28 Nov 2023

November 2023 – Musical Machinations

by craveguitars | posted in: History, Introduction, Observations, Opinion | 0

Prelude

WELCOME ONCE MORE to CRAVE Guitars’ unhurried cruise through the planet’s turbulent waters this November 2023. While there has been much to protest about in the rapid disintegration of the prevailing ‘world order’ during the 2020s thus far, one has to grasp onto any positive prospects that may present themselves. Arising from the debris and carnage of grinding attrition, the poppies of opportunity are optimistic symbols for hope and prosperity, albeit fleeting. That’s basically all flowery language for carpe diem (from Roman lyric poet, Horace’s work, ‘Odes’ in 23 BCE – literal meaning ‘pluck the day’, commonly interpreted as ‘seize the day’).

“While we speak, envious time will have fled: seize the day, to the least extent possible trusting in the next one.” Quintus Horatius Flaccus (Horace, 65-8 BCE)

I recognise that there has been little in the way of exciting news on CRAVE Guitars core ‘business’ for many reasons outlined in the previous article (October 2023). It has been slow but it hasn’t been a total wipe‑out though and I’ll come back to that on another occasion. Here, I’m focussing purely on recorded music and principally a persistent quest to unearth something a little bit different.

Once again, no AI was used to research or write this article, only the author’s meagre cranial capacity and a bit of old school pre‑AI technology.

Context

The one upside of recent times has been an opportunity to embark on an intentional journey to explore off‑the‑beaten‑track modern music. As in physics, the musical micro‑universe is continuously expanding. The challenge is that the musical catalogue since the 1950s is absolutely massive and, with each passing day, becomes even bigger – far too much to begin with, let alone keep up with. While, on the basis that one’s knowledge is inherently extremely limited, it means that any adventure has plenty of scope for discovery, even if it is only vainly scratching the surface of the iceberg’s tip (there I go mixing metaphors again!).

“I know nothing except the fact of my ignorance.” Greek philosopher Socrates (c.470-399 BCE)

On this particular excursion into the unknown, music discovery means expanding the author’s knowledge and appreciation across many aspects of contemporary music. The exercise is about not only consolidating existing music but also about travelling lands un‑trod for new music, which may mean older music that is new to me as well as recently released music that is new to everyone.

Fortunately, 21^st Century explorations are sedate experiences. No longer do we have to fear ‘hic sunt dracones’ in ‘Terra incognita’ (here be dragons in unknown land). Note: The former derives from the Hunt‑Lenox Globe (1504), the latter from Ptolemy’s Geography (c.150).

Over far too many years than I would care to contemplate, I have been buying and listening to music. Nothing unusual about that. For many reasons (space, funds, etc.), music was largely revolved around established genre preferences. Fair enough; isn’t that what it’s all about, buy what you like and don’t bother with everything else? However, such an exercise becomes largely self‑perpetuating and insular. This I was aware of and felt that there was much more to be revealed. Where to start?

During CRAVE Guitars’ 3‑year hiatus (see last month’s article, ‘Return to and from Obscurity’), I became fascinated by exposure to ‘new’ music, rather than the habitual repetitive listening to a small repertoire of familiar choons. This is no new epiphany. When much younger, I made a point of listening to BBC Radio 1 DJ John Peel (1939‑2004) and valued his nonconformist approach towards exciting new bands and their music, especially but not solely during the punk rock era. The late John Peel may not be familiar to readers outside the UK. It was because of John Peel that I bought my very first LP album – ‘Meddle’ by Pink Floyd (1971), after he debuted it in its entirety on his late night radio show.

While so many other things were getting in my way, I consciously elected to spread my musical wings again, mainly because it is something I had wanted to do and it was actually eminently do‑able, especially economically (at first!). I engaged in the hobby of ‘crate digging’ or simply ‘digging’ in the Internet age, i.e. searching anywhere for content, online suppliers and auction sites, charity shops, second hand record shops, brick‑and‑mortar retailers, etc. Buying used albums makes the exercise much more economic, fun and sustainable.

“Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.” Chuck Berry (1926-2017)

Alternative sources include ‘recommendations’ from other music aficionados and using the Shazam app on a smart phone to identify something unfamiliar and interesting that pops up wherever one might be at the time.

One of the first steps was to identify what I had and where there were obvious gaps. I had already created a Microsoft Access database so that I could scrupulously catalogue the albums, EPs and singles in my possession. That soon ran into the application’s upper limit of 2 GB per database, so had to be split into multiple databases. Now that I readily know what I have (little), what I haven’t (massive). It also enabled me to log what I might want (a continuously growing ‘most wanted’ list). The systematic categorisation was reinforced by importing everything I had from source onto Apple iTunes. Between these two key resources, it became relatively straightforward to keep track of things. Then, it was on to, thankfully dragon‑free, pastures new.

My investigations are basically limited to modern contemporary music from the early‑mid 1950s – basically from the emergence of rock ‘n’ roll – to the current day. It also includes going back further into the history of some long‑standing top‑tier genres such as blues, country and jazz that were direct predecessors to, and influences on, everything from rock ‘n’ roll onwards, as well as continuing to evolve in their own right.

There have to be boundaries or I would go insane just collecting for collecting’s sake, which is not only unrealistic but also pointless. American rapper and entrepreneur Dr. Dre once stated that he accumulated 80,000 albums and kept them in storage, before realising just that basic error. I’m sure that somewhere out there is a comprehensive British Library‑esque collection of music releases over the last 100 or so years, catalogued for historical posterity. That would be one heck of a monumental task. My endeavours are, unsurprisingly, much, much more modest.

One has to enjoy, as well as feel that an avocation is worthwhile, or there is no worth in doing it. It is for this reason that I have to exclude classical music. For some reason, classical music leaves me stone cold dead. Always has done. I’ve tried repeatedly to get into it but to no avail. However, in contemporary music, there are styles of modern classical and minimalist music that blend, fuse or crossover into contemporary electronic sensibilities with classical instrumentation that I can grasp but I’m afraid that’s it. The likes of Max Richter, Tim Hecker, Philip Glass, Jóhann Jóhannsson, Walter/Wendy Carlos and Isao Tomita I can engage with, otherwise, meh. I genuinely apologise to classical music fans. I’m sure it’s fabulous n’all but it just doesn’t do anything for me and going down that particular rabbit hole is an experience I don’t want to pursue… so I won’t. My choice.

Here are just a few figures relevant to the 3‑year hiatus to bandy about. During that period, I’ve purchased circa 3,000 albums along with a (large) handful of EPs and the odd single. That equates to around 90 per month (averaging c.3‑ish per day). I dread to think of the gross expense but at least it is little and often, unlike buying vintage guitars. It’s also relatively quick and easy to do, filling those occasional idle moments. The last 3 years has basically doubled the hoard. The ‘most wanted’ (for want of a better term) list hovers around 1,500‑2,000 depending on timing and motivation. The ‘find out more’ about list of artists is, by comparison, relatively short at around 200‑250. The conclusion is that there is plenty of scope for improvement. Additions to the hoard cover about 100 genres with the largest proportions being mainstream ones.

I haven’t ventured into the realms of rare music collection – most albums I have been looking for are relatively available with patience and digging. Indeed, many have been from bargain bins. I can’t justify or afford two expensive artefact hobbies! Neither has this mission been to create any sort of ‘standout albums of the last 75 years’ or so. I don’t think anyone could possibly agree on what that might comprise.

Right, let’s get down to the business at hand; colouring in the sketch of the musical landscape, so to speak.

“Though this be madness, yet there is method in’t.” From ‘Hamlet’ (c.1600) by English playwright William Shakespeare (1564‑1616)

Genre gap‑filling

Like most people, one has favourite genres, so‑so ones, and disliked ones. However, to rule music out just because it belongs to a hitherto underappreciated genre tends to limit one’s exposure to some highly regarded music. As an example, I was never very keen on country music. Then I watched an 8‑part documentary called, unsurprisingly, ‘Country Music’ which first aired on American TV channel PBS in 2019. I was struck by a whole bunch of music that I was completely unaware of and had summarily discounted out‑of‑hand because of what it was labelled. I was fascinated by the documentary and what it portrayed. PBS also produced another documentary series called ‘Jazz’ from 2001 that opened my eyes to what that genre also had to offer. Both PBS series were directed by Ken Burns. Actually, finding out more about the cultural history that surrounded the genres provided a context that enhanced the experience of the music greatly. This observation reinforces the (perhaps) blindingly obvious fact that societal change and musical development are both interdependent and co‑dependent. Having fired my imagination, I extrapolated the concept to other genres as well. Sometimes, ‘various artists’ genre compilations can provide a suitable entrée to a musical world less wandered.

Are there any contemporary genres that are considered out of bounds? On the whole, other than aforementioned classical, generally no. I am up for pretty much anything, while still retaining my core preferences, which include reggae/dub, IDM/EDM, ambient electronica, downtempo/chillout, dreampunk/vaporwave, indie, alternative, heavy metal, gothic, dream pop, drone, rap/hip‑hop, shoegaze, grunge, punk, garage, funk/disco, deep house, blues, rock and neo‑psychedelia. That’s a pretty broad spectrum.

My two recent articles on ‘Dub Reggae Revelation’ and ‘Adventures in Ambient’ (August and September 2023 respectively) I think adequately demonstrate the potential of genre gap‑filling. That was just breaking down two genres.

One ‘genre’ that sits outside the normal categories is the Original Soundtrack (OST). Film and TV soundtracks tend to fall into two types, one camp compiles existing music brought together to accompany what happens on screen, while the other camp employs music composed (scored) specifically for the medium. Both camps can be helpful when discovering new music.

“I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection.” Quentin Tarantino (1963‑)

There are only so many genres (my database lists over 140 of them!) but when you consider the bewildering multiplicity of sub‑genres and micro‑genres within the umbrella of, say, heavy metal, dance or electronica, there seems no end to what can be achieved. One great thing about music is that there is always something out there somewhere to match one’s prevailing mood. Genre gap‑filling actively opens doorways into finding a whole raft of ‘new’ artists, and the next task of filling in some of the blanks was added to the ‘to‑do’ list. One simple example was a brief dalliance with Cajun and zydeco music. These originated from the 20^th Century intermixing of French Canadian Acadian immigrants, native American peoples, African slaves, and freemen in Louisiana in the deep south of the USA. Fascinating. And, thus, the search goes on.

Artist gap‑filling

There were, as you might expect, quite a few artists already covered, while there were many more that I knew about or was curious enough about to complement existing artists with ones that I hadn’t previously coveted. Some of these artists work could best be exposed by buying ‘best of’ or compilation albums, especially when I wasn’t prepared to go all out and get multiple original albums. This worked well for some artists that I wasn’t overly keen on. The relative randomness of the ‘digging’ process led to many new artist discoveries, simply through browsing and taking a gamble on something that looked intriguing. ‘Digging’ is easier in brick‑and‑mortar shops than online. Although the latter works, it is definitely much less enjoyable. We need to support our mainstream and independent record shops or they will be lost forever (as in the case of Virgin Megastores, Tower Records and many others). We almost lost the HMV chain in the UK, which would have been disastrous for high street music retail. Artist gap‑filling is a never ending expedition with untold treasures to be uncovered beyond the famous big names. Along with the household headliners, there is a multitude of lesser and unknown artists producing some fantastic music. An open mind unlocks entire vistas begging to be perused.

I soon realised that my personal favourite artists are actually few and far between, many of which have had long, consistent careers. During any artist’s long‑term output, there would inevitably be good, average and poor albums. Picking out the wheat from the chaff became an integral part of my newfound preoccupation.

Surprisingly, there are some very famous artists that simply do not resonate with me, including (believe it or not) respected giants like The Beatles and The Who. Yup. Heretical I know. I have tried over and over to get into them but without success.

There are many lesser known artists that I really like at the moment and only time will tell whether they create any sort of lasting legacy. I came across many great artists that I hadn’t even heard of, many with surprisingly extensive back catalogues. They are all out there, just waiting to be found. I realised that artist gap‑filling was the simplest way to stretch one’s listening goal posts. And, thus, the search goes on.

“For me, to turn people on to new music, on to things that are going on in the world, is important.” Nikki Sixx of Mötley Crüe (1958‑)

Release gap-filling

One logical method was to fill obvious gaps in some of the existing artists’ back catalogues or the solo careers by members of established bands. I would have some releases but not others, generally through an essentially arbitrary process, rather than any sort of systematic approach. Some additions were credible releases, while with others, there turned out to be an obvious reason why they weren’t there in the first place. Oops. Other avenues to explore in addition to studio albums include live albums, EPs, singles, compilations, dubs, remixes and various artist DJ mixes. This process wasn’t intended to be comprehensive – some releases simply weren’t/aren’t available, some have been long discontinued while others were obviously a waste of space anyway. Some albums were originally on limited release and have subsequently become rare and valuable. I know that there are plenty of collectors out there prepared to pay vast sums for some of these one‑offs. I’m not in that game and can’t afford to be. There are still plenty of missing pieces but broadly speaking the main bases have (possibly) been covered.

It would be all too easy to fall into the trap of ‘completism’, i.e. getting absolutely everything released by an artist. Given how prolific some artists are, completism would be a venture all unto itself. Frank Zappa has released over 50 studio albums, Brian Eno over 65, Johnny Cash over 75, Lee Perry over 80, Tangerine Dream over 100, and Willie Nelson over 130, not including live albums, EPs, singles, compilations, videos and bootlegs. From now on, release gap‑filling will be a case of diminishing returns, as the gaps decrease along with the overall quality of content.

One notable trend during the coronavirus pandemic was a proliferation of live music releases. Artists couldn’t get out on tour and many couldn’t access recording studios, so record labels scoured existing unreleased resources as a pragmatic stop gap during the lockdowns. Some of these live concert recordings are OK and many would normally be regarded as superfluous under ordinary circumstances. However, when needs must. One silver lining to arise out of the so‑called ‘Chinese Virus’ plague has been the rate and quality of subsequent studio releases once the ‘new normal’ was established. And, thus, the search goes on.

“I look forward to the future – and going into the studio to make new music.” Diana Ross (1944‑)

Record label gap‑filling

Some collectors also go for label gap‑filling but that’s a step too far for me, although there are some great independent labels worth giving a shout out to, such as Ninja Tune, Italians Do It Better, PIAS, Sub‑Pop, XL‑Recording, Jamaican Recordings, 4AD, Bella Union, Pressure Sounds, On‑U Sound, Ariwa Sounds and Hyperdub Records. Beyond the major corporations, there are thousands of record labels out there, so chasing artists and releases starting with a record label is neither quick nor easy. If it wasn’t for the small independent labels, though, we would be subject to commercially driven mainstream mediocrity. However, the method of looking at artists belonging to a certain label can prove promising for finding ‘new’ artists, which can then lead directly onto gap‑filling of their previous works.

“John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.” Jimmy Page (1944‑)

Musical discovery

There is much to be said for and against ‘taking a punt’ on something with which one is unfamiliar. Sometimes it works, sometimes it doesn’t but there is always some sense of eager anticipation involved in lucky dips. This intentionally random exercise can lead onto other artists, and so on, basically ad infinitum. Due to the finite number of listening hours in any given day, week, month, year, this means that some music can only be listened to once or twice, while others warrant repeated auditions. Buying one‑off listens is not really very productive but it happens. One day, they can be re‑used by going to someone who might appreciate them more than I do. Often, genuine appreciation or enjoyment can only be gained by listening multiple times, especially with more experimental, leftfield or avant‑garde music.

“What motivates us is always new music.” Nuno Bettencourt (1966‑)

While physical media has been a main source of content for at least the last 40 years, this is rapidly changing. According to Spotify in 2021, over 60,000 tracks are uploaded to their platform every day. One, perhaps, might wonder about the depth of quality behind such figures. I know I do but then again, I’m a sceptic. There is no shortage of music to discover and no hope of listening to even a tiny fraction of it all. Spotify is also the platform that boasts the most effective method of curated music discovery. Even so, there is still a lot of inherent chance to finding something that will stay with you over the years. One might think that genuinely new discoveries would be infrequent, especially as time goes on. Far from it in practice.

Just one example, I recently came across late Canadian composer, Mort Garson (1924‑2008), renowned for his album, ‘Mother Earth’s Plantasia’ (1976), tag lined, ‘warm earth music for plants… and the people who love them’. When looking more into him and his music, I felt that, somehow, I should have been more aware of him before now. There is plenty of info on him on the hinterwebby thingummy but our meandering paths had not crossed before now. This sort of experience, which many readers who are familiar with Garson will probably snicker at my evident naivety. Such experiences are annoyingly common.

“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.” Mark Knopfler (1949‑)

So, after all that preparatory exposition, you might well be wondering, just who the heck has been ‘discovered’? Here are just a few artists that I came across during the last 3 years. Some of which readers may know, some not. I might, though, challenge anyone to tick them all off so as to expose, pour scorn and ridicule my raw ignorance for what it is, sheer witlessness. Time to position the currency where my oral cavity is (lol!). The following list covers any genre and is in alphabetical‑ish order (Note: These are indicative only and should not be regarded as recommendations)…

*Shels, 100 Gecs, 2814, 9 Lazy 9, A.M.P. Studio, A Winged Victory for the Sullen, Agnes Obel, AK/DK, Aggrolites, The Airborne Toxic Event, The Album Leaf, Arms And Sleepers, Atoms For Peace, Autechre, Be, Benis Cletin, Bent, Big Thief, Blue In Tokio, The Burning Of Rome, Burnt Friedman, Cave In, Chezidek, Clark, Cloud Control, Craven Faults, Creation Rebel, Deadbeat, Deptford Goth, Desire, Devics, Dirty Loops, Divination, Dubkasm, Dynamic Syncopation, Ekoplekz, Ethel Cain, Fink, Flanger, Fragile State, Gallows, George Faith, Girls In Synthesis, Glass Candy, Goblin Cock, Helium, Hint, How To Dress Well, Hybrid, I. Benjahman, The Irresistible Force, Ital Tek, King Creosote, Konx‑Om‑Pax, Labradford, Laurel Halo, Lemonade, Lindsheaven Virtual Plaza, Loop Guru, LoveTrio, Machinedrum, Male Bonding, Man With No Name, Martyn, Midnight Juggernauts, My Sleeping Karma, ott, Plastikman, PreCog, Pretty Girls Make Graves, Psychonauts, Pure Bathing Culture, Purity Ring, The Qemists, Rakoon, Red House Painters, Rhombus, RJD2, Romare, Scrapper Blackwell, SkyTwoHigh, Sleep Token, The Slew, Sentre, Some Girls, Sparklehorse, StarOfAsh, Steve Roach, Suckle, Sunda Arc, Sundara Karma, Sunmonx, Swayzak, Symmetry, The Syncope Threshold, T e l e p a t h, Temu, Trembling Blue Stars, The Vacant Lots, Vessels, Wooden Shjips, Yellowcard and Yppah.

… plus many, many, many more. Phew! Some amazing, some good, some interesting, a few less so, etc. One may wonder how many of these artists – regardless of how ‘good’ they are – may attain the superstar status of, say, another Rolling Stones or The Beatles from the ‘good old days’. Not many, I’ll wager. And, thus, the search goes on.

“The times, they are a‑changin’” Bob Dylan (1941‑).

Physical media

From the beginning of recording and playback in 1877 (although there were earlier experiments dating back to 1857), with Thomas Edison’s phonogram, first through wax cylinders and then shellac discs, followed by vinyl discs with the advent of the gramophone, people have been collecting music. For decades, vinyl was really the only practical medium for collectors. Collecting became more popular by the late 1970s with magazines dedicated to the hobby and suggesting values for some rarer releases. Magnetic recording technology added to, rather than replaced, vinyl and became popular with reel‑to‑reel, eight track (remember that?) and audio cassettes.

Portable music was made possible for the masses by the Sony Walkman (TPS‑L2), introduced in 1979, using the then‑ubiquitous analogue compact cassette. Perhaps the most significant portent for the demise of physical media was the introduction of the Apple iPod way back in 2001, sadly now no longer made, which led into the convenient access to music on the go, now with today’s smart phones.

Digital music, mainly through the introduction of digital music Compact Discs (CDs) in 1982 led to a revolution in collecting. CD sales peaked in 2000 at over 2.5 billion worldwide accounting for 91% of the market. By 2020 sales had fallen 95% and accounted for only 5% of global sales. However, CD sales increased again in 2021, although it is too early to predict a revival. The introduction of downloads and streaming has significantly impacted CD sales, precipitating a dramatic decline in physical album sales, as more and more consumers switched to digital streaming services.

Some alternative digital formats arrived in the wake of CD but didn’t survive for long, including Sony’s Mini Disc and DAT (Digital Audio Tape), as well as Philips’ DCC (Digital Compact Cassette). HDCD (High Definition Compatible Digital) and SACD (Super Audio CD) were promising but ultimately failed to supersede CD.

By the 1990s, I had disposed of my collection of then‑seemingly redundant vinyl LPs and singles (and my turntable) and embarked on collecting CDs, starting off with replacing what I had on vinyl and then adding new content over time. Ditching vinyl was something I might have regretted, but don’t. Vinyl represents nostalgia to me and I’m not going back. It is neither practical, desirable nor possible to embark on such a regressive approach now. At the time of writing, my music hoard of CDs comprises well over 6,000 releases by over 2,500 artists. This conglomeration has recently been organised into over 50 crates packed to the gills with the little silver discs. That equates to around 85,000 tracks on iTunes and counting. I don’t know whether this is a lot or not, with all things being relative. Currently, CD remains my main medium of choice. I predict that CDs will not become totally extinct and will experience a resurgance at some point.

The advent of CD was a catalyst to the long‑running analogue versus digital debate. For what it’s worth, my view is the debate is not about encoding, it’s about something far more subjective. Vinyl reproduction flatters music in a way that digital doesn’t and that appeals to us. Digital is technically superior but not as warm and cuddly as vinyl. Simples. Fans of analogue still swear that digital is a poor representation of real music. Fans of digital swear that analogue (and even digital CD) is outmoded and obsolete. That’s a lot of swearing. Streaming has added further fuel for opposing viewpoints with the compressed versus lossless argument. The truth is, does it really matter? As long as we enjoy the music, that’s what counts, isn’t it? Focus on the content, not the carrier. If we have a preference, make the most of it. I do think that the audiophile press is somewhat hypocritical in only going along with the latest tech after having criticised it before it became commercially established. That way, we all keep buying new kit. That is a personal opinion. Ain’t hindsight great?

“The digital world is so convenient and nice, but just playing back a vinyl record is a much warmer, hotter, more present feeling.” Steve Miller (1943‑)

Music streaming

A brief recap of developments may be in order, so a short diversion first. Let us rush past the short‑lived phenomenon of downloads, which have largely been superseded by streaming (which includes off‑line listening). The storage problem associated with physical media has led to the next revolution in listening, which is to dispense with physical media altogether and access music on remote servers held in huge data centres somewhere. This marks a watershed where the listener no longer owns a tangible product but only purchases the right to listen to it. You cannot easily donate tracks to charity or sell purchased music on to other people. Mixtapes? A thing of the past. How unromantic. All this is, to me, a major drawback. I like having something tangible that I can pick up, look at, read the liner notes, view the artwork and so on. Somehow, the old‑school ownership of a physical item is something I value. Streaming just seems like an ephemeral audition of someone else’s music, rather than something personal, bestowed by genuine ownership. Is this simply a transitional symptom? Probably, maybe.

Although streaming was introduced in the early 1990s, it wasn’t until the launch of Napster in 1999, using the new compressed MP3 digital format and exploiting new Internet‑based Broadband services, that downloads and streaming became widely popular. The licensed subscription music service Spotify was launched in 2008, rising from the ashes of the flirtatious fleeting dalliance with illegal downloads. Once again, the industry ‘big boys’ have found a way to re‑assert their dominance over us. Digital streaming now accounts for more than 80% of global music industry revenues.

The Internet and the major music streaming platforms (Spotify, Apple Music, Tidal, Deezer, Qobuz, Amazon Music, YouTube Music, etc.) have facilitated exploratory listening greatly while, at the same time, enabling artists to gain exposure in a way that they couldn’t previously through the traditional studio/record label system. Streaming generally can be on demand, through curated playlists or via Internet radio stations. All are valuable resources for the curious listener. The streaming platforms often state that they have 100,000,000 (100m) or more tracks available to customers. In practice, this is both a mind‑boggling and meaningless figure. There is such a thing as too much choice. It also gives some sense of scale, although it may call into question the balance between volume and quality. Suddenly, my meagre 85,000 tracks seems somewhat miniscule in comparison. I do, however, find it a sign of progress when more than 50 crates of CDs can be stored on an SSD (Solid State Disc) that’s less than half the size of a cigarette packet (remember those too?).

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” John Cage (1912‑1992)

Another problem exposed by streaming is that there is now plenty of material that is not distributed or sold on physical media at all and is only available via the Internet. Streaming‑only releases are essentially simpler and cheaper than managing traditional physical distribution channels. It also pushes new customers towards expensive streaming subscriptions whereby they earn money whether they are used or not. Talk about milking a cash cow! This online‑only approach affects some genres more than others but it means that, in order to continue with this ambitious side project of mine, streaming has become a necessary additional resource. In effect, physical and virtual music has to co‑exist; being an ‘and’ rather than an ‘either/or’ approach. For info, after much deliberation, CRAVE Guitars subscribes to Apple Music.

Some streaming services provide high definition listening, such as Tidal, and they charge a premium for it. Others, such as Spotify are content to go for volume at low definition. The lesson to take from this is that streaming services are not all alike despite peddling similar wares to punters.

“You pays your money and take your choice” A British lexicographic irregular that first appeared in print in Punch magazine in 1846

Does streamed high definition music (i.e. better than CD quality) make a difference to most listeners? Big question. Well, apparently, not really. The evidence suggests that most average (i.e. non‑industry) people cannot tell the difference in blind listening tests conducted under ‘normal’ conditions. Trained listeners can, allegedly, differentiate formats but “If there’s any discernible difference, it’s so subtle and so slight, you’d have to be somebody who’s been in the business for decades like me to hear it.” (recording and mixing engineer, Prince Charles Alexander, Berklee Online study, 2019). A case of fidelity vs artistry vs money, always good for an argument. Why on Earth spoil music listening by teaching people to identify comparative digital encoding anomalies when they are so small as to be meaningless? Spotify’s strategic positioning seems to agree, while Tidal doesn’t. People who go down the high definition route are, perhaps, hedging their bets. If they have the best, it doesn’t matter whether they can hear a difference or not. No doubt there is some audiophile snobbery lurking in there too. For the sake of throwing my two penny worth into the ring, I can neither tell the difference nor can I be bothered to waste my time trying to spoil the enjoyment that music brings by attempting to do so. Time for some good ol’ fashioned snake oil to leech the contents from your bank account?

Does streaming stop me ‘digging’ for used CDs? NO. Does it stop me buying new CDs? NO. Does it encourage me to buy more CDs? Actually, YES. I still prefer to purchase and store music on CD, while recognising the inevitability of embracing the dark side of streaming culture. On the basis that vinyl and cassette have seen a popular resurgence, CD is not going away anytime soon. In practice, and probably being totally hypocritical in doing so, I tend to rip music from CD on iTunes and then stream (or rather cast) it to my music system. I know that this practice probably makes little sense but, for me, it is the best of both worlds, I have the physical media and the convenience of digital storage. Which leads neatly onto…

CRAVE Guitars’ ‘music room’

If you read my October 2023 article, ‘Return to and from Obscurity’, you will know of the sad loss of ‘mi media naranja’ (my better half) due to the vile and relentless ravages of cancer. Initially crestfallen, once accepting the loss, I set about repurposing the small ‘dining room’ which had been my wife’s bedroom into a dedicated ‘music room’, used for noodling on vintage guitars and listening to recorded music. NO TV or clock allowed! Having previously lost our home and the vast majority of our belongings (another story altogether!), I had to rebuild a hi‑fi from scratch which, in itself, was quite an exciting experience, along with uniquely decorating the room to provide a suitable listening/playing environment. It took a year of painful sacrifices involving the sale of some beloved A/V gear (I’m also a film & TV buff) to raise funds and some lengthy (re)searching for used ‘bargains’. I fully acknowledge that this indulgence seems an excess of a luxury, given everything else but other things had to be compromised to enable it. My choice.

The ‘music room’ is used every day for music listening. For those who are interested in the techy side of things, the main hi‑fi system comprises:

Naim Uniti Core music server with 2TB SSD storage
Naim ND5 XS2 music streamer
Naim CD5 Si CD player
Bryston BP17 pre-amplifier
Bryston 4BSST power amplifier
PMC Twenty.24 floor standing speakers

While this is neither a high‑end system nor a budget system, it has been carefully selected to meet the need for critical and enjoyable listening of both physical and streamed music (and within budget). My 500 or so most preferred CDs are immediately to hand in the room, as well as being stored in lossless digital form on the music server, thereby also making them available throughout the house via Wi-Fi (in due course). It’s certainly more than good enough for my tired, aging ears. Being pragmatic, the electronics are, after all, only a means to an end, which is to stimulate an emotional response through music.

At this point, you may be wondering whether I actually listen to all that music. Fair question. Well, yes, is the answer. There wouldn’t be much point in writing about it if I didn’t experience the results of my labours. While I try very hard, there may be the odd track here or there that gets shunted down a listening list but I would hope that’s the exception, rather than the rule. Heck, it’s a tough job but someone’s got to do it!

“Don’t tell me baby you gotta go, I got the hifi high and the lights down low” from, ‘I Need Your Love Tonight‘ (1959) by Elvis Presley (1935‑1977)

Personal top 20 ‘desert island’ albums

Depending on mood, I do go back to long‑term favourites, simply for the comfort and familiarity of a ‘known quantity’. Like chatting with an old friend. At the outset, I said this wasn’t about compiling any sort of ‘best albums of the last 75 years’. That doesn’t mean that there aren’t some albums for which I hold a special affection and which have been part of the hoard for many years (so not ‘new’). Here are 20 of them, all pretty well known mainstream releases, and which I feel have stood the test of time. Regular readers will see no surprises here. This is very much a personal list, chosen at the time of writing – it would undoubtedly be different on different days/weeks/months. Some entries hold special meaning and are therefore highly evocative.

I call this my ‘desert island’ security list. That is, if I could only have 20 albums as a castaway, what would they be? Perhaps, more accurately, it could also be called ‘top 20 memories’ or ’20 comfort classics’. Now how’s all that for wistful nostalgia? For what it’s worth, here is today’s list:

The Cure – Disintegration (1989)
Black Sabbath – Black Sabbath (1970)
The Doors – L.A. Woman (1971)
Pink Floyd – Meddle (1971)
John Martyn – Solid Air (1973)
Steve Hillage – L (1976)
Talking Heads – Remain In Light (1980)
Lee “Scratch” Perry – Roast Fish, Collie Weed & Corn Bread (1977)
Rage Against The Machine – Rage Against The Machine (1992)
Burning Spear – Garvey’s Ghost (1976)
Bob Marley & The Wailers – Live! (live) (1975)
Deep Purple – Made In Japan (live) (1972)
Nick Cave & The Bad Seeds – Push The Sky Away (2013)
Depeche Mode – Violator (1990)
Massive Attack – 100^th Window (2003)
David Bowie – Let’s Dance (1983)
Burial – Untrue (2007)
Tangerine Dream – Rubycon (1975)
John Lee Hooker – Boom Boom (1993)
Beck – Sea Change (2002)

“Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” Ludwig van Beethoven (1770-1827)

The future

OK, that’s the past, so now let’s take a brief, casual look at what may happen into the near future. While vinyl is doing remarkably well and CD is showing possible signs of life, it is clear that streaming is the future until something better comes along. It is certainly in the interests of the music industry to retain tight control over their valuable assets, although many artists say that the practice is detrimental to their income. However, this actually means little to the consumer. Better returns for the companies and artists simply mean higher prices for the public who have no say in the matter. The reality is that the few rich get much richer and the many poor get much poorer; sadly the dysfunctional norm of the modern capitalist world.

The commercial interests of multinational companies like Sony BMG, Universal, EMI and Warner Brothers rule their respective roosts. Interestingly, the major corporations don’t own the streaming companies, unlike in the parallel dimension of film and TV where the studios control all levels of vertical integration.

Mega‑artists with mega‑egos to match like Taylor Swift, Madonna, Adele, Jay‑Z/Beyoncé, U2, KISS, Dr. Dre, Timberlake and Ed Sheeran, along with many other big names in the lofty reaches of the higher socioeconomic hierarchy are laughing hysterically all the way to their already mega‑well‑stocked tax‑free offshore bank accounts. The industry ‘big four’ major record labels and powerful business artists together make up a resilient ‘pyramid of power’, that will continue to dominate the economics of the music biz for many years to come. Sadly, your ordinary talented hard working musicians don’t attract such filthy lucre. When push comes to shove, it’s all about the money. T’was ever thus, or more accurately…

“Oh! Ever thus from childhood’s hour” from the poem, ‘The Fire Worshippers’ (1817) by Irish writer and poet, Thomas Moore (1779‑1852)

Perhaps more worrying for creative artists and for many music enthusiasts is that the focus is clearly moving away from coherent album releases and more towards the production of single tracks out of context of other material by the same artist. By that statement, I don’t mean a rejuvenation of chart singles, which have long ceased to mean anything. The evidence shows that people are streaming individual songs, rather than a collection of tracks that would historically have made up a cohesive LP. Just look at the streaming stats of albums on any digital online platform and the predominance of maybe one or two tracks over the rest is unmistakeable. There is a feedback loop that encourages artists to change the way they make music and which goes on to influence curated playlists, radio coverage and, ultimately, sales, then repeat. The modern equivalent of the old‑fashioned radio playlist.

In 2016, it was reported that album releases were plummeting while EPs and single tracks were skyrocketing. Will we ever see (or, rather, hear) any more all‑time classic albums like ‘Sgt Pepper’s Lonely Hearts Club Band’, ‘Dark Side Of The Moon’, ‘Rumours’ or ‘Thriller’? Only time will tell. Will the way that music is created, distributed and accessed mark the death knell of the ‘album’ as we know it? Highly likely, but not just yet. The album may, like many things, see a revival. We’ll just have to wait and see (if we live long enough). Personally, I grew up with the antiquated concept of the album or LP, so it retains a certain sensibility but, then again, I am destined for premature oblivion myself, so what the heck do I know?

The topical buzz around Artificial Intelligence (AI) will inevitably play its part in music creation with virtual artists and AI composed tracks. It’s already here and can only evolve from here on. AI isn’t new, its roots go back to 1956 and the American Dartmouth College in New Hampshire. AI generative music goes back to the mid‑1990s. Is AI a threat? The jury is currently out. Thankfully, if AI is used for music, literature and art, it won’t be used to annihilate mankind (except, perhaps, through technological mediocrity). The ultimate demise of humans is up to humans, directly or indirectly, at least for now. Who needs doomsday generative AI when we all have to endure the antics of egregious corrupt despots like Putin, Xi, Kim and too many others of their insane immoral ilk? Don’t you just love mankind’s determined destiny of denial and doom? I digress (again).

“If we don’t end the war, war will end us.” H.G. Wells (1866‑1946)

One certainty is that music will survive in its manifold forms. One hopes that tired and clichéd genres like the current vapid world of commercial pop and dance music since the new millennium will rejuvenate into something more interesting at some point. Conversely, let us also hope that the more dynamic genres don’t descend to the deplorable depths of hideous homogeneity.

Musicians will proliferate. Music will proliferate. The way we access music will change. Whatever happens, change is inevitable and it will be fascinating to see how it evolves and how we adapt. Music as an essential component of the human condition will prevail in one form or another as long as humans exist. Music is, after all, a phenomenon unique to the human race. Thank goodness for that. And, thus, the search goes on.

“When I hear music that parents hate, or older musicians hate, I know that’s the new music. When I hear older people saying, ‘I hate rap or techno’ I rush to it.” George Clinton (1941‑)

Amateur musicology?

I do not pretend to be some sort of self‑appointed authority on contemporary music. My main obsession is still vintage guitars and vintage guitar gear. Perhaps, though, my passion for music predated my addiction to guitars. Over the decades my love of modern music does, I believe, provide a reasonable insight into the science as well as art of music, with a little alchemy thrown in for good measure.

Strictly speaking, musicology is the analysis and study of music. Musicology belongs to the humanities and social sciences, although some music research also belongs to the fields of psychology, sociology, acoustics, neurology, anthropology and computer science.

Musicology covers three general disciplines; music history, new musicology (the cultural study of music) and ethnomusicology (the study of music in its cultural context). For the life of me, I can’t really (be bothered to) differentiate between the last two of those.

Clearly, I cannot compete with professional experts in the field and my research methods are hardly scholarly. I am, however, happy to be an amateur sleuth, as it allows for significant enjoyment. Music should be overwhelmingly pleasurable, rather than playing second fiddle to methodical and clinical academic enquiry. Again, my choice.

“After silence, that which comes nearest to expressing the inexpressible is music” Aldous Huxley (1894-1963)

In addition, and hopefully obviously to readers by now, I also play music (very badly it must sadly be said). I wouldn’t hoard vintage guitars unless I could actually conjure up something vaguely creative and emotional out of them. Perhaps interestingly, I don’t play other people’s music; I much prefer to ‘do my own thing’ for better or worse. Usually the latter.

I am incessantly amazed at what I don’t know. I know that shouldn’t be the case, but society tends to prejudge ignorance as a weakness and expertise as a virtue. What others regard as the blatantly obvious is utterly oblivious to me until I encounter it. However, isn’t that what exploration and discovery is all about?

If we accept that “Music is the universal language of mankind” Henry Wadsworth Longfellow (1807-1882), one can only trust that exploration is the means by which we enhance and articulate our own individual musical linguistic skills.

Musicology may not be quite the right word for my approach towards modern music but I sure can’t think of a better one. Musicology Lite perhaps? Deluded dilettante? Possibly. Biased? Definitely. We all have our own opinions, right? And, thus, the search goes on.

“Music is the strongest form of magic.” Marilyn Manson (1969‑)

Sex, Drugs & Rock ‘n’ Roll

Musicology suggests an interest in music psychology, which is how music affects the cognitive functions of the human system. Building on some of my opinionated comments last month, here’s a thought for the day. Let us remember that music carries with it enormous power to improve our mental health and wellbeing. Music can boost serotonin, dopamine, endorphin and oxytocin levels that work on the pleasure receptors of the brain. Put simply, these magic substances can act as effective natural anti‑depressants and can help to improve both mood and behaviour. All in all, mostly good stuff then. As we all know, music, can also irritate the heck out of us sometimes, so remember to love what you love.

Now here’s an interesting diversion into music cultural history. All three human activities, sex, drugs and music directly affect the pleasure centres of the brain, so there is something scientific behind the old rockers’ adage, ‘Sex, Drugs and Rock ‘n’ Roll’ after all. While some suggest the phrase came from Ian Dury’s 1977 single, its roots derive from a much earlier hendiatris, ‘wine, women and song’, emanating from Germany in the 1770s, although there is some debate as to who actually coined it. Many scholars attribute its origins date back even further to theologian, Martin Luther.

“Wer nicht liebt Wein, Weib und Gesang, der bleibt ein Narr sein Leben lang. (Who not loves not wine, women and song, remains a fool his whole life long).” Martin Luther (1483‑1546)

The first modern use of the phrase was printed in a LIFE magazine article that dates from 1969, “The counter culture has its sacraments in sex, drugs and rock.” In 1971, The Spectator magazine printed, “Not for nothing is the youth culture characterised by sex, drugs and rock ‘n’ roll.” Ian Dury certainly made the most of it.

CRAVE Guitars ‘Record of the Month’

Once again, as this is a bit of an outlier in the overall scheme of CRAVE Guitars’ articles, I cannot leave without at least mentioning one of those albums that warrants repeat listening (for me). While last month, I was clinging onto sultry summer with dub reggae, this month, with the rapid decline into grim winter, I’m going for something a little more contentedly contemplative.

Biosphere – Microgravity (2015 reissue of the 1991 studio album with additional tracks). Biosphere is electronica artist, Geir Jenssen (1962‑) from Tromsø, Troms, Norway. The 16 tracks fall broadly into the ambient, ambient techno, ambient house, field recording and progressive electronica genres. Microgravity was Biosphere’s debut studio album. Laidback ambient grooves are a wonderful way to escape and transport one’s consciousness into an otherworldly, serene dimension, great for relaxation, stress relief and focus. It is also great for testing the hi‑fi.

“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die” from the play, ‘Twelfth Night’ (c.1601/1602) by William Shakespeare (1564-1616)

Tailpiece

Well that’s another monthly article done and dusted. Number 75 to be precise since I started writing CRAVE Guitars’ articles way back in November 2014. It’s come a long way.

