Hollywood Walk of Fame at 6927 Hollywood Boulevard.

3

December

1984

Assembled super group Band Aid released their massive Christmas charity single, ‘Do They Know It’s Christmas?’ in response to the famine in Ethiopia.

15

December

1984

Charity super group, Band Aid entered the UK singles chart at number 1 with their song, ‘Do They Know It’s Christmas?’ in aid of Ethiopian famine victims.

22

January

1985

Australian guitarist, famous for working with Alice Cooper and Michael Jackson, Orianthi Panagaris was born in Adelaide, South Australia.

13

May

1985

English rock band Dire Straits released their massive hit 5th studio album, ‘Brothers In Arms’.

4

June

1985

American guitarist with heavy rock band Black Stone Cherry, Chris Robertson was born in Kentucky.

29

June

1985

English rock singers David Bowie and Mick Jagger recorded their version of the classic Martha Reeves and the Vandellas’ soul hit, ‘Dancing In The Street’ in support of the Live Aid charity.

13

July

1985

Two Live Aid fundraising concerts took place in London and Philadelphia to benefit the plight of Ethiopian famine victims.

30

September

1985

American blues/rock guitarist Stevie Ray Vaughan with his band Double Trouble released their 3rd studio album, ‘Soul to Soul’.

9

October

1985

Japanese artist Yoko Ono dedicated the Strawberry Fields memorial in New York City’s Central Park to her late husband, John Lennon on what would have been his 45th birthday.

28

October

1985

American Texas blues/rock trio, ZZ Top released their 9th studio album, ‘Afterburner’, the follow up to their massive 1983 hit, ‘Eliminator’.

30

October

1985

American thrash metal masters Anthrax released their career classic 2nd studio album, ‘Spreading The Disease’.

4

January

1986

Irish bass guitarist with rock band Thin Lizzy, Phil Lynott died of complications due to septicaemia in Salisbury, Wiltshire, UK, at the age of 36.

6

January

1986

English singer, songwriter and guitarist of indie/rock bands Arctic Monkeys and The Last Shadow Puppets, Alex Turner was born in Sheffield.

3

March

1986

American heavy metal band Metallica released their 3rd studio album, the last with Cliff Burton playing bass guitar in the line-up, ‘Master Of Puppets’.

14

March

1986

The classic film inspired by the mythology surrounding blues guitarist Robert Johnson, directed by Walter Hill, ‘Crossroads’ was released in the USA.

17

March

1986

English electronic/alternative rock band Depeche Mode released their 5th studio album, ‘Black Celebration’ in the UK.

19

May

1986

English singer, songwriter and former member of progressive rock band Genesis, Peter Gabriel released his commercially successful 5th solo studio album, ‘So’.

20

July

1986

The feature film ‘Sid And Nancy’ focusing on the tragic lives of Sex Pistols’ bass guitarist Sid Vicious and his girlfriend Nancy Spungen premiered in London. The film was directed by Alex Cox and starred Gary Oldman.

25

August

1986

American singer and songwriter Paul Simon released his classic 7th solo studio album, ‘Graceland’.

28

August

1986

American pop singer, Tina Turner received a star on the Hollywood Walk of Fame at 1750 North Vine Street.

27

September

1986

American bass guitarist and songwriter with thrash metal rock band Metallica, Cliff Burton was tragically killed in a tour coach crash in Dörarp, Sweden at the age of 24.

29

September

1986

English heavy metal band Iron Maiden released their 6th studio album, ‘Somewhere In Time’ in the UK.

7

October

1986

American thrash metal band Slayer released their huge genre classic 3rd studio album, ‘Reign In Blood’.

15

November

1986

American hip-hop group from NYC, Beastie Boys, released their debut studio album, ‘Licensed To Ill’, including their massive hit single, ‘(You Gotta) Fight for Your Right (To Party!)’.

2

December

1986

Supremely talented Australian bass guitarist and singer, Tal Wilkenfeld was born in Sydney.

21

January

1987

American soul legend Aretha Franklin became the first woman inducted into the American Rock and Roll Hall of Fame.

22

February

1987

American pop artist and manager of experimental rock band Velvet Underground, Andy Warhol died following gall bladder surgery in New York at the age of 58.

9

March

1987

Irish rock band U2 released their 5th studio album, the massive ‘The Joshua Tree’ in the UK.

22

March

1987

American thrash metal masters Anthrax released their career classic 3rd studio album, ‘Among The Living’.

30

March

1987

Diminutive American singer, songwriter and guitarist Prince released his ambitious, epic change of direction 9th studio album, ‘Sign ☮ The Times’.

2

April

1987

Highly acclaimed American jazz drummer Buddy Rich died from respiratory and heart failure following treatment for a brain tumour in Los Angeles, California at the age of 69.

5

May

1987

English indie rock icons The Cure released their lip‑smacking 7th studio double album, ‘Kiss Me Kiss Me Kiss Me’ in the UK.

2

June

1987

Virtuoso Spanish classical guitarist Andrés Segovia died from a heart attack in Madrid at the age of 94.

14

July

1987

American rock group The Steve Miller Band received a star on the Hollywood Walk of Fame at 1750 Vine Street.

21

July

1987

American hard rock band, Guns N’ Roses released their storming debut studio album, ‘Appetite For Destruction’.

3

August

1987

English heavy metal rock band Def Leppard released their best-selling classic 4th studio album, ‘Hysteria’.

25

August

1987

American singer and songwriter Michael Jackson released his 7th solo studio album, ‘Bad’, as a follow up to his massive 1982 LP, ‘Thriller’.

11

September

1987

Jamaican reggae artist Peter Tosh was shot dead along with two others by a gang of three armed robbers at his home in Kingston, Jamaica at the age of 42.

12

September

1987

English alternative rock singer and songwriter Morrissey left his band, The Smiths to pursue a successful solo music career.

21

September

1987

American bass guitarist and member of jazz fusion band Weather Report from 1976-1981, the inimitable Jaco Pastorius died from injuries following an altercation at a club in Wilton Manors, Florida at the age of 35.

28

September

1987

English electronic/alternative rock band Depeche Mode released their 6th studio album, ‘Music For The Masses’ in the UK.

8

October

1987

Legendary American rock ‘n’ roll guitarist Chuck Berry received a star on the Hollywood Walk of Fame at 1777 North Vine Street.

15

October

1987

American virtuoso instrumental rock guitarist Joe Satriani released his classic 2nd studio album, ‘Surfing With The Alien’.

1

December

1987

Puerto Rican guitarist and singer, Jose Feliciano received a star on the Hollywood Walk of Fame at 6541 Hollywood Boulevard.

31

December

1987

After 17 years and 445 episodes, British TV broadcaster, the BBC aired the final edition of contemporary music show, ‘The Old Grey Whistle Test’.

20

January

1988

Legendary English pop/rock band The Beatles were inducted into the American Rock and Roll Hall of Fame.

11

April

1988

English heavy metal band Iron Maiden released their 7th studio album, ‘Seventh Son Of A Seventh Son’.

5

May

1988

Highly successful English singer and songwriter Adele MBE was born in London.

5

July

1988

American thrash metal rock band, Slayer, released their mega hit 4th studio album, ‘South Of Heaven’.

14

August

1988

American blues/rock guitarist Roy Buchanan was found hanged (a disputed suicide) in a jail cell after he was arrested for public intoxication in Fairfax, Virginia at the age of 48.

25

August

1988

American heavy metal rock band Metallica released their classic 4th studio album, ‘… And Justice For All’.

19

September

1988

Alternative rock band Nick Cave & The Bad Seeds released their highly acclaimed 5th studio album, ‘Tender Prey’.

30

September

1988

English former member of The Beatles, John Lennon received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.

10

October

1988

Irish rock band U2 released their classic 6th studio album (and complementary ‘rockumentary’ film), ‘Rattle and Hum’ in the UK.

18

October

1988

American alternative rock band Sonic Youth released their landmark 6th studio album, ‘Daydream Nation’.

19

October

1988

Legendary American delta blues guitarist and singer, Son House died of cancer of the larynx in Detroit, Michigan at the age of 86.

6

December

1988

American singer, songwriter and musician, Roy Orbison died of a heart attack in Hendersonville, Tennessee at the age of 52.

18

January

1989

Music greats, The Rolling Stones, Stevie Wonder, The Temptations, Otis Redding and others were inducted into the American Rock and Roll Hall of Fame.

2

May

1989

English indie rock group The Stone Roses released their eponymous debut studio album, ‘The Stone Roses’.

2

May

1989

English indie rock icons, The Cure released their near‑perfect career-defining 8th studio album, ‘Disintegration’ in the UK.

29

May

1989

American guitarist, John Cipollina of rock band Quicksilver Messenger Service died of alpha‑1 antitrypsin deficiency in San Francisco at the age of 45.

1

June

1989

Underground American grunge band, Nirvana released their debut studio album, ‘Bleach’ to an unsuspecting public.

6

June

1989

Legendary American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their 4th and final studio album before SRV’s tragic death, ‘In Step’.

15

July

1989

English progressive rock band Pink Floyd performed a live concert on a floating stage at Venice, Italy, watched by over 200,000 people.

25

July

1989

American rap rock band, Beastie Boys released their classic sophomore studio album, ‘Paul’s Boutique’.

12

September

1989

English virtuoso instrumental rock guitarist Jeff Beck released his impressive 6th studio album ‘Jeff Beck’s Guitar Shop’ in the UK.

26

November

1989

British pop/rock band, Squeeze performed in concert for the very first broadcast of ‘MTV Unplugged’ in the US.

13

December

1989

One of the best‑selling artists of all time, American country/pop singer and songwriter Taylor Swift was born in Reading, Pennsylvania.

Tailpiece

Well that’s the eighties for you in a (sizeable) nutshell. We are now getting much closer to the end of the story (at least as far as I am able to document it) and the new millennium beckons tantalisingly out of reach. However, before that, we will fill in the gap with the 1990s next month. Will it be a Brave New World or just more of the same? To discover the facts behind the memories, please return here next month for some more manic music history. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Never trust your memories but cherish the good ones regardless”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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August 2019 – The Story of Modern Music in 1,500+ Facts – Part VI

posted in: History, Introduction, Observations | 0

Introduction

So, here we are again, good people. Like the immortal rose‑tinted glasses of the ‘Summer of ‘69’, 50 years on, the summer 2019 is beginning to degrade and enter the memory banks while the evenings are inexorably drawing in again. Perhaps it is poignant to recount the past and reflect a little on how we got to where we are now.

If you would like to (re)visit any or all of the first five parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In the last article, the world of music transformed seemingly overnight with the rise of rock ‘n’ roll acting as a significant catalyst for American and British youth culture in the 1950s. Of course, it wasn’t quite like that in reality – so many different ingredients came together to create an irresistible phenomenon. If the 1950s wasn’t enough to challenge the traditionalists, things were about to get a whole lot more liberal and lively in the 1960s. Even greater social change compounded the consternation of the older, and typically more old-fashioned, conservative generation.

The Story of Modern Music Part VI 1960-1969

While rock ‘n’ roll now seems to be a permanent fixture in the minds of modern music lovers, in its purest form, it didn’t last that long before it became diluted and music evolution moved on rapidly. However, the influence of rock ‘n’ roll was pervasive, acting as a major stimulus to all other sorts of genre developments. The 1960s stood alone from previous and subsequent decades in terms of political, cultural, economic, technological climate and this was reflected in the distinctive music emerging over the same period. For many readers, the 1960s is now within ‘living memory’ – it is, just about, for me. Up to now, much of the chronology will be history, picked up second hand from written or pictorial records. From here on in, readers may well have some experience of these events for real. For a younger audience, be patient, we’ll get to your era soon. There is a lot to get through this month, so it focuses only on one decade with a few photos again.

Historical Context 1960-1969

Although fundamental human equality was still a pipedream for many in the west, freedom of expression and individual liberties probably characterised the ‘Swinging Sixties’ more than anything else, including the Sexual Revolution and civil rights movements. People felt able to say and do things that were unthinkable in previous decades. People were also able to protest against what they felt were moral injustices. Many families experienced benefits from improving economic prosperity and technological advancement. The Cold War and the space race dominated international relations, particularly between the capitalist ‘west’ and communist ‘east’. The latter part of the 1960s saw symbols of the peace & love movement, gaudy fashion and hippie ‘flower power’, all kaleidoscopically prevalent. If there was a decade that could live up to the description of ‘sex, drugs and rock ‘n’ roll’, the 1960s would be it.

Year

Global Events

1960

America launched the first satellite navigation geo‑positioning system into space, called Transit for use by the U.S. Navy, entering operational service in 1964.

 

The oral contraceptive pill was approved for use by married women in America followed by Britain in 1961.

 

The classic great American novel, ‘To Kill A Mockingbird’, written by author Harper Lee was published.

 

The classic and ground breaking psychological horror film, ‘Psycho’, directed by Alfred Hitchcock and starring Anthony Perkins was released.

1961

Democrat politician John F. Kennedy became the 35th President of the U.S.A. JFK’s election heralded a new wave of hope and optimism set against the background of the Cold War.

 

The American‑backed military invasion of the Bay of Pigs in Cuba intended to topple Fidel Castro failed, thereby escalating political tensions.

 

The infamous Berlin wall separating east and west Germany was constructed. It remained until 1989 when it was symbolically destroyed by the German people.

 

Russian cosmonaut Yuri Gagarin became the first man in space aboard the Soviet Vostok 1 capsule.

 

Astronaut Alan Shepard became the first American to go into space aboard a Mercury spacecraft.

1962

The Cuban Missile Crisis between United States and the Soviet Union narrowly avoided escalation into a full‑scale nuclear world war.

 

American actress and cultural icon Marilyn Monroe died of a drug overdose at the age of 36. Her death was ruled controversially as probable suicide.

 

Marvel’s fictional super hero Spider‑Man made his first comic book appearance.

 

The first satellite television transmission and telephone calls took place over the Atlantic ocean from Europe to North America, relayed by the American Telstar communication satellite.

1963

American president John F. Kennedy was assassinated in Dallas, Texas. Former U.S. Marine, Lee Harvey Oswald was accused of the murder only to be killed while in police custody by local night club owner, Jack Ruby, fuelling many conspiracy theories.

 

Democrat politician Lyndon B. Johnson became 36th President of the U.S.A. following the assassination of John F. Kennedy.

 

The infamous Alcatraz Federal Penitentiary in San Francisco Bay was closed as a prison. The island is now a museum and tourist attraction run by the U.S. National Park Service.

1964

Sidney Poitier became the first African American actor to win an Academy Award (Oscar) for his role in the film ‘Lilies of the Field’.

 

South African anti‑apartheid campaigner Nelson Mandela was jailed, having been charged with sabotage and conspiracy to overthrow the government.

1965

America joined the Vietnam War by sending U.S. Marines into battle supporting the South Vietnamese against the Chinese‑backed North Vietnamese National Liberation Front (the Viet Cong).

 

American space missions took a significant step forward with the launch of manned Gemini low Earth orbiting capsules. The successful programme ended in 1966.

 

Soviet cosmonaut Alexei Leonov became the first person to make a spacewalk, lasting 12 minutes after exiting the Voskhod 2 spacecraft.

 

Renowned British Fashion designer Mary Quant launched the iconic mini skirt in London, encouraging young women to dress to please themselves.

1966

The Chinese Cultural Revolution began, led by Chairman Mao Zedong, intended to preserve Chinese Communism and purge capitalism from its society. The oppressive campaign lasted until Mao’s death in 1976.

 

The Black Panther Party for Self-Defense was founded in Oakland, California in 1966, intended to patrol African American neighbourhoods and protect residents from acts of police brutality. It ceased operation in 1982.

 

The classic, ground breaking science fiction TV series Star Trek was first broadcast, created by American producer and screenwriter, Gene Rodenberry.

1967

British sailor Sir Francis Chichester became the first person to circumnavigate single‑handedly around the globe in his yacht the Gypsy Moth IV.

 

Argentinian Marxist revolutionary and guerrilla leader Ernesto ‘Che’ Guevara, a major figure in the Cuban Revolution, was executed while in military detention in Bolivia at the age of 39. His death secured his status as a political martyr and counter‑culture rebel icon.

 

The first successful human heart transplant took place, carried out by Dr Christiaan Barnard in South Africa.

 

The first American Football Super Bowl took place between the Kansas City Chiefs and the Green Bay Packers. Green Bay won.

 

1968

Russia brutally crushed the Prague Spring uprising in Czechoslovakia, forcing the country to subordinate its national interests to those of the ‘Eastern Bloc’.

 

The classic science fiction film, ‘2001: A Space Odyssey’ was released, directed by Stanley Kubrick.

 

American civil rights campaigner Martin Luther King Jr. was assassinated by lifelong criminal James Earl Ray in Memphis, Tennessee.

 

The ambitious American Apollo space program got underway with the first manned flight aboard Apollo 7. The program ended in 1972 with Apollo 17.

1969

Supersonic passenger flight became possible with the introduction of the Anglo‑French Concorde airliner.

 

The cult classic counter-culture movie ‘Easy Rider’ was released, starring Dennis Hopper (also directing) and Peter Fonda.

 

American Senator Ted Kennedy  drove his car off a bridge on Chappaquiddick Island in Massachusetts, killing 28‑year old Mary Jo Kopechne, a former aide to Senator Bobby Kennedy.

 

Police raided the Stonewall Inn in New York City, sparking demonstrations and the start of the gay civil rights movement in the United States.

 

Followers of the cult leader Charles Manson carried out a series of 9 brutal murders including that of actress Sharon Tate.

 

American manned space mission Apollo 11 successfully landed on the Moon. Astronauts Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon’s surface, with Armstrong proclaiming, “That’s one small step for man, one giant leap for mankind”.

 

Republican politician Richard Nixon was elected as the 37th U.S. president. Infamously, he remains the only American President to have resigned from office, following the Watergate scandal.

 

The United Kingdom abolished the death penalty substituting it with a mandatory sentence of life imprisonment.

Musical Genre Development 1960-1969

The ‘Swinging Sixties’ were particularly important and memorable for music in America and Europe. The musical revolution that began with rock ‘n’ roll in the previous decade rapidly morphed and diversified on both sides of the Atlantic. By the end of the decade, rock and pop were firmly established as major commercial genres that continue to flourish and adapt to the current day. The 1960s was also a time in which large outdoor music festivals flourished, especially towards the end of the decade, with major events like Newport, Monterey and Woodstock in America and Hyde Park and the Isle of Wight in the UK. In addition, the 1960s saw the introduction of the music compact cassette, which made music not only cheaper but also more portable. As the famous quote, probably attributed to American comedian Charles Fleischer (1950-) goes, ‘if you remember the ‘60s, you weren’t really there’. If that is the case, this article might just serve as a timely reminder.

R&B, gospel, and jazz started to evolve into urban African American soul music, made popular by record companies specialising in the genre. One of these labels was Motown in Detroit, Michigan featuring artists such as Diana Ross & the Supremes, The Four Tops, and Smokey Robinson & the Miracles. Another record label that was hugely influential at the time was Stax Records based in Memphis, Tennessee which was significant for its racially integrated production of southern soul and blues music, including house band Booker T & the M.G.’s and artists like Otis Redding. Atlantic Records which began in New York also promoted soul artists such as Aretha Franklin, Ray Charles and Wilson Pickett. Some other popular soul and R&B artists of the 1960s include The Temptations, Stevie Wonder, Marvin Gaye, The Isley Brothers and the Jackson Five. Racial segregation was a major hurdle for aspiring black musicians and soul is often seen as being closely associated with the American civil rights movement.

Surf music originated in the early 1960s on the west coast of America, particularly around the surfing culture of Orange County in southern California. It was influenced by instrumental rock ‘n’ roll artists like Link Wray, The Ventures and Duane Eddy. Surf is, however, distinct from rock ‘n’ roll and was important in the formation of modern rock music. Surf music tended to fall either into instrumental tunes performed by the likes of Dick Dale & The Deltones or harmonised vocal songs characterised by The Beach Boys. The musical style is heavily based around reverb‑drenched electric guitar sounds often making use of a guitar’s vibrato and the amplifier’s tremolo effect. Lyrics focused on, unsurprisingly, surfing, girls, cars and sunny west coast beach culture. Surf was relatively short‑lived and was taken over by many other American and European genres from the mid‑1960s onwards.

Up to the early 1960s, British artists were in the shadow of American acts and were often playing catch‑up. While not a genre in its own right, the so‑called ‘British Invasion’ began around 1963 with many artists from Britain becoming massively popular in the United States. UK artists sometimes took American songs and gave them a British sound. Perhaps the most significant phenomenon was coined ‘Beatlemania’, when Merseybeat pop group The Beatles broke onto the American music scene circa 1963 and spearheaded the export of UK music to the USA. Other British artists included The Rolling Stones, The Animals, Cream, The Hollies and The Who. By the end of the decade American artists had largely regained their homeland audiences. Various attempts to recreate the phenomenon have only been partially successful, for instance Britpop in the 1990s with artists like Oasis, the Spice Girls and Robbie Williams.

By the mid‑1960s, there was a strong revival of folk music, notable especially for songs with a social and moral conscience, widely articulating the feelings and messages of the various turbulent protest movements of the time. Songs encompassed issues such as poverty, class, the Vietnam War, social injustice and racial segregation. Songs also began to exhibit a stronger leaning towards the emerging rock oriented music scene. Perhaps the most significant artist of the period was Bob Dylan who controversially and ultimately successfully fused acoustic folk and electric rock genres.

Pop music is a diverse genre that attracts a lot of debate. It developed not from the broader traditional popular music of previous decades but from rock ‘n’ roll in the late 1950s and ‘pop’ became a commonly used term since the 1960s to describe non‑classical highly commercial and easily accessible youth‑oriented music. From about 1967, there was a clear divergence between rock music and pop music. Rock became harder edged and played by ‘real’ musicians recording albums while pop was refined into short catchy radio friendly ‘singles’ that were largely industry driven, highly produced, easily packaged, widely marketable and hugely profitable. Musically and lyrically, pop songs are generally uncontroversial and tended not to challenge the listener to any significant degree. Pop artists would sometimes appear and disappear overnight, as it was the songs, sales and chart position that mattered more to the record companies, rather than the performer. The term ‘one‑hit‑wonder’ is often associated with the throwaway appeal of pop music consumption. Conversely, the corporations assert that profits enable investment in new artists. Successful pop artists from the 1960s included The Monkees, The Shadows, Herman’s Hermits, The Dave Clark Five, The Everly Brothers, The Bee Gees and The Lovin’ Spoonful. Pop music continues to evolve and has had a number of peaks since the 1960s including in the early 1980s with artists like Michael Jackson and Madonna and late 2000s including the likes of P!nk, Lady Gaga and Katy Perry. Pop therefore represents considerable mainstream economic business to the industry.