I am genuinely grateful to be in the position whereby I am able freely to undertake such projects as this one. The author is acutely aware of the extreme difficulties faced by innocents around the globe.

The pursuit of new stuff is unlikely to abate now that it has begun in earnest. Is there anything I regret uncovering? Nope. I try hard not to regret anything; I would rather use any missteps along the way as a learning experience. Are there any guilty pleasures that have been adopted? Probably, but now isn’t the time or place for shaming my deviant musical proclivities! Surprises? Plenty. Pleasure? A mixed bag. Top tips? A few. Anticipation? Always.

What is most encouraging is that there is an almost unlimited wealth of awesome, incredible music out there waiting to be discovered if you want to look hard enough. Enjoy!

The plan is to get back to more CRAVE Guitars core raison d’être for the next article. However, we all know what happens to “the best laid schemes o’ mice an’ men” from the poem, ‘To a Mouse’ (1785) by Scottish poet Robert Burns (1759‑1796), so no promises. OK? Thanks for reading.

Peace, love, truth and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Material possessions feed the vanity of the ego, while music nourishes the spirit and sustains the soul”

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30 Apr 2020

April 2020 – The Story of Modern Music in 1,500+ Facts – Part XIII

by craveguitars | posted in: History, Introduction, Observations | 0

April 2020 – The Story of Modern Music in 1,500+ Facts – Part XIII

Introduction

For anyone out there still surviving the appalling ‘coronapocalypse’ that is undermining and unravelling civilisation around us as we speak, it’s good that you are hanging in there and hope you’re staying healthy and safe. Take a moment and spare a thought for the many who aren’t as lucky and those that have succumbed to the deadly virus. While the general response to the pandemic shows the best characteristics in most people, it also starkly reveals the sheer idiocy and irresponsibility of a not‑insignificant proportion of the population. Shame.

Thank you again for taking the time to visit CRAVE Guitars for the latest instalment of this epic series. Given the horrifying circumstances out there, your presence here is welcomed and very much appreciated. I only hope that it can provide some idle distraction from more serious issues facing us all.

It seems that this is this is a tale that just keeps on telling. I never thought it would reach these proportions when I started out on it, just over a year ago now! I trust this 13^th part of the series is not unlucky. If you suffer from triskaidekaphobia (fear of the number 13) or even primonumerophobia (the fear of prime numbers), it may be advisable to think of this as part 12a or, to be trendy, 12+.

As has become traditional, if you would like to (re)visit any or all of the first 12 parts (and 370 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part XIII

In the last article, I presented an array of quotes about music uttered by a diverse range of non‑musicians. This time, guess what? Yep, perhaps somewhat predictably, we’re looking at quotes about music by musicians or, to be strictly more accurate, music professionals. While this is clearly a heavily skewed sample of the population expressing themselves on the wonder (or otherwise) of music, their vocabulary is revealing about what it means to them and others. As you can imagine, musicians have quite a lot to say about their passion, hence the sheer panoply of relevant observations on all things musical. There are also a couple of sneaky lyrics thrown in just for good measure.

For this article, I have omitted quotes explicitly about the guitar as a musical instrument; these were, I felt, adequately covered in the equivalent part of the companion series, ‘November 2018 – A Potted History of the Guitar: Epilogue’.

Simply because of my obsession with the world’s most popular instrument, the quotes tend to be biased towards those with some sort of connection to the guitar, although not exclusively so. I make no apology for this, it’s just the way it has turned out. Some of the quotes are very well known and may well be familiar, while others are somewhat more obscure but still worth extolling. If nothing else, I hope they inspire you to think about mankind’s unique affiliation with music a little differently.

Like last month, the quotes are in alphabetical order of the person, rather than their quote or any sort of chronological order. After much deliberation and messing around with different formats, I finally decided to lay these quotes out in a table. This is, perhaps, the most accessible and economical way of presentation, even though it means repeating the person being quoted in many instances. I apologise if that is not the best way for you to read the content.

Quotes about music by musicians

Right… let’s go. Enjoy.

Music drives you. It wakes you up, it gets you pumping and, at the end of the day, the correct tune will chill you down	‘Dimebag’ Darrell Abbot (1966-2004)
Music is something that should speak for itself, straight from the heart. It took me a long time to understand that	Damon Albarn (1968-)
Music to me is the air that I breathe, it’s the blood that pumps through my veins that keeps me alive	Billie Joe Armstrong (1972-)
If you have to ask what jazz is, you’ll never know	Louis Armstrong (1901-1971)
Music is life itself. What would this world be without good music? No matter what kind it is	Louis Armstrong (1901-1971)
Musicians don’t retire; they stop when there is no more music left in them	Louis Armstrong (1901-1971)
When I was a little boy, I told my dad, ‘When I grow up, I want to be a musician.’ My dad said: ‘You can’t do both, Son’	Chet Atkins (1924-2001)
The true beauty of music is that it connects people. It carries a message, and we, the musicians, are the messengers	Roy Ayers (1940-)
Don’t cry for me, for I go where music is born	Johann Sebastian Bach (1685-1750)
I think it’s good if a song has more than one meaning. Maybe that kind of song can reach far more people	Syd Barrett (1946-2006)

I would rather write 10,000 notes than a single letter of the alphabet	Ludwig van Beethoven (1770-1827)
Music comes to me more readily than words	Ludwig van Beethoven (1770-1827)
Music is a higher revelation than all wisdom and philosophy	Ludwig van Beethoven (1770-1827)
Music is like a dream. One that I cannot hear	Ludwig van Beethoven (1770-1827)
Music is the mediator between the spiritual and the sensual life	Ludwig van Beethoven (1770-1827)
Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend	Ludwig van Beethoven (1770-1827)
Music should strike fire from the heart of man, and bring tears from the eyes of woman	Ludwig van Beethoven (1770-1827)
To play a wrong note is insignificant; to play without passion is inexcusable	Ludwig van Beethoven (1770-1827)
I can’t live one day without hearing music, playing it, studying it, or thinking about it	Leonard Bernstein (1918-1990)
Music can name the unnameable and communicate the unknowable	Leonard Bernstein (1918-1990)
This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before	Leonard Bernstein (1918-1990)
I grew up thinking art was pictures until I got into music and found I was an artist and didn’t paint	Chuck Berry (1926-2017)
Music is an important part of our culture and record stores play a vital part in keeping the power of music alive	Chuck Berry (1926-2017)
If you play music for no other reason than actually just because you love it, the skills just kinda creep up on you	Nuno Bettencourt (1966-)
Music can change the world because it can change people	Bono (1960-)
Music fills in for words a lot of the time when people don’t know what to say, and I think music can be more eloquent than words	Bono (1960-)
I had to resign myself, many years ago, that I’m not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does	David Bowie (1947-2016)
I wanted to prove the sustaining power of music	David Bowie (1947-2016)
My theory is this; I’m not a political songwriter. I’m an honest songwriter	Billy Bragg (1957-)
It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony	Benjamin Britten (1913-1976)
I guess all songs is folk songs. I never heard no horse sing them	Big Bill Broonzy (1893-1958)
I only got a seventh-grade education, but I have a doctorate in funk, and I like to put that to good use	James Brown (1933-2006)
I don’t really need to be remembered. I hope the music’s remembered	Jeff Buckley (1966-1997)

Punk was defined by an attitude rather than a musical style	David Byrne (1952-)
We don’t make music, it makes us	David Byrne (1952-)
With music, you often don’t have to translate it. It just affects you, and you don’t know why	David Byrne (1952-)
You create a community with music, not just at concerts but by talking about it with your friends	David Byrne (1952-)
Music is the divine way to tell beautiful, poetic things to the heart	Pablo Casals (1876-1973)
Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does	Johnny Cash (1932-2003)

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me – like food or water	Ray Charles (1930-2004)
Music is about the only thing left that people don’t fight over	Ray Charles (1930-2004)
Music to me is like breathing. I don’t get tired of breathing. I don’t get tired of music!	Ray Charles (1930-2004)
Music is powerful. As people listen to it, they can be affected. They respond	Ray Charles (1930-2004)
The important thing is to feel your music, really feel it and believe it	Ray Charles (1930-2004)
Music became a healer for me. And I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family	Eric Clapton (1945-)
Music will always find its way to us, with or without business, politics, religion, or any other bullshit attached. Music survives everything	Eric Clapton (1945-)
The point is, technology has empowered so many musicians, you know?	Stanley Clarke (1951-)
If it’s illegal to rock and roll, throw my ass in jail!	Kurt Cobain (1967-1994)
I have one message for young musicians around the world: Stay true to your heart, believe in yourself, and work hard	Joe Cocker (1944-2014)
I want to read… poems filled with terror and music that changes laws and lives	Leonard Cohen (1934-2016)
If I knew where the good songs came from, I’d go there more often	Leonard Cohen (1934-2016)
Music is the emotional life of most people	Leonard Cohen (1934-2016)
Nobody leaves this place without singing the blues	Albert Collins (1932-1993)
Simple music is the hardest music to play and blues is simple music	Albert Collins (1932-1993)
Musicians understand each other through means other than speaking	Ry Cooder (1947-)
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable	Aaron Copland (1900-1990)
There’s a lot of integrity with musicians; you really still aspire to grow, and be great, to be the best version of yourself you can be	Sheryl Crow (1962-)
Every song is like a painting	Dick Dale (1937-2019)
I don’t play pyrotechnic scales. I play about frustration, patience, anger. Music is an extension of my soul	Dick Dale (1937-2019)
If songs were lines in a conversation, the situation would be fine	Nick Drake (1948-1974)
This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway	Bob Dylan (1941-)
I have a curiosity that compels me to find ways to make music that are fresh and new	The Edge (1961-)
Music is such a great communicator. It breaks down linguistic barriers, cultural barriers, it basically reaches out. That’s when rock n’ roll succeeds, and that’s what virtuosity is all about	The Edge (1961-)
You see, rock and roll isn’t a career or hobby – it’s a life force. It’s something very essential	The Edge (1961-)
My idea is that there is music in the air, music all around us; the world is full of it, and you simply take as much as you require	Edward Elgar (1857-1934)
I merely took the energy it takes to pour and wrote some blues	Duke Ellington (1899-1974)
I need drama in my life to keep making music	Eminem (1972-)
If people take anything from my music, it should be motivation to know that anything is possible as long as you keep working at it and don’t back down	Eminem (1972-)
Aggressive music can only shock you once. Afterwards, its impact declines. It’s inevitable	Brian Eno (1948-)
I’m a painter in sound	Brian Eno (1948-)
I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work	Brian Eno (1948-)
You should play with real musicians; the best music comes from real people interacting with each other	John Fogerty (1945-)
It really is an honor if I can be inspirational to a younger singer or person. It means I’ve done my job	Aretha Franklin (1942-2018)
Finding a good band is like finding a good wife. You got to keep trying till you find the right one	Ace Frehley (1951-)
That’s what Kiss is all about – not just music, but entertainment, y’know? We’re there to take you away from your problems, and rock and roll all night and party every day for those two hours you’re at the concert	Ace Frehley (1951-)
I enjoy being able to express myself and the band is the perfect way of doing that	Keith Flint (1969-2019)
Music is the wine that fills the cup of silence	Robert Fripp (1946-)
Hardly a day goes by without me sticking on a Muddy Waters record	Rory Gallagher (1948-1995)
Life is a lot like jazz… it’s best when you improvise	George Gershwin (1898-1937)
A song without music is a lot like H2 without the O	Ira Gershwin (1896-1983)
Until you learn to play what you want to hear, you’re barking up the wrong tree	Billy Gibbons (1949-)
Too many young musicians today want to win polls before they learn their instruments	Benny Goodman (1909-1986)
Never lose faith in real rock and roll music. Never lose faith in that. You might have to look a little harder, but it’s always going to be there	Dave Grohl (1969-)
Anyone who used more than three chords is just showing off	Woody Guthrie (1912-1967)
I’ve never missed a gig yet. Music makes people happy, and that’s why I go on doing it – I like to see everybody smile	Buddy Guy (1936-)
Listen to the lyrics – we’re singing about everyday life: rich people trying to keep money, poor people trying to get it, and everyone having trouble with their husband or wife!	Buddy Guy (1936-)
Music is the tool to express life – and all that makes a difference	Herbie Hancock (1940-)
I do know the effect that music still has on me – I’m completely vulnerable to it. I’m seduced by it	Debbie Harry (1945-)

Music is a safe kind of high	Jimi Hendrix (1942-1970)
Music is my religion	Jimi Hendrix (1942-1970)
My goal is to be one with the music. I just dedicate my whole life to this art	Jimi Hendrix (1942-1970)
We plan for our sound to go inside the soul of a person… and see if they can awaken some kind of thing in their minds	Jimi Hendrix (1942-1970)
If I’m going to sing like someone else, then I don’t need to sing at all	Billie Holiday (1915-1959)
Music is the only thing I’ve ever known that doesn’t have any rules at all	Josh Homme (1973-)
Great music seems to come from a lot of angst, and that angst is from great musicians getting together with intense chemistry. When that chemistry isn’t there, people tend not to write great music	Peter Hook (1956-)

I don’t like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don’t have no style. It’s a deep feeling-you just can’t stop listening to that sad blues sound. My sound	John Lee Hooker (1912-2001)
It’s never hard to sing the blues. Everyone in the world has the blues	John Lee Hooker (1912-2001)
No matter what you got, the blues is there	John Lee Hooker (1912-2001)
Poor people have the blues because they’re poor and hungry. Rich people can’t sleep at night because they’re trying to hold on to their money and everything they have	John Lee Hooker (1912-2001)
The blues tells a story. Every line of the blues has a meaning	John Lee Hooker (1912-2001)
When I die, they’ll bury the blues with me. But the blues will never die	John Lee Hooker (1912-2001)
I had the one thing you need to be a blues singer, I was born with the blues	Lightnin’ Hopkins (1912-1982)
Ain’t but one kind of blues and that consists of a male and female that’s in love	Son House (1902-1988)
The blues is not a plaything like some people think they are	Son House (1902-1988)
I don’t think punk ever really dies, because punk rock attitude can never die	Billy Idol (1955-)
Rock isn’t art, it’s the way ordinary people talk	Billy Idol (1955-)
Ladies and gentleman, I’ve suffered for my music, now it’s your turn	Neil Innes (1944-)
To have someone to relate to and hopefully enjoy the music and get a positive message out of it, to make the best music that we possibly could, those were the goals	Janet Jackson (1966-)
I believe that through music we can help heal the world	Michael Jackson (1958-2009)
I believe we should encourage children to sing and play instruments from an early age	Mick Jagger (1943-)
You start out playing rock ‘n’ roll so you can have sex and do drugs, but you end up doing drugs so you can still play rock ‘n’ roll and have sex	Mick Jagger (1943-)
My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I like to think I did that	Etta James (1938-2012)
I grew up in a world that told girls they couldn’t play rock ‘n’ roll	Joan Jett (1958-)
If nothing else, music lets you know that you’re not alone	Joan Jett (1958-)
Music is healing. It’s a really powerful thing, not to be taken lightly	Joan Jett (1958-)
I think music in itself is healing. It’s an explosive expression of humanity. It’s something we are all touched by. No matter what culture we’re from, everyone loves music	Billy Joel (1949-)
Musicians want to be the loud voice for so many quiet hearts	Billy Joel (1949-)
Music has healing power. It has the ability to take people out of themselves for a few hours	Elton John (1947-)
I been studyin’ the rain and I’m ‘on drive my blues away	Robert Johnson (1911-1938)
Some people tell me that the worried blues ain’t bad. Worst old feelin’ I most ever had	Robert Johnson (1911-1938)
The blues is a low down achin’ chill	Robert Johnson (1911-1938)
If you think you’re too old to rock ‘n’ roll then you are	Ian ‘Lemmy’ Kilmister (1945-2015)
And as long as people have problems, the blues can never die	BB King (1925-2015)
Notes are expensive… spend them wisely	BB King (1925-2015)
I think no matter what kind of music you play, there will be moments when you feel like it’s all been done before	Kerry King (1964-)
Music is my life, it is a reflection of what I go through	Lenny Kravitz (1964-)
And I think for me, any great art is art which communicates human emotion	Greg Lake (1947-2016)
The bottom line is that musicians love to make music and always will	Jennifer Lopez (1969-)
If being an egomaniac means I believe in what I do and in my art or music, then in that respect you can call me that… I believe in what I do, and I’ll say it	John Lennon (1940-1980)
Songwriting is like… being possessed. You try to go to sleep but the song won’t let you	John Lennon (1940-1980)
Music is an extraordinary vehicle for expressing emotion – very powerful emotions. That’s what draws millions of people towards it. And, um, I found myself always going for these darker places and – people identify with that	Annie Lennox (1954-)
Nothing pleases me more than to go into a room and come out with a piece of music	Paul McCartney (1942-)
I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that	Malcolm McLaren (1946-2010)
The popularity of punk rock was, in effect, due to the fact that it made ugliness beautiful	Malcolm McLaren (1946-2010)
Music is born out of the inner sounds within a soul	John McLaughlin (1942-)
Actors always want to be musicians, and musicians want to be actors	Marilyn Manson (1969-)
Music is the strongest form of magic	Marilyn Manson (1969-)
My music fights against the system that teaches to live and die	Bob Marley (1945-1981)
My music will go on forever. Maybe it’s a fool say that, but when me know facts me can say facts. My music will go on forever	Bob Marley (1945-1981)
One good thing about music, when it hits you, you feel no pain	Bob Marley (1945-1981)
I’m just a musical prostitute, my dear	Freddie Mercury (1946-1991)
Life is too short to listen to bad music	Freddie Mercury (1946-1991)
What I look for in musicians is a sense of infinity	Pat Metheny (1954-)
All musicians are subconsciously mathematicians	Thelonious Monk (1917-1982)
A musician’s or artist’s responsibility is a simple one, and that is, through your music to tell the truth	Tom Morello (1964-)
Music inflames temperament	Jim Morrison (1943-1971)
Music is the magic carpet that carries poetry	Jim Morrison (1943-1971)
Music is spiritual. The music business is not	Van Morrison (1945-)
You can’t stay the same. If you’re a musician and a singer, you have to change, that’s the way it works	Van Morrison (1945-)
Three chords and the truth – that’s what a country song is	Willie Nelson (1933-)
If it’s too loud, you’re too old	Ted Nugent (1948-)
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me then, still lifted me during those other times	Jimmy Page (1944-)
I’m all about inspiring young musicians to get out there and express themselves through music	Orianthi Panagaris (1985-)
Master your instrument. Master the music. And then forget all that bullshit and just play	Charlie Parker (1920-1955)
Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out of your horn	Charlie Parker (1920-1955)
They teach you there’s a boundary line to music. But, man, there’s no boundary line to art	Charlie Parker (1920-1955)
You can’t go to the store and buy a good ear and rhythm	Les Paul (1915-2009)
If children are not introduced to music at an early age, I believe something fundamental is actually being taken from them	Luciano Pavarotti (1935-2007)
I don’t know, my music has always just come from where the wind blew me. Like where I’m at during a particular moment in time	Tom Petty (1950-2017)
Music is probably the only real magic I have encountered in my life. There’s not some trick involved with it. It’s pure and it’s real. It moves, it heals, it communicates and does all these incredible things	Tom Petty (1950-2017)
I don’t know how much more expressive you can get than being a rock and roll singer	Robert Plant (1948-)
Music is for every single person that walks the planet	Robert Plant (1948-)
I like music that’s more offensive. I like it to sound like nails on a blackboard, get me wild	Iggy Pop (1947-)
Music is life, and life is not a business	Iggy Pop (1947-)
‘Punk rock’ is a word used by dilettantes and heartless manipulators about music that takes up the energies, the bodies, the hearts, the souls, the time and the minds of young men who give everything they have to it	Iggy Pop (1947-)
Rock and roll music, if you like it, if you feel it, you can’t help but move to it. That’s what happens to me. I can’t help it	Elvis Presley (1935-1977)

I’m always happy. I’m never sad. I never slow down. I’m constantly occupied with music	Prince (1958-2016)
Music is music, ultimately. If it makes you feel good, cool	Prince (1958-2016)
The hardest thing with musicians is getting them not to play	Prince (1958-2016)
The key to longevity is to learn every aspect of music that you can	Prince (1958-2016)
I am flattered to have been the woman to have opened the door for female rockers to be accepted into the mainly male industry	Suzi Quatro (1950-)
Rock n’ roll! It’s the music of puberty	Suzi Quatro (1950-)
Music is enough for a lifetime but a lifetime is not enough for music	Sergei Rachmaninoff (1873-1943)
I never saw music in terms of men and women or black and white. There was just cool and uncool	Bonnie Raitt (1949-)
The great thing about the arts, and especially popular music, is that it really does cut across genres and races and classes	Bonnie Raitt (1949-)
All punk is is attitude. That’s what makes it. The attitude	Joey Ramone (1951-2001)
Rock ‘n’ roll is very special to me. It’s my lifeblood	Joey Ramone (1951-2001)
The only love affair I have ever had was with music	Maurice Ravel (1875-1937)
Music is the greatest communication in the world. Even if people don’t understand the language that you’re singing in, they still know good music when they hear it	Lou Rawls (1933-2006)
Music should come crashing out of your speakers and grab you, and the lyrics should challenge whatever preconceived notions that listener has	Lou Reed (1942-2013)
My God is rock ‘n’ roll	Lou Reed (1942-2013)
My music, I hope, takes 100% of your concentration. I know how to do that	Trent Reznor (1965-)

If you don’t know the blues… there’s no point in picking up the guitar and playing rock and roll or any other form of popular music	Keith Richards (1943-)
Music is a language that doesn’t speak in particular words. It speaks in emotions, and if it’s in the bones, it’s in the bones	Keith Richards (1943-)
Music is a necessity. After food, air, water and warmth, music is the next necessity of life	Keith Richards (1943-)
Rock and Roll: Music for the neck downwards	Keith Richards (1943-)
To make a rock ‘n’ roll record, technology is the least important thing	Keith Richards (1943-)
I’ve always said music should make you laugh, make you cry or make you think. If it doesn’t do one those things, then you’re wasting everybody’s time	Kenny Rogers (1938-)
Texas is a hotbed of insanely good bands and musicians	Henry Rollins (1961-)
The musician is perhaps the most modest of animals, but he is also the proudest	Erik Satie (1866-1925)
Anyone who loves music can never be quite unhappy	Franz Schubert (1797-1827)
There is no such thing as happy music	Franz Schubert (1797-1827)
When you play, never mind who listens to you	Robert Schumann (1810-1856)
Songs won’t save the planet, but neither will books or speeches	Pete Seeger (1919-2014)
The music that I have learned and want to give is like worshipping God. It’s absolutely like a prayer	Ravi Shankar (1920-2012)
Music is forever; music should grow and mature with you, following you right on up until you die	Paul Simon (1941-)
Music is feeling. You can try to verbalize it. It really just hits you or it doesn’t	Gene Simmons (1949-)
Artists, musicians, scientists – if you have any kind of visionary aptitude, it’s often something that you don’t have a choice in. You have to do it	Patti Smith (1946-)

I don’t think I’ll ever write a song that’ll ever move me as much as ‘Faith’, that’ll change my life as much as that song did, or encapsulates a period of my life as well as that one does	Robert Smith (1959-)
I do a job I really, really love and I kind of have fun with. People think you can’t be grown up unless you’re moaning about your job	Robert Smith (1959-)
I had no desire to be famous; I just wanted to make the greatest music ever made. I didn’t want anyone to know who I was	Robert Smith (1959-)
I honestly don’t class myself as a songwriter. I’ve got ‘musician’ written on my passport. That’s even funnier	Robert Smith (1959-)
I lose myself in music because I can’t be bothered explaining what I feel to anyone else around me	Robert Smith (1959-)
The best music is essentially there to provide you something to face the world with	Bruce Springsteen (1949-)
Half the battle is selling music, not singing it. It’s the image, not what you sing	Rod Stewart (1945-)
If you play music with passion and love and honesty, then it will nourish your soul, heal your wounds and make your life worth living. Music is its own reward	Sting (1951-)
A painter paints pictures on canvas. But musicians paint their pictures on silence	Leopold Stokowski (1882-1977)
I haven’t understood a bar of music in my life, but I have felt it	Igor Stravinsky (1882-1971)
My music is best understood by children and animals	Igor Stravinsky (1882-1971)
Too many pieces of music finish too long after the end	Igor Stravinsky (1882-1971)
People have told me songs I’ve written have changed their life. That`s remarkable. That keeps your faith	Joe Strummer (1952-2002)
Punk rock isn’t something you grow out of. Punk rock is an attitude, and the essence of that attitude is ‘give us some truth’	Joe Strummer (1952-2002)
I believe 100 percent in the power and importance of music	James Taylor (1948-)
I never wanted to get rich or be a star. I’m an old bastard but I’m still playing! That’s the point	Bernie Tormé (1952-2019)
Music acts like a magic key, to which the most tightly closed heart opens	Maria von Trapp (1905-1987)
Music – what a powerful instrument, what a mighty weapon!	Maria von Trapp (1905-1987)
Music is a great natural high and a great natural escape	Shania Twain (1965-)
I’m always pursuing knowledge; I’m a seeker of spiritual equilibrium – and music is a big part of that	Steve Vai (1960-)
Music really is a way to reach out and hold on to each other in a healthy way	Stevie Ray Vaughan (1954-1990)

I don’t know if any genuine, meaningful change could ever result from a song. It’s kind of like throwing peanuts at a gorilla	Tom Waits (1949-)
I like beautiful melodies telling me terrible things	Tom Waits (1949-)
Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who’s connected with it, the studio’s gone, the musicians are gone, and the only thing that’s left is this recording which was only about a three-minute period maybe 70 years ago	Tom Waits (1949-)
The universe is making music all the time	Tom Waits (1949-)
I been in the blues all my life. I’m still delivering ‘cause I got a long memory	Muddy Waters (1913-1983)
My blues are so simple but so few people can play it right	Muddy Waters (1913-1983)
The blues had a baby and they called it rock and roll	Muddy Waters (1913-1983)
Being a musician is a noble profession	Paul Weller (1958-)
Music is very spiritual, it has the power to bring people together	Edgar Winter (1946-)
I think the blues will always be around. It just takes one person to make people aware of the blues	Johnny Winter (1944-2014)

I couldn’t do no yodelin’, so I turned to howlin’. And it’s done me just fine	Howlin’ Wolf (1910-1976)
I don’t play anything but the blues, but now I could never make no money on nothin’ but the blues. That’s why I wasn’t interested in nothin’ else	Howlin’ Wolf (1910-1976)
I just play blues for fun	Howlin’ Wolf (1910-1976)
When you ain’t got no money, you got the blues	Howlin’ Wolf (1910-1976)
Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it	Stevie Wonder (1950-)
Music is a world within itself, with a language we all understand	Stevie Wonder (1950-)
The musical soundscape is an endless road	Zakk Wylde (1967-)
I am probably the last of a generation to be able to gain an education in country music by osmosis, by sitting in a ’64 Ford banging the buttons on the radio	Dwight Yoakam (1956-)
I think the most important thing about music is the sense of escape	Thom Yorke (1968-)
Rock and roll is here to stay	Neil Young (1945-)
There’s an edge to real rock ‘n’ roll. It’s all that matters	Neil Young (1945-)
I don’t understand this phrase ‘I’ve paid my dues’. We didn’t have any money and lived on peanut butter and jelly, and I loved it. I don’t regret any of it. We never expected to make it this far, but we worked hard to get here	Ronnie Van Zant (1948-1977)
If prisons, freight trains, swamps, and gators don’t get ya to write songs, man, y’ain’t got no business writin’ songs	Ronnie Van Zant (1948-1977)

A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians	Frank Zappa (1940-1993)
All the good music has already been written by people with wigs and stuff	Frank Zappa (1940-1993)
Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is THE BEST	Frank Zappa (1940-1993)
Jazz is not dead, it just smells funny	Frank Zappa (1940-1993)
Most people wouldn’t know music if it came up and bit them on the ass	Frank Zappa (1940-1993)
Music is always a commentary on society	Frank Zappa (1940-1993)
There are more love songs than anything else. If songs could make you do something we’d all love one another	Frank Zappa (1940-1993)
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid	Frank Zappa (1940-1993)
You can’t always write a chord ugly enough to say what you want to say, so sometimes you have to rely on a giraffe filled with whipped cream	Frank Zappa (1940-1993)

Tailpiece

Well, the above represents a veritable roll call of music royalty covering multiple centuries. As you might have expected, these maxims from musicians about music are often passionate, heartfelt and powerful, almost beyond words. The historical male dominance of the industry is clear and look forward to more female music professionals being credited for their insightful observations in the future.

There is, as mentioned last month, a certain irony in using plain words to articulate the meaning of music but that is just the medium I’m using. I would encourage you to listen to the source material for many of the elements covered in this series so far. There is a lifetime of ever‑growing musical exploration to be had out there.

CRAVE Guitars posts a ‘quote of the day’, both about music and more generally about ‘life, the universe and everything’ (Douglas Adams) every day on Twitter and Facebook. The previous article and this one have allowed me to draw from that broader research and to focus resources on the collective wisdom of this particular theme.

Having now done two consecutive articles on quotations, you are probably all quoted out by now, so be reassured that there won’t be any more for a while (except my traditional personal observation at the end of every article). As far as I can tell, this is the penultimate article in this long series, which means that, all being well, we should culminate the next month, as scheduled. As a bit of bait, I will leave you to ponder what else might be espoused in the way of a conclusion. Any guesses?

Despite the global shutdown of society, I’m sticking to what I know and love doing, which is to continue my mission to share with anyone who may be interested some selfishly selected stuff about ‘Cool & Rare American Vintage Electric’ Guitars. Weirdly, I am actually very comfortable in splendid seclusion and I would be quite happy to continue a relatively hermetic lifestyle whatever comes to pass. In the meantime, above all, please look after yourselves and take care – stay home, stay safe. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “True wealth is appreciating what you have now and neither grieving for what you might have had nor for what you may wish to have”

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29 Nov 2019

November 2019 – The Story of Modern Music in 1,500+ Facts – Part IX

by craveguitars | posted in: History, Introduction, Observations | 0

Introduction

Welcome to the end of the 20^th Century. Not actually, of course, that was 20 years ago now. I mean, in the ‘Story of Modern Music’, having covered almost 350 years so far, welcomes you to the very end of the century that really transformed mankind’s potential and bestowed opportunities hitherto unforeseen and unthought‑of, including musically.

If you would like to (re)visit any of the first eight chapters of the story to‑date, you can do so here (each link opens a new browser tab):

I did think of trying to compress the last three decades into a single article and then thought better of it on the grounds that doing so might diminish the impact of the period within the overall picture. So, just for now, the millennial years will have to wait. The result is that the 1990s will have its own dedicated article, although it will be a slightly more diminutive read compared to the previous five decades/articles.

The Story of Modern Music Part IX 1990-1999

It is quite tricky to pinpoint exactly what the ‘90s meant to music devotees. It seemed to depend where you lived, your age and, perhaps, what socio‑economic ‘class’ you belonged to. Whether it was grunge, alternative, Britpop or dance music that floated your boat, there was a new and exciting scene to associate with and belong to. The psychological attachment to a musical style was important to many, especially young people who were looking for some structure to life while the old order of social and political systems seemed to be disintegrating around them. Although not quite as disobedient and defiant as previous musical archetypes, there was still an underlying seething resentment of ‘the man’, which various groups saw as attempting to control their chosen form of exuberant self‑expression. In a sense, they were tapping into the anger of the marginalised.

With previous decades, it was notable that births of familiar artists outnumbered deaths, while the ‘90s saw that trend beginning to reverse. Many future artists that may well achieve sustained fame may have been born in the ‘90s but not yet discovered, while the stars of previous eras are getting, let’s be honest, a bit long in the tooth.

Similarly, it is becoming difficult to distinguish what definitive musical gems will rise from the seeming homogeneity of releases to become revered as ‘classic’ in years to come. Arguably, the 1990s marked the last vestiges of milestone singles and albums. From then on, listening habits began to change fundamentally and that, in turn, changed the way we regard significance, at least through the traditional lens of sales figures.

Historical Context 1990-1999

Some commentators called the 1990s as the ‘best decade’, although that clearly depended on your circumstances and point of view! The dawn of the 1990s experienced widespread international political restructuring, especially in Eastern Europe following the end of the Cold War and the fracturing of the communist Eastern Bloc. The 1990s also saw the growth in environmental consciousness based on dire scientific predictions about global warming and climate change. Ironically, scaremongering about ‘greenhouse gases’ led to an expansion of ‘green’ industries in developed countries. Similarly, many commentators observed signs of societal dysfunctionality, leading to prescient dystopian novels such as ‘Generation X’ by Douglas Coupland (1991), ‘Random Acts Of Senseless Violence’ by Jack Womack (1992), and ‘Prozac Nation’ by Elizabeth Wurtzel (1994). The wealth gap between the haves and have‑nots was striking; a morally unjustifiable trend that would only worsen from the 1990s onwards. The increase in the pace of technological change in post‑industrial countries fuelled the migration towards ‘digitocracies’ and resulted in manufacturing being outsourced to low‑cost developing countries on a massive scale. A period of unprecedented growth in the use of the Internet fuelled unsustainable speculation in the value of high‑tech companies, known broadly as the ‘dot‑com bubble’, a phenomenon that was bound to burst, which it ultimately did. Many companies that had become reliant on IT during the decade were fearful of the impact of Y2K on computer systems that were not prepared for the turn of the millennium.

Year	Global Events
1990	Following the fall of the Berlin Wall and the collapse of soviet communism, East and West Germany were reunited as the Federal Republic of Germany. Political internee and equal rights campaigner, Nelson Mandela was released from prison after serving 27 years. His return to freedom effectively marked the end of apartheid in South Africa. The ground breaking American cult TV series Twin Peaks burst onto screens. Created by David Lynch and Mark Frost, and starring Kyle MacLachlan. It is considered a landmark in television drama. NASA’s Hubble Space Telescope, named after American astronomer Edwin Hubble, was launched into low Earth orbit. The telescope was designed to look into deep space. The first Middle East Gulf War started after Iraq invaded and annexed neighbouring Kuwait. A U.S.‑led coalition of 35 countries responded with Operation Desert Storm resulting in a coalition victory.
1991	Communist rule of the soviet USSR ended, resulting in a break up into a number of separate countries. The dismantling of the communist state effectively ended the 45‑year old Cold War between Russia and America. British computer scientist and engineer, Tim Berners-Lee posted a short summary of the World Wide Web project, effectively launching the Internet, initially to research institutions and then to the general public.
1992	The infamous Los Angeles riots took place after 4 LAPD officers were acquitted of using excessive force in the arrest of African-American Rodney King the previous year. The incident had been videotaped and broadcast widely on TV, sparking renewed civil rights activism. Founded in 1918, Central European country Yugoslavia descended into bitter civil war in Bosnia and Herzegovina, a devastating military conflict that lasted until 1995.
1993	Democrat politician Bill Clinton became the 42^nd president of the U.S.A. Another massive American cult TV series, The X-Files was first broadcast, created by Chris Carter and starring David Duchovny and Gillian Anderson. The European Union (EU) succeeded the European Economic Community (EEC) when 12 countries signed the Maastricht Treaty, signalling a process of closer political and economic union.
1994	The trilateral North American Free Trade Agreement (NAFTA) between the U.S.A., Canada and Mexico came into effect. Anti-apartheid revolutionary and politician Nelson Mandela was elected as president of South Africa. He was the country’s first black head of state and the first to be elected in a fully representative democratic election. The Provisional Irish Republican Army (IRA) declared a cease fire in Northern Ireland, paving the way for de‑armament and the subsequent peace process. The 38Km (23.5mile) Channel Tunnel rail link beneath the English Channel from Folkestone in England to Calais in France was opened for business.
1995	The phenomenally successful multi‑national online auction and e‑commerce website eBay was launched, founded by entrepreneur Pierre Omidyar and based in San Jose, California. Former professional American footballer O.J. Simpson was found not guilty of the double murder of former wife Nicole Simpson and her friend, Ronald Goldman. The criminal trial, held in Los Angeles, was widely broadcast on TV.
1996	Dolly the sheep became the first mammal to be cloned from an adult cell by using nuclear transfer in Scotland, UK. Dolly died in 2003 at the age of 6. Heir to the British throne, Prince Charles was formally divorced from Diana, Princess of Wales in London.
1997	The British crown colony of Hong Kong was returned to Chinese sovereignty as a Special Administrative Region of the People’s Republic of China after 156 years of British rule. Diana, Princess of Wales, was killed in a car crash in the Pont de l’Alma tunnel in Paris, France at the age of 36. Her lover, Egyptian socialite Dodi Fayed, was also killed in the crash, sparking many conspiracy theories. Albanian-Indian Roman Catholic nun and humanitarian missionary Mother Teresa died of a heart attack in Rome at the age of 87. The Pacific Rim countries were hit by the major Asian Financial Crisis, starting in Thailand and spreading rapidly across east and southeast Asia, resulting in an international financial contagion that threatened a severe worldwide economic meltdown.
1998	The male virility drug Sildenafil, commonly known as Viagra, became available for use in America. It was originally discovered by pharmaceutical company Pfizer as a treatment for heart‑related chest pain. The Internet search engine Google Search was launched. It is the most widely used search engine on the World Wide Web, with over 90% market share in 2019, handling more than 5 billion searches per day. Multinational technology giant, Apple Inc. launched the highly successful iMac computer. The multilateral Good Friday Agreement was signed in Belfast by the Republic of Ireland and Britain as part of the on-going Northern Ireland peace process. The first module of the International Space Station (ISS) was launched into low Earth orbit. The ISS has served as a multinational microgravity research laboratory.
1999	The Euro became the official single currency for the majority of European Union (EU) countries, known commonly as the Eurozone. The security of the Euro is overseen by the European Central Bank in Frankfurt, Germany. Politician, Vladimir Putin became President of Russian Federation, succeeding former president, Boris Yeltsin.

Musical Genre Development 1990-1999

The 1990s was a decade of sometimes dysfunctional music set against a background of major political change and social polarisation/alienation.

One phenomenon of the 1990s that isn’t genre‑specific but which built on the perennial success of pop music was the ‘boy band’ and its all‑girl equivalent. Artists included Backstreet Boys, Boyz II Men, *NSYNC, Take That, Westlife, All Saints, S Club 7, Spice Girls and Destiny’s Child. The record company ‘manufactured’ bands didn’t have it all their own way; solo pop music artists were also highly successful during the 1990s, including Britney Spears, Christina Aguilera, Justin Timberlake, Jessica Simpson, and Mandy Moore.

American heavy metal saw a resurgence including bands like Metallica, Megadeth, Slayer and Pantera achieving massive popularity. Meanwhile, British heavy metal was also prospering with NWOBHM bands such as Def Leppard, Judas Priest and Iron Maiden.

Hip‑hop became increasingly divisive, inciting gang warfare, gun violence and drug use, fuelling rivalry between east and west coast artists, and resulting in a number of high profile deaths including Tupac Shakur and the Notorious B.I.G.

The English ‘Manchester movement’ (or ‘Madchester’ as it was often called) was strong in the late 1980s and early ‘90s. The scene centred on venues like the Haçienda nightclub in Manchester, run by post‑punk band New Order and led by local bands such as Stone Roses, Happy Mondays and The Charlatans, although the latter were actually based in the west midlands. The music isn’t necessarily a genre per se, it was more of a loose social and cultural grouping that also encompassed fashion, art and media. The OTT craziness of the Manchester scene was faithfully represented in the film ’24 Hour Party People’, made in 2002, directed by Michael Winterbottom. Other artists associated with the vital hotpot based around the UK’s North West were The Verve, Inspiral Carpets and James, as well as Scottish band Primal Scream. The Manchester ‘baggy’ zeitgeist would be important in the growth of the drug‑fuelled rave scene later in the decade.

A fusing of genres led to the emergence of trip hop as a discrete genre that grew from its roots in Bristol, UK and was pioneered by artists like Massive Attack, Tricky, Portishead, Morcheeba and Sneaker Pimps. Sometimes referred to as ‘downtempo’, it is typified by taking electronica, hip‑hop, house, funk, dub, soul and psychedelia and creating something altogether different and fresh. While its roots were clearly experimental and atmospheric, trip hop was influential in that it led to other popular mainstream forms that became subsumed in the electronic dance craze (see below) of the 1990s and early 2000s, including breakbeat, bigbeat, drum ‘n’ bass, IDM, dubstep and acid jazz. Like the Manchester movement, trip hop was very much a UK‑led genre, which had little mainstream success in the U.S.