Experimental psychedelic rock was popular during the late 1960s and is often associated with the hippie/flower power counterculture. It is also associated with the widespread use of cannabis and manufactured hallucinogenic drugs such as LSD (acid). Song lyrics frequently referenced drugs and altered/elevated states of consciousness. Songs were often long and comprised extended instrumental extemporisation and improvisation (often called jamming). Musicians regularly used esoteric instruments like the sitar, tabla vibraphone and organ, much of it influenced by Asian, Indian and oriental music. Psychedelic rock and folk rock became closely associated with simple messages of peace and love that began with 1967’s ‘Summer of Love’ phenomenon and reached a climax at the Woodstock festival in 1969. Many rock bands of the period stretched the boundaries of the genre, including the Grateful Dead, The Velvet Underground, Janis Joplin, The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, The Moody Blues, Gong, Hawkwind and early Pink Floyd.

Ska is a genre that originated in Jamaica in the late 1950s and came to popular prominence in the early 1960s. Ska was influenced by Caribbean calypso and Latin music combined with American jazz and R&B. Ska developed heavy basslines and offbeat accents producing a distinctive up‑tempo dance rhythm. Jamaican producers began recording ska on their own labels which were then played on DJ sound systems. Ska became popular not only in Jamaica but also in Britain, being associated with the decade’s mod and skinhead sub‑cultures. Importantly, ska was the precursor to rocksteady and reggae. Key players in the genre were Prince Buster, Clement ‘Coxsone’ Dodd and Duke Reid. Ska experienced a major revival in Britain in the late 1970s and early 1980s on the back of the punk rock boom through Two Tone Records and artists like The Specials, Madness, Bad Manners, The Selecter, and The Beat.

Classic rock music, or simply just rock, really came into its own as a separate broad genre during the 1960s deriving from America and the UK. Rock’s origins stem from rock ‘n’ roll, blues, folk, country and R&B. Experimentation with sound and composition mean that there are many, many sub‑genres and crossover styles of rock music. Rock is predominantly performed by a band with vocals, one or more electric guitars, bass and drums played in an un‑syncopated 4/4 rhythm and comprising a verse and chorus structure. Rock became distinct for increasing use of volume and distorted electric guitar sounds. Classic rock was the starting point for the various offshoots that followed including hard rock, psychedelic rock, blues rock, folk rock, progressive/contemporary rock, heavy metal, glam rock, soft rock, AOR, roots rock, jazz rock, punk rock, new wave, post‑punk, grunge, alternative rock and indie. Many of these styles of rock music remain popular to the current day. Culturally, rock music has often been connected with political activism as well as changes in social attitudes to race, sex, crime and drug use, and is often seen as an expression of young people’s rebellious rejection of adult uniformity and conformity. Artists associated with classic rock include The Kinks, Small Faces, Free, Bad Company and Jeff Beck.

Hard rock split from pop and rock during the latter half of the 1960s. As rock music was beginning to define itself throughout the 1960s, an offshoot rapidly developed that had its own distinctive sound. Hard rock took commercial rock and gave it a heavier and more aggressive style. Hard rock vocals tended to be in the higher registers and were often raspy and guttural. The hard-edged, loud, distorted guitar‑heavy music was influenced by blues, rock and garage. Hard rock could often be identified by catchy ‘power chord’ riffs and impressive lead guitar solos. Hard rock quickly became associated with excluded and defiant young people and the lyrics frequently had a distinctly anti‑authoritarian slant. This sometimes hostile approach to the mainstream was characterised by some acts destroying their instruments on stage, for instance by Pete Townsend of The Who and Jimi Hendrix. The hedonistic rock lifestyle went hand in hand with the music, resulting in musicians reportedly partying as hard as they played, regularly destroying property. Many rock artists developed drug and alcohol dependencies, which resulted in some high profile deaths, including Jim Morrison and Jimi Hendrix. Notable hard rock bands from the 1960s include The Who, Deep Purple, Led Zeppelin, Steppenwolf and The Rolling Stones and later in the early 1970s by bands like Rainbow, Whitesnake, Aerosmith, Kiss, Queen, AC/DC, Alice Cooper and Van Halen.

Musical Facts 1960-1969

Michael Stipe (REM)

Day

Month

Year

Music Fact

4

January

1960

American singer, songwriter, producer, artist and former frontman of indie rock band R.E.M. Michael Stipe was born in Decatur, Georgia.

22

January

1960

Australian singer, songwriter and co-founder of rock band INXS, Michael Hutchence was born in Sydney, New South Wales.

9

February

1960

Legendary American singer Elvis Presley received his first star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard.

3

March

1960

American rock ‘n’ roll singer and now soldier, Sargent Elvis Presley set foot in the UK for the first and only (confirmed) time while his forces plane was refuelled at Prestwick Airport in Ayrshire, Scotland.

13

March

1960

British/Irish bass guitarist, best known as a member of rock band U2, Adam Clayton was born in Chinnor, Oxfordshire, England.

31

March

1960

American blues rock guitarist, Popa Chubby (a.k.a. Theodore ‘Ted’ Horowitz) was born in The Bronx, New York City.

4

April

1960

Legendary American rock ‘n’ roll singer Elvis Presley recorded his classic hit single, ‘Are You Lonesome Tonight?’ at RCA studios in Nashville, Tennessee.

6

April

1960

American guitarist and member of blues/rock groups The Allman Brothers Band, Gov’t Mule and The Dead, Warren Haynes was born in Asheville, North Carolina.

17

April

1960

American rock ‘n’ roll singer and guitarist Eddie Cochran died tragically following a car accident in Wiltshire, UK, at the age of just 21.

23

April

1960

English guitarist, singer, songwriter and key member of heavy rock band Def Leppard, Steve Clark (1960-1991, 30) was born in Hillsborough, Sheffield.

10

May

1960

Irish singer and songwriter Paul Hewson, a.k.a. Bono, front man of massive rock band U2 was born in Dublin.

1

June

1960

Great English bass guitarist with indie rock icons The Cure, Simon Gallup was born in Duxhurst, Surrey.

6

June

1960

American virtuoso rock guitarist, singer, songwriter and producer, Steve Vai was born in New York.

20

June

1960

English bass guitarist and co-founder of new romantic band Duran Duran, John Taylor was born in Solihull, Warwickshire.

27

October

1960

American soul singer Ben E. King recorded his first songs as a solo artist after leaving The Drifters, the classics, ‘Spanish Harlem’ and ‘Stand By Me’.

7

November

1960

American guitarist and songwriter with rock band KISS from 2002, Tommy Thayer, nicknamed ‘The Spaceman’ was born in Portland, Oregon.

8

February

1961

After changing their name from The Quarrymen, English pop band The Beatles made their debut appearance at Liverpool’s Cavern Club, their first of 292 performances at the venue.

7

May

1961

Welsh guitarist and long-term member of hard rock band Motörhead, Phil Campbell was born in Pontypridd.

12

May

1961

English guitarist, songwriter and member of post-punk band, The Cult, Billy Duffy was born in Manchester.

29

May

1961

Award-winning American singer, songwriter and guitarist, Melissa Etheridge was born in Leavenworth, Kansas.

3

June

1961

English guitarist and founding member of psychedelic rock bands Ozric Tentacles and Nodens Ictus, Ed Wynne was born in London.

10

June

1961

American bass guitarist, singer and songwriter, former member of alternative rock band Pixies and currently fronting The Breeders with her twin sister, Kim Deal was born in Dayton, Ohio.

10

June

1961

American guitarist and member of The Breeders with her twin sister, Kelley Deal was born in Dayton, Ohio.

23

July

1961

Multi-talented award-winning English singer, songwriter, guitarist, producer, DJ and co-founder of Depeche Mode, Martin Gore was born in Dagenham, Essex.

8

August

1961

Irish guitarist and songwriter with rock band U2, The Edge (a.k.a. David Evans) was born in Barking, Essex, England to Welsh parents.

13

September

1961

American guitarist, singer, songwriter and co-founder of thrash metal rock band Megadeth, Dave Mustaine was born in La Mesa, California.

16

September

1961

English guitarist, singer and songwriter with indie rock band My Bloody Valentine, Bilinda Butcher was born in London.

3

October

1961

The Country Music Hall of Fame in Nashville, Tennessee welcomed its first inductees, Jimmie Rodgers, Fred Rose and Hank Williams.

10

October

1961

English bass guitarist and actor best known as member of new wave/pop group Spandau Ballet, Martin Kemp was born in London.

10

February

1962

American bass guitarist and songwriter, best known as a member of heavy rock band Metallica, Cliff Burton (1962-1986, 24) was born in California.

11

February

1962

Talented American singer, songwriter and multi-instrumentalist, including guitar, bass and drums, Sheryl Crow was born in Kennett, Missouri.

2

March

1962

American singer, songwriter, founder and front man of the rock band that bears his name, Jon Bon Jovi was born in Perth Amboy, New Jersey.

8

April

1962

American guitarist, co-founder and ex-member of rock band Guns N’ Roses, Izzy Stradlin (a.k.a. Jeffrey Dean Isbell) was born in Lafayette, Indiana.

2

August

1962

American folk singer, songwriter and guitarist Robert Allen Zimmerman formally changed his name to… the one and only Bob Dylan.

25

August

1962

Northern Irish guitarist who has been a member of hard rock bands Def Leppard, Dio and Whitesnake, Vivian Campbell was born in Belfast, County Antrim.

11

October

1962

English pop group The Beatles had their song ‘Love Me Do’ reach no. 4 in the UK singles chart, their first record to do so.

16

October

1962

Australian/American bass guitarist and co-founder of rock band, Red Hot Chili Peppers, Michael Balzary (a.k.a. Flea) was born in Melbourne, Victoria, Australia.

17

October

1962

English newcomers, The Beatles made their first regional television appearance playing 2 songs live on Granada’s ‘People And Places’ show.

18

November

1962

Great American guitarist, songwriter and long-time member of metal rock band Metallica, Kirk Hammett was born in San Francisco, California.

24

November

1962

English guitarist and songwriter with the Stone Roses and The Seahorses, John Squire was born in Altrincham, Cheshire.

8

December

1962

American guitarist, well known for his 10-year stint with heavy metal band Megadeth, Marty Friedman was born in Washington D.C.

9

January

1963

English drummer, Charlie Watts joined the rock band The Rolling Stones, starting a long-term membership of the group.

19

January

1963

English pop/rock band, The Beatles made their first recorded UK TV appearance on the ITV/ABC show, ‘Thank Your Lucky Stars’.

2

February

1963

American singer, songwriter and guitarist, the ‘songbird’, Eva Cassidy (1963-1996, 33) was born in Washington D.C.

22

March

1963

Emerging English pop group The Beatles released their debut studio album ‘Please Please Me’ in the UK. Merseybeat had well and truly arrived.

27

May

1963

American folk singer, songwriter and guitarist, Bob Dylan released his classic 2nd studio album, ‘The Freewheelin’ Bob Dylan’.

30

June

1963

Impressive, prolific Swedish virtuoso neoclassical heavy rock guitarist Yngwie Malmsteen was born in Stockholm.

3

August

1963

American guitarist, singer, songwriter and co-founder of heavy metal rock band Metallica, James Hetfield was born in Downey, California.

9

August

1963

Popular British weekly pop music television show, ‘Ready Steady Go!’ was first broadcast by ITV. The show ran until December 1966.

9

August

1963

Multi-award-winning American soul/R&B singer and actress, Whitney Houston was born in Newark, New Jersey.

30

August

1963

Dutch technology company Philips introduced the Compact Cassette to Europe at the Berlin Radio Show, followed by an American launch in November the same year.

13

October

1963

Emerging English pop band The Beatles made their first major TV appearance on ITV’s famous variety show, ‘Sunday Night At The London Palladium’.