Like punk before it, alternative rock and its counterpart, experimental noise rock, is a musical genre that railed against the major record corporations that ran the music business and the mainstream pop and rock products they marketed. Independent producers and record labels that existed outside the studio system were very much part of an active underground movement, particularly in America, and this is where a number of bands came to public attention at the start of the 1990s. Compared to the mainstream, alternative artists found it relatively difficult to garner wide audience appeal, so word of mouth, radio and record releases were the way that the message got out. The alternative moniker is more of an umbrella term relating to artists’ status in the system, rather than having definitive identifiable genre characteristics. Notable alternative artists include Sonic Youth, Dinosaur Jr., Nine Inch Nails, Beck, Jane’s Addiction, Smashing Pumpkins and Pixies. Before they signed to a major label, R.E.M. were seen as alternative and this started a broadening of the definition that included other major artists such as Rage Against the Machine, Red Hot Chili Peppers, Foo Fighters, Queens Of The Stone Age, Radiohead and Nick Cave & The Bad Seeds. The start of the new millennium saw other alternative rock artists emerge including The Strokes, Interpol and The Rapture, extending and ensuring alternative rock’s destiny into the 21^st Century.

Grunge is a specific genre of music that developed in the Pacific North West of the United States and more specifically its epicentre in and around Seattle in Washington State. Like alternative/noise rock, grunge was an underground movement centred on an independent record label, in this case, Sub Pop records based in Seattle. Grunge is influenced by punk, metal and alternative styles resulting in something altogether different from all of them. Grunge is characterised by slow, raw arrangements and a distinctly distorted lo‑fi sound. Compositions often followed a quiet‑loud‑quiet structure. Lyrics tended to be downbeat, melancholic, anti‑consumerist and often depraved with a focus on cultural alienation and social isolation. While all of the following rejected the term ‘grunge’ as defining their music, especially after signing to major labels, the early pioneers of Seattle’s grunge scene included Nirvana, Soundgarden, Pearl Jam, Mudhoney and Alice In Chains. The core grunge scene had largely fizzled out and diversified by the end of the 20^th Century. A revival of the grunge ethic evolved in the 2010s to include artists like Courtney Barnett, Wolf Alice and Yuck.

Britpop was essentially an upbeat and positive British reaction to the dark and depressing American grunge scene. The music and its cultural background (nicknamed ‘Cool Britannia’) lasted approximately from 1993‑1997 before fizzling out. The major bands of the Britpop period included the ‘big four’; Oasis, Blur, Pulp and Suede. Collectively they expanded popularity to include other artists such as Supergrass, Cast, The Lightning Seeds, Sleeper and Elastica. The so‑called ‘Battle of Britpop’ between Oasis and Blur around 1995 was a media‑fuelled highlight catching the public’s imagination at the time. Britpop was important for influencing many quintessentially British bands that came along for the ride including Coldplay, Travis, Feeder, Stereophonics, Elbow, Snow Patrol and Keane. Further influences included Kaiser Chiefs and Arctic Monkeys in the 2000s.

Dance music (in this context, Electronic Dance Music – EDM) was a phenomenon that had its roots in the late 1980s but exploded in the early 1990s and lasted well into the 2000s. Dance music comprises largely electronically produced progressive dance music intended for use at nightclubs, festivals and (often illegal) raves by DJs who mixed and re‑mixed heavy beats through loud PA systems to audience rapture. In fact, many record labels and DJs became far more celebrated than the musical artists they played in their DJ sets. The predominant sub‑genres of dance music include house, techno, trance, drum ‘n’ bass and dubstep, although these only represent the tip of the dance sub‑genre iceberg. Dance beats generally comprise programmed synthesizers, samplers and drum machines to produce buoyant, insistent 4/4 dance rhythms. Dance music also became synonymous with recreational drug use such as ecstasy (MDMA) as well as party holiday destinations such as Ibiza and Mykonos islands in the Mediterranean Sea. Some of the famous artists of the dance scene include The Chemical Brothers, The Prodigy, Underworld, Orbital, KLF, The Shamen, The Future Sound of London, 808 State, Groove Armada, Aphex Twin, Basement Jaxx and Daft Punk. Later artists built on the foundation, include Pendulum, SBTRKT and Skream. DJs became pivotal in promoting the dance craze and became famous in their own right, including Carl Cox, Fatboy Slim, Pete Tong, Paul Van Dyk and Armin van Buuren. There are many sub‑genres of dance including acid house, IDM (Intelligent Dance Music), ambient, breakbeat, downtempo, jungle and UK garage, all ensuring that dance music remains up‑to‑date and relevant in the 21^st Century.

Musical Facts 1990-1999

Day	Month	Year	Music Fact
23	January	1990	American guitarist and co-founder of southern rock band Lynyrd Skynyrd, Allen Collins died from pneumonia in Jacksonville, Florida at the age of 37.
8	February	1990	American country and rock & roll singer and songwriter, Del Shannon committed suicide as a result of depression at his home in California at the age of 55.
18	February	1990	English singer Freddie Mercury made his final public appearance with other members of pop/rock band Queen at the Brit Awards ceremony, held in London.
20	March	1990	English electronic/alternative rock band Depeche Mode released their career-defining classic 7^th studio album, ‘Violator’ in the UK.
26	March	1990	Northern Irish blues/rock guitarist, Gary Moore released his classic studio album, ‘Still Got The Blues’.
3	April	1990	Highly acclaimed Grammy award winning American jazz singer Sarah Vaughan died from cancer at her home in Hidden Hills, California at the age of 66.
10	April	1990	American East Coast rappers Public Enemy released their politically charged 3rd studio album, ‘Fear of a Black Planet’.
16	April	1990	Indie rock giants, Nick Cave & The Bad Seeds released their 6^th studio album, ‘The Good Son’.
26	June	1990	Prolific American alternative rock band Sonic Youth released their successful and significant 6^th studio album, ‘Goo’.
24	July	1990	American heavy metal rock band Pantera released their classic 5^th studio album ‘Cowboys From Hell’.
21	August	1990	Legendary American blues guitarist and singer B.B. King received a star on the Hollywood Walk of Fame at 6771 Hollywood Boulevard.
27	August	1990	American blues guitarist, singer and songwriter, Stevie Ray Vaughan and four others died tragically in a helicopter crash in East Troy, Wisconsin at the age of 35.
31	August	1990	The funeral service of American blues/rock guitarist Stevie Ray Vaughan took place at Laurel Land Cemetery in Dallas, Texas.
3	September	1990	English heavy metal rock band Judas Priest released their 12^th studio album, ‘Painkiller’.
21	September	1990	American thrash metal rock band Megadeth released their superb classic 4^th studio album, ‘Rust In Peace’.
6	October	1990	American Heavy metal band Metallica began recording their massive studio album ‘Metallica’ (aka the ‘black album’) in Los Angeles, California.
9	October	1990	American thrash metal band, Slayer, released their mega 5^th studio album, ‘Seasons In The Abyss’.
29	October	1990	Legendary award-winning American blues guitarist, singer and songwriter John Lee Hooker was inducted into the Rock and Roll Hall of Fame.
8	January	1991	English guitarist and songwriter, Steve Clark of hard rock band Def Leppard died of alcohol poisoning at his home in London, at the age of 30.
15	February	1991	Successful English pop singer, songwriter, guitarist, record producer, and actor Ed Sheeran was born in Halifax, West Yorkshire.
21	March	1991	Legendary American inventor and founder of Fender Electric Instrument Manufacturing Company, Leo Fender died from Parkinson’s disease in Fullerton, California at the age of 81.
8	April	1991	English trip-hop pioneers, Massive Attack, released their successful debut studio album, ‘Blue Lines’ in the UK, including the dance anthem, ‘Unfinished Sympathy’.
20	April	1991	English guitarist and front man of rock bands Small Faces and Humble Pie, Steve Marriott died in a house fire at his home in Essex at the age of 44.
23	April	1991	American guitarist, singer and songwriter with New York Dolls, Jonny Thunders died in mysterious circumstances in a hotel room in New Orleans, Louisiana at the age of 38.
30	July	1991	American heavy metal rock band Metallica released their massively successful single ‘Enter Sandman’.
12	August	1991	American heavy metal band Metallica released their career-defining 5^th studio album, ‘Metallica’, often referred to as ‘the black album’.
27	August	1991	American alternative rock band from Seattle, the home of grunge rock pioneers, Pearl Jam burst onto the scene with the release of their astonishing platinum-selling debut studio album, ‘Ten’.
10	September	1991	American grunge rock pioneers Nirvana released their ‘90s anthem for disaffected youth, the near perfect hit single ‘Smells Like Teen Spirit’.
17	September	1991	American hard rock band, Guns n’ Roses, released their 3^rd and 4^th studio albums ‘Use Your Illusion’ parts I & II on the same day in the U.S.
23	September	1991	Scottish alternative rock band, Primal Scream released their massive 3^rd studio album, ‘Screamadelica’.
24	September	1991	American grunge rock pioneers Nirvana released their career-defining classic 2^nd studio album ‘Never Mind’ in the U.S. Well over 30 million copies have been sold so far.
24	September	1991	American alternative rock band Red Hot Chili Peppers released their 5^th studio album, ‘Blood Sugar Sex Magik’, produced by Rick Rubin.
28	September	1991	American jazz trumpeter, Miles Davis died of complications from a stroke, pneumonia, and respiratory failure in a hospital in Santa Monica, California at the age of 65.
14	November	1991	Legendary American guitarist and singer Jimi Hendrix received a posthumous star on the Hollywood Walk of Fame at 6627 Hollywood Boulevard.
18	November	1991	Massive Irish rock band, U2, released their storming 7^th studio album, ‘Achtung Baby’ in the UK.
24	November	1991	English singer with pop/rock band Queen, Freddie Mercury died of pneumonia resulting from AIDS at his home in London at the age of 45.
15	January	1992	Rock band, The Jimi Hendrix Experience and country music legend, Johnny Cash were both inducted into the American Rock and Roll Hall of Fame.
29	January	1992	Influential American blues singer, songwriter, upright bass player and guitarist, Willie Dixon died of heart failure in Burbank, California at the age of 76.
21	February	1992	American heavy metal rock band Pantera released their classic 6^th studio album ‘Vulgar Display Of Power’.
31	March	1992	English heavy metal rock band Def Leppard released their classic 5^th studio album, ‘Adrenalize’.
20	April	1992	English indie rock icons, The Cure released their upbeat, commercial 10^th studio album, ‘Wish’.
21	April	1992	American rap rockers, Beastie Boys, released their 3^rd studio album, ‘Check Your Head’.
27	April	1992	Indie rock giants, Nick Cave & The Bad Seeds released their great 7^th album, ‘Henry’s Dream’.
9	May	1992	American guitarist, singer and songwriter Bruce Springsteen made his live American TV network debut on ‘Saturday Night Live’ with show host Tom Hanks.
21	July	1992	American alternative rock band Sonic Youth released their cult, cool, classic 8^th studio album, ‘Dirty’.
29	September	1992	American alternative rock band Alice In Chains released their sophomore studio album, ‘Dirt’.
6	October	1992	American rock band R.E.M. released their classic top‑selling studio album, ‘Automatic For The People’.
3	November	1992	American rock band Bon Jovi released their classic 5^th studio album, ‘Keep The Faith’.
10	November	1992	American rock band Rage Against The Machine released their outstanding and career defining eponymous debut album ‘Rage Against The Machine’.
9	December	1992	Although not officially announced until January 1993, English bass guitarist Bill Wyman left The Rolling Stones.
21	December	1992	Legendary American blues guitarist, Albert King died from a heart attack at his home in Memphis Tennessee at the age of 69, just 2 days after his last concert.
6	January	1993	English bass guitarist Bill Wyman officially announced that he was leaving The Rolling Stones after more than 3 decades with the band.
23	March	1993	English alternative/electronic rock band Depeche Mode released their 8^th studio album, ‘Songs Of Faith And Devotion’ in the UK.
20	April	1993	Emerging English alternative rock band Radiohead released their debut album, ‘Pablo Honey’ in the UK.
29	April	1993	English session guitarist, songwriter and producer who played extensively with David Bowie’s Spiders From Mars among others, Mick Ronson died from liver cancer in London at the age of 46.
23	August	1993	English new romantic band Duran Duran received a star on the Hollywood Walk of Fame at 1770 Vine Street.
21	September	1993	American alternative grunge rock band, Nirvana released their 3^rd and final studio album, ‘In Utero’.
19	October	1993	American rock band Pearl Jam released their major 2^nd studio album, ‘Vs.’.
9	November	1993	American East Coast rappers Wu-Tang Clan released their incendiary debut studio album, ‘Enter the Wu-Tang (36 Chambers)’.
19	November	1993	American grunge rock band Nirvana recorded their classic live acoustic concert and album, ‘MTV Unplugged In New York’ at Sony Music Studios.
23	November	1993	American rock band, Guns N’ Roses, released their 5^th studio album, ‘The Spaghetti Incident?’
24	November	1993	Legendary American blues/rock guitarist, nicknamed The ‘Master of the Telecaster’ and ‘The Ice Man’, Albert Collins died from lung cancer at his home in Las Vegas, Nevada at the age of 61.
4	December	1993	Non-conformist American guitarist and composer extraordinaire, Frank Zappa died of prostate cancer at his home in Los Angeles at the age of 52.
1	February	1994	American pop punk rock band Green Day released their breakthrough 3^rd studio album, ‘Dookie’.
1	March	1994	American grunge band Nirvana played their last ever live concert, interrupted by a power cut, in Munich, Germany.
1	March	1994	American alternative rock artist, Beck released his 3^rd studio album, ‘Mellow Gold’.
8	March	1994	American alternative rock band, Nine Inch Nails released their career-peak 2^nd studio album, ‘The Downward Spiral’.
5	April	1994	American singer, songwriter, guitarist and member of grunge rock band Nirvana, Kurt Cobain died from a self‑inflicted shotgun wound in Seattle, Washington at the age of 27.
19	April	1994	Alternative rock band Nick Cave & The Bad Seeds released their classic, career-defining 8^th studio album, ‘Let Love In’.
26	April	1994	American country music legend Johnny Cash embarked on a whole new period of his career with the release of his classic studio album, ‘American Recordings’.
27	April	1994	The famous San Francisco music venue the Fillmore reopened its doors at 1805 Geary Boulevard. It had been closed since 1989 after being damaged in an earthquake.
23	May	1994	Influential American virtuoso jazz guitarist, Joe Pass died from liver cancer in Los Angeles, California at the age 65.
24	May	1994	American rappers, Beastie Boys, released their classic 4^th studio album, ‘Ill Communication’ in the U.S.
14	July	1994	English rave band The Prodigy released their breakout 2^nd studio album ‘Music for the Jilted Generation’.
22	August	1994	Pioneering English trip-hop band, Portishead released their ground breaking debut studio album, ‘Dummy’.
23	August	1994	Acclaimed American singer, songwriter and guitarist Jeff Buckley released his first and only studio album, ‘Grace’. A modern classic.
26	September	1994	English trip-hop outfit, Massive Attack, released their great sophomore studio album, ‘Protection’ in the UK.
4	October	1994	Versatile American ‘redneck jazz’ guitarist Danny Gatton died from self-inflicted gunshot wounds at his home in Newburg, Maryland at the age of 49.
1	November	1994	American grunge band Nirvana released their impressive award-winning live album, ‘MTV Unplugged in New York’, 6 months after Kurt Cobain’s death.
5	December	1994	English indie rock group The Stone Roses released their sophomore studio album, ‘Second Coming’.
13	March	1995	English alternative rock band Radiohead released their breakout 2^nd studio album, ‘The Bends’ in the UK.
13	June	1995	Canadian singer, songwriter, musician and producer Alanis Morissette released her classic 3^rd studio album, ‘Jagged Little Pill’.
14	June	1995	Renowned Irish blues/rock guitarist Rory Gallagher died of MRSA following liver failure caused by medication and alcohol in London at the age of 47.
9	August	1995	American guitarist Jerry Garcia of psychedelic rock band Grateful Dead died from a heart attack while at a rehabilitation centre in California at the age of 53.
2	September	1995	12 years after it was founded, America’s homage to contemporary music, the Rock And Roll Hall of Fame Museum opened on the shore of Lake Erie in Cleveland, Ohio and was celebrated with an all-star concert.
26	September	1995	American alternative rock band Sonic Youth released their great 10^th studio album, ‘Washing Machine’.
2	October	1995	Australian artists, Nick Cave and Kylie Minogue released the haunting and elegiac duet single ‘Where the Wild Roses Grow’.
7	November	1995	American alternative rock band Alice In Chains released their eponymous 3^rd studio album, ‘Alice In Chains’.
21	November	1995	American rock legend, Bruce Springsteen released his 11^th studio album, ‘The Ghost of Tom Joad’.
17	January	1996	Music greats, David Bowie, Pink Floyd and Velvet Underground were all inducted into the American Rock and Roll Hall of Fame.
5	February	1996	Australian alternative rockers, Nick Cave & The Bad Seeds released their dark 9^th studio album, ‘Murder Ballads’.
16	April	1996	American alternative rock group Rage Against The Machine released their sophomore studio album, ‘Evil Empire’.
17	May	1996	American blues, soul and funk singer, songwriter and guitarist, Johnny ‘Guitar’ Watson died of a heart attack after collapsing on stage in Yokohama, Japan at the age of 61.
15	June	1996	Legendary American jazz singer Ella Fitzgerald died of complications from diabetes in Beverley Hills, California, at the age of 79.
18	June	1996	American alternative rock artist, Beck, released his classic, top-selling 5^th studio album, ‘Odelay’.
17	July	1996	English bass guitarist with R&B band The Animals and Jimi Hendrix’s manager, Chas Chandler died of an aneurism in Newcastle, at the age of 57.
10	September	1996	American alt-rock group R.E.M. released their classic 10^th studio album, ‘New Adventures In Hi-Fi’.
13	September	1996	American rapper Tupac Shakur died of gunshot wounds following a drive-by shooting in Las Vegas, Nevada at the age of 25.
19	September	1996	American jazz guitarist George Benson received a star on the Hollywood Walk of Fame at 7055 Hollywood Boulevard.
31	October	1996	English/American guitarist Slash announced that he was leaving rock band Guns N’ Roses after a relationship breakdown with the group’s lead singer Axl Rose.
2	November	1996	Sublime American singer and guitarist, known as ‘the songbird’, Eva Cassidy died from cancer in Bowie, Maryland at the age of 33.
10	January	1997	American soul legend James Brown received a star on the Hollywood Walk of Fame at 1501 Vine Street.
12	February	1997	English singer and songwriter David Bowie received a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard.
4	March	1997	Alternative rock band, Nick Cave & The Bad Seeds released their classic 10^th studio album, ‘The Boatman’s Call’.
9	March	1997	American rapper Christopher Wallace (a.k.a. The Notorious B.I.G.) was shot and killed in Los Angeles, California at the age of 24.
11	March	1997	English former member of The Beatles, Paul McCartney was knighted by Her Majesty Queen Elizabeth II at Buckingham Palace, London.
7	April	1997	British dance/electronica/big beat duo, The Chemical Brothers, released their massive studio album, ‘Dig Your Own Hole’ in the UK.
14	April	1997	English electronic/alternative rock band Depeche Mode released their classic 9^th studio album, ‘Ultra’ in the UK.
29	May	1997	Renowned American singer, songwriter and guitarist Jeff Buckley died tragically from accidental drowning in Wolf River Harbor, Memphis, Tennessee at the age of 30.
4	June	1997	English bass guitarist and founder of rock band Small Faces, Ronnie Lane died from pneumonia resulting from multiple sclerosis in Trinidad, Colorado at the age of 51.
16	June	1997	English alternative rock band Radiohead released their top-selling 3^rd studio album, ‘OK Computer’ in the UK.
30	June	1997	British rave band, Prodigy, released their massive zeitgeist‑defining 3^rd studio album, ‘The Fat Of The Land’ in the UK.
22	August	1997	German industrial metal rock band Rammstein released their massive 2^nd studio album, ‘Sensucht’ (translated crudely as ‘Desire’).
11	September	1997	American blues legend John Lee Hooker received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.
30	September	1997	English trip-hop band, Portishead released their eponymous sophomore album, ‘Portishead’ in the UK.
12	October	1997	American folk singer, songwriter and guitarist John Denver died tragically in plane crash in Monterey Bay, California, at the age of 53.
19	October	1997	American guitarist, best known for his work with Alice Cooper, Glen Buxton, died of complications from pneumonia in a hospital in Mason City, Iowa at the age of 49.
10	November	1997	Highly-regarded American session guitarist and one of the most recorded musicians in popular music history, Tommy Tedesco died of lung cancer in Northridge, California at the age of 67.
22	November	1997	Australian singer and front man of the rock band INXS, Michael Hutchence committed suicide in Sydney, Australia at the age of 37.
19	January	1998	American singer, songwriter and guitarist, Carl Perkins died from throat cancer in Jackson-Madison County Hospital, Tennessee, at the age of 65.
30	January	1998	English pop singer and songwriter Sir Elton John received his knighthood from Her Majesty The Queen.
19	February	1998	Legendary American jazz trumpeter Miles Davis received a posthumous star on the Hollywood Walk of Fame at 7060 Hollywood Boulevard.
20	April	1998	English trip-hop outfit, Massive Attack, released their classic 3^rd studio album, ‘Mezzanine’ in the UK.
14	May	1998	American singer and actor, Frank Sinatra died from a heart attack at the Cedars-Sinai Medical Center in Los Angeles, California at the age of 82.
6	July	1998	Legendary American singer, guitarist and actor, nicknamed the ‘King of the Cowboys’, Roy Rogers died of heart failure in Apple Valley, California at the age of 86.
25	July	1998	American virtuoso jazz guitarist, Tal Farlow died of oesophageal cancer in New York City at the age of 77.
17	August	1998	Mexican-American guitar legend Carlos Santana received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.
15	September	1998	American heavy metal rock artist, Marilyn Manson released his massively successful classic 3^rd studio album, ‘Mechanical Animals’.
24	September	1998	American icon and rock ‘n’ roll legend Elvis Presley was inducted into the Country Music Hall of Fame.
1	October	1998	American guitarist, singer and songwriter and founder of rock band Creedence Clearwater Revival, John Fogerty received a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard.
2	October	1998	American country & western ‘singing cowboy’ Gene Autry died of lymphoma at his home in Studio City, California at the age of 91.
6	October	1998	American rock band Queens Of The Stone Age (QOTSA) released their self-titled debut album, ‘Queens Of The Stone Age’.
13	October	1998	The Crossroads Centre in Antigua, founded by English blues/rock guitarist and singer Eric Clapton, opened its doors to help clients with drug and alcohol rehabilitation.
3	November	1998	American alternative rock singer, songwriter, musician and producer, Beck, released his 6^th studio album, ‘Mutations’, the follow up to the massive ‘Odelay’.
29	November	1998	American jazz pioneer of the 7-string guitar, George Van Eps, died of pneumonia in Newport Beach, California at the age of 85.
25	December	1998	English pop/rock band, The Beatles, received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.
30	December	1998	American surf rock band The Beach Boys received a star on the Hollywood Walk of Fame at 1500 Vine Street.
15	March	1999	Legendary American singer and songwriter Bruce Springsteen was inducted into the American Rock and Roll Hall of Fame.
28	April	1999	American rock band Tom Petty & The Heartbreakers received a star on the Hollywood Walk of Fame at 7018 Hollywood Boulevard.
17	May	1999	Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his mega-successful 5^th studio album, ‘Play’.
15	June	1999	After a long break, American Latin rock band Santana released their highly successful 17^th studio album, ‘Supernatural’.
16	June	1999	English rock singer, drummer and member of progressive rock band Genesis, Phil Collins received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.
24	June	1999	English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. The proceeds were used in support of the Crossroads Centre he founded in Antigua as a residential treatment centre for alcohol and chemical dependencies.
11	August	1999	American rock band KISS received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.
7	September	1999	American virtuoso guitarist, singer, songwriter and producer Steve Vai released his astonishing 5^th studio album, ‘The Ultra Zone’.
2	November	1999	American alternative rock band Rage Against The Machine released their 3^rd studio album, ‘The Battle Of Los Angeles’ in the UK.
23	November	1999	American alternative rock artist, Beck, released his adventurous 7^th studio album, ‘Midnite Vultures’.
17	December	1999	American smooth jazz, funk and soul saxophonist, Grover Washington Jr. died of a heart attack in New York City at the age of 56.
26	December	1999	Highly acclaimed American soul singer, songwriter, guitarist and producer, Curtis Mayfield, died from complications of diabetes in a hospital in Roswell, Georgia at the age of 57.

Tailpiece

The 1990s was certainly a strange decade both musically and culturally, notably as a segue to the 21^st Century. While it seems very recent, it is actually receding into long‑term memory, thereby affecting our perceptions of what it meant to us at the time. Still to come, the new millennium is temptingly beckoning and it will prove as frustrating as it was liberating.

Now… we have a minor problemo. I was hoping to conclude this series of articles conveniently in December at the very end of the current decade. However, there are still one, two or maybe even three articles still to write before we are done. December 2019’s article will therefore, ceteris paribus, interrupt the sequence in that it will cover a summary of 2019 through the eyes of CRAVE Guitars, meaning that the ‘History of Modern Music’ will resume early in 2020, all being well. This series has been a gargantuan task thus far, so perhaps a short break in proceedings won’t do any harm. Heaven knows what will follow after it has been concluded though. Looking into the crystal ball of the future is largely futile, so I’ll have to start thinking hard about the ‘next big thing’ very soon. However, that can wait for next year/decade. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It is a moral travesty that, if you have got everything, you think you can get away with anything.”

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28 Sep 2019

September 2019 – The Story of Modern Music in 1,500+ Facts – Part VII

by craveguitars | posted in: History, Introduction, Observations | 0

Introduction

Welcome to the 1970s. Well kinda. Yep, here we are yet again, with the 7^th article in the current series of musical discovery, focusing on the delightful ‘Seventies’. As is often the case with monumental projects, the amount of work involved has been colossal and the amount of information has been considerable. The scale alone has meant that compressing it all into logical and manageable chunks has proved somewhat of a challenge. Unsurprisingly, perhaps, it has been the 1950s, 1960s and 1970s that have proved to be the most eventful and remarkable. This month’s article focuses on the unpredictable 1970s as it follows on from the previous two tumultuous decades.

If you would like to (re)visit the first four parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In terms of this article as part of the overall series, the 1970s has, by far, more content than any other single decade. While it is inherently fascinating, it makes for quite a hefty read (over 300 facts this month)… so be prepared and apologies.

The Story of Modern Music Part VII 1970-1979

The so-called ‘golden era’ of music (1950s-1970s inclusive) was characterised by major seismic musical movements. The 1950s saw rock ‘n’ roll burst onto the scene, the 1960s saw the fan hysteria of the ‘British Invasion’ followed by heady idealism of hippie flower power full of peace & love, while the 1970s heralded a very different form of youth rebelliousness, veritably bristling with vigorous nihilistic punk attitude.

Gone was the positivity and optimism to be replaced with disaffection distrust and deeply seated urban angst. Instead of striving for some sort of wistful, unobtainable utopia, the desperate pursuit for a grimy dystopian anarchy became almost an end in itself. The zeitgeist of warts‑and‑all realism was striking back.

The 1970s would ultimately descend into gritty and chaotic demands for change without a clear idea of what outcome the disillusioned generation was rebelling for or against. In many respects, it didn’t matter as the alienated youth voice was seen as irrelevant to detached and remote institutions who weren’t listening and, worse, seemed not to care.

As social provocateur Malcolm McLaren proclaimed, “What matters is this: Being fearless of failure arms you to break the rules. In doing so, you may change the culture and just possibly, for a moment, change life itself.” He went on to comment, “I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.”

Civilisation wasn’t really breaking down of course and not everything was tainted by dismal doom and gloom. However, western societies were being tested and forced to adapt to a darker, more uncertain, complex and ambiguous new world.

Historical Context 1970-1979

The self-indulgent 1970s was described as the ‘Me Decade’ (coined by writer Tom Wolfe), with a move away from the model of social collectivism (communities) to individualism (self). To many, the ‘70s may well be remembered as a caricature of kitsch, a gaudy facsimile of 1960s’ sybaritic, exuberant excess. While not devoid of conflict and warfare, particularly in Asia and the Middle East, the world was slowly becoming accustomed to a period of extended and stable peace around the globe. Even the tension of the Cold War became a continuous mutual standoff. Progressive political, cultural and social change that began in the 1960s continued, including the emergence of the Women’s Liberation Movement, enabling greater social mobility for many. The ever‑more liberal ‘permissive society’ was well under way representing a crucial stage in that generation’s struggle for greater individual freedom and equality. Technology was developing at a rapid pace, providing much greater work, leisure and recreational opportunities for people in their everyday lives. However, a number of disruptive economic and political events began to destabilise a long period of post‑war economic expansion. Widespread social discontent and a rejection of a stagnant status quo resulted in widespread riots, protests, labour strikes, direct action and hints of anarchy, culminating in the UK with the infamous ‘winter of discontent’.

Year	Global Events
1970	Manned moon mission Apollo 13 narrowly avoided tragedy after an emergency in space, ultimately returning all 3 astronauts safely to Earth. After being signed in 1968, 43 nations ratified The Treaty on the Non‑Proliferation of Nuclear Weapons, intended to curb the spread of nuclear weapons and promote co‑operation on the peaceful use of nuclear power.
1971	The phenomenally successful coffee empire, the Starbucks Corporation, was founded in Seattle, Washington, U.S.A. The massive Aswan High Dam across the River Nile in Egypt was opened. The project had required moving the ancient Egyptian temples of Ramses at Abu Simbel (in 1964) above the rising waters of Lake Nasser.
1972	The first commercial video game, Pong was released by Atari. The classic gangster movie, ‘The Godfather’, directed by Francis Ford Coppola and starring Marlon Brando was released. Britain imposed direct rule over Northern Ireland following the so‑called ‘Bloody Sunday’ massacre. A Palestinian terrorist group killed 11 Israeli Olympic team members and a German police officer at the 1972 Olympic Games in Munich, West Germany. Apollo 17 became the last moon landing (to‑date) where humans have walked on the surface of the Moon.
1973	The United Kingdom joined the expanding European Economic Community (EEC). The seminal and controversial ‘horror’ movie about faith, ‘The Exorcist’ was released, directed by Willian Friedkin and starring Linda Blair. A global oil crisis was triggered by OPEC, the confederation of Arab oil producing nations, which imposed an embargo on oil exports to countries supporting Israel in the Yom Kippur War, also known as the Arab-Israeli War. The famous Spanish artist and co‑founder of the Cubist movement, Pablo Picasso died at the age of 91.
1974	American President Richard Nixon resigned from office following the Watergate scandal, to be succeeded by Gerald Ford as the 38^th U.S. president. The popular 3-D combination puzzle Rubik’s Cube was invented by Hungarian sculptor and professor of architecture, Ernő Rubik. The ubiquitous Bar Code was introduced. It was notable because it was the first standardised method of representing data in a visual, machine-readable form.
1975	America finally pulled out of the Vietnam War after the Fall of Saigon, leading to the formal reunification of north and south Vietnam. An historic joint American/Russian Apollo and Soyuz space mission took place in Earth orbit. It was the first time that spacecraft from different nations docked in space. Widely recognised as the first modern summer blockbuster film, ‘Jaws’ was released, directed by Steven Spielberg and based on the novel by Peter Benchley published in 1974. American technology innovators, Bill Gates and Paul Allen co‑founded the Microsoft Corporation in Albuquerque, New Mexico.
1976	American technology entrepreneurs, Steve Jobs, Steve Wozniak and Ronald Wayne co‑founded Apple Computer Company (now Apple Inc.) in California. The infamous ‘Son of Sam’ serial murders began in New York City, sparking the largest manhunt in the city’s history. The notorious killer, David Berkowitz, was finally arrested in 1977. Chinese communist leader, Chairman Mao Zedong died, effectively ending the decade‑long Chinese Cultural Revolution.
1977	South African activist and anti-apartheid campaigner Stephen Biko died while in police custody after violating an order to restrict his movements. The cinema phenomenon and start of a major film and merchandise franchise, Star Wars Episode 4 was released, directed by George Lucas.
1978	English woman Louise Brown, the world’s first test tube baby, was born after conception by in‑vitro fertilisation (IVF). The classic video game created by Tomohiro Nishikado, Space Invaders was released. The Camp David Accords signifying a negotiated peace agreement between Israel and Egypt was signed in Maryland in the U.S.A, leading to the Egypt‑Israel Peace Treaty of 1979.
1979	Conservative Party leader Margaret Thatcher became the UK’s first female Prime Minister. She was Prime Minister for nearly 12 years. Russia invaded the Democratic Republic of Afghanistan, starting the Soviet‑Afghan war that would last until 1989. Revolutionary Iranian religious leader Ayatollah Khomeini proclaimed Iran to be an Islamic Republic in the Middle East, starting decades of international isolation. The epic Vietnam war film, ‘Apocalypse Now’, written and directed by Francis Ford Coppola, starring Martin Sheen and Marlon Brando was released. In Africa, the notorious Ugandan president and dictator Idi Amin was forced to leave the country into exile. The nuclear power plant at Three Mile Island in Pennsylvania, America suffered a catastrophic meltdown.

Musical Genre Development 1970-1979

If the 1960s was memorable for its own musical revolutions, the 1970s was about to unleash its own rebellious step changes. The music of the 1970s can be categorised by bursts of creativity, using existing musical styles to come up with something relevant, new, raw and vital with something important to say. Perhaps more than any other decade, the 1970s produced greater musical diversity than any other before or since. Pop music continued to be commercially successful into the 1970s including artists like David Cassidy, The Osmonds, Abba, The Bay City Rollers and the Jackson 5.

Progressive rock, often abbreviated to ‘prog’, is a broad musical genre that grew largely from psychedelic rock and the British Canterbury Scene to achieve significant appeal in the late 1960s and early 1970s. Progressive rock can be characterised by long instrumental compositions influenced by fusing classical, jazz, rock and folk styles often complemented by elegiac, poetic lyrics. Prog music was usually only released by bands on LP albums rather than singles. Studio technology and instrumental proficiency were central to the artistic soundscapes used. Like most classical music, it was intended to be listened to, rather than danced to. To some critics, prog rock was seen as avant‑garde, pompous, overblown and boring, being not readily accessible to casual listeners. For some prog musicians, it was important to elevate music from largely populist to the status of art and included experimental arrangements to create debate and stimulate interpretation. This attitude was regarded by some as pretentious and elitist, pushing the genre into somewhat of a dead end niche. Prog rock reached its peak around 1973 and had largely been rejected by the rise of punk rock in the mid‑1970s. Early artists associated with prog rock include Procol Harum, Colosseum, Soft Machine, Barclay James Harvest, Caravan and Curved Air, paving the way for the progressive giants of the genre, including Jethro Tull, King Crimson, Yes, Genesis, Van der Graaf Generator, Emerson, Lake and Palmer (ELP), as well as Pink Floyd and Mike Oldfield.

The underpinnings of heavy metal began in the late 1960s as hard rock explored new musical territories. Often cited as the pioneers of the genre were Led Zeppelin, Deep Purple and Black Sabbath, all forming in 1968. Arguably, though, the first two, while clearly influencing metal, lean more towards hard rock and its successors. Even though many of the characteristics of metal had been used before, Black Sabbath are widely regarded as the true forefathers of today’s heavy metal. The sound of heavy metal took hard rock and laid on layers of thick, heavy distorted riffs using power chords, high volume levels, searing guitar solos, pounding drums and thundering bass. Vocals were often strong and bold and had a dark or satanic emphasis. During the formative 1970s, there were a few bands that adopted the metal tropes, including Judas Priest. By the end of the 1970s, a new wave of British heavy metal (NWOBHM) was spearheaded by bands such as Iron Maiden, Def Leppard, Saxon and UFO. Although more rock than metal, Motörhead played their part in promoting heavy rock to audiences. The sub‑culture surrounding heavy metal grew alongside the music with fans branded as ‘headbangers’ with a dress code not unlike the rockers of the previous decade but taken further. By 1984 and the release of the mockumentary film ‘This Is Spinal Tap’, metal had reached a point of self‑parody. During the 1980s and beyond, metal gave birth to sub‑genres including hair metal (Van Halen, Bon Jovi and Mötley Crüe), thrash metal (Metallica, Slayer, Anthrax and Megadeth), groove metal (Pantera, Blackstone Cherry and White Zombie), industrial (Rammstein and Marilyn Manson), alternative metal (Alter Bridge, Avenged Sevenfold, Slipknot, Deftones, Tool and Queensryche) and nu‑metal (Linkin Park, Limp Bizkit, Papa Roach, Korn and Disturbed), amongst many others such as glam metal, progressive metal, black metal, doom metal, death metal, power metal, metalcore, Christian metal, etc. Possibly more than any other style of music, heavy metal has proliferated sub‑genres.

Glam rock is a relatively short‑lived offshoot of rock music that developed in the early 1970s, particularly in the UK. Glam rock’s heyday was roughly between 1970 and 1975. The music was tightly interwoven with flamboyant and colourful fashions, being performed by musicians who wore outrageous costumes, stark makeup and pronounced hairstyles. The impact of the symbolism was to blur the traditional gender stereotyping that was prevalent before 1970. The visuals often extended to custom instruments used by some artists. Although it may not appear obvious, glam rock influenced subsequent genres such as punk rock, new romantics, Goth rock and new wave that followed. Significant artists included Marc Bolan and T.Rex, David Bowie, Queen, Sweet, Slade, Elton John, Mud, Roxy Music and Gary Glitter. Although its impact was lower profile in the USA, artists such as Alice Cooper, New York Dolls and Iggy Pop adapted glam imagery for their own purposes.

Reggae emanated from Jamaica in the late 1960s and significantly became popular internationally during the 1970s. Reggae evolved from ska and a transitional form between ska and reggae called rocksteady. Reggae is distinctive in that it has a 4/4 rhythm with the drum marking the 3^rd beat of the bar with a guitar or keyboard staccato ‘skank’ on the 2^nd and 4^th (off) beats of the bar. Reggae is also often associated with strong and heavy rhythmic bass lines, sometimes complemented by horn arrangements. Reggae is often but not exclusively connected to Rastafarianism which also features strongly in many reggae songs, as does the use of marijuana. Roots reggae refers to its African roots and the black diaspora. Jamaican record producers also played a strong part in moulding the sound of reggae and developed a complete sub‑genre known as ‘versions’ or dub reggae that used production techniques to remove vocals and remix instrumental elements of drum, bass and guitar. Dub reggae was often played on loud PA sound systems. Key producers include Lee ‘Scratch’ Perry, King Tubby, Mad Professor and Scientist. Reggae has been successfully exported worldwide, although the UK remains a key consumer market. One of the major artists who not only popularised commercial reggae globally but also acted as an ambassador for Jamaica was Bob Marley who, with his band, The Wailers became an international icon. Other major artists also include Peter Tosh, Toots & The Maytals, Burning Spear, Augustus Pablo, Horace Andy, I‑Roy, U‑Roy, The Abyssinians, Black Uhuru, Sly & Robbie, The Upsetters, Desmond Decker, Jimmy Cliff, Johnny Nash, Third World, Gregory Isaacs and many others. British reggae artists include Aswad, Steel Pulse, Linton Kwesi Johnson and UB40. After Bob Marley’s death, the genre diversified into other forms, such as dancehall and ragga.

The origins of rap and hip hop music derived from vocal a cappella rapping and African American urban street music originating in New York house and block parties in the Bronx during the early 1970s. The largely vernacular spoken rhyming lyrics were backed by rhythmic percussive soul, funk and disco beats of the period. The sub‑culture expanded by the late 1970s to include MCing, DJ scratching, sampling and beatboxing frequently using drum machines. Also associated with rapping were break dancing, urban graffiti art and aggressive gangland/gun culture. The broader cultural definition has become widely known as hip hop, which is the current common categorisation. Early practitioners included Grandmaster Flash & The Furious Five, the Sugarhill Gang and Afrika Bambaataa. The genre spread widely during the ‘golden age of hip hop’ from the 1980s up to the early 1990s spawning many sub‑genres, often associated with the region or country. For instance, there was intense rivalry between U.S. West Coast and East Coast hip hop during the 1990s, coining the term ‘gangsta rap’. Hip hop became massively influential in many other mainstream musical genres who adapted the rhyming lyrical style and sparse percussive beats. Despite a decline in the mid‑2000s, hip hop is now a global phenomenon with numerous offshoots and diverse styles. While its origins are African American, a few white artists have been successful including the Beastie Boys and Eminem. There are way too many hip hop artists to mention all of them. However, they include Run-D.M.C., LL Cool J, Public Enemy, A Tribe Called Quest, De La Soul, Ice‑T, Ice Cube, Snoop Dogg, Cypress Hill, N.W.A., The Notorious B.I.G., Tupac Shakur, Wu-Tang Clan, Dr. Dre, 50 Cent, OutKast, Jay‑Z and Kanye West among many others.

Like other musical forms, funk and disco adapted from previous genres, becoming mainstream during the 1970s. Funk emerged from African American communities and mixed soul, jazz and R&B. Funk is recognisable by have an addictively danceable groove. Funk focused on a strong first beat of the bar and was driven by strong insistent bass and drum rhythms. Funk artists included James Brown, Sly & The Family Stone, Parliament/Funkadelic, Chaka Khan, Earth Wind & Fire and Kool & The Gang. Later, artists like Rick James and Prince would adopt funk as a key ingredient in their dance‑fused arrangements. Funk tends to be more musically complex than its sister genre, disco. Disco originated in America and rapidly spread to the UK. It is associated with urban nightclubs and DJs mixing dance records through loud sound systems to audiences in clubs and discothèques. Discos also used complex light and strobes to emphasise the beat. Disco is a heavily produced bass and drum‑driven 4/4 rhythm, often using electronic instruments to add syncopation. Disco’s core rationale was music to dance to, so disco dancing became very popular. Culturally, disco is also associated with fashion, drug use and promiscuity. Disco artists included Gloria Gaynor, The Bee Gees, Donna Summer, The Village People, Sylvester and Chic. Disco was hugely influential on later dance genres such as house, techno, drum ‘n’ bass and rave. Like many other broad genres, funk and disco have diversified into many other related sub‑genres over the years.

Widespread social dissatisfaction and a rejection of established musical forms on both sides of the Atlantic during the mid‑1970s led to the emergence of punk rock. Loud, brash, nihilistic and stripped‑back arrangements performed mainly on guitar, bass and drums were used to support often angry and alienated anti‑establishment lyrics. The result was short, sharp bursts of controversial and provocative music. The emergence of punk in America is associated with artists such as Television, Patti Smith and Ramones, building on the work of proto‑punk bands like Velvet Underground, New York Dolls and Iggy & The Stooges. Meanwhile a parallel evolution in the UK was epitomised by bands such as Sex Pistols, The Clash, The Damned, Buzzcocks, Sham 69 and The Ruts. As with many other music‑related sub‑cultures, punk led to distinctive fashions (Vivienne Westwood), art (Jamie Reid) and agressive attitudes. The anarchic punk movement spread rapidly and by 1977 was pervasive in many westernised countries. As popularity increased and punk sensibilities were adopted by the commercial mainstream, the essential ethos of punk imploded and was overtaken by the music business machinery that, ironically, was punk’s original anathema. The demise of chaotic punk rock principles led to post‑punk sub‑genres that expanded its appeal beyond the original audience, including artists like Joy Division, Bauhaus, Siouxsie & the Banshees, Ian Dury, The Cure and The Sisters Of Mercy. Punk in its purest form could not and did not last long. However, it was very influential in subsequent styles such as new wave, new romantic, emo and Goth sub‑genres. Live music venues were very important for audiences to experience the visceral nature of punk rock first hand, including CBGBs in New York and the Marquee in London. Punk saw a revival in the 1990s with bands like Green Day, Blink‑182 and The Offspring but it was far more commercial and lacking the authenticity of the original.

Musical Facts 1970-1979

Day	Month	Year	Music Fact
26	January	1970	American folk rock duo Paul Simon and Art Garfunkel released their 5^th and final classic studio album, ‘Bridge Over Troubled Water’.
3	February	1970	Multi-talented American guitarist, singer, songwriter, producer, solo artist and member of rock super group The Winery Dogs, Richie Kotzen was born in Reading, Pennsylvania.
13	February	1970	English heavy metal legends Black Sabbath released their classic, game-changing self-titled debut album, ‘Black Sabbath’ in the UK (NB. appropriately on Friday 13^th).
14	February	1970	English rock band The Who performed a concert at Leeds University. The show was recorded and released as the band’s first official live album, ‘Live At Leeds’.
5	March	1970	American guitarist, former member of rock band Red Hot Chili Peppers and solo artist, John Frusciante was born in New York City.
9	March	1970	After changing their name from Earth, English heavy metal rock band Black Sabbath performed their debut live concert at the Roundhouse in London.
22	March	1970	Marc Bolan and Tyrannosaurus Rex released their last studio album before transforming into glam rockers T.Rex, ‘A Beard of Stars’.
10	April	1970	English singer, songwriter and bass guitarist, Paul McCartney issued a press statement that he was leaving The Beatles, signalling the band’s break up.
21	April	1970	American Chicago blues guitarist Earl Hooker died of complications from tuberculosis in Chicago, Illinois at the age of 40.
1	May	1970	English guitarist, singer, songwriter, producer and former member of indie rock band Suede, Bernard Butler was born in London.
3	May	1970	English rock band The Who released their classic live album, ‘Live At Leeds in the UK.
8	May	1970	Legendary English pop/rock band The Beatles released what would be the group’s 12^th and final studio album, ‘Let It Be’, after the band split up.
3	June	1970	British heavy rock band Deep Purple released their classic breakout studio album, ‘Deep Purple in Rock’ in the UK.
5	June	1970	English heavy rock band Deep Purple released their breakthrough hit single ‘Black Night’ in the UK.
6	June	1970	American rhythm guitarist and co-founder of Nu-Metal rock band Korn, James Shaffer (a.k.a. Munky) was born in Bakersfield, California.
8	July	1970	Innovative and massively talented American alternative rock singer, songwriter, guitarist and producer, Beck was born in Los Angeles, California.
18	July	1970	London hosted the third Free Concert held in Hyde Park featuring Pink Floyd, Roy Harper, Kevin Ayers, and the Edgar Broughton Band.
14	August	1970	English psychedelic space rock band Hawkwind released their debut studio album, the eponymous, ‘Hawkwind’.
23	August	1970	American singer, songwriter and guitarist Lou Reed performed his final live concert appearance with The Velvet Underground (bar reunions) at Max’s Kansas City rock club in Manhattan, New York City.
26	August	1970	The famous Isle of Wight Festival began at Afton Down, attracting between 600,000 and 700,000 attendees, the largest open air music festival of its kind. Tickets for the weekend cost £3.
28	August	1970	Well over half a million people attended the 3^rd day of the UK’s famous Isle of Wight Festival to see artists including Taste, Chicago, Family and Procol Harum.
29	August	1970	The 4th day of the massive Isle of Wight Festival continued starring Joni Mitchell, Miles Davis, Ten Years After, ELP, The Doors, The Who and Sly & The Family Stone.
30	August	1970	The 5^th and final day of the gigantic Isle of Wight Festival took place starring Jethro Tull, Jimi Hendrix, Joan Baez, Leonard Cohen and Richie Havens.
4	September	1970	English rock group The Rolling Stones released their classic live album, ‘Get Yer Ya-Ya’s Out’ in the UK.
6	September	1970	Legendary American rock guitarist Jimi Hendrix played his final live concert at the Isle of Fehmarn in Germany.
11	September	1970	American rock guitarist, singer and songwriter Jimi Hendrix gave his final interview for the UK weekly music magazine New Musical Express (NME).
12	September	1970	London hosted the fourth Free Concert held in Hyde Park (the 2^nd that year) featuring Canned Heat, Eric Burdon and War, John Sebastian, Michael Chapman, Stoneground and others.
18	September	1970	Legendary American rock guitarist, singer and songwriter, Jimi Hendrix died tragically of asphyxia in his London flat at the age of 27.
18	September	1970	Pioneering English heavy metal rock band, Black Sabbath released their classic sophomore studio album, ‘Paranoid’ in the UK.
19	September	1970	The very first Glastonbury Pop, Folk & Blues Festival took place at Worthy Farm, Pilton, Somerset, UK, attended by approximately 1,700 people.
19	September	1970	Canadian singer, songwriter and guitarist Neil Young released his classic 3^rd studio album, ‘After The Gold Rush’.
1	October	1970	American guitarist Jimi Hendrix’s funeral service took place at Dunlap Baptist Church in his hometown of Seattle before he was buried at the Greenwood Cemetery in Renton, also in Seattle.
2	October	1970	English glam rock band Marc Bolan and T.Rex released their classic breakout hit single ‘Ride A White Swan’ in the UK.
2	October	1970	English progressive rock band, Pink Floyd released their 4^th studio album, ‘Atom Heart Mother’ in the UK.
4	October	1970	Respected American rock, soul and blues singer Janis Joplin was found dead following an accidental heroin overdose in Los Angeles, California at the age of 27.
5	October	1970	English heavy rock band Led Zeppelin released their classic 3^rd studio album, ‘Led Zeppelin III’ in the UK.
10	October	1970	English heavy metal rock band, Black Sabbath had their classic 2^nd studio album, ‘Paranoid’ reach No. 1 in the UK album chart.
23	October	1970	The Jimi Hendrix Experience released the song ‘Voodoo Child (Slight Return)’ shortly after the guitarist’s untimely death. It reached number 1 in the UK singles chart.
23	October	1970	English progressive rock band Genesis released their breakout studio album, ‘Trespass’ in the UK.
1	November	1970	Legendary American psychedelic rock band Grateful Dead released their classic 5^th studio album, ‘American Beauty’.
4	November	1970	English singer and songwriter David Bowie released his classic 3^rd studio album, ‘The Man Who Sold the World’ in the UK.
6	November	1970	Emerging American rock band Aerosmith made their debut live appearance in the gymnasium at what was Nipmuc Regional High School (now Miscoe Hill Middle School) in Mendon, Massachusetts.
9	November	1970	American blues/rock guitarist, singer and member of the Tedeschi Trucks Band along with hubby, Derek Trucks, Susan Tedeschi was born in Boston, Massachusetts.
15	November	1970	American alternative rock band, The Velvet Underground released their 4^th and possibly most commercial studio album, ‘Loaded’.
27	November	1970	Former member of English rock band The Beatles, George Harrison released his hugely successful solo triple studio album, ‘All Things Must Pass’ in the UK.
11	December	1970	English singer, songwriter and guitarist, Marc Bolan and T.Rex released the first post-Tyrannosaurus Rex studio album, ‘T.Rex’ in the UK.
11	December	1970	English singer and songwriter John Lennon released his post-Beatles solo album, ‘John Lennon/Plastic Ono Band’ in the UK.
12	December	1970	American rock band, The Doors played their final live concert with singer Jim Morrison at the Warehouse in New Orleans, Louisiana.
16	January	1971	American blues rock band, ZZ Top, released their debut studio album, ‘ZZ Top’s First Album’ in the UK.
17	March	1971	Renowned Canadian singer, songwriter and poet, Leonard Cohen released his classic 3^rd studio album, ‘Songs of Love and Hate’ in the UK.
19	March	1971	English progressive rock band Jethro Tull released their classic 4^th studio album, ‘Aqualung’ in the UK.
16	April	1971	English blues rock band The Rolling Stones released their huge hit single, ‘Brown Sugar’, taken from the album, ‘Sticky Fingers’.
23	April	1971	The Rolling Stones released what was probably their career peak 9^th studio album, ‘Sticky Fingers’.
29	April	1971	American rock band, The Doors released their massive 6^th studio album, ‘L.A. Woman’, including the classic single, ‘Riders On The Storm’, recorded shortly before singer, Jim Morrison’s death.
22	June	1971	The second Glastonbury Festival took place in Pilton, Somerset, UK, attended by c.12,000 fans. Artists included Hawkwind, Traffic, David Bowie, Joan Baez, Fairport Convention, Quintessence and Melanie.
2	July	1971	English glam rock group T.Rex, led by the late Marc Bolan, released their classic hit single ‘Get It On’.
3	July	1971	American singer, poet and member of rock band The Doors, Jim Morrison died from reported heart failure at an apartment in Paris, France at the age of 27.
6	July	1971	American jazz trumpeter and singer, Louis Armstrong died of a heart attack in a New York hospital at the age of 69.
31	July	1971	American guitarist known for his work with heavy rock bands Marilyn Manson and Rob Zombie, as well as a solo artist, John Lowery (a.k.a. John 5) was born in Grosse Pointe, Michigan.
25	August	1971	English rock band, The Who, released their 5^th studio album, ‘Who’s Next’ in the UK.
9	September	1971	English singer, songwriter, guitarist and former Beatle, John Lennon released his career-defining solo studio album, ‘Imagine’ in the UK.
15	September	1971	English heavy rock band, Deep Purple released their flaming hot 5^th studio album, ‘Fireball’ in the UK.
21	September	1971	UK broadcaster, the BBC aired their highly regarded long-running contemporary music TV programme, ‘The Old Grey Whistle Test’ for the first time.
8	October	1971	English psychedelic space rock band Hawkwind, released their 2^nd studio album ‘In Search Of Space’ in the UK.
29	October	1971	American guitarist and co-founder of rock band The Allman Brothers Band, Duane Allman died tragically in a motorcycle accident in Macon, Georgia at the age of 24.
30	October	1971	English former member of The Beatles, John Lennon had his classic solo studio album, ‘Imagine’ reach number 1 in the UK album chart.
1	November	1971	The classic hit single ‘Jeepster’ was released, performed by English glam rock pioneer Marc Bolan and T.Rex, reaching No. 2 in the UK singles chart.
1	November	1971	British guitarist, singer and songwriter John Martyn released his classic 3^rd solo album ‘Bless The Weather’ in the UK.
5	November	1971	Supremely versatile English lead guitarist with alternative rock band Radiohead, Jonny Greenwood was born in Oxford.
8	November	1971	English hard rock band Led Zeppelin released their classic multi-million-selling 4^th studio album, ‘Led Zeppelin IV’ in the UK, which included the track, ‘Stairway To Heaven’.
12	November	1971	English progressive rock band Genesis released their ambitious 3^rd studio album, ‘Nursery Cryme’ in the UK.
13	November	1971	English progressive rock band Pink Floyd released their outstanding 6^th studio album, ‘Meddle’ in the UK.
4	December	1971	The Montreux Casino in Switzerland, built in 1881, burnt down during a Frank Zappa gig, inspiring Deep Purple’s classic rock song, ‘Smoke On The Water’.
17	December	1971	Legendary English rock singer, songwriter and actor, David Bowie released his classic 4^th studio album, ‘Hunky Dory’ in the UK.
27	December	1971	Remarkable English guitarist with The Aristocrats and noted guitar teacher, Guthrie Govan was born in Chelmsford, Essex.
21	January	1972	English glam rockers Marc Bolan with T.Rex released the classic hit single ‘Telegram Sam’ in the UK.
10	February	1972	English glam rock singer David Bowie made his debut live appearance as his legendary alter-ego, Ziggy Stardust at the Toby Jug pub in London.
17	February	1972	American singer, songwriter, guitarist, front man and co‑founder of pop punk rock band Green Day, Billie Joe Armstrong was born in Oakland, California.
25	February	1972	English singer, songwriter and guitarist, Nick Drake, released his sublime 3^rd and final studio album, ‘Pink Moon’.
25	February	1972	Legendary Canadian singer, songwriter and guitarist, Neil Young, released his classic 4^th studio album, ‘Harvest’.
3	March	1972	English progressive rock band Jethro Tull released their classic 5^th studio album, ‘Thick As A Brick’ in the UK.
25	March	1972	English heavy rock band Deep Purple released their classic 6^th studio album, ‘Machine Head’ in the UK, which included the track, ‘Smoke On The Water’.
29	April	1972	English hard rock band Wishbone Ash released their career-defining classic 3^rd studio album, ‘Argus’.
5	May	1972	English glam rockers, Marc Bolan and T.Rex released their classic hit single ‘Metal Guru’ in the UK.
12	May	1972	English rock band, The Rolling Stones released their massive 10^th studio double album, ‘Exile On Main Street’.
6	June	1972	English glam rock singer and songwriter, David Bowie released his classic 5^th studio album, ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’.
3	July	1972	American country blues guitarist, Mississippi Fred McDowell died from cancer in Memphis, Tennessee at the age of 66.
23	July	1972	British glam rock band, Marc Bolan and T.Rex released their classic studio album ‘The Slider’ in the UK.
8	September	1972	British glam rock star Marc Bolan and his band T.Rex released the classic hit single ‘Children Of The Revolution’.
11	October	1972	Mexican-American guitarist Carlos Santana with his band released their classic 4^th studio album, ‘Caravanserai’.
17	October	1972	American rapper and hip-hop artist, Eminem was born as Marshall Bruce Mathers III, a.k.a. ‘Slim Shady’ in St. Joseph, Missouri.
10	December	1972	British singer, songwriter, guitarist and co-founder of alternative rock band Placebo, Brian Molko was born in Brussels, Belgium.
5	January	1973	American rock band, Aerosmith, released their eponymous debut studio album, ‘Aerosmith’.
5	January	1973	American singer and songwriter Bruce Springsteen released his debut studio album, ‘Greetings From Asbury Park, N.J.’.
30	January	1973	After changing their name to KISS, the American rock band made their debut live performance in Queens, New York.
1	February	1973	British singer, songwriter and guitarist, John Martyn released his classic 4^th solo studio album, the sublime and career-defining, ‘Solid Air’.
7	February	1973	American proto punk rock band Iggy The Stooges released their hugely influential 3^rd studio album, ‘Raw Power’.
8	February	1973	Max Yasgur, who owned the New York dairy farm on which the legendary Woodstock Festival was held in August 1969, died from a heart attack in Florida at the age of 53.
23	February	1973	English pop/rock band Slade released their classic hit single, ‘Cum On Feel The Noize’ in the UK.
2	March	1973	British glam rockers, Marc Bolan and T.Rex released their classic hit single ‘20^th Century Boy’ in the UK.
16	March	1973	English progressive rock group Pink Floyd released their career pinnacle 8^th studio album, ‘The Dark Side Of The Moon’ in the UK.
23	March	1973	English progressive rock band King Crimson released their 5^th studio album, ‘Larks’ Tongues in Aspic’.
28	March	1973	British heavy rock band Led Zeppelin released their 5^th studio album, ‘Houses Of The Holy’ in the UK.
12	April	1973	English glam rock singer, David Bowie released his milestone classic 6^th studio album, ‘Aladdin Sane’ in the UK.
13	April	1973	Jamaican Reggae legends, Bob Marley & The Wailers released their classic 4^th studio album ‘Catch A Fire’ in the UK.
17	May	1973	American singer, songwriter, guitarist, producer, actor and founder of rock bands Queens Of The Stone Age and Eagles Of Death Metal, Josh Homme was born in Joshua Tree, California.
25	May	1973	Richard Branson’s Virgin Records label was launched, marked by the release of Mike Oldfield’s seminal studio album, ‘Tubular Bells’.
18	June	1973	American folk rock singer, songwriter and guitarist, Ray LaMontagne was born in New Hampshire.
22	June	1973	English glam rock singer David Bowie released his classic hit single, ‘Life On Mars?’, with ‘The Man Who Sold the World’ on the B-side.
3	July	1973	English glam rock star David Bowie announced that his iconic on-stage persona, Ziggy Stardust was to retire (not Bowie himself, as was widely reported in the press).
13	July	1973	English rock/pop band Queen released their great debut studio album in the UK, the eponymous ‘Queen’.
15	July	1973	American bluegrass and country rock guitarist, a member of rock band The Byrds and an accomplished session musician, Clarence White died in a car accident in Palmdale, California at the age of 29.
26	July	1973	American southern blues/rock power trio ZZ Top released their critically acclaimed 3^rd studio album, ‘Tres Hombres’.
6	August	1973	Influential American blues singer, songwriter and guitarist Memphis Minnie (real name Lizzie Douglas) died from a stroke in a nursing home in Memphis, Tennessee at the age of 76.
13	August	1973	American southern rock band, Lynyrd Skynyrd released their storming debut album, ‘(pronounced ‘lĕh-‘nérd ‘skin-‘nérd)’, featuring their career-defining signature song, ‘Freebird’.
11	September	1973	American rock singer, songwriter and guitarist, Bruce Springsteen released his sophomore studio album, ‘The Wild, the Innocent & the E Street Shuffle’.
19	September	1973	American guitarist with country rock band The Byrds, Gram Parsons died of a drug overdose in Joshua Tree, California at the age of 26.
20	September	1973	American folk/rock guitarist, singer and songwriter, Jim Croce died tragically along with 5 others in a plane crash in Natchitoches, Louisiana at the age of 30.
1	October	1973	British singer, songwriter and guitarist John Martyn released his remarkable change of direction 5^th studio album, ‘Inside Out’ in the UK.
9	October	1973	Influential American blues singer, songwriter and guitarist Sister Rosetta Tharpe died from a stroke in Philadelphia, Pennsylvania at the age of 58.
12	October	1973	English progressive rock band Genesis released their classic 5^th studio album, ‘Selling England By The Pound’.
19	October	1973	Jamaican reggae legends (Bob Marley &) The Wailers released their classic studio album, ‘Burnin’’ in the UK.
19	October	1973	English singer and songwriter David Bowie released his 7^th studio album comprising cover songs, ‘Pin Ups’ in the UK.
26	October	1973	English rock band, The Who, released their classic 6^th studio double album; the rock opera and ode to the UK’s mod movement, ‘Quadrophenia’.
11	November	1973	Legendary Irish blues/rock guitarist, Rory Gallagher, released his 4^th studio album, ‘Tattoo’ in the UK.
1	December	1973	English heavy metal band Black Sabbath released their 5^th studio album, ‘Sabbath Bloody Sabbath’.
5	December	1973	English former member of The Beatles, Paul McCartney and Wings released his 5^th and most successful ‘solo’ studio album, ‘Band On The Run’ in the UK.
10	December	1973	The legendary New York alternative, punk and New Wave music venue at 315 Bowery, Manhattan, CBGB & OMFUG, was opened by club owner Hilly Kristal.
31	December	1973	Australian heavy rock band AC/DC made their debut live performance at a local bar in Sydney, Australia.
17	January	1974	Legendary American guitarist, singer and songwriter Bob Dylan released the studio album recorded with The Band, ‘Planet Waves’.
15	February	1974	British hard rock band, Deep Purple released their classic 8^th studio album, ‘Burn’ in the UK.
20	February	1974	American jazz rock band Steely Dan released their critically well-received and commercially successful classic 3^rd studio album, ‘Pretzel Logic’.
8	March	1974	English rock band, Queen released their classic 2^nd studio album, ‘Queen II’ in the UK.
15	April	1974	American southern rock group, Lynyrd Skynyrd released their classic breakout 2^nd studio album ‘Second Helping’.
17	April	1974	Swedish guitarist, singer and songwriter with progressive death metal rock band Opeth, Mikael Åkerfeldt was born in Stockholm.
18	April	1974	Accomplished American guitarist, singer and songwriter with rock bands Creed, Alter Bridge and as a solo artist, Mark Tremonti was born in Detroit, Michigan.
24	April	1974	English glam rock legend, David Bowie released his classic 8^th studio album, ‘Diamond Dogs’ in the UK.
1	June	1974	Talented Canadian singer, songwriter, guitarist, producer, activist and actress Alanis Morissette was born in Ottawa, Ontario.
15	June	1974	English rock super group Bad Company released their self‑titled debut studio album, ‘Bad Company’ in the UK.
1	July	1974	English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 2^nd studio album, ‘461 Ocean Boulevard’.
21	July	1974	Highly acclaimed Irish blues/rock guitarist Rory Gallagher released his hugely successful live album, ‘Irish Tour ‘74’.
29	July	1974	Perennial Canadian singer, songwriter and guitarist Neil Young released his classic 5^th studio album, ‘On The Beach’.
16	August	1974	American punk rock band Ramones played their first live concert at the legendary CBGB & OMFUG music venue in New York City.
6	September	1974	English space rock band, Hawkwind, released their classic 4^th studio album, ‘Hall of the Mountain Grill’.
14	September	1974	English guitarist, singer and songwriter Eric Clapton released his cover of Bob Marley’s ‘I Shot The Sherriff’ as a single, which reached number 1 in the U.S.
6	October	1974	English progressive rock band King Crimson released their 7^th studio album, ‘Red’.
12	October	1974	American punk rock band Blondie made their first appearance at the legendary CBGB & OMFUG music venue in New York City.
25	October	1974	Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Natty Dread’ in the UK, the first Wailers’ album to bear Marley’s name in the title.
29	October	1974	Hugely impressive American blues/rock guitarist, Eric Gales was born in Memphis, Tennessee.
8	November	1974	English rock band Queen moved in a more commercial direction and released their successful 3^rd studio album, ‘Sheer Heart Attack’ in the UK.
18	November	1974	English progressive rock band Genesis released their 6^th studio double concept album, and their final LP with singer Peter Gabriel, ‘The Lamb Lies Down on Broadway’.
25	November	1974	English singer, songwriter and guitarist, Nick Drake died from a drug overdose at his home in Tanworth-in-Arden, Warwickshire at the age of 26.
28	November	1974	English former Beatle, John Lennon made his final live appearance, joining Elton John on stage at Madison Square Garden in New York City.
16	December	1974	After 5 years as a member of The Rolling Stones, English guitarist, Mick Taylor announced that he was leaving the band.
17	January	1975	English former member of The Beatles John Lennon released his classic solo covers album, ‘Rock ‘n’ Roll’ in the UK.
18	January	1975	American jazz, blues and country rock guitarist, Johnny Hiland was born, growing up in Maine.
20	January	1975	Legendary American guitarist, singer and songwriter, Bob Dylan released his renaissance studio album, ‘Blood On The Tracks’ in the UK.
24	January	1975	Influential and pioneering British singer, songwriter and guitarist John Martyn released his 6^th studio album, ‘Sunday’s Child’.
7	February	1975	American guitarist and member of nu-metal band Limp Bizkit and Black Light Burns, Wes Borland was born in Richmond, Virginia.
17	February	1975	Australian hard rock band, AC/DC released their debut studio album, ‘High Voltage’.
24	February	1975	English heavy rock band, Led Zeppelin released their epic 6^th studio double album, ‘Physical Graffiti’.
7	March	1975	English singer, songwriter and true rock legend, David Bowie released his change of direction classic 9^th studio album, the soul-oriented ‘Young Americans’ in the UK.
11	March	1975	English pop/art/rock band 10cc released their hugely successful 3^rd studio album, ‘The Original Soundtrack’ in the UK.
16	March	1975	American blues legend, Aaron Thibeaux ‘T-Bone’ Walker died from pneumonia following a stroke in Los Angeles, California at the age of 64.
17	March	1975	English singer, songwriter and guitarist, best known as member of hard rock band The Darkness, Justin Hawkins was born in Chertsey, Surrey.
29	March	1975	Experimental virtuoso English rock guitarist, Jeff Beck released his seminal and commercially successful 2^nd solo album, ‘Blow By Blow’ in the UK.
2	April	1975	English super group Bad Company released their classic sophomore studio album, ‘Straight Shooter’.
8	April	1975	American hard rock band Aerosmith released one of their most successful records, their 3^rd studio album, ‘Toys In The Attic’, including the hit track, ‘Walk This Way’.
9	May	1975	English space rock perennials, Hawkwind, released their 5^th studio album ‘Warrior On The Edge Of Time’ in the UK.
23	May	1975	English pop/rock band 10cc released their superbly written and produced massive hit single, ‘I’m Not In Love’.
20	June	1975	Canadian singer, songwriter and guitarist Neil Young released his classic 6^th studio album, ‘Tonight’s The Night’.
23	June	1975	Hugely talented Scottish multi-genre singer, songwriter and guitarist, KT Tunstall was born in Edinburgh.
29	June	1975	Influential American singer, songwriter and guitarist Tim Buckley died from a drug overdose in Los Angeles, California, at the age of 28.
9	July	1975	Mercurial American singer, songwriter and flamboyant guitarist with The White Stripes, The Dead Weather and The Raconteurs, as well as solo artist, Jack White was born in Detroit, Michigan.
11	July	1975	British/American rock band Fleetwood Mac released their self-titled 10^th studio album, ‘Fleetwood Mac’.
17	July	1975	Jamaican reggae icons, Bob Marley And The Wailers performed the first of 2 live concerts at London’s Lyceum. The concerts were recorded for the classic live album, ‘Live!’
25	July	1975	English singer and songwriter, David Bowie released his hit single, ‘Fame’, co-written with Carlos Alomar and with backing vocals by John Lennon. It was reportedly a jibe at Bowie’s artist management.
16	August	1975	English singer and songwriter Peter Gabriel announced that he was leaving Genesis, the progressive rock band he co‑founded.
25	August	1975	American rock icon Bruce Springsteen released his massively successful 3^rd studio album, ‘Born To Run’.
1	September	1975	British singer, songwriter and guitarist John Martyn released his masterful live concert album, ‘Live At Leeds’.
5	September	1975	English progressive rock band Jethro Tull released their 8^th studio album, ‘Minstrel In The Gallery’ in the UK (8 September in the U.S.).
12	September	1975	English progressive rock band, Pink Floyd released their massive classic 7^th studio album, ‘Wish You Were Here’.
23	October	1975	English singer and songwriter, Elton John received a star on the Hollywood Walk of Fame at 6915 Hollywood Boulevard.
6	November	1975	British punk rock band, Sex Pistols made their debut live performance as a support act in the Common Room of Saint Martin’s School Of Art at Charing Cross Road in central London.
10	November	1975	Canadian singer, songwriter and guitarist, Neil Young with his band Crazy Horse released the classic 7^th studio album, ‘Zuma’.
2	December	1975	English pop/rock band Queen released their 4^th studio album, ‘A Night At The Opera’, including the massive hit single ‘Bohemian Rhapsody’.
5	December	1975	Jamaican reggae legends Bob Marley And The Wailers released their classic live album, ‘Live!’ recorded at London’s Lyceum Theatre on 17 & 18 July 1975.
13	December	1975	American punk rock singer, beat poet and political activist, Patti Smith released her classic anti‑establishment debut studio album, ‘Horses’, produced by John Cale.
13	December	1975	American guitarist, singer, songwriter, producer and co‑founder of pop punk rock band Blink-182, Tom DeLonge was born in Poway, California.
20	December	1975	American guitarist Joe Walsh joined the country rock band Eagles, replacing former band guitarist Bernie Leadon.
5	January	1976	Renowned American guitarist, singer and songwriter, Bob Dylan released his classic mid-career studio album, ‘Desire’ in the UK.
10	January	1976	American blues legend Howlin’ Wolf died from complications of kidney surgery in Hines, Illinois at the age of 65.
23	January	1976	Legendary English rock singer and songwriter, David Bowie released his classic 10^th studio album, ‘Station To Station’.
9	March	1976	Country music legend Johnny Cash received a star on the Hollywood Walk of Fame at 6320 Hollywood Boulevard.
18	March	1976	The classic sci-fi film ‘The Man Who Fell To Earth’, directed by Nicolas Roeg and starring English singer David Bowie was released in the UK.
19	March	1976	English guitarist with rock band Free, Paul Kossoff died from a drug-related heart attack on a flight from Los Angeles to New York City at the age of 25.
21	March	1976	Guitar pioneer, innovator and entrepreneur, Adolph Rickenbacker died from cancer in Orange County, California at the age of 89.
23	March	1976	English heavy metal band Judas Priest released their classic sophomore studio album, ‘Sad Wings of Destiny’.
26	March	1976	Irish rock group, Thin Lizzy released their breakout classic 6^th studio album, ‘Jailbreak’.
28	March	1976	American guitarist with rock group The Killers, Dave Keuning was born in Pella, Iowa.
31	March	1976	Legendary English heavy rock band Led Zeppelin released their 7^th studio album, ‘Presence’.
3	April	1976	British pop group Brotherhood Of Man won the 21^st Eurovision Song Contest with, ‘Save Your Kisses for Me’.
23	April	1976	American punk rock band, Ramones released their eponymous debut studio album, ‘Ramones’.
30	April	1976	Jamaican reggae legends, Bob Marley & The Wailers released their commercially successful studio album, ‘Rastaman Vibration’.
3	May	1976	American hard rock band, Aerosmith, released their 4^th studio album, ‘Rocks’.
4	July	1976	British punk rock band The Clash made their live concert debut supporting the Sex Pistols at the Black Swan pub (known to locals as ‘The Mucky Duck’) in Sheffield, England.
27	July	1976	English singer, songwriter, guitarist and former member of The Beatles, John Lennon, finally had his application for permanent American residency approved by the U.S. Government.
31	July	1976	American hard rock band, Blue Öyster Cult released their signature tune and huge commercial hit, the classic single, ‘(Don’t Fear) The Reaper’.
29	August	1976	Exemplary American blues guitarist and singer, Jimmy Reed died from respiratory failure in Oakland, California at the age of 50.
13	September	1976	American southern rock band Lynyrd Skynyrd released their great live double album ‘One More From The Road’ in the US.
7	October	1976	Following an appeal hearing, English former member of The Beatles, John Lennon had his permanent residency of the USA confirmed.
8	October	1976	American jazz fusion pioneer and bass guitarist Stanley Clarke released his ground breaking studio album ‘School Days’.
22	October	1976	Influential American poet, singer, songwriter, artist and activist Patti Smith released her 2^nd studio album, ‘Radio Ethiopia’.
24	October	1976	Legendary Irish guitarist, Rory Gallagher, released his classic 6^th studio album, ‘Calling Card’.
25	November	1976	Canadian/American rock group, The Band, played their final concert in San Francisco, California, ‘The Last Waltz’, documented by filmmaker Martin Scorsese.
26	November	1976	English punk rock pioneers, Sex Pistols released their controversial debut single, ‘Anarchy In The UK’ on EMI Records.
2	December	1976	The photoshoot for the iconic album cover to Pink Floyd’s ‘Animals’ (released in 1977) took place at Battersea Power Station in London, complete with giant inflatable pig.
3	December	1976	Jamaican reggae star Bob Marley was wounded when gunmen shot him, his wife and manager at his home in Kingston. The incident was widely thought to be a politically motivated act.
5	December	1976	French electronic musician Jean Michel Jarre released his milestone 3^rd studio album Oxygène in France.
8	December	1976	American country rock band Eagles released their top‑selling and career-defining classic 5^th studio album, ‘Hotel California’.
12	December	1976	English guitarist with hard rock bands The Darkness and Stone Gods, Dan Hawkins was born in Chertsey, Surrey.
28	December	1976	American blues guitar legend, Freddie King died of complications from ulcers and acute pancreatitis in Texas at the age of 42.
14	January	1977	English rock singer David Bowie released his 11^th studio album and the first part of his highly acclaimed ‘Berlin Trilogy’, ‘Low’ in the UK.
23	January	1977	Highly acclaimed English progressive rock band, Pink Floyd, released their 10^th studio album, ‘Animals’, in the UK.
4	February	1977	Anglo-American rock band, Fleetwood Mac released their massive career-topping 11^th studio album, ‘Rumours’ in the US.
26	February	1977	American delta blues guitarist and singer Booker T. Washington ‘Bukka’ White died from cancer in Memphis, Tennessee at the age of 67 or 70 (age disputed).
2	March	1977	English singer, songwriter, co-founder and front man of band Coldplay, Chris Martin was born in Exeter, Devon.
10	March	1977	English punk rock band Sex Pistols controversially ‘signed’ a short-lived recording contract with A&M Records outside Buckingham Palace in London.
21	March	1977	Australian hard blues/rock band, AC/DC, released their 4^th studio album, ‘Let There Be Rock’.
8	April	1977	English punk rock band, The Clash released their classic eponymous debut studio album, ‘The Clash’. Often considered to be one of the finest British punk albums.
8	May	1977	Great American blues rock guitar maestro, Joe Bonamassa was born in New Hartford, New York.
27	May	1977	In the same year as Queen Elizabeth II’s Silver Jubilee, British punk pioneers Sex Pistols released their controversial 2nd single, ‘God Save The Queen’ in the UK.
31	May	1977	The BBC and the Independent Broadcasting Authority banned the Sex Pistols’ controversial single, ‘God Save The Queen’ from being played on UK radio for being “in gross bad taste”.
3	June	1977	Jamaican reggae icons Bob Marley & The Wailers released their career-defining massively successful 9^th studio album, ‘Exodus’.
12	June	1977	Talented American blues/rock guitarist, singer and songwriter Kenny Wayne Shepherd was born in Shreveport Louisiana.
15	June	1977	English punk rock band Sex Pistols infamously performed ‘Anarchy In The UK’ aboard a party boat on the River Thames outside the Houses of Parliament in London.
20	June	1977	Canadian singer, songwriter and guitarist Neil Young released his 8^th studio album, ‘American Stars ‘n Bars’.
30	June	1977	Marvel Comics published the first comic book with characters loosely based on members of the American rock band KISS.
2	July	1977	British punk rock pioneers Sex Pistols released their controversial 3^rd single, ‘Pretty Vacant’ in the UK.
16	August	1977	American rock ‘n’ roll legend, Elvis Presley died from a drug-related heart attack in Memphis, Tennessee at the age of 42.
18	August	1977	The funeral of American singing legend, Elvis Presley took place at Forest Hill Cemetery in Memphis, Tennessee.
11	September	1977	Welsh guitarist and co-founder of rock band Coldplay, Jonny Buckland was born in London.
16	September	1977	Flamboyant English glam rock guitarist, singer and songwriter Marc Bolan of Tyrannosaurus Rex and later T.Rex died tragically in a car accident in London at the age of 29.
16	September	1977	American alternative rock band, Talking Heads, released their remarkable debut studio album, ‘Talking Heads: 77’.
23	September	1977	English singer and songwriter David Bowie released the single ‘Heroes’, which would become one of his greatest signature songs.
24	September	1977	English heavy rock band Motörhead released their debut studio album, the self-titled ‘Motörhead’ in the UK.
30	September	1977	English post-punk and new wave singer, songwriter and actor, Ian Dury released his debut studio album with The Blockheads, ‘New Boots And Panties!!’ in the UK.
30	September	1977	Fiery American blues/rock guitarist and member of Supersonic Blues Machine, Lance Lopez was born in Galveston, Texas.
7	October	1977	English guitarist Steve Hackett left progressive rock band Genesis to pursue a successful solo career.
12	October	1977	American singer, songwriter and guitarist Bruce Springsteen released his 4^th studio album, ‘Darkness on the Edge of Town’.
14	October	1977	English singer and songwriter David Bowie released his 12^th studio album, ‘Heroes’, the 2^nd part of his famed ‘Berlin Trilogy’.
16	October	1977	Award-winning American blues/rock guitarist, singer, songwriter and producer John Mayer was born in Bridgeport, Connecticut.
17	October	1977	American southern rock band Lynyrd Skynyrd released their 5^th studio album, ‘Street Survivors’, just days before the band’s tragic plane crash.
20	October	1977	Several members of American rock band Lynyrd Skynyrd, including singer Ronnie Van Zant, guitarist Steve Gaines and his sister, singer Cassie Gaines were among those tragically killed and injured in a plane crash near Gillsburgh, Mississippi.
21	October	1977	American rock band, Meat Loaf, released their best‑selling debut studio album, ‘Bat Out Of Hell’.
28	October	1977	English punk rock band, Sex Pistols released their controversial debut (and currently only) studio album, ‘Never Mind the Bollocks Here’s the Sex Pistols’.
4	November	1977	American punk rock pioneers, Ramones released their definitive 3^rd studio album, ‘Rocket To Russia’.
4	November	1977	British guitarist, singer and songwriter John Martyn released his classic 7^th solo studio album, ‘One World’ in the UK.
25	November	1977	English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 5^th studio album, ‘Slowhand’.
1	December	1977	American guitarist, producer and founding member of nu-metal rock band Linkin Park, Brad Delson was born in Agoura, California.
25	January	1978	After changing their name from Warsaw to Joy Division, the post-punk rock band made their first live performance in Manchester, UK.
6	February	1978	Influential Dutch/American guitarist, Eddie Van Halen released the eponymous debut studio album that launched the band’s career ‘Van Halen’.
10	February	1978	English heavy metal band Judas Priest released their classic 4^th studio album, ‘Stained Class’.
3	March	1978	American punk rock singer, poet, activist and artist, Patti Smith released her classic 3^rd studio album, ‘Easter’.
23	March	1978	Jamaican reggae legends, Bob Marley & The Wailers released their 9^th studio album and follow up to the massive ‘Exodus’, ‘Kaya’.
5	April	1978	English new romantic and pop/rock band Duran Duran performed their debut live concert at Birmingham Polytechnic.
15	May	1978	Antipodean heavy rock band, AC/DC released their storming 5^th studio album, ‘Powerage’.
19	May	1978	British rock band, Dire Straits released their breakout debut single, ‘Sultans of Swing’ in the UK.
2	June	1978	Irish rock band, Thin Lizzy released their massive live double album, ‘Live And Dangerous’ in the UK.
9	June	1978	Mercurial English guitarist, singer, songwriter and founding member of rock band Muse, Matt Bellamy was born in Cambridge.
7	July	1978	American indie rock band, Talking Heads, released their 2^nd studio album, ‘More Songs About Buildings and Food’.
7	September	1978	English drummer with rock band The Who, Keith Moon, died of a drug overdose in London at the age of 31.
12	October	1978	English bass guitarist with the Sex Pistols, John Ritchie (a.k.a. Sid Vicious) was arrested for the murder of his girlfriend Nancy Spungen at the Chelsea Hotel in New York City.
30	October	1978	American punk rock band Blondie released their single ‘Hanging On The Telephone’, their first Top 10 hit in the UK singles chart.
2	November	1978	English post-punk rock band The Police released their astounding debut studio album, ‘Outlandos d’Amour’ in the UK.
11	November	1978	The first commercially available vinyl 7” single picture disc was released by the Elektra label, featuring The Cars, ‘My Best Friend’s Girl’.
23	November	1978	American singer, songwriter, artist and occasional guitarist with rock bands, The Kills and The Dead Weather, Alison Mosshart was born in Vero Beach, Florida.
2	January	1979	The trial of English bass guitarist with Sex Pistols, Sid Vicious, started in New York. He was accused of murdering his American girlfriend, Nancy Spungen in 1978.
31	January	1979	American virtuoso jazz guitarist Grant Green died of a heart attack while on the road in New York City at the age of 43.
2	February	1979	English bass guitarist of Sex Pistols, Sid Vicious (John Ritchie) died from a heroin overdose in New York City at the age of 21.
7	February	1979	American guitarist, singer and songwriter Stephen Stills became the first major rock artist to record tracks using digital studio equipment at the Record Plant in Los Angeles, California.
3	March	1979	American guitarist, singer and songwriter, Frank Zappa released his highly successful and humorous part studio, part live double album, ‘Sheik Yerbouti’.
12	March	1979	English singer, songwriter, guitarist and founding member of indie rock bands The Libertines and Babyshambles, Pete Doherty was born in Hexham, Northumberland.
24	March	1979	English rock band, Motörhead hit the mainstream with the release of their classic 2nd studio album, ‘Overkill’.
8	May	1979	English indie rock giants The Cure released their debut studio album, ‘Three Imaginary Boys’ in the UK.
14	May	1979	Great American guitarist, singer, songwriter, producer and member of blues rock band The Black Keys, Dan Auerbach was born in Akron, Ohio.
18	May	1979	Legendary English rock singer and songwriter David Bowie released his 13^th studio album and the third part of his ‘Berlin Trilogy’, ‘Lodger’.
8	June	1979	American guitarist, songwriter, member of rock band The Allman Brothers Band and founder of The Derek Trucks Band, Derek Trucks was born in Jacksonville, Florida.
15	June	1979	English post-punk band Joy Division released their impressive debut studio album, ‘Unknown Pleasures’.
20	June	1979	English guitarist, singer, songwriter, former member of indie rock band Ash and then solo artist, Charlotte Hatherley was born in London.
29	June	1979	American singer, songwriter and guitarist with Little Feat, Lowell George died from a cocaine-related heart attack in Arlington, Virginia at the age of 34.
1	July	1979	Japanese technology company Sony launched the first Walkman portable media player, capable of playing Compact Cassettes while on the move.
27	July	1979	Australian hard rock band AC/DC released their classic 6th studio album, ‘Highway To Hell’.
3	August	1979	American alternative rock band Talking Heads released their classic 3^rd studio album, ‘Fear Of Music’, produced by Brian Eno.
11	August	1979	English hard rock band Led Zeppelin played their final UK concert with their original line up at Knebworth Festival in Hertfordshire.
12	August	1979	American pop singer and songwriter Michael Jackson released his 5^th studio album, ‘Off The Wall’, marking his status as a global superstar.
15	August	1979	English heavy rock band Led Zeppelin released their last album with their original group line up, ‘In Through The Out Door’.
24	August	1979	American guitarist Peter Frampton received a star on the Hollywood Walk of Fame at 6819 Hollywood Boulevard.
17	September	1979	American rock guitarist, singer, songwriter and composer Frank Zappa released his studio album, ‘Joe’s Garage Act I’. The first of 3 ‘parts’.
29	September	1979	English post-punk rock trio The Police had their first UK No.1 hit single with, ‘Message In A Bottle’, the band’s 3^rd Top 20 hit.
2	October	1979	Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Survival’ in the UK.
2	October	1979	English post-punk rock band The Police released their massively commercial chart-topping 2^nd studio album, ‘Reggatta de Blanc’ in the UK.
7	October	1979	English post-punk rock band Joy Division released their debut single ‘Transmission’ on Factory Records in the UK.
19	October	1979	Anglo-American rock group Fleetwood Mac released their divisive, experimental 12^th studio album, ‘Tusk’ amidst reports of the band’s excess.
27	October	1979	English rock band Motörhead released their strong 3^rd studio album, ‘Bomber’ in the UK, with the classic line up of Lemmy, Eddie Clarke and Phil Taylor.
19	November	1979	American rock guitarist, singer, songwriter and composer Frank Zappa released his classic studio double album, ‘Joe’s Garage Acts II & III’.
30	November	1979	English progressive rock band, Pink Floyd released their epic 11^th studio double concept album, ‘The Wall’. Estimated worldwide sales are around 30 million copies.
14	December	1979	English punk rock band, The Clash released their mighty 3^rd studio double album, ‘London Calling’ in the UK.