31

October

1963

English guitarist, singer, songwriter, ex-member of post‑punk rock band The Smiths, as well as a successful solo artist and collaborator, Johnny Marr was born in Manchester.

31

December

1963

American guitarist, singer and founding member of thrash metal rock band Anthrax, Scott Ian was born in Queens, New York.

1

January

1964

The BBC’s popular chart music television programme ‘Top Of The Pops’ (TOTP) was first broadcast in the UK. The show ran for over 42 years until July 2006.

13

January

1964

American folk singer Bob Dylan released his 3rd studio album ‘The Times They Are A-Changin’’, which became a political anthem for social change in 1960s America.

5

February

1964

American bass player and ex-member of rock bands, Guns N’ Roses, Velvet Revolver, Loaded and Jane’s Addiction, Duff McKagan was born in Seattle, Washington state.

7

February

1964

‘Beatlemania’ struck America when The Beatles landed at New York’s JFK Airport on their first visit to the USA.

9

February

1964

‘Beatlemania’ struck again when English pop band The Beatles made their American TV debut on ‘The Ed Sullivan Show’.

11

February

1964

English pop band The Beatles made their debut live performance in America at the Washington Coliseum in front of 8,000 screaming fans.

26

May

1964

American rock guitarist, singer, songwriter, producer and actor, Lenny Kravitz was born in New York City.

30

May

1964

Great American guitarist with rock bands Rage Against The Machine and Audioslave, as well as several solo projects, Tom Morello was born in New York.

3

June

1964

Great American guitarist with thrash metal rock band Slayer, the formidable Kerry King was born in Los Angeles, California.

19

June

1964

English rock band, The Animals, released their seminal hit single, ‘House Of The Rising Sun’.

10

July

1964

English pop/rock group The Beatles released their 6th studio album ‘A Hard Day’s Night’ in the UK.

24

July

1964

The Newport Folk Festival in Rhode Island, U.S.A. descended into controversy when Bob Dylan performed an electric rather than acoustic set.

13

November

1964

English rock band The Rolling Stones released their cover of the classic Willie Dixon blues song, ‘Little Red Rooster’ as a single in the UK.

23

December

1964

American guitarist, singer, songwriter and long-time member of rock band Pearl Jam, Eddie Vedder was born in Evanston, Illinois.

20

January

1965

The self-proclaimed ‘father of rock ‘n’ roll’, legendary American DJ Alan Freed died from uraemia and cirrhosis in hospital in Palm Springs, California at the age of 43.

28

January

1965

Emerging English rock band, The Who made their debut television appearance in the UK on the ITV music show ‘Ready Steady Go!’

14

February

1965

Australian/French multi-instrumentalist, including guitar, known for working with alternative rock bands Nick Cave & The Bad Seeds and Grinderman, Warren Ellis was born in Ballarat, Victoria, Australia.

8

March

1965

Legendary American folk guitarist, singer and songwriter Bob Dylan released his first top 40 hit single, ‘Subterranean Homesick Blues’ in the U.S.

12

May

1965

English rock band The Rolling Stones recorded their trademark song ‘(I Can’t Get No) Satisfaction’ at RCA’s studio in Hollywood.

17

May

1965

Prolific composer, singer, songwriter, guitarist, producer and founder of industrial rock band Nine Inch Nails, Trent Reznor was born in New Castle, Pennsylvania.

16

June

1965

Legendary American folk singer and guitarist Bob Dylan recorded his classic song, ‘Like A Rolling Stone’ at Columbia studios in New York.

23

June

1965

English guitarist and founding member of rock band Oasis, Paul ‘Bonehead’ Arthurs was born in Manchester.

23

July

1965

British/American guitarist, member of hard rock bands Guns N’ Roses and Velvet Revolver, as well as a successful solo artist, Saul Hudson (a.k.a. Slash) was born in London.

29

July

1965

The full-length film ‘Help!’, featuring a certain English pop quartet, The Beatles, was premiered in London.

6

August

1965

English pop group The Beatles released their 5th studio album, ‘Help!’ in the UK, which was also the soundtrack to their film of the same name.

15

August

1965

English pop band The Beatles broke the (then) record for an audience of 55,600 at Shea Stadium in New York City.

20

August

1965

English rock band The Rolling Stones released their massive hit single, ‘(I Can’t Get No) Satisfaction’.

28

August

1965

Canadian country music singer, songwriter and guitarist, Shania Twain, the ‘Queen of Country Pop’ was born in Windsor, Ontario.

30

August

1965

American folk guitarist, singer and songwriter Bob Dylan released his classic 6th studio album, ‘Highway 61 Revisited’ in the UK.

13

October

1965

English rock band The Who recorded their classic single ‘My Generation’ at Pye Recording Studios in London, UK.

21

October

1965

Pioneering American rock ‘n’ roll bass player, forever associated with singer Elvis Presley, Bill Black died of a brain tumour in Memphis, Tennessee, at the age of 39.

26

October

1965

HM Queen Elizabeth II presented members of the English pop band The Beatles with MBEs at Buckingham Palace in London.

29

October

1965

English rock band, The Who released the single ‘My Generation’ in the UK, reaching number 2 in the British singles chart.

12

November

1965

Emerging young English singer, songwriter and guitarist Marc Bolan performed his first single, ‘The Wizard’ on national UK TV music programme ‘Ready Steady Go!’

12

November

1965

American rock band Velvet Underground performed their debut live performance at Summit High School in New Jersey.

19

November

1965

English guitarist, songwriter and lead man for alternative rock band Spiritualized, Jason Pierce was born in Rugby.

21

November

1965

Avant-garde Icelandic singer, songwriter, producer and actress, Björk Guðmundsdóttir was born in Reykjavík.

25

November

1965

American guitarist, singer, songwriter and producer, a member of punk rock bands Rancid and Transplants, Tim Armstrong was born in Albany, California.

3

December

1965

English pop/rock group The Beatles released their 6th studio album ‘Rubber Soul’ in the UK.

3

December

1965

English rock band, The Who, released their classic debut studio album, ‘My Generation’ in the UK.

10

December

1965

American singer, songwriter and guitarist, front man of alternative rock band Dinosaur Jr., the great J. Mascis was born in Amherst, Massachusetts.

4

March

1966

Member of The Beatles, John Lennon, made his infamously controversial statement that the band was “…more popular than Jesus…”.

18

March

1966

American guitarist and founder of heavy rock band, Alice In Chains, Jerry Cantrell was born in Tacoma, Washington.

25

March

1966

Renowned Canadian blues rock guitarist, Jeff Healey (1966-2008, 41) was born in Toronto.

5

April

1966

American guitarist and co-founder of rock band, Pearl Jam, Mike McCready was born in Pensacola, Florida.

22

April

1966

English garage rock band The Troggs released their version of the Wild Ones’ song, ‘Wild Thing’, which became a classic hit single of its time.

1

May

1966

English pop/rock band, The Beatles performed their final UK live appearance at the NME Poll Winners’ Party, held at the Empire Pool, Wembley in London.

13

May

1966

English rock band, The Rolling Stones released their dark and sinister hit single, ‘Paint It, Black’ from the album ‘Aftermath’ (U.S. release).

16

May

1966

Original American surf pop/rock band, The Beach Boys released their best-selling classic 11th studio album, ‘Pet Sounds’ in the U.S.

16

May

1966

American folk singer, songwriter and guitarist, Bob Dylan originally scheduled the release date of his classic 7th studio double album, ‘Blonde On Blonde’. It didn’t actually become available until early June.

26

May

1966

English pop/rock band, The Beatles recorded ‘Yellow Submarine’ at Abbey Road Studios in London.

30

May

1966

American singer, songwriter, guitarist and co-founder of alternative rock bands Pavement and the Jicks, Stephen Malkmus was born in Santa Monica, California.

16

July

1966

British music icons Eric Clapton, Jack Bruce and Ginger Baker formed the short-lived blues/rock super group Cream.

5

August

1966

English pop/rock group, The Beatles released their classic 7th studio album, ‘Revolver’ in the UK.

20

August

1966

American guitarist, songwriter and founder of heavy metal rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Lance Abbott (1966-2004, 38) was born in Arlington, Texas.

12

September

1966

Featuring an American/British pop-rock band, The Monkees show premiered on American TV network NBC.

20

September

1966

Portuguese/American guitarist, singer, songwriter, producer and member of rock band Extreme, Nuno Bettencourt was born in Terceira, Azores.

23

October

1966

Anglo-American rock trio, The Jimi Hendrix Experience recorded ‘Hey Joe’, their debut single, which peaked at number 6 in the UK chart.

2

November

1966

American blues guitarist Mississippi John Hurt died of a heart attack in a hospital in Grenada, Mississippi at the age of 73.

6

November

1966

American virtuoso rock guitarist, member of rock bands Mr Big and Racer X, as well as successful solo artist, Paul Gilbert was born in Carbondale, Illinois.

17

November

1966

American surf band, The Beach Boys had a number one hit in the UK singles chart with the classic song, ‘Good Vibrations’.

17

November

1966

Talented American singer, songwriter and guitarist, the graceful Mr Jeff Buckley (1966-1997, 30) was born in Orange, California.

25

November

1966

The Jimi Hendrix Experience played their debut live performance in the UK at the Bag O’Nails Club in Soho, London.

7

December

1966

English guitarist and songwriter who has worked with bands Oasis, Beady Eye and Noel Gallagher’s High Flying Birds, Gem Archer was born in Durham.

9

December

1966

English blues/rock super group Cream, comprising Eric Clapton, Jack Bruce and Ginger Baker, released their debut studio album, ‘Fresh Cream’ in the UK.

13

December

1966

Anglo-American rock band The Jimi Hendrix Experience, made their UK TV debut on popular music programme ‘Ready Steady Go!’.

13

December

1966

Anglo-American rock band The Jimi Hendrix Experience recorded their classic track, ‘Foxy Lady’ (a.k.a. ‘Foxey Lady’ in the U.S.), released as a single in May 1967.

16

December

1966

Anglo-American rock band, The Jimi Hendrix Experience released their debut single in the UK, ‘Hey Joe’, reaching no. 6. It failed to chart in the U.S.

23

December

1966

After 3 years on air, UK TV network channel ITV broadcast the final episode of the popular music programme, ‘Ready Steady Go!’ following a Musicians’ Union ban on miming on television.

29

December

1966

Anglo‑American rock trio, The Jimi Hendrix Experience made their first UK TV appearance on the BBC’s ‘Top Of The Pops’, performing their single, ‘Hey Joe’.

4

January

1967

American rock band, The Doors, released their classic self-titled debut studio album, ‘The Doors’.

11

January

1967

Anglo‑American rock trio, The Jimi Hendrix Experience recorded their classic song, ‘Purple Haze’ at De Lane Lea Studios in London. It took 3 takes in 4 hours to complete.

14

January

1967

American heavy metal guitarist, singer and songwriter, founder of heavy metal band Black Label Society, Zakk Wylde was born in New Jersey.

17

January

1967

English rock guitarist, singer, songwriter, producer, solo artist and session musician, Richard Hawley was born in Sheffield.

3

February

1967

Pioneering English record producer and studio engineer, Joe Meek murdered his landlady and then committed suicide in London at the age of 37.

17

February

1967

English Blues rock band John Mayall and the Blues Breakers released their 2nd studio album, ‘A Hard Road’ with Peter Green replacing Eric Clapton as guitarist.

20

February

1967

American singer, songwriter and guitarist with grunge rock band Nirvana, Kurt Cobain (1967-1994, 27) was born in Aberdeen, Washington state.

12

March

1967

American rock band, The Velvet Underground released their debut studio album, ‘The Velvet Underground & Nico’, with iconic cover art by pop artist Andy Warhol.

17

March

1967

American singer, songwriter, guitarist and co-founder of alternative rock band Smashing Pumpkins, Billy Corgan was born in Chicago, Illinois.

12

May

1967

Anglo‑American rock band, The Jimi Hendrix Experience released their debut studio album, ‘Are You Experienced’ in the UK.

29

May

1967

English singer, songwriter and guitarist with rock bands Oasis and High Flying Birds, Noel Gallagher was born in Manchester.

1

June

1967

English pop/rock band, The Beatles released their classic 8th studio album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ in the UK.

1

June

1967

Aspiring English singer David Bowie released his eponymous debut studio album, ‘David Bowie’ in the UK.

7

June

1967

American guitarist, singer, songwriter and founding member of alternative rock band Jane’s Addiction as well as former member of Red Hot Chili Peppers, Dave Navarro was born in Santa Monica, California.

16

June

1967

The ‘Summer of Love’ officially arrived with the start of the legendary 3-day Monterey Pop Festival in California. Artists included The Animals, Simon & Garfunkel and Sly & The Family Stone.

16

June

1967

English psychedelic/progressive rock band Pink Floyd released their classic single, ‘See Emily Play’, written by Syd Barrett.

17

June

1967

The ‘Summer of Love’ continued with the 2nd day of the 3-day Monterey International Pop Festival in California. Artists included Canned Heat, Jefferson Airplane, Otis Redding, Steve Miller Band and The Byrds.

18

June

1967

The ‘Summer of Love’ continued with the 3rd and final day of the Monterey International Pop Festival in California. Artists included Buffalo Springfield, Grateful Dead, Ravi Shankar, The Jimi Hendrix Experience and The Who.

24

June

1967

German guitarist with Industrial Metal rock band Rammstein, Richard Z. Kruspe was born in Wittenberge.

12

July

1967

Great American guitarist and founding member of heavy rock band Dream Theater, John Petrucci was born in New York.

4

August

1967

English psychedelic progressive rock group, Pink Floyd released their debut studio album, ‘The Piper at the Gates of Dawn’.

25

September

1967

American rock band The Doors released their all-time classic 2nd studio album, ‘Strange Days’.

30

September

1967

English broadcaster the BBC aired their pop music channel Radio 1 for the very first time in the UK. The first record played by DJ Tony Blackburn was, ‘Flowers in the Rain’ by The Move.

3

October

1967

American singer, songwriter and guitarist Woody Guthrie died from Huntington’s Disease in New York City at the age of 55.

9

November

1967

The brainchild of Jann Wenner, the very first issue of Rolling Stone music magazine was published in the USA, featuring a photo of John Lennon on the front cover.

10

November

1967

English blues/rock super group Cream released their classic 2nd studio album, ‘Disraeli Gears’ in the UK.

1

December

1967

Anglo-American rock trio, The Jimi Hendrix Experience released their sophomore studio album, ‘Axis: Bold as Love’ in the UK.

7

December

1967

Shortly before his tragic death, American soul singer Otis Redding recorded his classic single, ‘(Sittin’ On) The Dock Of The Bay’.

10

December

1967

American soul singer, Otis Redding was killed tragically when the plane in which he was travelling crashed into Lake Monona near Madison, Wisconsin, at the age of 26.

16

December

1967

English rock band, The Who, released their 3rd studio album, ‘The Who Sell Out’ in the UK.

27

December

1967

Canadian singer, songwriter and guitarist, Leonard Cohen released his classic debut studio album, ‘Songs of Leonard Cohen’.

13

January

1968

American country music legend Johnny Cash performed two live shows at the notorious Folsom State Prison in California.

21

January

1968

Anglo-American rock trio, The Jimi Hendrix Experience recorded their cover version of Bob Dylan’s, ‘All Along The Watchtower’ at Olympic Studios in London.

30

January

1968

American psychedelic rock band, The Velvet Underground released their classic sophomore studio album, ‘White Light/White Heat’.

8

March

1968

The famous New York live music venue Fillmore East opened its doors at 105 Second Avenue and East 6th Street in Manhattan. It closed 3 years later on 27 June 1971.

6

April

1968

English progressive rock band Pink Floyd announced that guitarist and singer Syd Barrett had left the band he helped to found.

15

April

1968

English guitarist, singer, songwriter and original member of alternative rock band Radiohead, Ed O’Brien was born in Oxford.

20

April

1968

After changing their name from Roundabout, English hard rock band Deep Purple played their first live concert as Deep Purple in Tastrup, Denmark.

24

May

1968

English rock band, Small Faces released their classic 4th studio album ‘Ogdens’ Nut Gone Flake’.

24

May

1968

English rock band, The Rolling Stones released their massive hit single, ‘Jumpin’ Jack Flash’.

28

May

1968

Multi-talented Australian singer, songwriter, actress, entrepreneur and sex symbol, Kylie Minogue was born in Melbourne, Victoria.

5

June

1968

Marc Bolan’s band Tyrannosaurus Rex released their debut album, ‘My People Were Fair And Had Sky In Their Hair… But Now They’re Content To Wear Stars On Their Brows’ in the UK.

15

June

1968

Acclaimed American jazz guitarist Wes Montgomery died of a heart attack at his home in Indianapolis at the age of 45.

28

June

1968

English progressive rock group Pink Floyd released their sophomore studio album, ‘A Saucerful Of Secrets’ in the UK. It was the only Pink Floyd album to feature both Syd Barrett and David Gilmour.

29

June

1968

The first Hyde Park Free Concert was held in London, UK, featuring Pink Floyd, Jethro Tull, Tyrannosaurus Rex and Roy Harper.

5

July

1968

The legendary San Francisco live music venue Fillmore West opened its doors at 10 South Van Ness Avenue. It stayed at this location until 4 July 1971.

10

July

1968

English guitarist Eric Clapton announced that the blues/rock super group Cream were splitting up, after just 3 studio albums.

13

July

1968

Under their original name, Earth, English heavy metal pioneers, Black Sabbath played their first live concert at The Crown pub in Birmingham.

17

July

1968

The unique psychedelic animated film ‘Yellow Submarine’, featuring characters based on The Beatles premiered in London.

5

August

1968

Influential American country guitarist and principal sideman for Johnny Cash, Luther Perkins, one of the famed ‘Tennessee Three’, died tragically in a fire accident in Hendersonville, Tennessee at the age of 40.

9

August

1968

English blues/rock super group Cream released their 3rd studio album, ‘Wheels Of Fire’.

6

September

1968

English blues/rock guitarist Eric Clapton recorded the guitar solo on The Beatles’ song, ‘While My Guitar Gently Weeps’.

7

September

1968

English rock band The New Yardbrids, later to become Led Zeppelin performed their live concert debut at Gladsaxe, near Copenhagen in Denmark.

14

September

1968

The animated series based around a fictional pop band, ‘The Archies’, from the original comic strip, premiered on CBS TV in America.

20

September

1968

English Heavy rock band, Led Zeppelin started recording their ground-breaking debut album ‘Led Zeppelin (I)’ in London, to be released in 1969.

7

October

1968

English singer, songwriter and guitarist with alternative rock band Radiohead, Thom Yorke was born in Wellingborough, Northamptonshire.

14

October

1968

English psychedelic folk rock duo Tyrannosaurus Rex released their 2nd studio album, ‘Prophets, Seers & Sages: The Angels of the Ages’.

25

October

1968

Nine days after its American launch, The Jimi Hendrix Experience released their final studio album ‘Electric Ladyland’ in the UK.

9

November

1968

English hard rock band Led Zeppelin performed their debut London concert at The Roundhouse, Chalk Farm. Members’ tickets cost 16 shillings.

21

November

1968

English bass guitarist and songwriter, principally with Britpop band Blur, Alex James was born in Bournemouth.

22

November

1968

English group, The Beatles released their highly regarded 9th studio double album, ‘The Beatles’, a.k.a. the ‘White Album’ in the UK.

26

November

1968

Aside from their 2005 reunion gigs, English blues/rock super group, Cream played their final ‘Farewell Concert’ at the Royal Albert Hall in London.

29

November

1968

Emerging British/American blues/rock band Fleetwood Mac released their classic instrumental hit single ‘Albatross’.

6

December

1968

British rock band, The Rolling Stones released their classic 7th studio album, ‘Beggars Banquet’ in the UK.

24

December

1968

American blues/rock guitarist, singer, songwriter, producer, prolific musical collaborator as well as solo artist, Doyle Bramhall II was born in Dallas, Texas.

5

January

1969

Controversial American rock singer and songwriter, Brian Warner, better known as the artist Marilyn Manson, was born in Canton, Ohio.

12

January

1969

British rock band Led Zeppelin released their self‑titled debut studio album, ‘Led Zeppelin’ on Atlantic Records in the UK.

13

January

1969

English band The Beatles released their studio album ‘Yellow Submarine’ as a soundtrack to the psychedelic animated film of the same name featuring the Fab Four.

14

January

1969

American singer, songwriter, drummer and guitarist with rock bands Nirvana and Foo Fighters, Dave Grohl was born in Springfield, Virginia.

22

January

1969

Legendary Canadian singer, songwriter and guitarist, Neil Young released his eponymous debut album, ‘Neil Young’.

30

January

1969

English rock band The Beatles made their final live public performance, filming their famous unannounced rooftop gig atop the Apple Studio building in London for the film ‘Let It Be’.

21

February

1969

Welsh singer, songwriter, guitarist and producer with rock band Manic Street Preachers, James Dean Bradfield was born in Pontypool.

22

February

1969

Legendary English pop/rock band The Beatles started recording their classic studio album, ‘Abbey Road’ at the famous London recording studio of the same name.

24

February

1969

Anglo-American rock trio, The Jimi Hendrix Experience performed their final UK live indoor concert at The Royal Albert Hall in London.

12

March

1969

English singer, songwriter, guitarist and founder of indie rock/britpop band Blur, Graham Coxon was born in Rinteln, Germany where his father was stationed with the British Army.

7

April

1969

Legendary Canadian singer, songwriter and guitarist, Leonard Cohen released his classic sophomore studio album, ‘Songs From a Room’.

9

April

1969

American folk rock guitarist, singer and songwriter Bob Dylan released his change of direction 9th studio album, ‘Nashville Skyline’.

13

May

1969

Prolific and inventive American rock guitarist, Buckethead (a.k.a. Brian Carroll) was born in Pomona, California.

14

May

1969

Canadian guitarist, singer and songwriter, Neil Young with his band Crazy Horse released their sophomore studio album, ‘Everybody Knows This Is Nowhere’.

16

May

1969

Before pioneering glam rock, English singer, songwriter and guitarist Marc Bolan with Tyrannosaurus Rex released their 3rd studio album, ‘Unicorn’.

23

May

1969

English rock band, The Who released their ground breaking epic rock opera double album, ‘Tommy’ in the UK.

26

May

1969

John Lennon and Yoko Ono promoted world peace through an 8-day ‘bed-in’ in Canada proclaiming ‘Give Peace a Chance’.

4

June

1969

American country artist Johnny Cash released his classic live album, ‘At San Quentin’, recorded at the (in)famous high security prison in California.

20

June

1969

Emerging English singer David Bowie recorded his first hit single ‘Space Oddity’ at Trident Studios, London.

3

July

1969

English guitarist, multi-instrumentalist and founder of The Rolling Stones, Brian Jones drowned in his swimming pool at his home in Hartfield, East Sussex at the age of 27.