Tailpiece

That’s more than enough for now! Looking at the list of artists, it is a veritable roll call of modern music. Just contrast the albums that started and ended the decade to see how much irreversible change had occurred in just 10 years. For many, the 1970s was the last decade to witness truly fundamental changes in musical and social paradigms. While not being strictly true, it was always going to be a tough task to sustain the energy and innovation of the 1950s, 1960s and 1970s into subsequent decades. However, this didn’t stop existing and emerging artists trying to break the constraints of predictability. So, the 1980s was to prove a different kettle of fish altogether and that is what the story seeks to explore in the next article. Are you with me? Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Nobody should have to play a secondary character in their own life”

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30 Aug 2019

August 2019 – The Story of Modern Music in 1,500+ Facts – Part VI

by craveguitars | posted in: History, Introduction, Observations | 0

Introduction

So, here we are again, good people. Like the immortal rose‑tinted glasses of the ‘Summer of ‘69’, 50 years on, the summer 2019 is beginning to degrade and enter the memory banks while the evenings are inexorably drawing in again. Perhaps it is poignant to recount the past and reflect a little on how we got to where we are now.

If you would like to (re)visit any or all of the first five parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In the last article, the world of music transformed seemingly overnight with the rise of rock ‘n’ roll acting as a significant catalyst for American and British youth culture in the 1950s. Of course, it wasn’t quite like that in reality – so many different ingredients came together to create an irresistible phenomenon. If the 1950s wasn’t enough to challenge the traditionalists, things were about to get a whole lot more liberal and lively in the 1960s. Even greater social change compounded the consternation of the older, and typically more old-fashioned, conservative generation.

The Story of Modern Music Part VI 1960-1969

While rock ‘n’ roll now seems to be a permanent fixture in the minds of modern music lovers, in its purest form, it didn’t last that long before it became diluted and music evolution moved on rapidly. However, the influence of rock ‘n’ roll was pervasive, acting as a major stimulus to all other sorts of genre developments. The 1960s stood alone from previous and subsequent decades in terms of political, cultural, economic, technological climate and this was reflected in the distinctive music emerging over the same period. For many readers, the 1960s is now within ‘living memory’ – it is, just about, for me. Up to now, much of the chronology will be history, picked up second hand from written or pictorial records. From here on in, readers may well have some experience of these events for real. For a younger audience, be patient, we’ll get to your era soon. There is a lot to get through this month, so it focuses only on one decade with a few photos again.

Historical Context 1960-1969

Although fundamental human equality was still a pipedream for many in the west, freedom of expression and individual liberties probably characterised the ‘Swinging Sixties’ more than anything else, including the Sexual Revolution and civil rights movements. People felt able to say and do things that were unthinkable in previous decades. People were also able to protest against what they felt were moral injustices. Many families experienced benefits from improving economic prosperity and technological advancement. The Cold War and the space race dominated international relations, particularly between the capitalist ‘west’ and communist ‘east’. The latter part of the 1960s saw symbols of the peace & love movement, gaudy fashion and hippie ‘flower power’, all kaleidoscopically prevalent. If there was a decade that could live up to the description of ‘sex, drugs and rock ‘n’ roll’, the 1960s would be it.

Year	Global Events
1960	America launched the first satellite navigation geo‑positioning system into space, called Transit for use by the U.S. Navy, entering operational service in 1964. The oral contraceptive pill was approved for use by married women in America followed by Britain in 1961. The classic great American novel, ‘To Kill A Mockingbird’, written by author Harper Lee was published. The classic and ground breaking psychological horror film, ‘Psycho’, directed by Alfred Hitchcock and starring Anthony Perkins was released.
1961	Democrat politician John F. Kennedy became the 35^th President of the U.S.A. JFK’s election heralded a new wave of hope and optimism set against the background of the Cold War. The American‑backed military invasion of the Bay of Pigs in Cuba intended to topple Fidel Castro failed, thereby escalating political tensions. The infamous Berlin wall separating east and west Germany was constructed. It remained until 1989 when it was symbolically destroyed by the German people. Russian cosmonaut Yuri Gagarin became the first man in space aboard the Soviet Vostok 1 capsule. Astronaut Alan Shepard became the first American to go into space aboard a Mercury spacecraft.
1962	The Cuban Missile Crisis between United States and the Soviet Union narrowly avoided escalation into a full‑scale nuclear world war. American actress and cultural icon Marilyn Monroe died of a drug overdose at the age of 36. Her death was ruled controversially as probable suicide. Marvel’s fictional super hero Spider‑Man made his first comic book appearance. The first satellite television transmission and telephone calls took place over the Atlantic ocean from Europe to North America, relayed by the American Telstar communication satellite.
1963	American president John F. Kennedy was assassinated in Dallas, Texas. Former U.S. Marine, Lee Harvey Oswald was accused of the murder only to be killed while in police custody by local night club owner, Jack Ruby, fuelling many conspiracy theories. Democrat politician Lyndon B. Johnson became 36^th President of the U.S.A. following the assassination of John F. Kennedy. The infamous Alcatraz Federal Penitentiary in San Francisco Bay was closed as a prison. The island is now a museum and tourist attraction run by the U.S. National Park Service.
1964	Sidney Poitier became the first African American actor to win an Academy Award (Oscar) for his role in the film ‘Lilies of the Field’. South African anti‑apartheid campaigner Nelson Mandela was jailed, having been charged with sabotage and conspiracy to overthrow the government.
1965	America joined the Vietnam War by sending U.S. Marines into battle supporting the South Vietnamese against the Chinese‑backed North Vietnamese National Liberation Front (the Viet Cong). American space missions took a significant step forward with the launch of manned Gemini low Earth orbiting capsules. The successful programme ended in 1966. Soviet cosmonaut Alexei Leonov became the first person to make a spacewalk, lasting 12 minutes after exiting the Voskhod 2 spacecraft. Renowned British Fashion designer Mary Quant launched the iconic mini skirt in London, encouraging young women to dress to please themselves.
1966	The Chinese Cultural Revolution began, led by Chairman Mao Zedong, intended to preserve Chinese Communism and purge capitalism from its society. The oppressive campaign lasted until Mao’s death in 1976. The Black Panther Party for Self-Defense was founded in Oakland, California in 1966, intended to patrol African American neighbourhoods and protect residents from acts of police brutality. It ceased operation in 1982. The classic, ground breaking science fiction TV series Star Trek was first broadcast, created by American producer and screenwriter, Gene Rodenberry.
1967	British sailor Sir Francis Chichester became the first person to circumnavigate single‑handedly around the globe in his yacht the Gypsy Moth IV. Argentinian Marxist revolutionary and guerrilla leader Ernesto ‘Che’ Guevara, a major figure in the Cuban Revolution, was executed while in military detention in Bolivia at the age of 39. His death secured his status as a political martyr and counter‑culture rebel icon. The first successful human heart transplant took place, carried out by Dr Christiaan Barnard in South Africa. The first American Football Super Bowl took place between the Kansas City Chiefs and the Green Bay Packers. Green Bay won.
1968	Russia brutally crushed the Prague Spring uprising in Czechoslovakia, forcing the country to subordinate its national interests to those of the ‘Eastern Bloc’. The classic science fiction film, ‘2001: A Space Odyssey’ was released, directed by Stanley Kubrick. American civil rights campaigner Martin Luther King Jr. was assassinated by lifelong criminal James Earl Ray in Memphis, Tennessee. The ambitious American Apollo space program got underway with the first manned flight aboard Apollo 7. The program ended in 1972 with Apollo 17.
1969	Supersonic passenger flight became possible with the introduction of the Anglo‑French Concorde airliner. The cult classic counter-culture movie ‘Easy Rider’ was released, starring Dennis Hopper (also directing) and Peter Fonda. American Senator Ted Kennedy  drove his car off a bridge on Chappaquiddick Island in Massachusetts, killing 28‑year old Mary Jo Kopechne, a former aide to Senator Bobby Kennedy. Police raided the Stonewall Inn in New York City, sparking demonstrations and the start of the gay civil rights movement in the United States. Followers of the cult leader Charles Manson carried out a series of 9 brutal murders including that of actress Sharon Tate. American manned space mission Apollo 11 successfully landed on the Moon. Astronauts Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon’s surface, with Armstrong proclaiming, “That’s one small step for man, one giant leap for mankind”. Republican politician Richard Nixon was elected as the 37^th U.S. president. Infamously, he remains the only American President to have resigned from office, following the Watergate scandal. The United Kingdom abolished the death penalty substituting it with a mandatory sentence of life imprisonment.

Musical Genre Development 1960-1969

The ‘Swinging Sixties’ were particularly important and memorable for music in America and Europe. The musical revolution that began with rock ‘n’ roll in the previous decade rapidly morphed and diversified on both sides of the Atlantic. By the end of the decade, rock and pop were firmly established as major commercial genres that continue to flourish and adapt to the current day. The 1960s was also a time in which large outdoor music festivals flourished, especially towards the end of the decade, with major events like Newport, Monterey and Woodstock in America and Hyde Park and the Isle of Wight in the UK. In addition, the 1960s saw the introduction of the music compact cassette, which made music not only cheaper but also more portable. As the famous quote, probably attributed to American comedian Charles Fleischer (1950-) goes, ‘if you remember the ‘60s, you weren’t really there’. If that is the case, this article might just serve as a timely reminder.

R&B, gospel, and jazz started to evolve into urban African American soul music, made popular by record companies specialising in the genre. One of these labels was Motown in Detroit, Michigan featuring artists such as Diana Ross & the Supremes, The Four Tops, and Smokey Robinson & the Miracles. Another record label that was hugely influential at the time was Stax Records based in Memphis, Tennessee which was significant for its racially integrated production of southern soul and blues music, including house band Booker T & the M.G.’s and artists like Otis Redding. Atlantic Records which began in New York also promoted soul artists such as Aretha Franklin, Ray Charles and Wilson Pickett. Some other popular soul and R&B artists of the 1960s include The Temptations, Stevie Wonder, Marvin Gaye, The Isley Brothers and the Jackson Five. Racial segregation was a major hurdle for aspiring black musicians and soul is often seen as being closely associated with the American civil rights movement.

Surf music originated in the early 1960s on the west coast of America, particularly around the surfing culture of Orange County in southern California. It was influenced by instrumental rock ‘n’ roll artists like Link Wray, The Ventures and Duane Eddy. Surf is, however, distinct from rock ‘n’ roll and was important in the formation of modern rock music. Surf music tended to fall either into instrumental tunes performed by the likes of Dick Dale & The Deltones or harmonised vocal songs characterised by The Beach Boys. The musical style is heavily based around reverb‑drenched electric guitar sounds often making use of a guitar’s vibrato and the amplifier’s tremolo effect. Lyrics focused on, unsurprisingly, surfing, girls, cars and sunny west coast beach culture. Surf was relatively short‑lived and was taken over by many other American and European genres from the mid‑1960s onwards.

Up to the early 1960s, British artists were in the shadow of American acts and were often playing catch‑up. While not a genre in its own right, the so‑called ‘British Invasion’ began around 1963 with many artists from Britain becoming massively popular in the United States. UK artists sometimes took American songs and gave them a British sound. Perhaps the most significant phenomenon was coined ‘Beatlemania’, when Merseybeat pop group The Beatles broke onto the American music scene circa 1963 and spearheaded the export of UK music to the USA. Other British artists included The Rolling Stones, The Animals, Cream, The Hollies and The Who. By the end of the decade American artists had largely regained their homeland audiences. Various attempts to recreate the phenomenon have only been partially successful, for instance Britpop in the 1990s with artists like Oasis, the Spice Girls and Robbie Williams.

By the mid‑1960s, there was a strong revival of folk music, notable especially for songs with a social and moral conscience, widely articulating the feelings and messages of the various turbulent protest movements of the time. Songs encompassed issues such as poverty, class, the Vietnam War, social injustice and racial segregation. Songs also began to exhibit a stronger leaning towards the emerging rock oriented music scene. Perhaps the most significant artist of the period was Bob Dylan who controversially and ultimately successfully fused acoustic folk and electric rock genres.

Pop music is a diverse genre that attracts a lot of debate. It developed not from the broader traditional popular music of previous decades but from rock ‘n’ roll in the late 1950s and ‘pop’ became a commonly used term since the 1960s to describe non‑classical highly commercial and easily accessible youth‑oriented music. From about 1967, there was a clear divergence between rock music and pop music. Rock became harder edged and played by ‘real’ musicians recording albums while pop was refined into short catchy radio friendly ‘singles’ that were largely industry driven, highly produced, easily packaged, widely marketable and hugely profitable. Musically and lyrically, pop songs are generally uncontroversial and tended not to challenge the listener to any significant degree. Pop artists would sometimes appear and disappear overnight, as it was the songs, sales and chart position that mattered more to the record companies, rather than the performer. The term ‘one‑hit‑wonder’ is often associated with the throwaway appeal of pop music consumption. Conversely, the corporations assert that profits enable investment in new artists. Successful pop artists from the 1960s included The Monkees, The Shadows, Herman’s Hermits, The Dave Clark Five, The Everly Brothers, The Bee Gees and The Lovin’ Spoonful. Pop music continues to evolve and has had a number of peaks since the 1960s including in the early 1980s with artists like Michael Jackson and Madonna and late 2000s including the likes of P!nk, Lady Gaga and Katy Perry. Pop therefore represents considerable mainstream economic business to the industry.

Experimental psychedelic rock was popular during the late 1960s and is often associated with the hippie/flower power counterculture. It is also associated with the widespread use of cannabis and manufactured hallucinogenic drugs such as LSD (acid). Song lyrics frequently referenced drugs and altered/elevated states of consciousness. Songs were often long and comprised extended instrumental extemporisation and improvisation (often called jamming). Musicians regularly used esoteric instruments like the sitar, tabla vibraphone and organ, much of it influenced by Asian, Indian and oriental music. Psychedelic rock and folk rock became closely associated with simple messages of peace and love that began with 1967’s ‘Summer of Love’ phenomenon and reached a climax at the Woodstock festival in 1969. Many rock bands of the period stretched the boundaries of the genre, including the Grateful Dead, The Velvet Underground, Janis Joplin, The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, The Moody Blues, Gong, Hawkwind and early Pink Floyd.

Ska is a genre that originated in Jamaica in the late 1950s and came to popular prominence in the early 1960s. Ska was influenced by Caribbean calypso and Latin music combined with American jazz and R&B. Ska developed heavy basslines and offbeat accents producing a distinctive up‑tempo dance rhythm. Jamaican producers began recording ska on their own labels which were then played on DJ sound systems. Ska became popular not only in Jamaica but also in Britain, being associated with the decade’s mod and skinhead sub‑cultures. Importantly, ska was the precursor to rocksteady and reggae. Key players in the genre were Prince Buster, Clement ‘Coxsone’ Dodd and Duke Reid. Ska experienced a major revival in Britain in the late 1970s and early 1980s on the back of the punk rock boom through Two Tone Records and artists like The Specials, Madness, Bad Manners, The Selecter, and The Beat.

Classic rock music, or simply just rock, really came into its own as a separate broad genre during the 1960s deriving from America and the UK. Rock’s origins stem from rock ‘n’ roll, blues, folk, country and R&B. Experimentation with sound and composition mean that there are many, many sub‑genres and crossover styles of rock music. Rock is predominantly performed by a band with vocals, one or more electric guitars, bass and drums played in an un‑syncopated 4/4 rhythm and comprising a verse and chorus structure. Rock became distinct for increasing use of volume and distorted electric guitar sounds. Classic rock was the starting point for the various offshoots that followed including hard rock, psychedelic rock, blues rock, folk rock, progressive/contemporary rock, heavy metal, glam rock, soft rock, AOR, roots rock, jazz rock, punk rock, new wave, post‑punk, grunge, alternative rock and indie. Many of these styles of rock music remain popular to the current day. Culturally, rock music has often been connected with political activism as well as changes in social attitudes to race, sex, crime and drug use, and is often seen as an expression of young people’s rebellious rejection of adult uniformity and conformity. Artists associated with classic rock include The Kinks, Small Faces, Free, Bad Company and Jeff Beck.

Hard rock split from pop and rock during the latter half of the 1960s. As rock music was beginning to define itself throughout the 1960s, an offshoot rapidly developed that had its own distinctive sound. Hard rock took commercial rock and gave it a heavier and more aggressive style. Hard rock vocals tended to be in the higher registers and were often raspy and guttural. The hard-edged, loud, distorted guitar‑heavy music was influenced by blues, rock and garage. Hard rock could often be identified by catchy ‘power chord’ riffs and impressive lead guitar solos. Hard rock quickly became associated with excluded and defiant young people and the lyrics frequently had a distinctly anti‑authoritarian slant. This sometimes hostile approach to the mainstream was characterised by some acts destroying their instruments on stage, for instance by Pete Townsend of The Who and Jimi Hendrix. The hedonistic rock lifestyle went hand in hand with the music, resulting in musicians reportedly partying as hard as they played, regularly destroying property. Many rock artists developed drug and alcohol dependencies, which resulted in some high profile deaths, including Jim Morrison and Jimi Hendrix. Notable hard rock bands from the 1960s include The Who, Deep Purple, Led Zeppelin, Steppenwolf and The Rolling Stones and later in the early 1970s by bands like Rainbow, Whitesnake, Aerosmith, Kiss, Queen, AC/DC, Alice Cooper and Van Halen.

Musical Facts 1960-1969

Michael Stipe (REM)

Day	Month	Year	Music Fact
4	January	1960	American singer, songwriter, producer, artist and former frontman of indie rock band R.E.M. Michael Stipe was born in Decatur, Georgia.
22	January	1960	Australian singer, songwriter and co-founder of rock band INXS, Michael Hutchence was born in Sydney, New South Wales.
9	February	1960	Legendary American singer Elvis Presley received his first star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard.
3	March	1960	American rock ‘n’ roll singer and now soldier, Sargent Elvis Presley set foot in the UK for the first and only (confirmed) time while his forces plane was refuelled at Prestwick Airport in Ayrshire, Scotland.
13	March	1960	British/Irish bass guitarist, best known as a member of rock band U2, Adam Clayton was born in Chinnor, Oxfordshire, England.
31	March	1960	American blues rock guitarist, Popa Chubby (a.k.a. Theodore ‘Ted’ Horowitz) was born in The Bronx, New York City.
4	April	1960	Legendary American rock ‘n’ roll singer Elvis Presley recorded his classic hit single, ‘Are You Lonesome Tonight?’ at RCA studios in Nashville, Tennessee.
6	April	1960	American guitarist and member of blues/rock groups The Allman Brothers Band, Gov’t Mule and The Dead, Warren Haynes was born in Asheville, North Carolina.
17	April	1960	American rock ‘n’ roll singer and guitarist Eddie Cochran died tragically following a car accident in Wiltshire, UK, at the age of just 21.
23	April	1960	English guitarist, singer, songwriter and key member of heavy rock band Def Leppard, Steve Clark (1960-1991, 30) was born in Hillsborough, Sheffield.
10	May	1960	Irish singer and songwriter Paul Hewson, a.k.a. Bono, front man of massive rock band U2 was born in Dublin.
1	June	1960	Great English bass guitarist with indie rock icons The Cure, Simon Gallup was born in Duxhurst, Surrey.
6	June	1960	American virtuoso rock guitarist, singer, songwriter and producer, Steve Vai was born in New York.
20	June	1960	English bass guitarist and co-founder of new romantic band Duran Duran, John Taylor was born in Solihull, Warwickshire.
27	October	1960	American soul singer Ben E. King recorded his first songs as a solo artist after leaving The Drifters, the classics, ‘Spanish Harlem’ and ‘Stand By Me’.
7	November	1960	American guitarist and songwriter with rock band KISS from 2002, Tommy Thayer, nicknamed ‘The Spaceman’ was born in Portland, Oregon.
8	February	1961	After changing their name from The Quarrymen, English pop band The Beatles made their debut appearance at Liverpool’s Cavern Club, their first of 292 performances at the venue.
7	May	1961	Welsh guitarist and long-term member of hard rock band Motörhead, Phil Campbell was born in Pontypridd.
12	May	1961	English guitarist, songwriter and member of post-punk band, The Cult, Billy Duffy was born in Manchester.
29	May	1961	Award-winning American singer, songwriter and guitarist, Melissa Etheridge was born in Leavenworth, Kansas.
3	June	1961	English guitarist and founding member of psychedelic rock bands Ozric Tentacles and Nodens Ictus, Ed Wynne was born in London.
10	June	1961	American bass guitarist, singer and songwriter, former member of alternative rock band Pixies and currently fronting The Breeders with her twin sister, Kim Deal was born in Dayton, Ohio.
10	June	1961	American guitarist and member of The Breeders with her twin sister, Kelley Deal was born in Dayton, Ohio.
23	July	1961	Multi-talented award-winning English singer, songwriter, guitarist, producer, DJ and co-founder of Depeche Mode, Martin Gore was born in Dagenham, Essex.
8	August	1961	Irish guitarist and songwriter with rock band U2, The Edge (a.k.a. David Evans) was born in Barking, Essex, England to Welsh parents.
13	September	1961	American guitarist, singer, songwriter and co-founder of thrash metal rock band Megadeth, Dave Mustaine was born in La Mesa, California.
16	September	1961	English guitarist, singer and songwriter with indie rock band My Bloody Valentine, Bilinda Butcher was born in London.
3	October	1961	The Country Music Hall of Fame in Nashville, Tennessee welcomed its first inductees, Jimmie Rodgers, Fred Rose and Hank Williams.
10	October	1961	English bass guitarist and actor best known as member of new wave/pop group Spandau Ballet, Martin Kemp was born in London.
10	February	1962	American bass guitarist and songwriter, best known as a member of heavy rock band Metallica, Cliff Burton (1962-1986, 24) was born in California.
11	February	1962	Talented American singer, songwriter and multi-instrumentalist, including guitar, bass and drums, Sheryl Crow was born in Kennett, Missouri.
2	March	1962	American singer, songwriter, founder and front man of the rock band that bears his name, Jon Bon Jovi was born in Perth Amboy, New Jersey.
8	April	1962	American guitarist, co-founder and ex-member of rock band Guns N’ Roses, Izzy Stradlin (a.k.a. Jeffrey Dean Isbell) was born in Lafayette, Indiana.
2	August	1962	American folk singer, songwriter and guitarist Robert Allen Zimmerman formally changed his name to… the one and only Bob Dylan.
25	August	1962	Northern Irish guitarist who has been a member of hard rock bands Def Leppard, Dio and Whitesnake, Vivian Campbell was born in Belfast, County Antrim.
11	October	1962	English pop group The Beatles had their song ‘Love Me Do’ reach no. 4 in the UK singles chart, their first record to do so.
16	October	1962	Australian/American bass guitarist and co-founder of rock band, Red Hot Chili Peppers, Michael Balzary (a.k.a. Flea) was born in Melbourne, Victoria, Australia.
17	October	1962	English newcomers, The Beatles made their first regional television appearance playing 2 songs live on Granada’s ‘People And Places’ show.
18	November	1962	Great American guitarist, songwriter and long-time member of metal rock band Metallica, Kirk Hammett was born in San Francisco, California.
24	November	1962	English guitarist and songwriter with the Stone Roses and The Seahorses, John Squire was born in Altrincham, Cheshire.
8	December	1962	American guitarist, well known for his 10-year stint with heavy metal band Megadeth, Marty Friedman was born in Washington D.C.
9	January	1963	English drummer, Charlie Watts joined the rock band The Rolling Stones, starting a long-term membership of the group.
19	January	1963	English pop/rock band, The Beatles made their first recorded UK TV appearance on the ITV/ABC show, ‘Thank Your Lucky Stars’.
2	February	1963	American singer, songwriter and guitarist, the ‘songbird’, Eva Cassidy (1963-1996, 33) was born in Washington D.C.
22	March	1963	Emerging English pop group The Beatles released their debut studio album ‘Please Please Me’ in the UK. Merseybeat had well and truly arrived.
27	May	1963	American folk singer, songwriter and guitarist, Bob Dylan released his classic 2^nd studio album, ‘The Freewheelin’ Bob Dylan’.
30	June	1963	Impressive, prolific Swedish virtuoso neoclassical heavy rock guitarist Yngwie Malmsteen was born in Stockholm.
3	August	1963	American guitarist, singer, songwriter and co-founder of heavy metal rock band Metallica, James Hetfield was born in Downey, California.
9	August	1963	Popular British weekly pop music television show, ‘Ready Steady Go!’ was first broadcast by ITV. The show ran until December 1966.
9	August	1963	Multi-award-winning American soul/R&B singer and actress, Whitney Houston was born in Newark, New Jersey.
30	August	1963	Dutch technology company Philips introduced the Compact Cassette to Europe at the Berlin Radio Show, followed by an American launch in November the same year.
13	October	1963	Emerging English pop band The Beatles made their first major TV appearance on ITV’s famous variety show, ‘Sunday Night At The London Palladium’.
31	October	1963	English guitarist, singer, songwriter, ex-member of post‑punk rock band The Smiths, as well as a successful solo artist and collaborator, Johnny Marr was born in Manchester.
31	December	1963	American guitarist, singer and founding member of thrash metal rock band Anthrax, Scott Ian was born in Queens, New York.
1	January	1964	The BBC’s popular chart music television programme ‘Top Of The Pops’ (TOTP) was first broadcast in the UK. The show ran for over 42 years until July 2006.
13	January	1964	American folk singer Bob Dylan released his 3^rd studio album ‘The Times They Are A-Changin’’, which became a political anthem for social change in 1960s America.
5	February	1964	American bass player and ex-member of rock bands, Guns N’ Roses, Velvet Revolver, Loaded and Jane’s Addiction, Duff McKagan was born in Seattle, Washington state.
7	February	1964	‘Beatlemania’ struck America when The Beatles landed at New York’s JFK Airport on their first visit to the USA.
9	February	1964	‘Beatlemania’ struck again when English pop band The Beatles made their American TV debut on ‘The Ed Sullivan Show’.
11	February	1964	English pop band The Beatles made their debut live performance in America at the Washington Coliseum in front of 8,000 screaming fans.
26	May	1964	American rock guitarist, singer, songwriter, producer and actor, Lenny Kravitz was born in New York City.
30	May	1964	Great American guitarist with rock bands Rage Against The Machine and Audioslave, as well as several solo projects, Tom Morello was born in New York.
3	June	1964	Great American guitarist with thrash metal rock band Slayer, the formidable Kerry King was born in Los Angeles, California.
19	June	1964	English rock band, The Animals, released their seminal hit single, ‘House Of The Rising Sun’.
10	July	1964	English pop/rock group The Beatles released their 6^th studio album ‘A Hard Day’s Night’ in the UK.
24	July	1964	The Newport Folk Festival in Rhode Island, U.S.A. descended into controversy when Bob Dylan performed an electric rather than acoustic set.
13	November	1964	English rock band The Rolling Stones released their cover of the classic Willie Dixon blues song, ‘Little Red Rooster’ as a single in the UK.
23	December	1964	American guitarist, singer, songwriter and long-time member of rock band Pearl Jam, Eddie Vedder was born in Evanston, Illinois.
20	January	1965	The self-proclaimed ‘father of rock ‘n’ roll’, legendary American DJ Alan Freed died from uraemia and cirrhosis in hospital in Palm Springs, California at the age of 43.
28	January	1965	Emerging English rock band, The Who made their debut television appearance in the UK on the ITV music show ‘Ready Steady Go!’
14	February	1965	Australian/French multi-instrumentalist, including guitar, known for working with alternative rock bands Nick Cave & The Bad Seeds and Grinderman, Warren Ellis was born in Ballarat, Victoria, Australia.
8	March	1965	Legendary American folk guitarist, singer and songwriter Bob Dylan released his first top 40 hit single, ‘Subterranean Homesick Blues’ in the U.S.
12	May	1965	English rock band The Rolling Stones recorded their trademark song ‘(I Can’t Get No) Satisfaction’ at RCA’s studio in Hollywood.
17	May	1965	Prolific composer, singer, songwriter, guitarist, producer and founder of industrial rock band Nine Inch Nails, Trent Reznor was born in New Castle, Pennsylvania.
16	June	1965	Legendary American folk singer and guitarist Bob Dylan recorded his classic song, ‘Like A Rolling Stone’ at Columbia studios in New York.
23	June	1965	English guitarist and founding member of rock band Oasis, Paul ‘Bonehead’ Arthurs was born in Manchester.
23	July	1965	British/American guitarist, member of hard rock bands Guns N’ Roses and Velvet Revolver, as well as a successful solo artist, Saul Hudson (a.k.a. Slash) was born in London.
29	July	1965	The full-length film ‘Help!’, featuring a certain English pop quartet, The Beatles, was premiered in London.
6	August	1965	English pop group The Beatles released their 5^th studio album, ‘Help!’ in the UK, which was also the soundtrack to their film of the same name.
15	August	1965	English pop band The Beatles broke the (then) record for an audience of 55,600 at Shea Stadium in New York City.
20	August	1965	English rock band The Rolling Stones released their massive hit single, ‘(I Can’t Get No) Satisfaction’.
28	August	1965	Canadian country music singer, songwriter and guitarist, Shania Twain, the ‘Queen of Country Pop’ was born in Windsor, Ontario.
30	August	1965	American folk guitarist, singer and songwriter Bob Dylan released his classic 6^th studio album, ‘Highway 61 Revisited’ in the UK.
13	October	1965	English rock band The Who recorded their classic single ‘My Generation’ at Pye Recording Studios in London, UK.
21	October	1965	Pioneering American rock ‘n’ roll bass player, forever associated with singer Elvis Presley, Bill Black died of a brain tumour in Memphis, Tennessee, at the age of 39.
26	October	1965	HM Queen Elizabeth II presented members of the English pop band The Beatles with MBEs at Buckingham Palace in London.
29	October	1965	English rock band, The Who released the single ‘My Generation’ in the UK, reaching number 2 in the British singles chart.
12	November	1965	Emerging young English singer, songwriter and guitarist Marc Bolan performed his first single, ‘The Wizard’ on national UK TV music programme ‘Ready Steady Go!’
12	November	1965	American rock band Velvet Underground performed their debut live performance at Summit High School in New Jersey.
19	November	1965	English guitarist, songwriter and lead man for alternative rock band Spiritualized, Jason Pierce was born in Rugby.
21	November	1965	Avant-garde Icelandic singer, songwriter, producer and actress, Björk Guðmundsdóttir was born in Reykjavík.
25	November	1965	American guitarist, singer, songwriter and producer, a member of punk rock bands Rancid and Transplants, Tim Armstrong was born in Albany, California.
3	December	1965	English pop/rock group The Beatles released their 6^th studio album ‘Rubber Soul’ in the UK.
3	December	1965	English rock band, The Who, released their classic debut studio album, ‘My Generation’ in the UK.
10	December	1965	American singer, songwriter and guitarist, front man of alternative rock band Dinosaur Jr., the great J. Mascis was born in Amherst, Massachusetts.
4	March	1966	Member of The Beatles, John Lennon, made his infamously controversial statement that the band was “…more popular than Jesus…”.
18	March	1966	American guitarist and founder of heavy rock band, Alice In Chains, Jerry Cantrell was born in Tacoma, Washington.
25	March	1966	Renowned Canadian blues rock guitarist, Jeff Healey (1966-2008, 41) was born in Toronto.
5	April	1966	American guitarist and co-founder of rock band, Pearl Jam, Mike McCready was born in Pensacola, Florida.
22	April	1966	English garage rock band The Troggs released their version of the Wild Ones’ song, ‘Wild Thing’, which became a classic hit single of its time.
1	May	1966	English pop/rock band, The Beatles performed their final UK live appearance at the NME Poll Winners’ Party, held at the Empire Pool, Wembley in London.
13	May	1966	English rock band, The Rolling Stones released their dark and sinister hit single, ‘Paint It, Black’ from the album ‘Aftermath’ (U.S. release).
16	May	1966	Original American surf pop/rock band, The Beach Boys released their best-selling classic 11^th studio album, ‘Pet Sounds’ in the U.S.
16	May	1966	American folk singer, songwriter and guitarist, Bob Dylan originally scheduled the release date of his classic 7^th studio double album, ‘Blonde On Blonde’. It didn’t actually become available until early June.
26	May	1966	English pop/rock band, The Beatles recorded ‘Yellow Submarine’ at Abbey Road Studios in London.
30	May	1966	American singer, songwriter, guitarist and co-founder of alternative rock bands Pavement and the Jicks, Stephen Malkmus was born in Santa Monica, California.
16	July	1966	British music icons Eric Clapton, Jack Bruce and Ginger Baker formed the short-lived blues/rock super group Cream.
5	August	1966	English pop/rock group, The Beatles released their classic 7^th studio album, ‘Revolver’ in the UK.
20	August	1966	American guitarist, songwriter and founder of heavy metal rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Lance Abbott (1966-2004, 38) was born in Arlington, Texas.
12	September	1966	Featuring an American/British pop-rock band, The Monkees show premiered on American TV network NBC.
20	September	1966	Portuguese/American guitarist, singer, songwriter, producer and member of rock band Extreme, Nuno Bettencourt was born in Terceira, Azores.
23	October	1966	Anglo-American rock trio, The Jimi Hendrix Experience recorded ‘Hey Joe’, their debut single, which peaked at number 6 in the UK chart.
2	November	1966	American blues guitarist Mississippi John Hurt died of a heart attack in a hospital in Grenada, Mississippi at the age of 73.
6	November	1966	American virtuoso rock guitarist, member of rock bands Mr Big and Racer X, as well as successful solo artist, Paul Gilbert was born in Carbondale, Illinois.
17	November	1966	American surf band, The Beach Boys had a number one hit in the UK singles chart with the classic song, ‘Good Vibrations’.
17	November	1966	Talented American singer, songwriter and guitarist, the graceful Mr Jeff Buckley (1966-1997, 30) was born in Orange, California.
25	November	1966	The Jimi Hendrix Experience played their debut live performance in the UK at the Bag O’Nails Club in Soho, London.
7	December	1966	English guitarist and songwriter who has worked with bands Oasis, Beady Eye and Noel Gallagher’s High Flying Birds, Gem Archer was born in Durham.
9	December	1966	English blues/rock super group Cream, comprising Eric Clapton, Jack Bruce and Ginger Baker, released their debut studio album, ‘Fresh Cream’ in the UK.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience, made their UK TV debut on popular music programme ‘Ready Steady Go!’.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience recorded their classic track, ‘Foxy Lady’ (a.k.a. ‘Foxey Lady’ in the U.S.), released as a single in May 1967.
16	December	1966	Anglo-American rock band, The Jimi Hendrix Experience released their debut single in the UK, ‘Hey Joe’, reaching no. 6. It failed to chart in the U.S.
23	December	1966	After 3 years on air, UK TV network channel ITV broadcast the final episode of the popular music programme, ‘Ready Steady Go!’ following a Musicians’ Union ban on miming on television.
29	December	1966	Anglo‑American rock trio, The Jimi Hendrix Experience made their first UK TV appearance on the BBC’s ‘Top Of The Pops’, performing their single, ‘Hey Joe’.
4	January	1967	American rock band, The Doors, released their classic self-titled debut studio album, ‘The Doors’.
11	January	1967	Anglo‑American rock trio, The Jimi Hendrix Experience recorded their classic song, ‘Purple Haze’ at De Lane Lea Studios in London. It took 3 takes in 4 hours to complete.
14	January	1967	American heavy metal guitarist, singer and songwriter, founder of heavy metal band Black Label Society, Zakk Wylde was born in New Jersey.
17	January	1967	English rock guitarist, singer, songwriter, producer, solo artist and session musician, Richard Hawley was born in Sheffield.
3	February	1967	Pioneering English record producer and studio engineer, Joe Meek murdered his landlady and then committed suicide in London at the age of 37.
17	February	1967	English Blues rock band John Mayall and the Blues Breakers released their 2^nd studio album, ‘A Hard Road’ with Peter Green replacing Eric Clapton as guitarist.
20	February	1967	American singer, songwriter and guitarist with grunge rock band Nirvana, Kurt Cobain (1967-1994, 27) was born in Aberdeen, Washington state.
12	March	1967	American rock band, The Velvet Underground released their debut studio album, ‘The Velvet Underground & Nico’, with iconic cover art by pop artist Andy Warhol.
17	March	1967	American singer, songwriter, guitarist and co-founder of alternative rock band Smashing Pumpkins, Billy Corgan was born in Chicago, Illinois.
12	May	1967	Anglo‑American rock band, The Jimi Hendrix Experience released their debut studio album, ‘Are You Experienced’ in the UK.
29	May	1967	English singer, songwriter and guitarist with rock bands Oasis and High Flying Birds, Noel Gallagher was born in Manchester.
1	June	1967	English pop/rock band, The Beatles released their classic 8^th studio album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ in the UK.
1	June	1967	Aspiring English singer David Bowie released his eponymous debut studio album, ‘David Bowie’ in the UK.
7	June	1967	American guitarist, singer, songwriter and founding member of alternative rock band Jane’s Addiction as well as former member of Red Hot Chili Peppers, Dave Navarro was born in Santa Monica, California.
16	June	1967	The ‘Summer of Love’ officially arrived with the start of the legendary 3-day Monterey Pop Festival in California. Artists included The Animals, Simon & Garfunkel and Sly & The Family Stone.
16	June	1967	English psychedelic/progressive rock band Pink Floyd released their classic single, ‘See Emily Play’, written by Syd Barrett.
17	June	1967	The ‘Summer of Love’ continued with the 2^nd day of the 3-day Monterey International Pop Festival in California. Artists included Canned Heat, Jefferson Airplane, Otis Redding, Steve Miller Band and The Byrds.
18	June	1967	The ‘Summer of Love’ continued with the 3^rd and final day of the Monterey International Pop Festival in California. Artists included Buffalo Springfield, Grateful Dead, Ravi Shankar, The Jimi Hendrix Experience and The Who.
24	June	1967	German guitarist with Industrial Metal rock band Rammstein, Richard Z. Kruspe was born in Wittenberge.
12	July	1967	Great American guitarist and founding member of heavy rock band Dream Theater, John Petrucci was born in New York.
4	August	1967	English psychedelic progressive rock group, Pink Floyd released their debut studio album, ‘The Piper at the Gates of Dawn’.
25	September	1967	American rock band The Doors released their all-time classic 2^nd studio album, ‘Strange Days’.
30	September	1967	English broadcaster the BBC aired their pop music channel Radio 1 for the very first time in the UK. The first record played by DJ Tony Blackburn was, ‘Flowers in the Rain’ by The Move.
3	October	1967	American singer, songwriter and guitarist Woody Guthrie died from Huntington’s Disease in New York City at the age of 55.
9	November	1967	The brainchild of Jann Wenner, the very first issue of Rolling Stone music magazine was published in the USA, featuring a photo of John Lennon on the front cover.
10	November	1967	English blues/rock super group Cream released their classic 2^nd studio album, ‘Disraeli Gears’ in the UK.
1	December	1967	Anglo-American rock trio, The Jimi Hendrix Experience released their sophomore studio album, ‘Axis: Bold as Love’ in the UK.
7	December	1967	Shortly before his tragic death, American soul singer Otis Redding recorded his classic single, ‘(Sittin’ On) The Dock Of The Bay’.
10	December	1967	American soul singer, Otis Redding was killed tragically when the plane in which he was travelling crashed into Lake Monona near Madison, Wisconsin, at the age of 26.
16	December	1967	English rock band, The Who, released their 3^rd studio album, ‘The Who Sell Out’ in the UK.
27	December	1967	Canadian singer, songwriter and guitarist, Leonard Cohen released his classic debut studio album, ‘Songs of Leonard Cohen’.
13	January	1968	American country music legend Johnny Cash performed two live shows at the notorious Folsom State Prison in California.
21	January	1968	Anglo-American rock trio, The Jimi Hendrix Experience recorded their cover version of Bob Dylan’s, ‘All Along The Watchtower’ at Olympic Studios in London.
30	January	1968	American psychedelic rock band, The Velvet Underground released their classic sophomore studio album, ‘White Light/White Heat’.
8	March	1968	The famous New York live music venue Fillmore East opened its doors at 105 Second Avenue and East 6^th Street in Manhattan. It closed 3 years later on 27 June 1971.
6	April	1968	English progressive rock band Pink Floyd announced that guitarist and singer Syd Barrett had left the band he helped to found.
15	April	1968	English guitarist, singer, songwriter and original member of alternative rock band Radiohead, Ed O’Brien was born in Oxford.
20	April	1968	After changing their name from Roundabout, English hard rock band Deep Purple played their first live concert as Deep Purple in Tastrup, Denmark.
24	May	1968	English rock band, Small Faces released their classic 4^th studio album ‘Ogdens’ Nut Gone Flake’.
24	May	1968	English rock band, The Rolling Stones released their massive hit single, ‘Jumpin’ Jack Flash’.
28	May	1968	Multi-talented Australian singer, songwriter, actress, entrepreneur and sex symbol, Kylie Minogue was born in Melbourne, Victoria.
5	June	1968	Marc Bolan’s band Tyrannosaurus Rex released their debut album, ‘My People Were Fair And Had Sky In Their Hair… But Now They’re Content To Wear Stars On Their Brows’ in the UK.
15	June	1968	Acclaimed American jazz guitarist Wes Montgomery died of a heart attack at his home in Indianapolis at the age of 45.
28	June	1968	English progressive rock group Pink Floyd released their sophomore studio album, ‘A Saucerful Of Secrets’ in the UK. It was the only Pink Floyd album to feature both Syd Barrett and David Gilmour.
29	June	1968	The first Hyde Park Free Concert was held in London, UK, featuring Pink Floyd, Jethro Tull, Tyrannosaurus Rex and Roy Harper.
5	July	1968	The legendary San Francisco live music venue Fillmore West opened its doors at 10 South Van Ness Avenue. It stayed at this location until 4 July 1971.
10	July	1968	English guitarist Eric Clapton announced that the blues/rock super group Cream were splitting up, after just 3 studio albums.
13	July	1968	Under their original name, Earth, English heavy metal pioneers, Black Sabbath played their first live concert at The Crown pub in Birmingham.
17	July	1968	The unique psychedelic animated film ‘Yellow Submarine’, featuring characters based on The Beatles premiered in London.
5	August	1968	Influential American country guitarist and principal sideman for Johnny Cash, Luther Perkins, one of the famed ‘Tennessee Three’, died tragically in a fire accident in Hendersonville, Tennessee at the age of 40.
9	August	1968	English blues/rock super group Cream released their 3^rd studio album, ‘Wheels Of Fire’.
6	September	1968	English blues/rock guitarist Eric Clapton recorded the guitar solo on The Beatles’ song, ‘While My Guitar Gently Weeps’.
7	September	1968	English rock band The New Yardbrids, later to become Led Zeppelin performed their live concert debut at Gladsaxe, near Copenhagen in Denmark.
14	September	1968	The animated series based around a fictional pop band, ‘The Archies’, from the original comic strip, premiered on CBS TV in America.
20	September	1968	English Heavy rock band, Led Zeppelin started recording their ground-breaking debut album ‘Led Zeppelin (I)’ in London, to be released in 1969.
7	October	1968	English singer, songwriter and guitarist with alternative rock band Radiohead, Thom Yorke was born in Wellingborough, Northamptonshire.
14	October	1968	English psychedelic folk rock duo Tyrannosaurus Rex released their 2^nd studio album, ‘Prophets, Seers & Sages: The Angels of the Ages’.
25	October	1968	Nine days after its American launch, The Jimi Hendrix Experience released their final studio album ‘Electric Ladyland’ in the UK.
9	November	1968	English hard rock band Led Zeppelin performed their debut London concert at The Roundhouse, Chalk Farm. Members’ tickets cost 16 shillings.
21	November	1968	English bass guitarist and songwriter, principally with Britpop band Blur, Alex James was born in Bournemouth.
22	November	1968	English group, The Beatles released their highly regarded 9^th studio double album, ‘The Beatles’, a.k.a. the ‘White Album’ in the UK.
26	November	1968	Aside from their 2005 reunion gigs, English blues/rock super group, Cream played their final ‘Farewell Concert’ at the Royal Albert Hall in London.
29	November	1968	Emerging British/American blues/rock band Fleetwood Mac released their classic instrumental hit single ‘Albatross’.
6	December	1968	British rock band, The Rolling Stones released their classic 7^th studio album, ‘Beggars Banquet’ in the UK.
24	December	1968	American blues/rock guitarist, singer, songwriter, producer, prolific musical collaborator as well as solo artist, Doyle Bramhall II was born in Dallas, Texas.
5	January	1969	Controversial American rock singer and songwriter, Brian Warner, better known as the artist Marilyn Manson, was born in Canton, Ohio.
12	January	1969	British rock band Led Zeppelin released their self‑titled debut studio album, ‘Led Zeppelin’ on Atlantic Records in the UK.
13	January	1969	English band The Beatles released their studio album ‘Yellow Submarine’ as a soundtrack to the psychedelic animated film of the same name featuring the Fab Four.
14	January	1969	American singer, songwriter, drummer and guitarist with rock bands Nirvana and Foo Fighters, Dave Grohl was born in Springfield, Virginia.
22	January	1969	Legendary Canadian singer, songwriter and guitarist, Neil Young released his eponymous debut album, ‘Neil Young’.
30	January	1969	English rock band The Beatles made their final live public performance, filming their famous unannounced rooftop gig atop the Apple Studio building in London for the film ‘Let It Be’.
21	February	1969	Welsh singer, songwriter, guitarist and producer with rock band Manic Street Preachers, James Dean Bradfield was born in Pontypool.
22	February	1969	Legendary English pop/rock band The Beatles started recording their classic studio album, ‘Abbey Road’ at the famous London recording studio of the same name.
24	February	1969	Anglo-American rock trio, The Jimi Hendrix Experience performed their final UK live indoor concert at The Royal Albert Hall in London.
12	March	1969	English singer, songwriter, guitarist and founder of indie rock/britpop band Blur, Graham Coxon was born in Rinteln, Germany where his father was stationed with the British Army.
7	April	1969	Legendary Canadian singer, songwriter and guitarist, Leonard Cohen released his classic sophomore studio album, ‘Songs From a Room’.
9	April	1969	American folk rock guitarist, singer and songwriter Bob Dylan released his change of direction 9^th studio album, ‘Nashville Skyline’.
13	May	1969	Prolific and inventive American rock guitarist, Buckethead (a.k.a. Brian Carroll) was born in Pomona, California.
14	May	1969	Canadian guitarist, singer and songwriter, Neil Young with his band Crazy Horse released their sophomore studio album, ‘Everybody Knows This Is Nowhere’.
16	May	1969	Before pioneering glam rock, English singer, songwriter and guitarist Marc Bolan with Tyrannosaurus Rex released their 3^rd studio album, ‘Unicorn’.
23	May	1969	English rock band, The Who released their ground breaking epic rock opera double album, ‘Tommy’ in the UK.
26	May	1969	John Lennon and Yoko Ono promoted world peace through an 8-day ‘bed-in’ in Canada proclaiming ‘Give Peace a Chance’.
4	June	1969	American country artist Johnny Cash released his classic live album, ‘At San Quentin’, recorded at the (in)famous high security prison in California.
20	June	1969	Emerging English singer David Bowie recorded his first hit single ‘Space Oddity’ at Trident Studios, London.
3	July	1969	English guitarist, multi-instrumentalist and founder of The Rolling Stones, Brian Jones drowned in his swimming pool at his home in Hartfield, East Sussex at the age of 27.
11	July	1969	Emerging English rock singer and songwriter David Bowie released his classic debut single, ‘Space Oddity’ in the UK.
1	August	1969	The point at which aspiring rock band Earth changed their name to Black Sabbath, announced at a concert held at the Pokey Hole Club in Lichfield, Staffordshire, UK.
5	August	1969	American singer and songwriter Iggy Pop launched his long and varied music career, with or without The Stooges, with the release of his/their debut studio album, ‘The Stooges’.
15	August	1969	The legendary hippie counter-culture Woodstock Festival ‘Aquarian Exposition: 3 Days of Peace and Music’ Arts Fair began at Max Yasgur’s dairy farm near Bethel, New York, attended by over 400,000 people. Tickets were priced at $6 per day. Artists included Melanie, Arlo Guthrie and Joan Baez.
16	August	1969	The second day of the legendary Woodstock Festival took place in upstate New York. Artists included Canned Heat, Grateful Dead, Janis Joplin, Sly & the Family Stone, The Who and Jefferson Airplane.
17	August	1969	The third and (sort of) final day of the legendary Woodstock Festival took place on Max Yasgur’s 600-acre farm 43 miles south west of the town of Woodstock, New York state. Artists included Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears and CSN&Y.
18	August	1969	As the last of 32 acts, American guitar legend, Jimi Hendrix closed the fabled Woodstock Festival by playing a 2-hour set at 9:00 in the morning with a temporary band.
30	August	1969	After changing their name from Earth, English heavy metal pioneers, Black Sabbath played their first live concert as Black Sabbath at a local pub in Workington, Cumbria.
5	September	1969	Talented American guitarist, son of Frank and carrying on the formidable family legacy, Dweezil Zappa was born in Los Angeles, California.
7	September	1969	English guitarist, best known as a member of Britpop group Cast and his work with alternative rock artist Robert Plant, Liam ‘Skin’ Tyson was born in Liverpool.
22	September	1969	Canadian/American roots/folk/country rock artists, The Band released their classic self-titled 2^nd studio album, ‘The Band’.
25	September	1969	American guitarist, songwriter, producer and one-time member of rock band Guns N’ Roses (2006-2014), Ron ‘Bumblefoot’ Thal was born in Brooklyn, New York.
26	September	1969	Legendary English pop/rock band The Beatles released their classic final studio album with the iconic zebra crossing cover photograph, ‘Abbey Road’ in the UK.
3	October	1969	Influential American delta blues singer and guitarist Skip James died in Pennsylvania at the age of 67.
10	October	1969	American rock guitarist and composer Frank Zappa released his outstanding, classic career-peak studio album, ‘Hot Rats’.
10	October	1969	English progressive rock band King Crimson released their classic studio album, ‘In the Court of the Crimson King’ in the UK.
16	October	1969	Anglo‑American rock trio the Jimi Hendrix Experience released their 3^rd and final studio album, the classic ‘Electric Ladyland’ in the U.S.
18	October	1969	American music family, The Jackson 5 made their debut on American TV, appearing on ABC’s ‘Hollywood Palace’.
22	October	1969	English hard rock group Led Zeppelin released their classic multi-million-selling 2^nd studio album, ‘Led Zeppelin II’ on Atlantic Records in the U.S.
28	October	1969	Award-winning multi-genre American guitarist, singer and songwriter Ben Harper was born in Pomona, California.
4	November	1969	English singer and songwriter David Bowie released his 2^nd studio album, ‘David Bowie’ (also released as ‘Space Oddity’ after the hit single from the album).
7	November	1969	English progressive rock group, Pink Floyd released their 4^th part live, part studio experimental double album, ‘Ummagumma’, with cover art by Hipgnosis.
14	November	1969	Cartoon bubblegum pop group, The Archies began the longest ‘one hit wonder’ UK singles chart-topping streak (8 weeks), with their classic song, ‘Sugar, Sugar’.
27	November	1969	American guitarist, singer and songwriter, a member of heavy rock band Alter Bridge, as well as pursuing many side projects, Myles Kennedy was born in Boston, Massachusetts.
29	November	1969	English rock band, The Rolling Stones, released their classic 11^th studio album, ‘Let It Bleed’ in the UK.
6	December	1969	A man was stabbed to death by a member of the Hells Angels during The Rolling Stones set at the infamous Altamont Free Festival in California.
14	December	1969	American music family, The Jackson 5 made their American Network TV debut, appearing on ‘The Ed Sullivan Show’.