11

July

1969

Emerging English rock singer and songwriter David Bowie released his classic debut single, ‘Space Oddity’ in the UK.

1

August

1969

The point at which aspiring rock band Earth changed their name to Black Sabbath, announced at a concert held at the Pokey Hole Club in Lichfield, Staffordshire, UK.

5

August

1969

American singer and songwriter Iggy Pop launched his long and varied music career, with or without The Stooges, with the release of his/their debut studio album, ‘The Stooges’.

15

August

1969

The legendary hippie counter-culture Woodstock Festival ‘Aquarian Exposition: 3 Days of Peace and Music’ Arts Fair began at Max Yasgur’s dairy farm near Bethel, New York, attended by over 400,000 people. Tickets were priced at $6 per day. Artists included Melanie, Arlo Guthrie and Joan Baez.

16

August

1969

The second day of the legendary Woodstock Festival took place in upstate New York. Artists included Canned Heat, Grateful Dead, Janis Joplin, Sly & the Family Stone, The Who and Jefferson Airplane.

17

August

1969

The third and (sort of) final day of the legendary Woodstock Festival took place on Max Yasgur’s 600-acre farm 43 miles south west of the town of Woodstock, New York state. Artists included Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears and CSN&Y.

18

August

1969

As the last of 32 acts, American guitar legend, Jimi Hendrix closed the fabled Woodstock Festival by playing a 2-hour set at 9:00 in the morning with a temporary band.

30

August

1969

After changing their name from Earth, English heavy metal pioneers, Black Sabbath played their first live concert as Black Sabbath at a local pub in Workington, Cumbria.

5

September

1969

Talented American guitarist, son of Frank and carrying on the formidable family legacy, Dweezil Zappa was born in Los Angeles, California.

7

September

1969

English guitarist, best known as a member of Britpop group Cast and his work with alternative rock artist Robert Plant, Liam ‘Skin’ Tyson was born in Liverpool.

22

September

1969

Canadian/American roots/folk/country rock artists, The Band released their classic self-titled 2nd studio album, ‘The Band’.

25

September

1969

American guitarist, songwriter, producer and one-time member of rock band Guns N’ Roses (2006-2014), Ron ‘Bumblefoot’ Thal was born in Brooklyn, New York.

26

September

1969

Legendary English pop/rock band The Beatles released their classic final studio album with the iconic zebra crossing cover photograph, ‘Abbey Road’ in the UK.

3

October

1969

Influential American delta blues singer and guitarist Skip James died in Pennsylvania at the age of 67.

10

October

1969

American rock guitarist and composer Frank Zappa released his outstanding, classic career-peak studio album, ‘Hot Rats’.

10

October

1969

English progressive rock band King Crimson released their classic studio album, ‘In the Court of the Crimson King’ in the UK.

16

October

1969

Anglo‑American rock trio the Jimi Hendrix Experience released their 3rd and final studio album, the classic ‘Electric Ladyland’ in the U.S.

18

October

1969

American music family, The Jackson 5 made their debut on American TV, appearing on ABC’s ‘Hollywood Palace’.

22

October

1969

English hard rock group Led Zeppelin released their classic multi-million-selling 2nd studio album, ‘Led Zeppelin II’ on Atlantic Records in the U.S.

28

October

1969

Award-winning multi-genre American guitarist, singer and songwriter Ben Harper was born in Pomona, California.

4

November

1969

English singer and songwriter David Bowie released his 2nd studio album, ‘David Bowie’ (also released as ‘Space Oddity’ after the hit single from the album).

7

November

1969

English progressive rock group, Pink Floyd released their 4th part live, part studio experimental double album, ‘Ummagumma’, with cover art by Hipgnosis.

14

November

1969

Cartoon bubblegum pop group, The Archies began the longest ‘one hit wonder’ UK singles chart-topping streak (8 weeks), with their classic song, ‘Sugar, Sugar’.

27

November

1969

American guitarist, singer and songwriter, a member of heavy rock band Alter Bridge, as well as pursuing many side projects, Myles Kennedy was born in Boston, Massachusetts.

29

November

1969

English rock band, The Rolling Stones, released their classic 11th studio album, ‘Let It Bleed’ in the UK.

6

December

1969

A man was stabbed to death by a member of the Hells Angels during The Rolling Stones set at the infamous Altamont Free Festival in California.

14

December

1969

American music family, The Jackson 5 made their American Network TV debut, appearing on ‘The Ed Sullivan Show’.

Tailpiece

Well there you go… that’s the 1960s in a proverbial (and quite sizeable) nutshell. An appreciation of music genre development and music facts from the 1960s catalogues the seemingly sudden eruption of creativity that took place against the background of momentous global events. The vibrancy and liberalism of the 1960s was exploratory, liberating and empowering for many, mostly young people at the time. Much of the optimistic idealism was, perhaps in hindsight, naively transient and disappointingly ephemeral. All good things come to an end and things were about to change quite fundamentally all over again.

How the heck do you follow the decade of decadence? Well, that will be the fascinating story of the 1970s, which will unfold in all its hedonistic, nihilistic grime and glory. Intrigued? Why not come back for the next enthralling episode of the ‘History of Music’. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “I’m glad I’m alive. What else would I do?”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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May 2017 – 50 Albums of the Last Half-Century(-ish)

posted in: Observations, Opinion | 0

A little while ago, someone looked at the development of heavy metal from the 1970s to the 2000s and exemplified it by listing one album per year. Of course, this was just one perspective but, more generally, I thought it might be interesting to do something similar across all modern music genres.

This is only my catalogue of 50 years (actually 52 years but who’s counting?) of modern musical history. It is, of course, value-laden and massively subjective, with many great artists and albums excluded by the ruthless application of selection criteria, which included:

  • Must be an original album, not an EP or single
  • Only 1 album from each year (no reissues – original release date applies)
  • Only 1 album by any artist (band or solo)
  • The album must include some guitar work (i.e. no pure electronica)
  • Albums may come from any modern music genre
  • No compilations, ‘best of’ or various artist collections
  • They must be appreciated and owned by the author (i.e. not just made up or copied from elsewhere)

The resulting compendium is not representative of popularity, perceived wisdom, other people’s opinion or commercial success. It is simply my choices for a timeline covering over half a century of great music.

Why pick these 52 years? My age makes it difficult to go back further than the mid‑1960s for a start, so there aren’t any selections from the ‘birth’ of rock ‘n’ roll in about 1954 to the ‘dawn of rock’ in about 1965 – to be honest, I don’t own and am not particularly familiar with pre-’65 albums. I’ve brought it right up to date with 2016 being the last full year at the time of writing. However, anything beyond about 2010 is probably too recent to really place any kind of enduring significance to the entries – historical retrospective can be beneficial that respect. Arguably, the longer the intervening time period, the more consolidated, reliable and credible that hindsight becomes within context (discuss…).

Feel free to make up your own timeline over whatever period you like, using your own criteria. This is just my perspective; I can guarantee that anyone reading it will disagree with it and would produce a VERY different route through the roadmap of time. Actually, that’s both the point and the fun of it – if we all ended up with the same journey, we would live in a very dull world.

So… here we go, in chronological order…

The 1960s(-ish):

1965 Bob Dylan – Highway 61 Revisited

1966 John Mayall’s Blues Breakers – Blues Breakers With Eric Clapton

1967 Jimi Hendrix – Are You Experienced

1968 The Velvet Underground – White Light/White Heat

1969 King Crimson – In The Court Of The Crimson King

The 1970s:

1970 Black Sabbath – Black Sabbath

1971 The Doors – L.A. Woman

1972 David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

1973 John Martyn – Solid Air

1974 Lynyrd Skynyrd – Second Helping

1975 Led Zeppelin – Physical Graffiti

1976 Thin Lizzy – Jailbreak

1977 Bob Marley & The Wailers – Exodus

1978 AC/DC – Powerage

1979 The Clash – London Calling

The 1980s:

1980 Talking Heads – Remain In Light

1981 The Cramps – Psychedelic Jungle

1982 Bruce Springsteen – Nebraska

1983 ZZ Top – Eliminator

1984 Iron Maiden – Powerslave

1985 Dire Straits – Brothers In Arms

1986 Metallica – Master Of Puppets

1987 Guns n’ Roses – Appetite For Destruction

1988 Cowboy Junkies – The Trinity Session

1989 The Cure – Disintegration

The 1990s:

1990 Megadeth – Rust In Peace

1991 Nirvana – Nevermind

1992 Rage Against The Machine – Rage Against The Machine

1993 Dinosaur Jr – Where you BEEN

1994 Portishead – Dummy

1995 Sonic Youth – Washing Machine

1996 Nick Cave And The Bad Seeds – Murder Ballads

1997 Rammstein – Sehnsucht

1998 Massive Attack – Mezzanine

1999 Suede – Head Music

The 2000s:

2000 The White Stripes – De Stijl

2001 The Strokes – Is This It

2002 Beck – Sea Change

2003 Placebo – Sleeping With Ghosts

2004 Kasabian – Kasabian

2005 Editors – The Back Room

2006 Johnny Cash – American V: A Hundred Highways

2007 Seasick Steve – Dog House Music

2008 The Black Keys – Attack & Release

2009 The Horrors – Primary Colours

The 2010s (so far):

2010 Warpaint – The Fool

2011 The Kills – Blood Pressures

2012 Richard Hawley – Standing At The Sky’s Edge

2013 Savages – Silence Yourself

2014 Band Of Skulls – Himalayan

2015 Wolf Alice – My Love Is Cool

2016 Leonard Cohen – You Want It Darker

So… how many of these do you own and/or like? What course would you take through the last 5 decades? I’m sure that readers will be up in arms about what’s missing.

As with other CRAVE Guitars’ challenges, this exercise wasn’t as easy as when it was first envisaged. Reflecting on the list and making a few observations…

The albums listed are not necessarily my favourites; just ones that carry some meaning within the context of the topic. See my rant of July 2016 for my suggested top 20 most influential albums, some of which also appear in this list. There were many beloved albums (and favourite guitarists – see CRAVE Guitars’ February 2017 article) that didn’t make the final list. There are some great albums by great artists that don’t appear. Some albums on the list may not be the pinnacle of achievement by the artist but they appear because of the way the selection criteria worked.

The widely-regarded, guitar-dependent and ‘important classics’ on the timeline tend to come from the 1960s and ‘70s. These albums have stood the test of time and still have relevance today. Some represent ground-breaking events and their appearance on the timeline will be of no great surprise. Why no Rolling Stones or The Beatles on this list? Well, I’m not a Beatles fan and the Stones came close for a number of years including 2016 but got pipped at the post elsewhere. No Pink Floyd? Surprisingly not. No watershed albums like, for instance, Fleetwood Mac’s ‘Rumours’, Mike Oldfield’s ‘Tubular Bells’ or Sex Pistols ‘Never Mind The Bollocks’? Not on this occasion. No manufactured boy/girl bands from the formulaic TV ‘talent’ production line (or their heinous celebrity-driven ilk)? Heck no! Real music only, please.

While the available choice of albums seemed to increase significantly from the mid‑1990s, the quality of output seemed to become more homogenous with the increase in quantity, meaning that it was harder to pick outstanding entries and, by the time the new millennium arrived, it becomes increasingly difficult to pick out the exemplary future classics from amongst the multiplicity of also-ran material. This doesn’t mean that quality deteriorated, simply that the market became increasingly saturated and tour de forces became more difficult to define. Time will tell as to which ones (if any) will have the longevity to stand out as true masterpieces.