Tailpiece

Well there you go… that’s the 1960s in a proverbial (and quite sizeable) nutshell. An appreciation of music genre development and music facts from the 1960s catalogues the seemingly sudden eruption of creativity that took place against the background of momentous global events. The vibrancy and liberalism of the 1960s was exploratory, liberating and empowering for many, mostly young people at the time. Much of the optimistic idealism was, perhaps in hindsight, naively transient and disappointingly ephemeral. All good things come to an end and things were about to change quite fundamentally all over again.

How the heck do you follow the decade of decadence? Well, that will be the fascinating story of the 1970s, which will unfold in all its hedonistic, nihilistic grime and glory. Intrigued? Why not come back for the next enthralling episode of the ‘History of Music’. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “I’m glad I’m alive. What else would I do?”

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30 Jun 2019

June 2019 – The Story of Modern Music in 1,500+ Facts – Part IV

by craveguitars | posted in: History, Introduction, Observations | 0

Introduction

Welcome once again all guitar and music aficionados. We are now half way through 2019 and not only are the evenings once again beginning to draw in but also the end of the ‘noughties’ is just a few months away. What a sobering thought. One wonders whether the 2020s will match the exhilarating heights (and lows) of the ‘Roaring Twenties’ of last Century. Sometimes, I doubt it and there are too many ‘harbingers of doom’ for optimism and hope to reign too strongly but perhaps it was ever thus – I hope I’m wrong. However, that sort of future speculation is for another place an time, as this month we are looking back to some 70‑80 years’ ago.

We are here in the midst of a series of articles chronicling the story of modern music by way of numerous guitar‑oriented facts and events. If you’ve been following the series so far, you’ll already know that, so I won’t bang on about it any longer.

If you would like to (re)visit the first three parts (and nearly 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part IV 1940-1949

There are so many facets to the 1940s that to cover the 1950s as well would make for an overlong article, so for the sake of our mutual sanity, let’s take it one step (and decade) at a time. So… this month, we concentrate solely on the 1940s, a watershed decade during which epochal change was increasing in both pace, scale and scope. Without further ado, assuming you know the routine and format by now, let us dispatch our ‘boots on the ground’ and get on with the show. Onward to the fascinating Forties…

Historical Context 1940-1949

The 1940s was known simply, and rather unimaginatively, as ‘The Forties’. During the first half of the decade the world was dominated by major conflict and brutal warfare. As if the world had not already seen enough, almost as soon as WWII ended, the Cold War began, again raising international political and military tensions between the capitalist west and communist eastern blocs, a struggle that would last for several decades. Ordinary people in many countries suffered on‑going economic austerity, adversity and disadvantage for many years as a consequence of WWII. Socially, concerns over the possibility of widespread post‑war friction sat at odds with hopes for long‑term peace. Technological progress was closely linked to competitive military advances and many major innovations spawned during the 1940s would ultimately benefit future generations.

Year	Global Events
1940	Conservative MP Winston Churchill became British Prime Minister and would remain in power to lead Britain to victory in WWII. The mass evacuation of more than 330,000 allied soldiers from the beaches of Dunkirk in northern France to England took place during WWII. In WWII, the German Luftwaffe carried out the ‘Blitz’, the massive air bombardment of London, UK. The WWII aerial Battle of Britain took place in the skies over Britain and Europe.
1941	Russia entered WWII when German‑led Axis forces crossed the area covered by the German–Soviet Nonaggression Pact, thereby effectively invading the Soviet Union. The classic motion picture film, ‘Citizen Cane’ directed by and starring Orson Welles was released. After 14 years of labour, the Mount Rushmore National Memorial in Black Hills, South Dakota was opened to the public, depicting the massive sculptures of four American presidents; George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln. America joined WWII after the Japanese attacked Pearl Harbor in Hawaii.
1942	The classic movie, ‘Casablanca’ was premiered, starring Humphrey Bogart and Ingrid Bergman.
1943	The world’s largest office building and headquarters of the United States Department of Defense, The Pentagon, was completed in Virginia.
1944	Operation Overlord (commonly known as ‘D-Day’) saw 150,000 allied troops successfully storm the beaches of Normandy in France against German defences.
1945	Germany surrendered to the allied forces, effectively ending WWII in Europe. U.S. atomic weapons testing was undertaken at the Trinity nuclear test site in New Mexico as part of the research & development programme known as the Manhattan Project. Two American atomic bombs were dropped on Hiroshima and Nagasaki in Japan leading to unconditional surrender and the formal end of WWII. Over 60 million people were killed during the conflict. The United Nations (UN) organisation was formed, with a mission to maintain international peace and security. Democrat Harry S. Truman became 33^rd President of the U.S.A. following the death of Franklin D. Roosevelt. The Nuremburg Trials began; a military tribunal established to prosecute the most prominent political and military leaders of Nazi Germany for war crimes during WWII.
1946	ENIAC (Electronic Numerical Integrator and Computer), the first programmable electronic computer was unveiled at the University of Pennsylvania.
1946/ 1947	The Cold War between Russia with its neighbouring Eastern Bloc states and America with its western allies started and lasted until the collapse of Communism and the Soviet Union between 1889 and 1991. The transistor semiconductor was developed by American technology company, Bell Labs in New Jersey.
1947	Italian motor company Ferrari started production of luxury sports cars in Modena. American test pilot Captain Chuck Yeager became the first person to break the sound barrier in level flight in a rocket-propelled Bell X-1 aircraft that he nicknamed ‘Glamorous Glennis’, achieving a recorded top speed of Mach 1.06 (807.2mph) at an altitude of 45,000 ft.
1948	British author George Orwell wrote his prophetic dystopian novel, ‘1984’. The independent state of Israel was established after the British pulled out of Palestine. The British National Health Service (NHS) was founded and would become the model for universal health care in the country. The NHS was part of the wider liberal welfare state system reforms that were implemented the UK.
1949	The Communist People’s Republic of China was proclaimed by Chairman Mao Zedong. The North Atlantic Treaty Organisation (NATO) was formed comprising 29 independent member states committed to mutual defence in response to an attack by any non‑member countries.

Well that is where the world was at, at the time. Now to refocus our attention onto the matter in hand, musical history.

Musical Genre Development 1940-1949

Music of the 1940s built on the sustained popularity of jazz, bebop and swing/big band music to provide upbeat positivity against the background of WWII, as played by Duke Ellington, Count Basie and Artie Shaw. Electric blues had spread to the west coast of America, particularly California, performed by artists such as T-Bone Walker and B.B. King. Chicago also became a vital locus for electric blues, as played by Buddy Guy, Howlin’ Wolf and Muddy Waters, as did Detroit with the likes of John Lee Hooker, and Indiana with Albert King and Jimmy Reed. Blues remained strong in the southern states, including artists like Lightnin’ Hopkins and Freddie King. Country and western music also became popular again with ‘singing cowboys’ such as Gene Autry and Roy Rogers. Wartime songs would feature across many musical genres and many entertainers helped to support the allied forces at home and abroad, including Vera Lynn, Gracie Fields and The Andrews Sisters. It was also during the 1940s that the influence of Latin music began to be felt across other genres, popularised by the likes of ‘The Brazilian Bombshell’, Carmen Miranda brought to western cinemagoers by film director Busby Berkeley.

Around 1945, bluegrass began to make its mark. Bluegrass fused many American, European and African roots styles culminating in a unique blend of country, folk, traditional and Appalachian mountain music incorporating blues and jazz influences. The music is usually played on acoustic string instruments including fiddle, five-string banjo, guitar, mandolin, and upright bass. Bluegrass was particularly popular for dancing, including dance styles such as buckdancing, flatfooting and clogging. The term ‘bluegrass’ arose not only from a type of grass in the region near Kentucky but also from the name used by pioneers of the genre, Bill Monroe and the Blue Grass Boys. Monroe is often called the ‘Father of Bluegrass’ and his band notably featured Earl Scruggs on banjo and Lester Flatt on guitar. In the early days, bluegrass was categorised along with country & western, hillbilly and folk music before being defined as a discrete genre that remains popular today.

Traditional popular music is generally defined as having broad appeal for a wide audience and has existed throughout time and across the globe. While the ‘pop song’ originated in the 1920s, modern popular music is largely accepted to be Anglo‑American in origin and arose during the 1940s as the big bands declined and before rock & roll music took off in the mid‑1950s. Popular music was notable for structured song writing, often comprising repeated verse and chorus with a middle bridge section. Popular music was often based on musical standards, sung by ‘crooners’. In addition, popular music was also often composed by professional songwriters, which was then performed by a vocalist accompanied by a backing band or orchestra. Success was characterised by record sales and chart position as a measure of achievement. Perhaps the most famous popular music artists of the early popular music era were Frank Sinatra and Bing Crosby who achieved enormous commercial success. The familiar term ‘pop music’ actually appears to have its origins in Britain in the mid‑1950s. Popular music is often referred to as, but not synonymous with, ‘pop’ music; however, pop music developed as a major separate genre during the 1960s and has largely remained so to the current day. Another characteristic is that popular music is constantly evolving into many different formats and styles to keep pace with social and cultural changes, including aging western populations. Traditional popular standards were being released well into the 1950s by the likes of Perry Como, Tony Bennett, Nat King Cole and Dean Martin.

During the late 1940s, there was already indicative evidence of the sounds that would coalesce and become what we now call rock ‘n’ roll during the 1950s, particularly by blues/R&B artists such as Sister Rosetta Tharpe. That fundamental step-change is now for the next article.

Musical Facts 1940-1949

Many legendary artists that we now take for granted as part of today’s musical landscape were not yet born or still mere fledglings yet to make their indelible mark on our collective consciousness. As with last month’s article, a large proportion of the musical facts relate to births of future stars.

Looking down the long list of nearly 200 musical events during the 1940s, it could quickly become repetitive, e.g. American/English blah‑de‑blah was born in blah, blah. However, just a scan of the names and places gives a sense about what these youthful individuals were experiencing as teenagers during the ‘big bang’ of rock ‘n’ roll and the tsunami of the ‘British Invasion’, just a few years later. Just think of the exposure they had to sweeping new music crazes and how the fads might have inspired and stimulated these curious youngsters on to great music careers that they could never have foreseen. Some of these fabulous flames would burn brightly and briefly, while others would endure as wizened veterans still working hard and influencing today’s generations. As time passes, the balance between births, lifetime achievements and, sadly, deaths will shift considerably.