Some years were spoilt for choice and it was a VERY hard task to select just one entry from a wealth of great albums, while other years were very sparse and it was a case of selecting from the ‘best of the rest’. For some years, there was an obvious shoo-in, while for others years it was actually quite difficult to pick a ‘winner’ from an amorphous morass of uninspiring averageness.

Within modern western popular music, it is probably not a surprise that the majority of artists in the timeline are British or American, with a smattering from elsewhere (Canada, Jamaica, Germany and Australia). Perhaps increased globalisation and geographical dispersion may introduce new influences, especially from those areas with different musical cultures, e.g. the middle east, far east, Africa and South America. Perhaps these influences, generally categorised as ‘world music’, will become more mainstream, especially as the Internet provides greater access to hitherto niche markets.

In terms of diversity, certainly the older music was male/white dominated. While a few more females populate the latter years, there is still a general shortage of female musicians in the industry. Ethnicity is predominantly white, which was a bit of a surprise and it certainly wasn’t a conscious choice. Music is one of those industries where artists from diverse backgrounds have been able to succeed and influence successive generations. As in other forms of 21st century life, ensuring equality of opportunity for everyone and the music industry depends on the best talent, rather than to segregate on the basis of specific upbringings.

Many genres were evenly distributed. However, a number of genres were under‑represented including rap/hip-hop, reggae, dance/funk/disco, etc. Surprisingly, indie music seems to have taken more of a centre stage in the noughties and tweenies, at least in this exercise. How these albums age over time will be interesting. Bands tended to feature, rather than solo artists, which was notable.

There is some pretty impressive album artwork over the half-century. It is amazing how effective musical packaging design has been. We are, sadly, long past the heyday of album art integrated with popular cultural references. I can’t see that changing with current and future media delivery systems. Why should credible artists and designers stake their reputation on, say, the latest download fad?

The rigorous application of the selection criteria was particularly challenging and may well account for some of the more obvious anomalies. A different approach might have led to a more balanced (and perhaps more predictable) result.

A slight grammatical oddity; there are 3 albums on the list whose titles are clearly prima facie questions and none of them end in a ‘?’ (1967, 1993 and 2001). Weird or what?

A number of albums on the list were debut or sophomore albums, perhaps indicating that for many artists, the pool of inventive material is more furtive early on in the limelight and, for some, success actually seems to dilute the fire of creativity, resulting in shortened professional careers. There are relatively few who have the longevity of a lifelong career. Sadly, a large proportion of the artists are no longer with us and their potential is lost forever. We miss their imagination.

When thinking about future direction within the context of the past, the outlook appears healthy and increasingly disparate, despite the broadcast media’s obsession with exploitative ‘talent’ drivel. The days when a single type of music would dominate the ‘air waves’ (remember them?) looks increasingly unlikely, simply because of the volume of new music and the ways in which it is made available to the listening public.

What will be ‘the next big thing’ and will there be any (counter-)culturally significant new genre developments like metal, new wave, punk, rave, grunge, etc.? Major mainstream step changes are possibly unlikely; the musical landscape is now so varied that anything fundamentally new is likely to be genre-specific, for example dancehall and dubstep, rather than a mass‑market popular revolution.

The emergence of completely new trends becomes less likely over time, as it can also be argued that most original ideas have pretty much been used up by now. There can only be a finite number of combinations of existing musical patterns to fuel experimentation and ultimate acceptance. The number of plagiarism litigations suggests that the future will increasingly have to recycle and re-use existing ideas, rather than create new ones. Existing genre conventions, once they have become well‑established, also tend to constrain further creativity within that particular genre. Perhaps we will see more genre cross-overs in an attempt to find that spark of innovation and inspiration.

So there you have it. It has been another interesting little challenge that has also raised a few more peripheral questions. While it doesn’t really add anything to humanity’s collective knowledge, it passes time and the task makes one think (again).

Finally, seeing as CRAVE (Cool & Rare American Vintage Electric) Guitars is all about the venerable instrument, think of all the great guitars and the guitarists that wielded them that feature on not only all the albums listed above but also all the ones that have been missed out.

This is the final monthly article before the ‘big move’ and, hopefully, things beginning to get back on track. Proverbially, I’ll see you on the other side. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “If actions speak louder than words, why can’t people hear what I’m doing?”

© 2017 CRAVE Guitars – Love Vintage Guitars.

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January 2017 – Why music affects us in the way it does

posted in: Observations, Opinion | 0

Welcome to a brand new(-sh) and shiny(-ish) 2017. One hopes that humanity comes to its senses and delivers progress towards a better, fairer, more peaceful world in the year to come. Given indications so far, I doubt it but we shall see. I hope that I’m wrong.

What will be different for CRAVE Guitars in 2017? Other than the complete change of lifestyle to a more modest form of living and the absence of any funds to take forward the vintage guitar business, it will be a year of contemplation and formation of thoughts about the future. I have to remain optimistic that CRAVE Guitars will metamorphose (again) and will flourish in some splendid new form.

Anyway… back to the present and this month’s topic, in the absence of new gear. One of the things that has fascinated me over many years is why people choose, like, and are affected by, the music they listen to. My iTunes library runs into several tens of thousands of songs, predominantly but not exclusively from the last 5 decades, so the topic is pertinent. This article tries to understand why you might like one song while I might hate it and vice versa, or why we both might like or dislike the same one. While reading, please bear in mind that my roots are completely in modern music, which comprises a massively diverse smorgasbord of contemporary music from the 1960s onwards, right up to the latest releases. While I can appreciate (some) classical or traditional music, it doesn’t impact my life in the way that ‘modern popular’ music does.

The cultural revolution (no, not the Chinese uprising of 1966-1976) that began in the early 20th century led up to the seemingly sudden introduction of rock ‘n’ roll in the mid-1950s. However, ‘modern’ rock and pop music didn’t appear fully formed overnight and its roots in blues and jazz go much further back. What the explosion in supply and demand that has occurred over the last 6 decades has done is to open up range of musical types in such a way that defining current genres and sub-genres has become increasingly difficult. In addition, technology (for instance to facilitate composition, recording, production and distribution) provides us with convenient access to types of music that hitherto might have been difficult to reach, let alone appreciate.

When I was young, my parents listened predominantly to classical and traditional music. However, this background does not appear to have influenced my personal preferences. So what did shape my listening habits while growing up in a rapidly changing world? The ‘nature versus nurture’ dichotomy doesn’t appear to be a determinant of taste and passing years don’t appear to have modified my listening behaviour significantly. Certainly my musical choices have not been passed to the next generation either, which is more than capable of making up its own mind, helped no doubt by convenient availability of music like never before. Perhaps I am unusual, which may be why I posed the rhetorical question in the first place.

You may think that this may be a ‘heavy’ topic for the start of the year (no pics either for copyright reasons! Sorry). However, I am going to try and get inside your head a little bit, so bear with me. The focus is not only on the things we tend to like collectively but also why some of the differences in musical preference between individuals can be so profound. Exploring the foundations of musical preference a bit further provided few satisfying answers and a lot of frustrating dead ends along the way. Although he may have been biased, Beethoven said it more succinctly than I can, “Music is a higher revelation than all wisdom and philosophy”.

To try and get to the bottom of this particular theme and gain some greater insight, I decided to delve a bit deeper into the subject matter. There is an awful lot of pure science behind music, especially the physics and mathematics of music ‘law’. While the scientific aspects are interesting in their own right, it was the psychological impact of music that provoked my curiosity. Let’s begin by breaking it down a bit…

One arm of musical science is called musicology. The word stems from the Greek meaning the ‘study of music’, so this seemed like a sensible starting point. Musicology, as it turns out, is largely formed of three different areas of study:

  1. Historical musicology – which is often referred to as music history (in a similar way to art history) and looks at the way that music has developed over a significant period of time. However, while this may explain the main epochs of music, it does little to explain how we ‘feel’ about the music we listen to in the current era. However, it does tend to outline what musical styles were popular through the ages and the access that ordinary people had (or didn’t have) to experience performance music
  2. Ethnomusicology – this area of music study looks at music within a cultural and/or societal context. While this may explain a bit about musical expression described by the generally common behaviours of large groups, e.g. western or far eastern music, it is very broad and doesn’t really get to the basis of individual musical preference (except within the context of a large society)
  3. Systematic musicology – is a term that covers many aspects of music including general questions about the importance of music right through to the specifics of music theory, varying in discipline, ranging from qualitative to quantitative studies

There is also a branch of musicology called cognitive musicology, although this looks more at mathematical modelling to explain how the brain processes and interprets music in a similar way to how it might process language, including learning, attention, planning and memory. Empirical studies have shown that there is a correlation between musical training and intellectual growth and a whole branch of neuropsychology has developed around this area. Functional MRI scans have shown that the brain actively responds to musical stimulus – no surprise there. Neuroscience, though, focuses primarily on biological processes, rather than emotional, responses.

Music, like language, is an integral part of our cognitive development, which might explain why musical expression is just as important as linguistic expression to nearly everyone on the planet, and has done for thousands of years. However, examining intellectual development does not explain how we, as individuals, respond to music in such a fundamental way. It also doesn’t explain the unifying force of fandom and mass hysteria, i.e. why we congregate in large groups then react disproportionately and often very rapidly to a particular movement in taste (fads?) – anyone remember Beatlemania?

Our brains generally respond to sound in a similar way. The auditory cortex works in association with the cerebellum and frontal cortex, and is responsible for processing ‘organised sound’, including music and language. While music also affects many other parts of our brains, scientists have pinpointed the areas deep in our brains that are activated by and cause emotional responses to music, primarily the amygdala and nucleus accumbens. The amygdala determines whether our bodies need to take some form of conscious action according to the sounds we hear, while the latter regulates the release of the hormone dopamine as part of the brain’s ‘reward system’ and plays a part in rhythmic timing. Dopamine is important as it makes us feel arousal and pleasure so, perhaps, music is a drug after all. Medically, our wellbeing can benefit from using music to reduce anxiety or stress, as used, for instance, in music therapy. Our reaction to music may be divided into emotions that are ‘perceived’ or ‘felt’, which might explain why, for instance, why some people enjoy listening to sad music.

Conversely, whether consciously or unconsciously, music can also be intrusive and distracting, for instance in public places or call centre queues (e.g. ‘Muzak’), when forced to listen to music we don’t like, or exposed to music inappropriately out of context, it can be linked to production of the stress hormone cortisol within the adrenal gland. One example of cortisol production as a result of an auditory stimulus may be the brain’s reaction to fingernails scraping a blackboard causing a significant antipathetic response.

Our clever brains are constantly trying to predict what comes next (technically, the anticipatory response). Many musicians have exploited this characteristic over centuries to tease us and then maximise the ‘crescendo’ effect. Auditory and visual acuity is strongly linked, which perhaps partly explains why we like to go out and watch live music or are drawn to music videos. Closing our eyes while listening to music can suppress the visual stimulus and concentrate the auditory stimulus.

So… does a better understanding of musicology or neurology help with this particular conundrum? Unfortunately, no it doesn’t. However, it does provide a broader framework within which further questions can be asked. There are clearly links between the physical mechanics and the psyche of music, so some further delving was required. Where to look next?

Music psychology was my next point of call. Music psychology is a different approach that attempts to explain musical behaviour and experience, including how we perceive music (e.g. pitch, rhythm, harmony and melody) and our ability to learn, play and perform music. Why is it, for instance, that some people are content to listen to music (i.e. be affected by it), while others are driven to acquire the skills of musical technique and perform in front of audiences (i.e. to affect others through it)?