Day	Month	Year	Music Fact
–	–	1940	American blues/rock guitarist, singer and songwriter, Seasick Steve was born c.1940 or 1941 (date not disclosed) in Oakland, California.
27	July	1940	Billboard magazine published its first Music Popularity Chart. Topping the chart at No. 1 was Tommy Dorsey with his hit song, ‘I’ll Never Smile Again’.
9	October	1940	Massively influential of English singer, songwriter, guitarist, former member of The Beatles and successful solo artist, John Lennon MBE (1940-1980, 40) was born in Liverpool.
26	November	1940	Hugely influential English folk guitarist, Davey Graham (1940-2008, 68) was born in Market Bosworth, Leicestershire.
21	December	1940	Prolific genius, American guitarist, singer, songwriter and composer, the one and only Mr Frank Vincent Zappa (1940-1993, 52) was born in Baltimore, Maryland.
9	January	1941	Legendary perennial American folk/protest singer, songwriter, guitarist, and political activist, Joan Baez was born in Staten Island, New York.
15	January	1941	Influential American rock singer, songwriter and musician, Don Van Vliet (better known as Captain Beefheart) was born in Glendale, California.
24	January	1941	Acclaimed American singer, songwriter, guitarist and actor Neil Diamond was born in Brooklyn, New York.
24	January	1941	English folk singer, songwriter and guitarist Michael Chapman was born in Leeds, Yorkshire.
14	February	1941	Prolific English studio session guitarist Big Jim Sullivan (1941-2012, 71) was born in Uxbridge, Middlesex. Sullivan appeared on about 750 chart singles including 54 chart toppers.
24	April	1941	Australian virtuoso classical and contemporary guitarist, as well as one-time member of instrumental fusion rock group SKY, John Williams was born in Melbourne.
24	May	1941	Nobel prize-winner for literature, American folk/rock singer, songwriter and guitarist, Bob Dylan was born in Duluth, Minnesota.
18	July	1941	Influential country/blues/rock guitarist and singer songwriter, Lonnie Mack (1941-2016, 74) was born in West Harrison, Indiana.
14	August	1941	American singer, songwriter and guitarist, founder of The Byrds and Crosby, Stills & Nash, Hall of Famer, David Crosby was born in Los Angeles, California.
20	August	1941	The ‘grandfather of space rock’, English guitarist, singer, songwriter and co-founder of psychedelic rock band Hawkwind, Dave Brock was born in Isleworth, Middlesex.
13	October	1941	Living legend, American singer, songwriter, guitarist, formerly half of Simon & Garfunkel and a successful solo artist, Paul Simon was born in Newark, New Jersey.
21	October	1941	Multi-Hall of Famer, American guitarist, songwriter, record producer and member of Stax Records’ house band Booker T. & the MG’s, Steve Cropper was born in Dora, Missouri.
28	October	1941	English guitarist, singer and songwriter, best known for his uniquely distinctive work with The Shadows, Hank Marvin was born in Newcastle upon Tyne.
2	November	1941	English guitarist, singer, songwriter and producer, best known as an original member of instrumental pop/rock band The Shadows, Bruce Welch OBE was born in Bognor Regis, West Sussex.
20	November	1941	Great American singer, songwriter, pianist and occasional guitarist Dr John was born in New Orleans, Louisiana.
4	January	1942	English jazz/rock fusion guitarist, composer, solo artist and member of Mahavishnu Orchestra, John McLaughlin was born in Doncaster, South Yorkshire.
28	February	1942	English guitarist and founding member of rock band The Rolling Stones, Brian Jones (1942-1969, 27) was born in Cheltenham, Gloucestershire.
2	March	1942	Legendary American virtuoso jazz guitarist Charlie Christian died from tuberculosis in New York at the age of just 25.
2	March	1942	American singer, songwriter and guitarist with The Velvet Underground and as a successful solo artist, Lou Reed (1942-2013, 71) was born in Brooklyn, New York.
24	April	1942	Oscar-winning American singer, songwriter, actress and film maker Barbra Streisand was born in New York City.
17	May	1942	Hugely influential American blues guitarist, singer and songwriter, Taj Mahal (a.k.a. Henry Saint Clair Fredericks, Jr) was born in Harlem, New York.
1	June	1942	Highly influential virtuoso Spanish flamenco guitarist, Paco Peña was born in Cordoba.
18	June	1942	English bass guitarist, singer, songwriter and former member of pop/rock bands The Beatles and Wings, as well as a successful solo artist, Sir Paul McCartney MBE was born in Liverpool.
13	July	1942	American singer, songwriter, guitarist and co-founder of rock band The Byrds, Roger McGuinn was born in Chicago, Illinois.
1	August	1942	Influential American singer/songwriter and guitarist with Grateful Dead, Jerry Garcia (1942-1995, 53) was born in San Francisco, California.
27	November	1942	A true music legend, American rock guitarist, singer and songwriter, the one and only James Marshall Hendrix (1942-1970, 27) was born in Seattle, Washington.
31	December	1942	English guitarist, composer, member of rock band The Police and successful solo artist, Andy Summers was born in Poulton-le-Fylde, Lancashire.
10	January	1943	American folk/rock singer, songwriter and guitarist, Jim Croce (1943-1973, 30) was born in Philadelphia, Pennsylvania.
19	January	1943	Legendary American psychedelic blues/rock singer Janis Joplin was born in Port Arthur, Texas.
25	February	1943	English singer, songwriter, guitarist and member of The Beatles, George Harrison (1943-2001, 58) was born in Liverpool.
22	March	1943	Influential American jazz/soul/R&B guitarist, singer and songwriter, George Benson was born in Pittsburgh, Pennsylvania.
2	April	1943	American jazz guitarist, the ‘Godfather of Fusion’, Larry Coryell (1943-2017, 73) was born in Galveston, Texas.
14	May	1943	Scottish bass guitarist, singer, songwriter and former member of blues rock super group Cream, Jack Bruce (1943-2014, 71) was born in Bishopbriggs, Lanarkshire.
5	July	1943	Canadian guitarist, songwriter, composer, producer and former member of Americana rock group The Band, Robbie Robertson was born in Toronto, Ontario.
26	July	1943	English singer, songwriter and occasional guitarist, a founding member of rock band the Rolling Stones, Mick Jagger was born in Dartford, Kent.
28	July	1943	Renowned American blues guitarist and Hall of Famer, Mike Bloomfield (1943-1981, 37) was born in Chicago, Illinois.
24	August	1943	American guitarist and founder of west coast rock bands Quicksilver Messenger Service and Copperhead, John Cipollina (1943-1989, 45) was born in Berkeley, California.
6	September	1943	English bass guitarist, singer, songwriter and co-founder of progressive rock band Pink Floyd, Roger Waters was born in Great Bookham, Surrey.
5	October	1943	American guitarist, singer, songwriter and bandleader, Steve Miller was born in Milwaukee, Wisconsin.
3	November	1943	Sublimely talented Scottish guitarist and founding member of folk revival band Pentangle, Bert Jansch (1943-2011, 67) was born in Glasgow.
7	November	1943	Highly influential Canadian folk, jazz, rock and pop guitarist, singer and songwriter Joni Mitchell was born in Fort Macleod, Alberta.
28	November	1943	Highly acclaimed American singer, songwriter and composer of numerous film scores, Randy Newman was born in Los Angeles, California.
8	December	1943	Iconic American singer, poet, counter-culture rebel and front man of rock band, The Doors, Jim Morrison was born in Melbourne, Florida.
12	December	1943	American guitarist, singer, songwriter, composer and founding member of rock band The Allman Brothers Band, Dickey Betts was born in West Palm Beach, Florida.
18	December	1943	Legendary English guitarist, singer, songwriter and co-founder of rock band The Rolling Stones, Keith Richards was born in Dartford, Kent.
21	December	1943	Hugely talented English guitarist and songwriter known for his country/rock hybrid picking style, Albert Lee was born in Lingen, Herefordshire.
31	December	1943	American singer, songwriter, guitarist and producer, John Denver (1943-1997, 53) was born in Roswell, New Mexico.
9	January	1944	English musical innovator and legendary guitarist, best known for his work with hard rock band Led Zeppelin, the highly influential Jimmy Page OBE was born in Heston, Middlesex.
23	February	1944	Great American blues guitarist and Blues Hall of Famer, Johnny Winter (1944-2014, 70) was born in Beaumont, Texas.
1	March	1944	English singer, actor, founder and long-term front man of rock group The Who, Roger Daltrey was born in London.
23	March	1944	Trailblazing English guitarist and founder of blues/rock band Groundhogs, Tony McPhee was born in Humberston, Lincolnshire.
15	April	1944	Welsh rock guitarist, singer, songwriter and producer Dave Edmunds was born in Cardiff.
28	May	1944	American Motown legend and award-winning ‘Empress of Soul’, the formidable Gladys Knight was born in Atlanta, Georgia.
7	June	1944	American bluegrass and country rock guitarist who was a member of rock band The Byrds and an accomplished session musician, Clarence White was born in Lewiston, Maine.
8	June	1944	American singer, songwriter and guitarist, former member of the Steve Miller Band and a successful solo artist, Boz Scaggs was born in Canton, Ohio.
17	June	1944	Respected, versatile and prolific English session guitarist, singer and producer, Chris Spedding was born in Staveley, Derbyshire.
21	June	1944	English singer, songwriter, guitarist and former front man of pop/rock band The Kinks, as well as solo artist, Sir Ray Davies CBE was born in London.
24	June	1944	Outstanding and prolific English instrumental guitar genius, as well as former member of blues/rock band The Yardbirds, Jeff Beck was born in Wallington, Surrey.
8	August	1944	Renowned English guitarist and songwriter, known for his work with Bert Jansch and folk revival group Pentangle, John Renbourn (1944-2015, 70) was born in London.
16	August	1944	English singer, songwriter and guitarist with psychedelic rock band Soft Machine, as well as a successful solo artist, Kevin Ayers (1944-2013, 68) was born in Herne Bay, Kent.
9	October	1944	Legendary English bass guitarist with rock band The Who, nicknamed ‘The Ox’, John Entwistle (1944-2002, 57) was born in London.
19	October	1944	Jamaican reggae guitarist, singer and songwriter, a member of Bob Marley & The Wailers and a successful solo artist, Peter Tosh was born in Grange Hill, Jamaica.
15	December	1944	Famous American big band leader and musician Glenn Miller was killed when the plane in which he was flying disappeared in bad weather over the English Channel during WWII at the age of 40.
18	December	1944	British guitarist, best known as member of progressive rock band Man, Deke Leonard (1944-2017, 72) was born in Llanelli, South Wales.
19	December	1944	Highly regarded English guitarist, singer, and member of blues/rock group Ten Years After, Alvin Lee (1944-2013, 68) was born in Nottingham.
3	January	1945	American guitarist, singer and songwriter, famous for his work with Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY), Stephen Stills was born in Dallas, Texas.
6	February	1945	A true legend as well as a great ambassador for Jamaica and reggae music with The Wailers, Rastafarian singer, songwriter and guitarist Bob Marley (1945-1981, 36) was born in Nine Mile, Jamaica.
9	March	1945	English blues/rock guitarist who came to fame as a member of rock band Procol Harum, before embarking on a long and successful solo career, Robin Trower was born in London.
11	March	1945	American guitarist, member of Canned Heat amongst others, and one of the first to popularise the two-handed tapping playing technique, Harvey Mandel was born in Detroit, Michigan.
30	March	1945	Highly renowned English blues/rock guitarist, singer, songwriter and Hall of Famer, Eric Clapton CBE was born in Ripley, Surrey.
13	April	1945	Great American guitarist, singer and songwriter with Little Feat, Lowell George (1945-1979, 34) was born in Hollywood, California.
14	April	1945	Hugely influential English guitarist and co-founder of hard rock bands Deep Purple and Rainbow, as well as folk rock duo Blackmore’s Night, Ritchie Blackmore was born in Weston-super-Mare, Somerset.
6	May	1945	American rock singer, songwriter, guitarist, pianist and leader of the Silver Bullet Band, Bob Seger was born in Detroit, Michigan.
19	May	1945	English rock guitarist, singer, songwriter and member of The Who, Pete Townshend was born in London.
28	May	1945	American rock singer, songwriter, guitarist and former member of Creedence Clearwater Revival, John Fogerty was born in Berkeley, California.
1	July	1945	American singer, songwriter, actress and founding member of rock band Blondie, Debbie Harry was born in Miami, Florida.
31	August	1945	Northern Irish rhythm & blues singer, songwriter and producer, Sir Van Morrison OBE was born in Belfast.
4	September	1945	Amazing American ‘Redneck Jazz’ guitarist, Danny Gatton (1945-1994, 49) was born in Washington D.C.
10	September	1945	Prolific Puerto Rican guitarist, singer and songwriter, José Feliciano was born in Lares.
11	September	1945	Extraordinary American multi-genre acoustic guitarist and a true master of his instrument, Leo Kottke was born in Athens, Georgia.
26	September	1945	English singer, songwriter and former front man of glam art rock band Roxy Music, Bryan Ferry CBE was born in Washington, County Durham.
3	October	1945	American singer Elvis Presley made his first public performance at the age of 10 when he sang ‘Old Shep’ at the Mississippi/Alabama Dairy Show talent competition. Reports say he came 2^nd and won $5, while Elvis later recollected coming 5^th and not winning a prize.
31	October	1945	English guitarist, singer, producer and one time member of rock band Argent, Russ Ballard was born in Waltham Cross, Hertfordshire.
26	November	1945	English bass guitarist with rock bands John Mayall’s Bluesbreakers and then Fleetwood Mac, John McVie was born in London.
30	November	1945	Welsh bass guitarist, songwriter and producer, best known as a member of heavy rock bands Deep Purple and Rainbow, Roger Glover was born in Brecon, Powys.
24	December	1945	English bass guitarist, singer, songwriter and founder of rock band Motörhead, Ian ‘Lemmy’ Kilmister (1945-2015, 70) was born in Stoke-on-Trent, Staffordshire.
25	December	1945	English bass guitarist and member of the Jimi Hendrix Experience, Noel Redding (1945-2003, 57) was born in Folkestone, Kent.
3	January	1946	English bass guitarist, songwriter, former member of hard rock band Led Zeppelin, solo artist as well as a member of Them Crooked Vultures, John Paul Jones was born in Sidcup, Kent.
6	January	1946	English singer, songwriter, guitarist and founding member of psychedelic/progressive rock band Pink Floyd, Syd Barrett (1946-2006, 60) was born in Cambridge.
8	January	1946	American guitarist, singer and songwriter, best known as a key member of rock band The Doors, Robby Krieger was born in Los Angeles, California.
19	January	1946	Larger-than-life American country music legend, successful business woman and actress, Dolly Parton was born in Pitman Center, Tennessee.
20	February	1946	American guitarist and leader of The J. Geils Band, John ‘J’ Geils (1946-2017, 71) was born in New York City.
6	March	1946	English guitarist, singer, songwriter, and former member of Pink Floyd, as well as a successful solo artist, the incomparable David Gilmour was born in Cambridge.
12	March	1946	Oscar-winning American singer and actress, Liza Minelli was born in Los Angeles, California.
1	April	1946	English bass player, singer, songwriter and founder of rock bands the Small Faces and the Faces, Ronnie Lane (1946-1997, 51) was born in Plaistow, Essex.
4	April	1946	English guitarist and member of pop/glam rock band Slade, Dave Hill was born in Holbeton, Devon.
16	May	1946	One of the great experimental English guitarists of our time and member of progressive rock band King Crimson, Robert Fripp was born in Wimborne Minster, Dorset.
26	May	1946	Great English rock guitarist and close companion of David Bowie, Mick Ronson (1946-1993, 46) was born in Kingston upon Hull.
7	June	1946	Welsh guitarist and co-founder of progressive/psychedelic rock band Man, Micky Jones (1946-2010, 63) born in Merthyr Tydfil.
15	June	1946	English guitarist and singer with glam pop/rock group Slade, Noddy Holder MBE was born in Walsall, Staffordshire.
6	August	1946	Extraordinarily talented English virtuoso fusion/rock guitarist Allan Holdsworth (1946-2017, 70) was born in Bradford.
23	August	1946	Influential and eccentric English drummer and member of rock band The Who, Keith Moon, was born in Wembley, Middlesex.
5	September	1946	Flamboyant English singer with rock/pop band Queen, Freddie Mercury (real name Farrokh Bulsara) was born in Stone Town in the Sultanate of Zanzibar (now Tanzania).
14	October	1946	English singer, songwriter and guitarist with rock band The Moody Blues, Justin Hayward was born in Swindon, Wiltshire.
29	October	1946	Highly acclaimed and influential English guitarist and co-founder of blues/rock band Fleetwood Mac, Peter Green was born in London.
5	November	1946	American country rock guitarist with The Byrds, Gram Parsons (1946-1973, 26) was born in Winter Haven, Florida.
17	November	1946	Great English guitarist, best known as a long-term member of rock band Jethro Tull, Martin Barre was born in Birmingham.
20	November	1946	Legendary American guitarist and co-founder of the Allman Brothers Band, nicknamed ‘Skydog’, Duane Allman (1946-1971, 24) was born in Nashville, Tennessee.
22	November	1946	Jamaican bass guitarist and producer who played with reggae bands Bob Marley & The Wailers and The Upsetters, Aston ‘Family Man’ Barrett was born in Kingston.
24	December	1946	Dutch progressive rock and jazz fusion guitarist best known for his work with rock band Focus, as well as a long solo career, Jan Akkerman was born in Amsterdam, Netherlands.
30	December	1946	Influential American singer, poet and activist, part of the vibrant New York punk movement, Patti Smith was born in Chicago, Illinois.
–	–	1947	American session guitarist and collaborator, best known for his work with Steely Dan, Elliott Randall was born (exact date not known).
8	January	1947	A true legend, English singer, songwriter, occasional guitarist and actor, the one and only David Bowie (1947-2016, 69) was born in London.
22	January	1947	English punk pioneer, the manager of New York Dolls and the Sex Pistols, as well as a solo music artist, Malcolm McLaren was born in London.
30	January	1947	English ‘mod’ guitarist with rock bands Small Faces and Humble Pie, Steve Marriott (1947-1991, 44) was born in London.
3	February	1947	English guitarist, singer and songwriter who, along with his older brother Ray, provided the driving force behind pop/rock band The Kinks, Dave Davies was born in London.
14	February	1947	American multi-genre singer, songwriter and guitarist, Tim Buckley (1947-1975, 28) was born in Washington D.C.
15	March	1947	American musician, composer, songwriter and phenomenal slide guitarist, Ry Cooder was born in Los Angeles, California.
25	March	1947	Flamboyant multi-award-winning English pop singer, songwriter and pianist, Sir Elton John CBE was born in Pinner, Middlesex.
8	April	1947	Great English guitarist, songwriter and producer best known as a long-time member of progressive rock group Yes, Steve Howe was born in London.
1	June	1947	English guitarist with rock band The Rolling Stones and previously the Faces and the Jeff Beck Group, Ronnie Wood was born in Hillingdon, Middlesex.
5	June	1947	American guitarist, singer, co-founder of funk band Sly And The Family Stone, and now a Christian pastor, Freddie Stone was born in Vallejo, California.
9	June	1947	English guitarist and long-time member of rock band Uriah Heep, Mick Box was born in Walthamstow, East London.
12	July	1947	Influential English guitarist, singer, songwriter and former member of pub rock band Dr. Feelgood, Wilko Johnson was born in Canvey Island, Essex.
19	July	1947	Award-winning English guitarist, astrophysicist, animal rights activist and co-founder of rock/pop band Queen, Dr. Brian May CBE was born in Hampton, Middlesex.
20	July	1947	Highly acclaimed Mexican/American guitarist, songwriter and main man for Latin/jazz/fusion/rock group Santana, Carlos Santana was born in Autlán de Navarro, Jalisco.
3	September	1947	Northern Irish blues/rock guitarist and founder of rock group Thin Lizzy, Eric Bell was born in Dublin.
30	September	1947	Massively influential English glam rock pioneer Marc Bolan of Tyrannosaurus Rex and then T.Rex (1947-1977, 29) was born in London.
1	October	1947	English bass guitarist, singer and founding member of rock band Wishbone Ash, Martin Turner was born in Torquay, Devon.
8	November	1947	English guitarist, singer, songwriter and former member of pop/rock bands The Move, Electric Light Orchestra (ELO) and Wizzard, Roy Wood was born in Birmingham.
10	November	1947	English bass guitarist, singer and songwriter, famous for his work with progressive rock bands King Crimson and ELP, as well as a successful solo artist, Greg Lake (1947-2016, 69) was born in Poole, Dorset.
10	November	1947	American guitarist best known for working with the original Alice Cooper band, Glen Buxton (1947-1997, 49) was born in Akron, Ohio.
12	November	1947	American guitarist with rock band Blue Öyster Cult since its formation in 1967, Buck Dharma (a.k.a. David Roeser) was born in Long Island, New York.
20	November	1947	Great American guitarist, singer, songwriter, solo artist and member of country rock band Eagles, Joe Walsh was born in Wichita, Kansas.
8	December	1947	American guitarist, singer, songwriter and co-founder of the Allman Brothers Band, Gregg Allman (1947-2017, 69) was born in Nashville, Tennessee.
21	December	1947	Highly influential Spanish virtuoso Flamenco guitarist, Paco de Lucíá (1947-2014, 66) was born in Cadiz.
12	January	1948	English jazz fusion guitarist supreme and long-term member of progressive rock band Soft Machine, John Etheridge was born in London.
15	January	1948	American singer and frontman of Southern rock band Lynyrd Skynyrd, the great Ronnie Van Zant was born in Jacksonville, Florida.
2	February	1948	American guitarist, songwriter, producer and ex-member of funk band Earth Wind & Fire, Al McKay was born in New Orleans, Louisiana.
4	February	1948	Theatrical American rock singer, songwriter, actor and presenter, Alice Cooper was born in Detroit, Michigan.
19	February	1948	English rock guitarist with Black Sabbath and the ‘Godfather of Heavy Metal’, Tony Iommi was born in Birmingham.
2	March	1948	Legendary Irish blues/rock guitarist, singer and songwriter Rory Gallagher (1948-1995, 47) was born in Ballyshannon, County Donegal.
2	March	1948	American jazz fusion guitarist, composer and prolific multi‑genre session musician, the great Larry Carlton was born in Torrance, California.
4	March	1948	Renowned English bass guitarist and co-founder of progressive rock band Yes, Chris Squire (1948-2015, 67) was born in London.
6	April	1948	Talented English multi-genre guitarist and composer, Gordon Giltrap was born in Brenchley, Kent.
30	April	1948	American guitarist, singer, songwriter, producer, composer and co-founder of rock band MC5, Wayne Kramer was born in Detroit, Michigan.
15	May	1948	Pioneering experimental English composer, producer, musician and founding member of glam rock band Roxy Music, Brian Eno was born in Melton, Suffolk.
18	June	1948	Columbia Records began mass producing the 33RPM long‑playing (LP) record. The original concept of the vinyl ‘album’ has endured and has undergone a retro revival in the digital age.
19	June	1948	Highly respected English singer, songwriter and guitarist, Nick Drake (1948-1974, 26) was born in Rangoon, Burma (now Myanmar).
20	June	1948	Scottish bass guitarist and founding member of 1970s pop group, The Bay City Rollers, Alan Longmuir (1948-2018, 70) was born in Edinburgh.
22	June	1948	American singer, songwriter, guitarist and producer, solo artist and founding member of progressive rock band Utopia, Todd Rundgren was born in Philadelphia, Pennsylvania.
17	July	1948	American guitarist and songwriter with Iggy Pop and the Stooges, Ron Asheton (1948-2009, 60) was born in Washington D.C.
2	August	1948	Welsh singer, songwriter, guitarist and founding member of rock band Amen Corner, Andy Fairweather Low was born in Ystrad Mynach.
24	August	1948	French electronic composer, instrumentalist and producer, Jean-Michel Jarre was born in Lyon.
31	August	1948	German rhythm guitarist, songwriter and founder of hard rock band Scorpions, Rudolf Schenker was born in Hildesheim.
11	September	1948	Hugely influential and innovative British singer, songwriter and guitarist, John Martyn (1948-2009, 60) was born in London.
8	October	1948	Pioneering American punk rock guitarist and songwriter with the Ramones, Johnny Ramone (1948-2004, 56) was born in New York.
12	October	1948	English guitarist and long-term member of rock band Status Quo, Rick Parfitt (1948-2016, 68) was born in Woking, Surrey. ‏
6	November	1948	American guitarist, singer, songwriter, actor and founding member of country rock band Eagles, Glenn Frey (1948-2016, 67) was born in Detroit, Michigan.
3	December	1948	English singer, songwriter, TV personality and member of heavy metal rock band Black Sabbath, nicknamed ‘The Prince of Darkness’, Ozzy Osbourne was born in Birmingham.
13	December	1948	American guitarist, best known for his work with Steely Dan, The Doobie Brothers and Spirit, Jeff ‘Skunk’ Baxter was born in Washington D.C.
13	December	1948	Controversial American singer, songwriter and guitarist, known for his ultra-conservative political views, the ‘Motor City Madman’, Ted Nugent was born in Redford, Michigan.
18	December	1948	English guitarist, singer, songwriter and producer best known for his work with experimental rock band Be-Bop Deluxe, Bill Nelson was born in Wakefield, Yorkshire.
22	December	1948	American guitarist, singer and songwriter with rock band Cheap Trick, Rick Nielsen was born in Elmhurst, Illinois.
17	January	1949	English guitarist and former member of blues/rock bands John Mayall’s Bluesbreakers and The Rolling Stones, Mick Taylor was born in Welwyn Garden City.
19	January	1949	English pop/rock singer and songwriter and member of rock bands Vinegar Joe and the Power Station, Robert Palmer was born in Batley, Yorkshire.
7	February	1949	English bass guitarist and founding member of pop/rock band Status Quo, Alan Lancaster was born in London.
31	March	1949	Record company, RCA Victor released their first 45RPM 7″ single, ‘Texarkana Baby’ by Eddy Arnold… on green vinyl.
3	April	1949	English guitarist, singer, songwriter, solo artist and former member of folk rock band Fairport Convention, Richard Thompson was born in London.
4	May	1949	Scottish guitarist, best known for his work with The Sensational Alex Harvey Band in the 1970s, Zal Cleminson was born in Glasgow.
17	May	1949	English guitarist, singer, composer and founder of progressive rock band Camel, Andrew Latimer was born in Guildford, Surrey.
19	May	1949	American bass guitarist and long-term member of southern blues/rock band ZZ Top, Dusty Hill was born in Dallas, Texas.
29	May	1949	English singer, songwriter and guitarist with rock/pop band Status Quo, Francis Rossi OBE was born in London.
17	July	1949	Great English bass guitarist with heavy metal rock band Black Sabbath, Terence ‘Geezer’ Butler was born in Aston, Birmingham.
12	August	1949	British guitarist, singer, songwriter, producer, composer and co-founder of rock band Dire Straits, Mark Knopfler OBE was born in Glasgow.
20	August	1949	Irish bass guitarist, singer, songwriter and founding member of rock group Thin Lizzy, Phil Lynott, (1949-1986, 36) was born in West Bromwich, Staffordshire, England.
25	August	1949	Israeli/American bass guitarist, singer, actor, businessman and co-founder of rock band KISS, Gene Simmons, nicknamed ‘The Demon’ was born in Tirat Carmel, Haifa, Israel.
28	August	1949	English guitarist, singer, songwriter and ex-member of punk rock pioneers, The Stranglers from 1974-1990, Hugh Cornwell was born in London.
5	September	1949	English guitarist with rock bands Colosseum, Humble Pie and a successful solo artist, Clem Clempson was born in Tamworth, Staffordshire.
14	September	1949	American guitarist with southern rock band Lynyrd Skynyrd, Steve Gaines (1949-1977, 28) was born in Seneca, Missouri.
14	September	1949	American guitarist and bass guitarist with southern rock band Lynyrd Skynyrd, Ed King (1949-2018, 68) was born in Glendale, California.
23	September	1949	American living legend that is ‘The Boss’, Mr. Bruce Springsteen was born in Long Branch, New Jersey.
3	October	1949	American guitarist, singer and songwriter primarily with rock band Fleetwood Mac and now solo, Lindsey Buckingham was born in Palo Alto, California.
8	November	1949	American blues, rock, Americana roots and with a hint of country guitarist, singer, songwriter and activist, Bonnie Raitt was born in Burbank, California.
6	December	1949	American blues/folk guitarist and singer, Lead Belly (Huddie William Ledbetter) died of motor neurone disease in New York at the age of 61.
7	December	1949	Prolific and hugely influential American singer, songwriter, composer and actor, Tom Waits was born in Pomona, California.
13	December	1949	American singer, songwriter and guitarist with alternative post-punk rock band Television, Tom Verlaine was born in Denville, New Jersey.
16	December	1949	American guitarist, singer and songwriter with blues/rock band ZZ Top and solo artist, Billy F. Gibbons was born in Houston, Texas.
23	December	1949	American guitarist and singer with a long solo career and known for his work with British progressive rock band King Crimson and a host of others including Frank Zappa, David Bowie and Talking Heads, Adrian Belew was born in Covington, Kentucky.

Tailpiece

Well, that’s it for another month – that is a veritable roll call of rock ‘n’ roll, all packed into just 10 years. The thing that struck me most about this article is the overwhelming focus on America and Britain as the drivers for musical change in the 20^th Century. Today, we readily accept a much more diverse, global infusion of styles and influences. One can pontificate that it had to start somewhere and these two countries largely made it happen bilaterally; maybe not exclusively but certainly predominantly. Unsurprisingly, perhaps given the period, it is also male dominated.

Just how quickly we proceed from here depends entirely on the volume of the content. At this rate, we could be at this for a while yet. I didn’t realise when I started, what a colossal exercise it was going to be. However, I have found it fascinating to focus on musical evolution through this lens and I hope that you have found something of interest along the way. Maybe the Forties were not a great deal of interest to you, they were certainly before my time. We will get around to other periods that may motivate your attention span in a different way, I promise… eventually.

We are now well past the chronological midway point but we haven’t yet reached half way in terms of content. The massive upsurge of musical events that took place over the latter part of the 20^th Century has still to unfold fully, raising the anticipation of plenty more to come… and, boy, is there plenty more! The ambitious effort to bring an interrelated bunch of musical factoids to life within the context of the broader human condition continues unabated. I hope you will join me on the rest of the journey, hopefully reconvening here‑ish next month. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Material things feed the vanity of the ego, while music nourishes the spirit and sustains the soul.”

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28 Feb 2019

February 2019 – A General Update

by craveguitars | posted in: News, Observations, Opinion | 0

Hello again guitar fans and welcome to anyone else who may be curious about the big wide world of guitar addiction and obsession. As the great Jimi Hendrix once proclaimed, “Music is a safe kind of high”, so I’m happy to admit my perennial affliction. I trust that 2019 is treating you all well as we begin the move from dreary winter into nascent springtime.

I don’t have any particular theme for this month, so apologies in advance are probably due for what seems to be a generally incoherent rambling round up of various bits and pieces thrown together. One beneficial consequence is that this is a shorter tome than some.

State of Guitarville 2019

In the grand scheme of things, the guitar‑centric sector of the wider music industry is a relatively small but vibrant arena. While the general shrinking and decline of the ‘business’ continues well into the post‑recession era, the core elements seem in fairly good health overall. There is cautious optimism out there within the context of an unpredictable and challenging operating environment. There has been some progress since this time last year but not as much as many commentators might have wished.

Even though I wasn’t at the event, Winter NAMM 2019 held at the end of January in Anaheim, California saw a lot of activity and relatively good business was done. There were few ground‑shaking announcements at the convention but there was the usual excitement about shiny new gear from established brands. It was reassuring to see Gibson back at NAMM after their absence in 2018 and their new CEO is making all the right noises about what to expect from the company. Let’s hope that good intentions translate into achieving the right balance between quality and price, along with appropriate innovations alongside traditional instrument manufacturing. It is interesting that some of the more contentious technologies that were being used to reposition Gibson as a lifestyle company are now likely to be jettisoned in order to re‑establish confidence about, and a focus on, what really matters to their customers.

It is hardly a surprise that digital continues to make significant inroads into the analogue domain that has been the bedrock for so many generations of musicians across the globe. With the influx of ever more convincing digital inventions, one really does have to wonder how long analogue will remain the force it has been up to now. At some point, even the most hardened of luddites will be lured to make the jump either by the metaphorical lure of the carrot or the fear of the stick. There is still some way to go before all the components in a guitarist’s signal chain provide everything that the working professional musician needs for writing, rehearsal, live and recording settings.

The advantage for CRAVE Guitars and many other vintage enthusiasts is that we generally don’t need to worry about learning the operational demands and subtleties of this new‑fangled complex digital stuff and we can stick with what worked for us when we started out, complete with all its charming analogue idiosyncrasies (?!?!). One day, soon, digital will be the default and vintage gear will become a bit like vinyl records in there will be a market for it, even if it ultimately becomes a niche for nerdy specialists. For up‑and‑coming musicians who may not know any different, though, the current‑day smorgasbord of choice is phenomenal and, although the value‑for‑money equation on some equipment can be debated, the benefits are there to be discovered and exploited.

My sense, at the beginning of 2019 is that there is a degree of consolidation in design, manufacturing, marketing and distribution. The on‑going battleground between ‘brick & mortar’ retail and Internet business is still bitterly being fought out. At some point, an equilibrium will be reached where both channels will co‑exist, even if it means that the retail experience will be different from how it is now. Many consumers still greatly value going into a physical store, looking at, trying out and talking about equipment, so they will endure, even if those establishments have to offer other value‑added services on top of the traditional mainstay of shop floor sales. Companies that rely heavily on Internet operations will find overheads increasing, margins tightening and profitability harder to come by, thereby impacting sustainability and beginning to level the playing field a bit.

As far as guitars are concerned, as mentioned above, Gibson is poised for resurgence and Fender seem to be on their game and producing some very competent and attractive models at all price points. PRS are on a creative stretch of their own and doing OK judging by headlines. Gretsch, Rickenbacker and Danelectro also seem to be faring well, perhaps needing a bit of additional cool vibe to secure their future. Rejuvenated brands like Supro and Harmony are aiming to join the ranks as ‘go to’ guitars, while many other familiar names are managing to stay afloat. Acoustically, Martin and Taylor are both actively vying for top dog status with new innovations, which ultimately means some great guitars for the consumer. The last 12 months has seen some small‑scale luthiers go under or simply disappear, which is regrettable but, sadly, not surprising given the volatile international economics of the industry.

In the amp arena, there are three major directions of travel; a) the relentless digital onslaught from the likes of Fractal, Kemper and Line6 among others, b) ranges of very good valve and solid amps from the mainstream names such as Fender, Marshall, Vox, Orange and others, including some faithful reissues of classic models, and c) the continued rise of boutique builders catering for individual tastes in small numbers. We guitarists are, though, a conservative breed. It seems that the valve is dead, long live the valve!

One area where digital is revolutionising sound is on the pedalboard, which is a current ‘big thing’. There are some astoundingly inventive ways of mangling your guitar tone, both in variations of established FX types and some intriguing all‑new creations that take advantage of digital technology. Some exciting products are appearing from the likes of Catalinbread, Strymon, Eventide, Fulltone, Thorpy, Keeley, Electro‑Harmonix and Wampler, to name just a few. If you prefer multi‑effect pedals, then you are likely to have stalwarts like Line6, Boss and Zoom in your sights. Then there are pedalboard switching systems to help you organise your complex myriad of stompers, e.g. the Gig Rig 2 and Headrush. Likewise, the ever‑improving pedalboard power supplies derive from companies such as Truetone, Voodoo Labs and MXR. Looking from the outside, there are some tremendous bits of alluring kit becoming available, way beyond the vision of manufacturers and musicians back in the 20^th Century when digital was just starting out. Whatever your budget, the choice, it seems, is yours.

Music publications across the board, including the trade press, are still suffering a seemingly unstoppable shrinkage of their market. Sales of paper magazines continue to dwindle and digital subscriptions are not filling the gap. As a result, high street transactions along with the advertising revenue streams they need to survive are decreasing. As the absolute size of the readership reduces, the risk of becoming uneconomic goes up disproportionately. Strategically, there are few options available and quite what will remain once an inevitable shake‑out occurs remains to be seen. The consequence of this is that the quality of content is likely to suffer in the long term. Music industry journalism needs to adapt, although there are major challenges ahead as people find alternative ways of acquiring the information they need (or, perhaps more worryingly, not bothering at all). Although referring to something slightly different, one is reminded of a whimsical quote from Frank Zappa who suggested that, “Most rock journalism is people who can’t write interviewing people who can’t talk for people who can’t read.” Discuss…

Another area of stagnancy appears to be in the quality of music pervading distribution channels. Video/TV, radio and physical media sales are stagnant at best, while digital streaming is becoming the dominant force. This re‑jigging of supply channels, though, isn’t the issue. Although a sweeping generalisation, it seems that since the turn of the millennium music output has increased in volume and decreased in quality. While this is a highly subjective observation, it is borne out by (vaguely) reliable anecdote across generational divides. There is no doubt that there is some extremely good music being made. However, finding the glittering gems amongst the deluge of dross is difficult and, as a result, the good stuff is constantly battling to reach a mass market, thereby making success a tough task for genuine aspiring talent (rather than vacuous celebrity wannabees!). Financial rewards for artists from streaming services is a travesty and needs addressing before it’s too late. Quite how the tide can be turned to reveal new genre twists and identify the next swathe of outstanding musicians will be a challenge for the 2020s. One can hope that something will happen, as it has always has, it just remains to be seen who, what, when and where it will pop up. Another consequence of generic music produced by generic people is that the desire for genuine instruments will decrease, thereby ultimately affecting sales of guitars.

Getting back to the point, core consumer demand for music gear continues to be resilient, although customers are understandably more discerning and, as a result, potentially more fickle. Reliance on past sales and brand loyalty are continually being chipped away at by targeted marketing and tough rivalry. However, strong competition and the downward pressure on street prices can prove to be a double‑edged sword for price sensitive customers. On the whole, one thing I can easily predict is that the popularity of the guitar will persist no matter what, despite regular prognoses that ‘guitar music is dead’. Quite what the musical landscape will be like in years to come is best left for others to forecast. Whatever happens, it’s going to be an exciting time in Guitarville.

As CRAVE Guitars is based in the UK, it is incumbent on me to mention ‘Brexit’ at this point. There are NO scenarios where leaving the European Union can benefit the country or its citizens. Prices are already increasing, not only because of increased costs and perceptions of risk but also as a result of exploitative selling practices by the unscrupulous trying to secure and bank revenue before the catastrophe strikes. Things are bad enough as they are (remember ‘Rip off Britain’?) and we don’t need any further unnecessary pecuniary pressures. After the severance has occurred and whatever the outcome is of the disastrous ‘deal or no deal’ shenanigans, import barriers, tariffs and currency speculation will affect Britain’s international trade relationships without question. The risk of further recession and national isolation rank high on the concerns of many British businesses. Given the fragile nature of the UK music industry, any weaknesses and threats will be heightened and only those that are able to adapt will survive. Hypocritical UK politicians, pedalling their own prejudices while protecting their personal interests should be ashamed of the damage that will result in the short‑term and aftershocks will continue to impact on the prosperity of the country for generations to come. What is regrettable is that there will be recourse to hold the inept self‑seeking minority accountable for engineering this chaos in the first place and having no idea about how to deliver it successfully. On this basis, I am not optimistic in the slightest. I hope, however, that I am proved wrong. Personally, my view is that there can be no backtracking and we need to get on with making the most of a bad situation. End of whinge!

Repatriation Update

I covered the long‑overdue reunion of a significant proportion of CRAVE Guitars’ vintage instruments in the last article. What I didn’t do is say much about what actually came back. So… if only for completeness, here is the full list of the (42) returnees:

1966 Epiphone Olympic
1966 Fender Coronado II
1965 Fender Duo-Sonic II
1965 Fender Jaguar
1965 Fender Jazzmaster
1965 Fender Musicmaster II
1966 Fender Mustang
1972 Fender Mustang Competition
1977 Fender Precision Fretless Bass
1977 Fender Stratocaster
1983 Fender Stratocaster Dan Smith Era
1972 Fender Telecaster Thinline
1973 Fender Telecaster Deluxe
1974 Fender Telecaster Custom
1988 Fender Telecaster
1983 Gibson Corvus II
1963 Gibson ES-330 TDC
1985 Gibson ES-335 Dot
1982 Gibson Explorer E2
1983 Gibson Explorer
1984 Gibson Explorer
1984 Gibson Explorer Custom Shop Edition
1984 Gibson Explorer ‘Union Jack’ Graphic
1966 Gibson Firebird III
1976 Gibson Firebird Bicentennial
1980 Gibson Flying V2
1975 Gibson Les Paul Standard
1977 Gibson Les Paul Deluxe Gold Top
1989 Gibson Les Paul Custom
1998 Gibson Les Paul Standard DC
2002 Gibson Les Paul Standard
1961 Gibson Melody Maker D
1964 Gibson Melody Maker
1982 Gibson Moderne Korina Heritage
1981 Gibson RD Artist
1965 Gibson SG Junior
1968 Gibson SG Standard
1962 Gretsch 6120 Chet Atkins Double Cutaway Hollowbody
1965 Gretsch 6135 Corvette
1978 Music Man Stingray Bass
1974 Rickenbacker 480
1964 Silvertone 1449 ‘Amp in Case’

Some of the guitars have only been ‘stored’ for a short period of time but many have been incarcerated for nearly 8 years!!! It is these ‘long‑termers’ to which I will probably need to pay most attention in the coming weeks and months. While they were safe and secure, a domestic loft space is definitely not an ideal environment in which to keep vintage guitars for any length of time. The fluctuations in temperature and relative humidity over an extended period are far too great to do them any good at all. Given the circumstances at the time (back in 2011), it was a necessary urgent solution borne out of a severe predicament and I had no practical alternative. I never anticipated that it would take over 7 years to get them all back – I was clearly naïvely deluded in thinking that it would take ‘about’ 6 months at the most to sort things out! Essentially, completely rebuilding one’s entire life from scratch took considerably longer and it has been an extremely arduous journey. Still, we are where we are, none of us can turn the clock back, so one has to be positive, forward looking and take it from here. At least the precious cargo has been rescued and they are now finally back where they belong and, primarily, that is what really matters.

At the moment, the only tangible evidence of the little treasure trove listed above is several stacks of dusty guitar cases. Excitement about the potential is also tinged with an element of guarded apprehension about what will be found when the contents are properly ‘exhumed’ and examined for need of repair and sensitive renovation. If at all possible, any replacement parts needed during restoration will be of the appropriate vintage. That presents a major quandary in 2019-2020. For instance, finding and procuring period‑correct components will be both time consuming and costly. While one could be practical and use modern replacement parts, I prefer to conserve these precious historically significant instruments with genuine components that are as close as possible to the originals as I can find (and afford). Only if that approach fails will I resort to pragmatic use of new stock items. Back in the pre‑recession boom, there was little difficulty in sourcing these useful bits and pieces. Now, however, it has become considerably more difficult.

Not only are vintage spare parts and accessories hard enough to find on the usual hinterwebby platforms, decent vintage guitars and amps also seem to be increasingly scarce, at least in the UK. I’m not sure why this should be. Perhaps people are hanging onto their instruments, perhaps there’s a mistrust/dislike of the usual web sites and the way they are run, or perhaps the post‑recession/pre‑Brexit uncertainty is still suppressing supply. The laws of economics dictate that continued demand combined with a shortage of (finite) supply means only one thing… increased prices. Wading through eBay is bad enough at the best of times but UK sourcing is particularly hard work at the moment. Disadvantageous exchange rates with the USA now seem to be a permanent fixture and, on top of that, CITES is a real bane. In addition, eBay searches are flooded with Japanese items that you just know are bogus. All round it’s not much as much fun as it should be when hunting down scarce ‘most wanted’ artefacts.

I am not treating the repatriation project with any sort of hysterical urgency. The guitars have been exiled for so long that a few more weeks in their new home before I get round to them won’t do any harm. In the first month, I have only attended to 2 out of 42 guitars (1964 Gibson Melody Maker and 1966 Fender Coronado) and I have to be cautiously optimistic that there is no lasting compromise to their integrity. Phew! I hope I don’t get any nasty surprises lurking in the remaining 40 to be uncovered.

Vintage guitars really need to be played. That may be ‘stating the bleeding obvious’ but the difference after a bit of TLC and playing for a few days is phenomenal. There is a transformational change in their playability, sound, feel and looks. I wonder if this may be one reason why some people pick up a (possibly neglected) vintage guitar and find it dull, lifeless and uninspiring. When they magically come back to life again, it is both a relief and a delight. The journey of rediscovering these instruments may well explain why I’m taking my time and not getting very far very quickly. Well, that and the fact that there isn’t a local guitar tech on whom I can rely when more extensive remedial works are required. I know my limitations and any attempt on my part to mess around with repairs and adjustments that are best left to experts would almost certainly be a regrettable mistake.

Another interesting observation is that, while I wasn’t overly attached to some of the guitars all that time ago – a proportion were originally intended to become the staple of a start‑up business – I have now developed an emotional connection to them because of everything I and they have been through over the intervening years. That may be a good thing because I now value them more for what they are than what they may be worth. Also, I simply wouldn’t be able to afford many of them on today’s market, so I’m just glad to have them now. However, it means that I may well have a struggle with my conscience if CRAVE Guitars does become an economic entity and I have to break those newfound relationships. Until that time, the guitar ‘collection’ is an integral part of the family and they are definitely not for sale in the short to medium‑term. My philosophy and attitude mean that the guitars still represent a not‑for‑profit conservation of the musical heritage, rather than any sort of potential gold mine.

As previously mentioned, a pressing priority over the next few months is to provide them with proper accommodation. This means that I need a competent builder to ‘tank’ the cellar and make a suitable home for the guitars. After that, I can possibly start thinking positively about what the future of CRAVE Guitars might one day become. One step at a time.

New in at CRAVE Guitars

So that I don’t fall into the same trap as last year, here’s a quick ‘new arrival’ section. As I predicted back in December 2018, things got off to a slow start this year. In fact, there has been only one purchase in the first 2 months of 2019. Surprisingly, it was an item that was actually on the ‘wanted in 2019’ shortlist.

CRAVE Effects is a relatively modest side venture that runs alongside the guitars and amps. The Cool & Rare American Vintage Electric’ acronym doesn’t actually work 100% in this context because CRAVE Effects comprises a diverse selection of stomp boxes from around the world. Whatevs! I can break my own rules.

One of the ‘classic’ effect pedals that was notably absent was the venerable Ibanez TS‑808 Tube Screamer Overdrive Pro from Japan. This was partly because availability of both the right pedal and the resources needed to acquire it were in short supply. Good ones are few and far between and, when they do come up, they go for silly money. So when an original 1981 TS‑808 turned up on eBay UK for an aforementioned silly price, but arguably not exorbitantly so, it had to be pounced upon. Thus, the notable gap has at long last been duly filled. To think that I could have added another ‘budget’ vintage guitar for the same price as the Tube Screamer puts things into perspective.

As is often the case with vintage Tube Screamers, this example shows typical signs of use (good) but not abuse (bad), so it has just the right amount of mojo, otherwise known as ‘wear and tear’, needed to be confident that it was a safe purchase. Thankfully, apart from a replacement battery snap, it is in all‑original condition and it works very well indeed for a 38‑year old pedal, which is testament to their durability.

As anyone acquainted with my opinionated drivel (or should that be overdrivel in this case?) will know, my heretical views don’t always accord with those of the self‑appointed ‘establishment’. The original TS‑808 is good but I don’t believe it really deserves its insanely elevated and almost mythological status in the minds of many guitarists. Like numerous effects from the late 1970s and early 1980s, it can sound great or grim depending on how it’s used. It is player, guitar, effect and amp dependent, so it needs to be carefully matched in order to make it sound its best. Although new TS‑808 and TS9 reissues are not the same as the old ones, they are still very good overdrive effects. Therein lies a fundamental truth that applies equally for any stomp box made at any time – you pays your money and make your choice. Regardless of my biased view, the much‑imitated and often re‑issued Tube Screamer has become the de facto benchmark for overdrive pedals and there is no getting away from it.

The web site feature on the TS‑808 has already been prepared but, like most gear purchases over the last year, it hasn’t yet been published on the web site. Sigh! Yet another job waiting in the pipeline. Watch this space…

Sign‑off

That’s about it for February 2019. This has been a necessarily short soliloquy compared to many of my verbose outpourings. Inspiration, motivation and time have been in limited supply so far this year and articulating much of any interest at all has been a bit like hard work. Therefore, there is no point in proverbially flagellating a deceased dobbin and it is probably best to stop here for now.

That means that I can get back to the immediate task in hand, which is looking after a few vintage guitars and, hopefully, playing some of them along the way. I’m sure there will be more on this particular topic in coming months. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Conscience dictates that we understand right from wrong. Imagine what mankind might achieve if we could work together rather than conflict, and what good could be done if we stopped the immense and irreparable harm we cause.”

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30 Nov 2018

November 2018 – A Potted History of the Guitar: Epilogue

by craveguitars | posted in: History, Introduction, Observations | 0

Hello again. Just when you thought it was safe to go back into the studio, on stage or rehearsal room… some closure is required.

As before. if you wish to recap on any or all of the previous articles before starting here at the end, the whole ‘Potted History of the Guitar’ series, can be accessed here (each part opens in a new browser tab):

Note: For completists, I’ve updated Part VII (September 2018) to include some empirical data over the last decade to fill out the ‘recovery and rejuvenation’ section. It isn’t vital by any means. Just sayin’.

It was only after I completed the mammoth task of researching and documenting the history of the guitar, that I had another thought. All eight parts were written from scratch with little idea of where it would all end up. At the end of the 8^th (and what I thought at the time was the final) part in the series, I mentioned that it had ended with “a bit more of a whimper than some almighty bang”.

After all the effort invested in telling the guitar’s epic journey, I felt a tad disappointed that something was missing but I wasn’t sure what it was. Even though the narrative needed to have a line drawn under it at some point, it wasn’t perhaps up to me to determine the last remaining thoughts about the topic.

As is my wont, and if you’ve read any of my articles before, you’ll know that I tend to have a lot of wonts, I thought about what might be a fitting coda to the outstanding ‘unfinished business’. That ‘missing link’ turned out to be something that isn’t actually part of the historical timeline or anything that I could add myself, but something else altogether.

Whereas the first eight parts were in my own words, I felt that it would benefit from, and indeed deserved, some independently derived anecdotes from some highly respected sources. So… I had this genius (!?) epiphany that I would select some imparted wisdom from people who have made a living either playing or being in the influential presence of the mighty guitar.

While working on social media over the last four years, I have compiled and posted many interesting quotes from musicians. Of the many hundreds of apt and often motivational quotes, quite a number of them make reference to the guitar in one way or another. It seems therefore appropriate to share them in order to give a sense of closure to the guitar’s long story. While I am not alone in my admiration for the instrument, I felt that readers shouldn’t just take my word (or many words as it turned out) for declaring the importance of the humble guitar within the context of music and cultural history. As a result, I will leave it to the professionals to have their say on the subject as they see it from their own perspective. You may recognise some of the names along the way, ranging from ‘Dimebag’ Darrell Abbott to Frank Zappa – a veritable and literal A‑Z of guitar wisdom over the years.

What follows are some of my favourite guitar quotes for your consideration. You may well have others that complement these and which may add something to the overall picture. All in all, I think that they provide the appropriate concluding element that I was unwittingly looking for, bringing a bit of subjective coherency to the factual chronology.

So, from the horse’s mouth of music royalty, so to speak, take the opportunity to internalise what they say into your psyche. You never know, you may end up being a better guitarist (and perhaps a more rounded human being) by taking heed of a thing or two from the masters of their trade. After all, they can say it better – and way more succinctly – than I can, so perhaps it is best left to them to articulate the remainder of this article. Are you sitting comfortably?