While the answer to the question above is beyond the scope of this article, emotion is as vital for those making music as it is to the majority of us who listen to what they create. March Bolan once said, “Emotion has to be foremost. When I feel emotional I’m equipped to express myself”, and Debbie Harry also commented, “I do know the effect that music still has on me – I’m completely vulnerable to it. I’m seduced by it”. Jimi Hendrix went a bit further by saying that,Music is my religion”. To many, musical appreciation is as strong as faith, if not synonymous with it. Suffice to say, music is a powerful medium. Keith Richards expressed music in more survivalist terms, “Music is a necessity. After food, air, water and warmth, music is the next necessity of life”. How strongly do you feel about music’s professed omnipotence?

Perhaps a more relevant approach is to look at what psychologists refer to as ‘affective responses to music’. An ‘affect’ in basic psychological terms is how an organism interacts with stimuli including, amongst other things, the experience of feeling or emotion. Music is one such stimulus that leads to patterns of behaviour and regulation of our emotions. When looking a bit more deeply, even this area tends to break down into a number of factors that academics have attempted to measure. For instance, in relation to emotional music, the following formula has been postulated:

Experienced emotion = structural features x performance features x listener features x contextual features

While expressing emotion as an equation cannot hope to capture the nuances, it does indicate that the way we feel about music is actually a complex interrelationship between a number of human actions and situations. Studies have, unsurprisingly, repeatedly shown that music consistently elicits emotional responses in its listeners (duh!), so what is actually going on?

Why does some music make the hair on the back of our necks stand up? Psychologists refer to the ‘chill’ effect as ‘arousal’, which is a non-conscious physiological response to an environmental stimulus, caused by the hormone dopamine (again). How strong this reaction is depends on, as you might have guessed by now, a number of variables.

The psychology of music and the way it helps shape our genre preferences, again, tease us with answers. However, all it does is to identify that there are notable differences between us but not how or why these differences occur in the first place or why the emotional responses can be so varied and profound.

Perhaps delving into the characteristics of personality and self‑expression may provide some insight that has so far eluded my investigations? Some psychologists point to the ‘Big Five Personality Traits’ to explain and measure our ‘personality’. The ‘Big Five’ categories that shape our personality are:

  1. Openness to experience
  2. Agreeableness
  3. Extraversion
  4. Neuroticism
  5. Conscientiousness

The first two are called ‘plasticity’ traits (i.e. they tend to vary according to changes in context), while the latter three are called ‘stability’ traits (i.e. they tend to be relatively unchanging in adulthood). In relation to musical genre preferences, the plasticity traits are the ones that have greatest effect on our choice of musical gratification. In particular, researchers have found a link between openness, self‑assessed intelligence and preference for more complex music such as classical or jazz. I would argue, however, that this misrepresents the picture as there is a significant sociological and circumstantial connection going on here. Openness, however, does have an affinity for emotional response from music, as does agreeableness. Openness is also associated with ‘intense and rebellious’ music (including rock, rap, alternative and heavy metal). Extroverts also tend to prefer upbeat and energetic music (including dance, reggae and electronic music). Neuroticism is linked to the use of music for emotional regulation (including slow and sad or upbeat and happy ‘pop’ music, as well as indie music). Conscientiousness tends to be associated with an affinity for up-tempo, driving, powerful and defiant music.

Breaking things down into just five discrete factors has been criticised as simplistic, with other sub-traits tending to be incorporated within these five personality ‘dimensions’. There are also a number of other variables that co-exist interdependently of the ‘Big Five’. Psychologists have explored how individual musical preferences are affected by, for instance, age, gender, ethnicity, seasonality, familiarity, peer influence, and self‑perception. To me, location and mood are also key factors that motivate what music I listen to at any given time. What this area of study does is link personality, rather than emotions, to genre choices.

As with other studies mentioned above, investigations still focus on what the variances are but not how or why they drive our listening tastes. Clearly, all of these personality, demographic and contextual factors may help to influence genre preference but it is highly unlikely that any of them will ultimately determine it. In my opinion, the various hypotheses tend to generalise, rather than differentiate.

Personality studies get a bit closer to the core of the issue. However, it still doesn’t explain why two individuals with a similar personality and societal circumstances can still have completely opposing tastes or respond to the same piece of music in fundamentally diverse ways. Also, does our taste in music change as we age? When I was young, I assumed that I liked popular music because it was a given as part of the prevailing youth culture at the time. I also assumed that, as I got older, my musical tastes would mature into the ‘grown up’ genres such as classical or jazz. Nope. It didn’t happen and it probably won’t now. Neither do I listen predominantly to the soundtrack of my youth, although one cannot avoid the occasional reminiscence. I listen to a lot of new music as well and crave (sic!) emerging and fresh musical experiences. The same applies to guitar playing – perhaps there is a link there. As John Cage once pointed out, “I can’t understand why people are frightened of new ideas. I’m frightened of the old ones”.

In a previous article, I covered personal preference in relation to guitars. In that topic, I likened the emotional response to guitars as similar to the instinctive response that we have to attractiveness of the opposite sex. There is something about that unconscious, instantaneous and very strong, often compulsive, sensual appeal that exists but is very hard to define and articulate. To me, the same applies to music, as well as art, architecture and design. Some music has that ‘love at first sight’ written all over it and has a certain consistency of perceived aesthetic appeal, while others have a ‘grow to appreciate its deeper qualities that aren’t immediately apparent’ characteristic. Quite why some music requires multiple listens to in order to grow appreciation while other music immediately slaps you around the face is not clear. Both have their place; it isn’t a case of one is better than the other, it’s just different.

In addition, why does overfamiliarity sometimes reinforce affection in some situations while breeding contempt in others? Why do we sometimes just get bored by repeated exposure while there is some music we simply cannot tune into, no matter what? Why do we sometimes have extreme (positive and negative) reactions to what is, after all, just a piece of music? Why, also, do we adopt often very dogmatic defence of our personal preferences when challenged by others who feel equally strongly about theirs? I would also like to know why we have ‘guilty pleasures’, those potentially embarrassing tracks we really shouldn’t like but for some reason we do.

So… after all that, none of the above really gets to the root of why music evokes a strong empathetic sense of deep emotion or nostalgia (as opposed to simple familiarity). What does it say, for instance, about my personal preferences? Not a lot, actually – it’s interesting but in relation to the question in hand, it’s also a bit ‘so what?’ Where do we go from here and what more can we do to understand what makes our preferences very much our own? None of the academic disciplines or studies that I’ve looked at seem to get to the fundamentals of individual predilection.

As mentioned at the beginning, my amateur research provided few answers and raised a lot of frustrating questions. I would have expected some sense of surety (and reassurance) about my emotional state of mind. I also expected to discover that millennia of human learning would lead to a more satisfactory (or at least adequate) conclusion.

In summary, I have no easy answer in response to the title of this article. Darn it! Academia may provide a lot of informed opinion and (in my view, some refutable) evidence but it does little to satisfy my ardent curiosity. Perhaps a glib qualitative ‘because I like it’ is sufficient after all, despite its crude ambiguity and subjectivity. I therefore challenge the learned professions to come up with something better. I defy anyone to predict my preferences on the basis of the academic studies covered here. Conversely, however, it is probably relatively easy to predict my personality based on my extensive iTunes library. Perhaps we are looking through the wrong end of the proverbial telescope?

So, in the absence of incontrovertible proof, I tried to identify 20 tunes that constitute the playlist of my emotional existence. At the time of writing, the list comprises (in no particular order and excluding multiple songs from a single artist):

  1. The song that makes me go all warm and fluffy inside: The Cure – ‘Love Song’ (1989)
  2. The song that makes me sob uncontrollably like a girl: Death Cab For Cutie – ‘I Will Follow You Into The Dark’ (2005)
  3. The song that makes me want to scream with hatred: Buggles – ‘Video Killed The Radio Star’ (1980)
  4. The protest song that makes me feel like an angry young man (again): Rage Against The Machine – ‘Killing In The Name’ (1992)
  5. The song that makes me grin like an idiot: Nick Cave & The Bad Seeds – ‘O’Malley’s Bar’ (1996)
  6. The song that makes the hairs on the back of my neck stand on end: Ben E. King – ‘Stand By Me’ (1961)
  7. The song that makes me think profoundly: The Clash – ‘London Calling’ (1979)
  8. The song that makes me want to hope: Johnny Nash – ‘I Can See Clearly Now’ (1972)
  9. The song that makes me head bang like in Wayne’s World: Blur – ‘Song 2’ (1997)
  10. The track to play air lead guitar to: Led Zeppelin – ‘Kashmir’ (1975)
  11. The groove that makes me want to get up and boogie: Chic – ‘Le Freak’ (1978)
  12. The song that I wish I could have written: Louis Armstrong – ‘What A Wonderful World’ (1967)
  13. The song that I’d like to cover live: Rolling Stones – ‘It’s Only Rock ‘n Roll (But I Like It)’ (1974)
  14. The best song to get stoned to: Pavement – ‘Range Life’ (1994)
  15. The song that I can chill out to: John Martyn – ‘Small Hours’ (1977)
  16. The song that makes me depressed: Sex Pistols – ‘Pretty Vacant’ (1977)
  17. The song that lifts me out of depression: The Beloved – ‘The Sun Rising’ (1990)
  18. The song that makes me long for a balmy summer’s day: DJ Jazzy Jeff & The Fresh Prince – ‘Summertime’ (1991)
  19. The chart single from my youth: T. Rex – ‘Metal Guru’ (1972)
  20. The album track from my youth: Pink Floyd – ‘One Of These Days’ (1971)

Like many of CRAVE’s topics, it seemed an easy task on the face of it, however, as usual it turned into anything but. While contemplating the mix, I kept changing my mind depending on how I felt, which just proves how impulsive, volatile and value‑laden the subject matter is. I am not going to divulge why these particular tracks stir my sentiments, suffice to say that they do. I must stress that these aren’t necessarily favourite songs (especially no. 3!), just ones that evoke some sort of emotive response. What would be your 20 lifestyle tunes? What about all those millions of tracks that one hasn’t even discovered yet? I am not a betting person but I would propose quite confidently that it is highly unlikely that many people would share exactly the same list, and thank heaven for that… but why?

In conclusion, and as a final parting shot, I will say that extensive diversity and continual evolution in music are inherently good things. Only through variety and innovation can we closely match the way we feel with the music we listen to. Frank Zappa once stated that, “Music is always a commentary on society”. Indeed, when considered in those terms, culturally, it is problematic to separate the two. While some people are happy caught in that time warp of a certain period or are captivated by a specific genre, others like me are inquisitive and intrigued by what has been as well as what is yet to come. I look forward to ‘the next big thing’. My quest for new musical experiences is prominent and my personal choice is strongly shaped by disposition and attitude at any one point in time.

Existentially, I believe that music is essential for the healthy sustenance of the human condition, while the music you or I like is a very, very personal thing that contributes to our overall wellbeing. Leonard Cohen observed, Music is the emotional life of most people, while Robert Plant asserted similarly, “Music is for every single person that walks the planet”. The compromise between global and individual musical engagement is relevant or we wouldn’t have anything to talk (and argue) about. The similarities and, perhaps more importantly, the differences between us continually drive musical development and invention. After all, that is what motivates us guitarists to come together and create our own interpretation of music after all.

Anyhoo… I’m off to plink my planks (again) as a cathartic exercise while leaving my subconscious to attempt to unravel the mysteries of personal preference (again). Yay for the former, Sigh for the latter.

This month, I’ll finish with a quote by the late, great Ian ‘Lemmy’ Kilmister, who said, “If you think you’re too old to rock ‘n’ roll then you probably already are”. Until next time…

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