Musicians’ quotes about the guitar

Just to mix it up a bit, the quotes are listed in alphabetical order of the quote, rather than by the artist. There are also quite a few pictures this month, so to save repetition, where an artist has more than one quote, their picture only appears next the first one. Enjoy…

A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I’m very brutal on my instruments, but not all the time – Eddie Van Halen (1955-)

A guitar is like an old friend that is there with me – BB King (1925-2015)

A guitar is something you can hold and love and it’s never going to bug you. But here’s the secret about the guitar – it’s defiant. It will never let you conquer it. The more you get involved with it, the more you realize how little you know – Les Paul (1915-2009)

Ah, I could make it in the shape of a guitar, and it would a) be more affordable, and b) a guitar player could double on this instrument – Leo Fender (1909-1991)

As far as I’m concerned, I’m just a guitar player, and my job is to go out there and play and entertain and do my thing – Les Paul (1915-2009)

Besides being a guitar player, I’m a big fan of the guitar. I love that damn instrument – Steve Vai (1960-)

Describing certain sounds, there’s a common language that guitar players have – Joe Perry (1950-)

Doesn’t matter what guitar you play, as long as you’ve got passion! – Eric Johnson (1954-)

Every time you pick up your guitar to play, play as if it’s the last time – Eric Clapton (1945-)

Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off – Jeff Beck (1944-)

For me, I think the only danger is being too much in love with guitar playing. The music is the most important thing, and the guitar is only the instrument – Jerry Garcia (1942-1995)

Guitar is the best form of self-expression I know. Everything else, and I’m just sort of tripping around, trying to figure my way through life – Slash (1965-)

Guitar playing is both extremely easy for me and extremely difficult for me at the same time – Kirk Hammett (1962-)

Guitars are fun. There are plenty of different kinds to play. They look cool. They sound cool. Don’t you want to play guitar? – Joe Satriani (1956-)

Guitars have been the obsession of my life. I first picked one up at the age of four and I’ve been a guitar junkie ever since – Johnny Marr (1963-)

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it – Jimmy Page (1944-)

I can’t even read notes. But I can teach someone how to make a guitar smoke – Ace Frehley (1951-)

I don’t know of a guitar player that has only one guitar. They’re never happy with one. I’m never happy with just one of them. I woke up and ended up with six, even if you can only play one at a time! – Les Paul (1915-2009)

I don’t play a lot of fancy guitar. I don’t want to play it. The kind of guitar I want to play is mean, mean licks – John Lee Hooker (1912-2001)

I don’t want you to play me a riff that’s going to impress Joe Satriani; give me a riff that makes a kid want to go out and buy a guitar and learn to play – Ozzy Osbourne (1948-)

I had no aspirations to be a musician, but I picked up a guitar for two seconds and haven’t put it down since – Slash (1965-)

I just go where the guitar takes me – Angus Young (1955-)

I loved playing the guitar and I knew I was pretty good at it, so that’s what I wanted to do with my life – Ace Frehley (1951-)

I never felt so close to a guitar as that silver one with mirrors that I used on stage all the time – Syd Barrett (1946-2006)

I never stop being amazed by all the different ways of playing the guitar and making it deliver a message – Les Paul (1915-2009)

I never wanted to sing. I just wanted to play rhythm guitar – hide in the back and just play – Kurt Cobain (1967-1994)

I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing – Joe Satriani (1956-)

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living – Bonnie Raitt (1949-)

I tried to make guitars that were close to what my heroes played. That’s the way it’s done. My experience is that you have to do it like a musician. You have to learn the language before you can learn to be a novelist – Paul Reed Smith (1956-)

I want every girl in the world to pick up a guitar and start screaming – Courtney Love (1964-)

I wanted to connect my guitar to human emotions – BB King (1925-2015)

I wonder if I could make an electric bass – Leo Fender (1909-1991)

I’m just a guitarist in a kick-ass rock and roll band. What more could I ask for? – Eddie Van Halen (1955-)

I’ve had three wives and three guitars. I still play the guitars – Andres Segovia (1893-1987)

If ever there’s an obscene noise to be made on an instrument, it’s going to come out of a guitar… Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it… The disgusting stink of a too‑loud electric guitar: now that’s my idea of good time – Frank Zappa (1940-1993)

If something is easy to repair, it is easy to construct – Leo Fender (1909-1991)

If you don’t know the blues… there’s no point in picking up the guitar and playing rock and roll or any other form of popular music – Keith Richards (1943-)

Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart – Andres Segovia (1893-1987)

My guitar is not a thing. It is an extension of myself. It is who I am – Joan Jett (1958‑)

My guitar was a loyal person to me – Dave Mustaine (1961-)

Nothing is more beautiful than a guitar, except, possibly two – Frédéric Chopin (1810-1849)

Playing guitar was one of my childhood hobbies, and I had played a little at school and at camp. My parents would drag me out to perform for my family, like all parents do, but it was a hobby – nothing more – Bonnie Raitt (1949-)

Running my hands really fast up and down the fretboard… I mean, anybody can do that. It’s the Guitar Olympics, and I can’t think of anything more pointless – The Edge (1961-)

Sometimes the nicest thing to do with a guitar is just look at it – Thom Yorke (1968-)

That’s all I wanted to do as a kid. Play a guitar properly and jump around. But too many people got in the way – Syd Barrett (1946-2006)

The guitar has a kind of grit and excitement possessed by nothing else – Brian May (1947-)

The guitar is a small orchestra. It is polyphonic. Every string is a different colour, a different voice – Andres Segovia (1893-1987)

The guitar is just a wonderful instrument. It’s everything: a bartender, a psychiatrist, a housewife. It’s everything, but it’s elusive – Les Paul (1915-2009)

The guitar is a wonderful instrument which is understood by few – Franz Schubert (1797-1827)

The guitar is the coolest instrument in the world – Steve Vai (1960-)

The guitar is the easiest instrument to play and the hardest to play well – Andres Segovia (1893-1987)

The guitar is your first wings. It’s assigned and designed to unfold your vision and imagination – Carlos Santana (1947-)

The guitar was my weapon, my shield to hide behind – Brian May (1947-)

The media says that equality for women has arrived, but if you look around, you still don’t see girls playing guitars and having success with it – Joan Jett (1958-)

The most important part of my religion is to play guitar – Lou Reed (1942-2013)

The time I burned my guitar it was like a sacrifice. You sacrifice the things you love. I love my guitar – Jimi Hendrix (1942-1970)

The violin is my mistress, but the guitar is my master – Niccolò Paganini (1782-1840)

There’s something about approaching universal truths with the simplicity of the acoustic guitar. You can take it anywhere, and it helps me reach listeners of all ages and walks of life – Jim Croce (1943-1973)

To me a guitar is kind of like a woman. You don’t know why you like em but you do – Waylon Jennings (1937-2002)

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism, bordering on insanity – Richard Thompson (1949-)

When the intellectual part of guitar playing overrides the spiritual, you don’t get to extreme heights – John Frusciante (1970-)

When you find yourself in the deepest rut you’ve ever known, don’t ever forget how f*ckin’ good the guitar sounds – ‘Dimebag’ Darrell Abbot (1966-2004)

When you just get mixed up and there’s too much going on, then it’s time to pick up your guitar – Les Paul (1915-2009)

When you think about where guitar playing is going today… it’s going everywhere at the same time – Joe Satriani (1956-)

With my Les Paul, I know I’m small. But I enjoy living anyway – Marc Bolan (1947-1977)

Why did they keep changing guitars and amplifiers when they were perfect? They did the same things with cars, if you ask me. They forgot how to make them right, because they focused on style and bells and whistles – Buddy Guy (1936-)

Your sound is in your hands as much as anything. It is the way you pick and the way you hold the guitar, more than it is the amp or guitar you use – Stevie Ray Vaughan (1954-1990)

Conclusion

Well, there you go. A fascinating summary of the world in which the guitar exists from the real experts. Do I have a favourite quote from among that lot? Nope. How could one pick a single truism out and exclude the remainder? I think that the collective intelligence from these esteemed contributors is what makes the overall message so powerful. Given Fender’s 2018 research that suggests that half of all new guitarists in the U.S. and UK are women, perhaps in the future, it would be good to feature more memorable quotes from prominent female guitarists.

When you think that what they say relates to what is essentially just a bit of wood, metal and plastic (in most cases), the guitar truly stands out as something special. At its most basic, the guitar is an artefact that doesn’t do anything of and by itself, it requires a symbiotic attachment to the person playing it to make it work its magic. It hangs on a strap or sits on your lap and converts the emotional core of the musician’s expression into fantastic guitar music that has touched just about everyone on the planet and has become a global phenomenon like no other.

Whether from musicians or not and regardless of whether there is any profound insight or not, what people will say about the guitar in the future, one can only imagine. Whatever is divulged, ‘the guitar’ will undoubtedly be a topic that will be widely debated for as long as people pick up the instrument and play music on it.

What more can one possibly add? Well… you may have noticed that at the bottom of every monthly article is a ‘CRAVE Guitars’ Quote of the Month’. This is my own way of teasing some mental curiosity as a parting shot. So, while my humble ‘thoughts of the day’ are possibly not worthy of being considered in the company of the hallowed artists quoted above, below is my modest addition to the canon, just where it usually is, at the end of my regular monthly rant. The eagle‑eyed reader may actually recognise it because it appears at the bottom of every CRAVE Guitars’ web page and on all CRAVE Guitars’ related social media profiles. I admit that, when writing this epilogue, I tried to come up with something clever but the attempts were, unsurprisingly, contrived and derivative. So, I went back to where it all began and what I felt deeply when I founded CRAVE (Cool & Rare American Vintage Electric) Guitars over 10 years ago. I looked at it again and realised that it remains a heartfelt and very personal belief, so I reckon it fits the bill as a nice little sign‑off. Nuff said.

Now that really is, possibly, maybe, probably, perhaps the last‑ish part of ‘A Potted History of the Guitar’. Honest. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Love Vintage Guitars. Music matters. Create. Play. Be inspired! Share the passion… Change lives for good”

CRAVE Guitars

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30 Sep 2017

September 2017 – A Map Leads To Some Hidden Gems

by craveguitars | posted in: Event, Observations, Opinion | 0

Phew! I am still recovering from last month’s article (‘A Peak into the Pandora’s Box of Guitars’). As with many of CRAVE Guitars’ musings, it should have been a straightforward subject but the research and production took a disproportionate amount of time compared to likely audience interest – I know 3 people who read it and one of them is me! This month’s article is a little more prosaic and shorter; a fizzy cocktail of insight with a little pinch of observation and a cheeky twist of opinion.

Now CRAVE Guitars is into its 2^nd decade and also now post-relocation, there is much to consider. The good news is that there is a new member of the CRAVE Guitars’ family, possibly the last acquisition of 2017, as funds have once more expired and there are too many other high priority calls on finite lucre. I hinted last month that the new purchase epitomises CRAVE Guitars’ philosophy while also being very divisive – a real ‘marmite’ guitar. This procurement, and the dilemma that led up to it, started me thinking about why we choose the guitars we do and particularly how this relates to an interest in vintage guitars while avoiding the traps of ‘accepted wisdom’ and cliché.

Also, picking up on some of the nuances of last month’s article, questions are also raised about getting the balance right between being different enough to stay ‘fresh’ while not being so ‘out there’ as to be insignificantly weird. To niche or not to niche, that’s the question (apologies for making an English noun into a verb – however for etymology nerds, the English word niche derives from the French verb ‘nicher’, to rest). For the sake of clarity, the meaning of niche here refers to ‘specialised market’.

Despite committing the vast proportion of my adult life to the responsibilities imposed by the Protestant Work Ethic, capitalist economics and the expectations of family life, I am at heart part-hippie, part-maverick, part-anti-establishmentarian and part-social deviant. However, in order to function effectively in society at large, one has to be pragmatic. I am also intensely curious, profoundly questioning and not one to accept the norm just because someone asserts that I must. This attitude may be fuelled by the fact that I am also burdened by a particularly English trait; I tend to side with an underdog facing up to overwhelming odds. Anyhoo… I digress and it’s time to get to the point(s).

This month, I am focusing predominantly, and rather unusually, on a single guitar and all the contextual thoughts that it provokes. The ‘new’ vintage guitar is… drum roll please… a 1983 Gibson USA Map.

→ Click here to read the feature on the 1983 Gibson USA Map

Not aware of it? I’m not surprised, as they were only made for a very short time and for a specific purpose. I won’t repeat the history here but if you are interested, take a look at the feature [feature link here]. Admittedly, on the face of it at least, it is an extraordinary looking musical instrument. It was reasonably innovative for a traditional company like Gibson. It is precisely because of its off-beat looks that I think it is very cool, as well as being very rare. So much so, I had to import this example into the UK from mainland Europe.

How many have you seen in the flesh, let alone played? I may be in the minority in thinking it’s rather fancy. I can see a large proportion of the population saying (or at least thinking), “what the f**k is that?” That reaction was precisely my son’s verbatim response when shown it. Even the seller, a reputable Dutch guitar dealer, described it as a “funny shaped guitar”. To me, those subjective, superficially dismissive comments just make the guitar all the more fascinating, both as a serious instrument and also as part of vintage guitar heritage. Perhaps, to me, the unusual is beguiling and makes me want to look deeper than the superficial.

Is the Map simply an imprudent case of style over substance? No, far from it. Some minor ergonomics aside, it is a Gibson after all. The more I looked into it, the more I became intrigued by the tension between the standard Gibson appointments and the departures from the norm. It would take a whole article to dissect the instrument and discuss the similarities and differences. Suffice to say, I was hooked, if only because it is SO unusual and quirky. Within the broader social and economic context at the time of its birth, it becomes even more beguiling for someone like me. You probably won’t be surprised that I believe it should be taken far more seriously than it is and this article will hopefully explain why.

The Gibson/Epiphone USA Map isn’t the only guitar to share the inspiration of the USA mainland as a body design. In the early 1960s, some 20 years or so before the Epiphone/Gibson, National/Valco produced the Newport and Glenwood Res-o-Glas ‘map’ guitars. The geographical aesthetics were more impressionistic but it was still clearly based on the shape of the continental USA. Eastwood now make a modern wood-bodied version of the National’s map guitar.

Unlike the earlier National, the outline of the Gibson USA Map is a much closer representation of the lower 48 states. As these guitars were made in tiny numbers, it wouldn’t have been produced on computer-controlled machines, the bodies would have been cut by hand on scroll saws, so to some extent, each one will be unique. The edges of the body clearly show the intentionally ‘unfinished’ saw marks, which is, I think, a great touch. The craftwork around the Great Lakes is also impressive.

The body is sandwich construction comprising 2 layers of slab-cut mahogany with a thin layer of maple between, presumably for added strength, given the vulnerability of the design. Most, but not all, were finished in natural satin nitrocellulose. While Gibson/Epiphone did make a very small number of guitars in ‘stars-and-stripes’ finishes, I do wonder why Gibson never produced one or two with the 48 state boundaries outlined. Now, that would be a cool option. It isn’t worth refinishing one of these rare axes just to try it out though. Epiphone even did a sunburst version, which seems a strange choice.

So… after a great deal of agonising and deliberating about whether it was the right thing for CRAVE Guitars, I went ahead and bought it anyway. Why on Earth would I spend a lot of money for a 1983 Gibson USA Map when, for the same price, I could have got something with a better reputation and far more likely to increase in value, you may ask? I did struggle with this particular dichotomy for several days before I took the plunge. Am I insane? Under the circumstances, I sincerely hope so. There is, however some sort of rationale.

Before we get there, it is worth touching on why the Gibson USA Map is noteworthy and why it is important to conserve it. The model clearly meant something to Gibson at the time. While the Epiphone and Gibson Maps were only made as a limited edition promotional item to showcase what Gibson could do. The model also appears to have been significant to Gibson’s overall marketing strategy in the early 1980s. The importance, albeit indirectly (it wouldn’t, or rather couldn’t, earn large sales revenues in itself), of the Map to Gibson’s commercial fortunes therefore marks it out as being of special interest. It was not just a company product; it was a symbol of national pride and patriotism in the face of industrial complacency, stiff overseas competition and impending economic recession. The Map was positioned front and centre of Gibson’s advertising campaign of the time, “American-Made, World-Played”. It also appeared on the front of the company’s full line catalogue and was featured on the cover of the Gibson guitar owner’s manual.

Interestingly, the guitar used in the advertising photoshoot was slightly different from the ones that reached the public. The differences include the pickup selector switch, bridge/tailpiece, speed knobs, jack plate, strap button and a bound neck. Interestingly, the face of the headstock is not visible in the photo, so it isn’t possible to determine whether it carries the Epiphone or Gibson logo.

Essentially, at the time, if you were into Gibson or Epiphone, you couldn’t avoid the Map’s imagery, even though most customers were unlikely to see, let alone be able to play, one. Perhaps the Map’s physical rarity was intended to motivate aspiration for the almost-but-not-quite attainable. Anecdotally, the Epiphone versions were made first to help bolster sales and when they proved popular, the branding was changed to boost Gibson sales. Presumably, if the tactic had failed, there would have been no Gibson versions and no impact on reputation. However, the strategy proved to be a success, even though ‘production’, if you can call it that, ceased in 1984 due to Gibson’s manufacturing facilities being moved from Kalamazoo to Nashville and skilled company craftsmen being laid off. All Epiphone manufacture was moved to Korea, also from 1984.

Gibson has dabbled with reissues of the Map from both Gibson’s Custom Shop and the Epiphone brand; the latter possibly intended to deter the many imitations and fakes that have appeared over the years. The longevity of the model now seems assured, albeit in low numbers to meet variable demand, compared to the more popular classics. Beauty (and therefore desirability) is in the eye of the beholder.

Original early Gibson USA Maps will undoubtedly remain Cool & Rare American Vintage Electric Guitars. I get the feeling that the original Maps will at some point become much sought after in the same way as the first Gibson Modernes that appeared around the same time. The Moderne had a similar ephemeral presence and, like the Map, has also now been reissued. Those rare 1980s Modernes seem to trickle onto the market at some pretty exclusive prices. I’m glad that I got my Moderne while it was still overlooked; I certainly couldn’t afford one now! Will the same apply to the Map at some point? I watch with interest.

This eventually begins to get to the nub of why the Map is now a CRAVE Guitar. You may have noticed that I make a concerted effort to be ‘different’ from the mainstream collector or dealer. Whereas they tend to focus on the usual Strats, Teles, Les Pauls, SGs and ES-335s (after all, that’s where the money is… or will be), I try to occupy a different space. The classics are great guitars and I love them all; I even own a few. However, after a while they can get a bit samey and can become a little bit ‘meh’ after a while. “Heresy! Burn him at the stake!” I hear you scream. In my defence, you may have experienced a similar phenomenon at one time or another, especially if the amount of choice can be overwhelming. In abundance, they can elicit that dreaded ‘so what?’, glazed-eye effect. It’s a bit like going into modern music retail warehouses where there is a whole wall of the same model and they all begin to merge into one homogenous whole and the impact of each individual instrument, however good it is, can be lost. Cool and rare vintage Guitars aren’t like that and ones like the Map tend to stand out from the crowd.

In an attempt to keep things interesting, I actually made a conscious decision to seek out something that marks out a CRAVE Guitar as being a bit different from the run‑of‑the‑mill. By doing this, I might just become recognised (or ignored) for doing something a bit different from what everyone else does. In a world where guitars can sometimes look the same, feel the same, play the same, and sound the same, there needs to be something unexpected to make one stand out from the plain and ordinary. I simply can’t afford the really exotic examples, so my only option is play in the ballpark of ‘affordable vintage’ and throw in the odd curveball. Therefore, my ploy is to differentiate CRAVE Guitars from A.N.Other Guitar Shop, and the best way to do that is through the instruments themselves.

In addition, my simple brain processes told me that someone has to conserve and act as steward for a few selected examples of the more obscure, lower demand models for future generations. This may constitute foolhardiness or bravado but I don’t see anyone else doing exactly what CRAVE Guitars does.

The almost inexplicable allure of these oddities started me thinking, at which point you probably roll your eyes and think, “Oh god, here he goes again!!!” I have been, and still am, attracted to some very unusual vintage instruments that many pundits will automatically condemn. At least I have thought about it and made an irrational choice to be concertedly un-lemming-like and, perhaps worryingly, un-business-like.

I have plenty of evidence within the CRAVE Guitars’ family to support my conjectures. For instance, my compassionate adoption of some widely regarded ‘ugly duckling’ guitars, including:

1974 Ovation Breadwinner
1980 Gibson Flying V2
1981 Gibson RD Artist
1982 Gibson Moderne
1983 Gibson Corvus II
… and now the 1983 Gibson USA Map

CRAVE Guitars’ Unconventional Guitar Designs

Then, there are the traditional mainstream brands that produced some marginal designs. In my view, these are also quite endearing and worth mentioning but, again, they are not favoured by the conservatives (yet). Perhaps these guitars, also part of the CRAVE Guitars’ family, may be best described as ‘plain ducklings’:

1965 Gretsch Corvette
1974 Rickenbacker 480
1976 Music Man Stingray
1977 Gibson L6-S

… then, there are the so-called ‘student’ models such as the short-scale offset Fenders (Musicmaster, Duo-Sonic, Mustang and Bronco), the dinky Gibson Melody Makers (and Epiphone Olympic) and the Silvertone 1449 (and 1457, as well as the full Danelectros). You may begin to get the picture. For some peculiar reason, I have an affinity for these less desirable (and therefore less valuable) instruments. They aren’t eminently collectable for the greedy investment brigade but I think they have many often‑overlooked positive attributes. Bring them together under CRAVE Guitars’ banner and I think they represent a pretty cool angle on a captivating period of modern guitar history.

Even where the classic guitar designs are concerned, where possible, I try to seek out the unusual. For instance, I intentionally went for a Fender Stratocaster Dan Smith-era ‘2‑knobber’ and I’d like to get hold of a similar-period active Elite. Telecasters? I lean towards the Thinline, Deluxe and Custom (and Elite) rather than the standard. Offset Fender Jazzmasters and Jaguars? Bring them on. Unlike most, I think the Fender Coronado is cool, as is the Starcaster (the latter is still on my ‘wanted list’) Les Pauls? I prefer the Deluxe or the Recording (I’m still looking for a good one of the latter or its predecessors the Personal and Professional). Given the choice, I’d prefer a Junior or Special over a Standard or Custom most days (as long as I have the latter to hand as well!). Gibson Explorers or Firebirds? Yes please. Semis? I prefer the ES-330 to the ES-335. Go figure.

Here are some unusual models that are on CRAVE Guitars’ ‘wanted’ list…

There is, of course, a huge risk to venturing too far off the beaten track and into wild guitar country. Firstly, sinking inadequate, valuable funds into potential white elephants is not advisable in anyone’s book. You may be surprised to know that I actually do care about this for 2 reasons: a) I don’t have infinite funds to burn on a laughing stock of geeky guitars, and b) I might want to trade up at some point, so having unsellable guitars that no-one wants is not a good strategy. However, I like to think that one day, when people eventually see the light of day, my whacky and weird bits of obsolete firewood might actually become the desirable antiquities I think they deserve to become. In the meantime, they will remain curios of a bygone age.

Given that the real rarities will forever be out of my humble reach (a 1958 Gibson Explorer anyone? According to records, only 6 shipped that year), it means that my attention tends to be refocused on guitar delights from the 1970s and 1980s. Yes, before some of you get on your high horses, this is the exact same period that all ‘learned commentators’ vehemently and vociferously despise for poor quality, lost craftsmanship and corporate interference. The epoch that I’m talking about are the so-called ‘dark ages’ when CBS owned Fender, Norlin owned Gibson, Baldwin owned Gretsch and MCA owned Danelectro. However, my argument goes that, if you are rich or narrow-minded enough to close your eyes to anything post-1965, you will never see or experience some very creative experimentation. For example, the first tangible example of the Gibson Moderne didn’t appear until 1982-83 while the Gibson USA Map appeared only in 1983-84. Love these instruments (as I do) or loathe them (as many do), they shouldn’t be ignored without some contemplation. I maintain that there are many hidden treasures from this period and… one day… the nay-sayers will catch on and catch up.

There are plenty of odd creations from this period, some of which are great, some mundane, some remarkable and some downright awful. Into which category they fall into is not just what the purists say. For instance, there are some unpopular guitars out there with some very interesting attributes. Generally un‑loved Gibson examples include the S-1, Marauder, Sonex-180, Firebrand, ‘The Paul’, Invader, Challenger and Victory. Many of these unusual Gibsons are also on CRAVE Guitars’ ‘wanted’ list…

Fender also produced some unusual creations in the USA in the 1960s and 1970s, such as the Swinger, Marauder, the (mythical) Maverick, the XII, Bass VI and Montego II before going with the more mainstream but commercially unsuccessful Lead and Bullet. In Japan, Fender created guitars not based on previous fender designs including the Performer, Katana and Flame. Fender’s strategy from the mid‑1980s seems to have been to experiment with Squier models – if unsuccessful, they wouldn’t damage Fender’s credibility but if successful, they could be re‑branded by Fender.

Some of the ‘budget’ USA Fenders on CRAVE Guitars’ ‘wanted’ list…

Trivia fact folks: In 1982, Fender strategically consolidated its budget off-shore production under the Squier brand in Japan. However, did you know that Squier as a musical instrument company actually dates back to 1890, founded as V.C. Squier by Victor Carroll Squier in Michigan, USA? Squier was predominantly a string maker and supplier for Fender from 1963 before being acquired by Fender in early 1965 shortly before Fender itself was taken over by CBS in the same year. Fender marketed Squier strings until 1972 and, by 1975, Fender had dropped the Squier name. Squier remained dormant until it was revived in 1982 as the main brand for guitars built by the newly established Fender Japan Ltd.

Some of these short-lived eccentric guitars from Fender and Gibson are truly rare beasts with just a few hundred or low thousands ever going into circulation. Some of them will eventually attract speculators, simply because of their brand, age and relative scarcity, or through trendy artist association. For instance, vintage market values for the previously unloved Fender Bronco soared after Alex Turner of Arctic Monkeys used one and collector interest in the model grew rapidly. When that investment trigger is pulled, just watch the vintage values spiral quickly to silly levels, as keen demand outstrips limited supply. The Bronco is another model on CRAVE Guitars’ ‘wanted’ list.

Capitalist economics are founded on the principle of growth and, in order to keep growing, companies have to innovate. Logic suggests that some ventures will be more successful than others. As the late, great Frank Zappa (1940-1993) once said, “Without deviation from the norm, progress is not possible”. He was right and that principle applies aptly to guitar heritage. When compared to the acknowledged classics, many of these lesser models didn’t last very long and quickly disappeared into relative obscurity without a second thought from musicians at the time. Many of these ephemeral idiosyncrasies and dead ends in the guitar family tree are the ones that fascinate me as much as the perennial classic designs do.

In the fickle consumer marketplace, success of new guitar models, even from major brands, isn’t pre-determined or assured. Just remember that some now-legendary Gibson guitars didn’t last long on their original release, e.g. the Explorer, Flying V (both 1958-59), Les Paul Standard (1958-1960), and ‘reverse’ Firebirds (1963-65), all of which were dropped due to poor sales, only to be reintroduced later to massive success. The Gibson Moderne was part of the ‘modernistic’ series designed in the late 1950s although it never reached market. Even Fender flopped with the original Jazzmaster and Jaguar. Now look at their popularity. I blame the punters myself (joke)!

As Stephen King wrote, “sometimes they come back”. The USA Map is not the only phoenix to rise from the ashes of past ‘failures’, following a quiescent period. Gibson examples include the L6-S, RD, Moderne and Melody Maker. Fender examples include the Coronado, Mustang, Duo‑Sonic and Bass VI. Glad to see them back, albeit in different form from their progenitors. We can expect these companies to keep trying to introduce shiny new models alongside the classics and these reintroductions for a new generation.

So is CRAVE Guitars’ skewed sense of objectivity in showcasing the oddball guitars from the past a risk worth taking in a fiercely competitive and currently unstable vintage guitar market? I think it is but you may well adopt a contrary view. Discuss…

I guess it’s all about balance – having enough of the widely-regarded classics to get a foot in the mental door of the attention deprived gearhead while also getting enough attention such that people become more aware of the delights of the many unique guitars that proliferate around the margins of major brand guitars. Is it just me or are those peculiar ‘ugly and plain duckling’ guitars mentioned above, fantastic examples of the guitar makers’ creative dalliances reflective of the world in which they were originally created? Will they ever be re‑evaluated as ‘beautiful swan’ guitars? Probably not, but they should not to be ridiculed as abhorrent out of prejudice without some sort of contextual re‑assessment.

Just take another look at the montages of some of the leftfield instruments from Fender and Gibson above and I challenge you to maintain that they are not worthy of your attention. I came across a plainly ignorant headline when doing this research for this article, “stupid CBS and Norlin era guitars”. I contest that such hyperbole represents uninformed rhetoric by someone who is possibly not very bright and mouthing off to get attention. I take the alternative view and suggest that they actually look pretty cool in context and they aren’t bad musical instruments to boot. Not only that, they make ideal entry points into the world of vintage guitar collecting, being relatively low cost and risk free. Yes, they have idiosyncrasies but so what? That just makes them all the more interesting.

What I must do, though, is to resist the temptation of obsessing solely on the weird and whacky to the exclusion of the familiar or it will just end up as a bizarre dead‑end, the point will be well and truly lost, and CRAVE Guitars will sink into the same obscurity as many of the oddities it intended to showcase. My aim is to present the unconventional alongside the conventional as necessary counterpoints of contemporary guitar design culture. Going Zen, they represent the yin and yang of guitars if you will.

Now that it seems I am ploughing this particular furrow, it reiterates the fundamental question I posed a couple of articles ago, that is, what the heck do I do next with CRAVE Guitars and how do I convert it into some sort of going concern? I’ve established that CRAVE Guitars has to be a modest entity, that it wants to be something different from the norm, but not so different that it becomes overlooked and invisible to would‑be enthusiasts and aficionados. I like to think that I’m doing something right.

You know what might just happen, based on my luck and actual experience? I will beat my head against the brick wall of impenetrable puritanical dogma until I eventually give up. The cynic inside me says that I’ll sell off the CRAVE Guitars’ family at ridiculously cheap prices just to move them on and, the day after I do that, the market will boom and others would benefit from exactly what I’d been striving for in splendid isolation for the last 10 years. The scathing axioms of ‘I told you so’ and ‘he was before his time’ will ring hollow in my desolate dispossession. I’ve been in that position before and it’s not a very nice place to be. So I will persevere.

That’s enough of the doom and gloom. More Positive Mental Attitude required – CRAVE Guitars is still here and hopefully here to stay in one form or another for the foreseeable future. Let’s get back to the crux and rejoice the glorious miscellany of vintage guitars, including all the many heterogeneous ‘mutations’ that have occurred along the way. We wouldn’t be able to judge the sublime without the ridiculous to measure them up against. They are all part and parcel of our diverse, crazy, guitar‑distracted life.

The celebration extends to the 1983 Gibson USA Map that started this little debate in the first place. I think the Map is wonderful in a zany sort of way and we shouldn’t lose sight of it as part of the bigger picture. Isn’t it funny how a seemingly straightforward event can lead to something deeper and, from my perspective, quite interesting? One thing I’m certain of is that purchasing an ‘ordinary’ Strat or Les Paul would not have warranted this sort of conversation.

I mentioned at the top of this article that I deliberated as to whether to buy the Map or something else more sensible. You may ask, what else I might have gone for, had I chosen to forgo the opportunity of acquiring the Map? There are many vintage guitars that I would be tempted to go after; way, way too many to mention. However, on this occasion it wasn’t a straightforward either/or decision. It was go for this or wait until something else cropped up to spark my craving (sic!). The Map just got there first. However, it wasn’t an easy decision for all the reasons outlined above. What next for the Map? Not a lot; it is so unique, it’s likely to hang around for a while. I did think it might become CRAVE Guitars’ signature instrument but the Les Paul logo still fits better with the image, I think. Thoughts?

Unless something changes, there is nothing new in the procurement pipeline for CRAVE Guitars at the moment, so next month’s soliloquy is likely to be back to rambling randomness (or “pretentious waffle” as my other half calls it!). In the meantime, spread peace, love and music to change lives for good and let’s make the world a better place, one guitar at a time. I’ll be plinking CRAVE Guitars’ most recent vintage acquisitions, the 1978 Fender Mustang covered two months ago and the 1983 Gibson USA Map.

I will keep looking for unusual guitars. On the basis of the research for this article, I may just take another look at what’s out there and report back in due course. The Map may just lead to something interesting!

Musically, I’m off too Looe Music Festival 2017 (29 September to 1 October) with The Jesus & Mary Chain, Lulu and Happy Mondays headlining and some other credible artists on the line up (The Undertones, Cast, Reverend & The Makers, etc.). This event signals that the UK’s music festival season is pretty much concluded for this year.

That’s it for now. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Deviance is a lack of conformity which, to a degree is essential, as it separates the remarkable from the homogenous.”

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19 Feb 2017

February 2017 – Favourite Guitarists And Why

by craveguitars | posted in: Observations, Opinion | 0

This month, I’m continuing with a list-like feature. This isn’t laziness, it’s just about time I focused back specifically on guitars and guitarists.

Here are some of the guitarists I enjoy listening to and, linking back to my January 2017 article about why we like what we like, artists that I keep coming back to for more. If there was some sort of formula that is common to all of them, it might be expressed as:

Unique talent + quality instrument + great song writing + timing + opportunity = music history.

The first ‘variable’ above is a key ingredient… talent. Most phenomenal guitarists are instantly recognisable by their distinctive sound, which is more about the person than the instrument they play. Simply put, no-one sounds like them. Why? It comes down to individual technique. It’s the same with classical painters, each one highly recognisable for their outputs, even though the inputs are essentially the same (paint, brushes, canvas, etc.). As the late great Stevie Ray Vaughan sagely commented, “Your sound is in your hands as much as anything. It is the way you pick and the way you hold the guitar, more than it is the amp or guitar you use”. In addition to the “it’s in the hands” adage, they also often have a ‘how do they do that?’ factor that differentiates them from the hoi poloi (NB. for trivia fans, from the Greek meaning ‘the many’). For guitarists to shine there needs to be strong song writing – it doesn’t actually matter who wrote any particular track, it’s how it is interpreted that matters.

Most guitarists will own several guitars and use then for certain situations. Many top guitarists may have extensive collections, although they tend to have one instrument or model with which they are uniquely associated. Combine that stylistic talent with, perhaps, a ‘signature’ instrument and the basics are there. By ‘quality’, I simply mean ‘fit for purpose’ within this context. Using a ‘favourite’ guitar is not a prerequisite, however, it is likely that removing a physical impediment to technique (i.e. an inappropriate guitar) has liberated many players to feel, rather than think, about their playing. There is something special in the relationship between player and preferred instrument that adds a ‘secret ingredient’ that no-one else could muster from it.

Another characteristic of accomplished guitarists with longevity is that they usually have a refined sense of song writing, either on their own or as part of a band, often prolifically so. They instinctively know what people tune into, including well-honed sense of harmony, melody, tempo, etc. They also adapt their writing over time to accommodate changing listening tastes. It isn’t just about image or the axe that they wield.

There is something to be said about time period and cultural context and being in the ‘right place at the right time’. If any of these guitarists were struggling to establish a career in today’s Spotify-saturated, X‑Factor sterilised world, would they stand out and have a chance? I would wager not. Many of these greats were also pioneers who broke the mould at their time in some way – they are not generic or homogenous. Musical integrity and coherency have been shattered by our seemingly insatiable appetite for the iTunes attention deficit disorder-oriented society. It is so much harder to be genuinely innovative now, which may explain why there are so few challengers striving to not only usurp the thrones of the exalted ‘old-timers’ but also to stay there. Aspiration and ambition is just the start, achieving longevity and legendary status is another matter altogether.

Some other characteristics spring to mind, these guitarists were as sound at rhythm guitar as they are at lead lines. So many great tunes would flounder without the solid rhythm chops from great guitarists who knew how to groove in their chosen genre.

I would also argue that these guitarists are/were as great at playing live, as they are/were in the studio. On stage, there is nowhere to hide and these artists have to work very, very hard to earn and sustain credibility over many years of continuous touring.

So… to the point… at long last. As my guitarists of choice are diverse in style, genre, time period, success, etc., it was impossible to rank them from 1-20, so they are presented in alphabetical order for fairness and simplicity. I’ve indicated the instrument(s) that they are often associated with, as well as a track that, for me, acted as an entry point into their canon (not necessarily their best or most well-known track), a catalyst if you will for grabbing my aspirational attention.

1. Jeff Beck (1944-) – Where on Earth does one start with a genius like Mr Beck? Invention, reinvention, experimentation and continually challenging the boundaries of what can be done with 6 strings on a Strat. No-one comes close to decades of innovation. As soon as you think you’ve nailed his rut, he surprises by a change of direction with consummate musicianship in whatever he does. Listen: ‘Brush With The Blues’ (1999). Guitars: Fender Stratocaster, Gibson Les Paul Standard, Fender Telecaster

2. Ritchie Blackmore (1945-) – Ignoring well-documented character traits, Blackmore’s Deep Purple/Rainbow rock era featured some of the most incendiary, flamboyant and flashy lead lines, all seemingly delivered with minimal effort. Extraordinary. Credit for following his passion in traditional guitar, rather than selling out/cashing in by endlessly regurgitating ‘Smoke On The Water’ for decades. Listen: ‘Child In Time’ (1972). Guitar: Fender Stratocaster

3. Dimebag Darrell (1966-2004, 38) – Sadly, the late ‘Dimebag’ Darrell Lance Abbott was taken too young. Metal guitarists are often easily categorised without really appreciating their innate talent and abilities. Darrell was a terrific guitarist with soul and technical skill that is hugely under-appreciated both for storming southern-tinged riffs and searing lead lines with Pantera. Listen: ‘Cemetery Gates’ (1990). Guitar: Dean ML

4. Rory Gallagher (1948-1995, 47) – A unique talent not sufficiently acknowledged while he was alive, his contribution and reputation has rocketed since his demise. The modest and unassuming Gallagher had a tremendous ear for fusing blues tropes with an astounding melodic sensibility evoking his Irish roots. A great slide player too. Live, he was astounding, consumed with energy and passion that few could match. Listen: ‘Calling Card’ (1976). Guitar: Fender Stratocaster

5. Billy Gibbons (1945-) – With his roots deep in Texan blues, ‘the greatest beard in rock’ can make his axe sing with great feeling, as evidenced by early material. As part of ZZ Top, he pushed R&B boogie into the limelight with mega commercial success, thereby adding more flavours to his not inconsiderable palette. Listen: ‘Blue Jeans Blues’ (1975). Guitars: Gibson Les Paul Standard, Gretsch Billy Bo

6. Kirk Hammett (1962-) – Another metal guitarist who knows how to use a guitar in anger as a member of Metallica. Listen to his playing and there is much more than flashy thrash metal guitar work. His legacy will forever be integrated with the riff from ‘Enter Sandman’. Look beyond those few familiar notes and be rewarded. Listen: ‘Seek & Destroy’ (1983). Guitar: ESP

7. Jimi Hendrix (1942-1970, 27) – Predictable. To attempt to explain in a few words what James Marshall Hendrix unleashed on rock music during his short career would be inadequate. He was a true revolutionary and showman, imbued with massive talent and skills honed through passion, dedication and commitment. Contemporary music owes a massive debt to a true pioneer and just think what he could have achieved. Listen: ‘All Along The Watchtower’ (1968). Guitars: Fender Stratocaster, Gibson Flying V

8. Steve Hillage (1951-) – Easily overlooked because of his relatively obscure ‘hippie’ career (Gong, System 7), Hillage is a talented and individual guitarist with a very recognisable tone and style. Even in later years, which focus heavily on electronic dance grooves, guitar remains an important stylistic element. His contribution is much undervalued. Listen: ‘Hurdy Gurdy Glissando’ (1976). Guitars: Fender Stratocaster, Gibson Les Paul Standard

9. John Lee Hooker (1917-2001, 83) – Hooker was a true individualist who always played by his own rules. He is one of the most expressive and soulful bluesmen, his emotions emanating through his guitar and gravelly vocals. Yes BB may be the King but JLH was a blues Hooker at one with his delta roots. At his best just him and his guitar, rather than the sanitised reverential collaborations. Listen: ‘Crawlin’ Kingsnake’ (1991). Guitars: Epiphone Sheraton, Gibson ES-335

10. Tony Iommi (1948-) – Where would rock be without Black Sabbath. Another guitarist who ploughed a furrow that hadn’t previously been ploughed and as the ‘godfather of metal’, his influence has justly pervaded the landscape of modern hard rock and metal for decades. How much of his individual style resulted from his infamous industrial accident, we can never know. Listen: ‘Sabbath Bloody Sabbath’ (1973). Guitars: Jaydee Custom S.G. ‘Old Boy’, Gibson SG

11. John Martyn (1948-2009, 60) – Martyn started off in traditional English folk music and then something happened and he became a true experimenter using delay and other effects to create something completely new and adventurous, mostly on acoustic guitar. In addition to innovating, he also retained the heartfelt lyrical nature of his music, using guitar to complement his unique voice. Listen: ‘I’d Rather Be The Devil’ (1973). Guitar: Martin D‑28

12. J. Mascis (1965-) – Often described as an alternative maverick, born of the New York punk era, Mascis is a genuine one-off and enduring front man of Dinosaur Jr. A bit like Neil Young on steroids. As a guitarist, he doesn’t stun with millions of notes and sterile technical ability but, boy, does he put some energy and power into his searing, laser-guided lead lines that have impressed consistently over the years. Always on the fringe. Listen: ‘Out There’ (1993). Guitar: Fender Jazzmaster

13. Brian May (1947-) – Dr. May’s melodic and harmonic brilliance will forever be remembered for his Mercury-period Queen. However, like his distinctive home‑made guitar, the astrophysicist created a unique and recognisable guitar style that pervades western culture. His MTV pop sensibilities are as strong as his earlier rock riffs. Listen: ‘Seven Seas Of Rhye’ (1974). Guitar: Brian May Red Special

14. John McLaughlin (1942-) – In terms of phenomenal ability, dexterity and skill, McLaughlin is near, if not at, the top of the tree. Not only is his speed and proficiency astounding, his genre-spanning flexibility is formidable. Describing his playing can only be achieved through hyperbole. An extraordinary guitar superman. Listen: ‘Vital Transformation’ (1971). Guitar: PRS

15. Gary Moore (1952-2011, 58) – In later years before his untimely death, Moore concentrated on the blues, joining the ranks of the few white, non-American blues legends. Go back earlier in his career and his abilities at rock and fusion show just what a great and adaptable guitarist he was. Listen: ‘Stormy Monday’ (2001). Guitars: Fender Stratocaster, Gibson Les Paul Standard

16. Tom Morello (1964-) – Probably the youngest of the guitarists to make the list. Go back to RATM’s debut album and reflect on the pounding riffs and genuinely innovative lead playing and recognise that Morello is one of those guitarists who could take the mainstream and adapt it into something no-one had heard before. Listen: ‘Bombtrack’ (1992). Guitar: ‘Arm The Homeless’ custom

17. Carlos Santana (1947-) – Renowned for his ability to sustain notes, Carlos was also a very fluid player and highly acclaimed for his feel. From his appearance at the end of the 1960s to today, he can produce an inimitable and remarkable guitar tone. He could play blindingly fast and he could also turn out achingly emotive lead lines. Listen: ‘Samba Pa Ti’ (1970). Guitar: PRS Santana

18. Jimmy Page (1944-) – Like Blackmoore, Iommi and Hammett, Page is another guitarist whose legacy may be forever associated with a single track in the consciousness of the music listening public (Stairway To Heaven). However, Zeppelin-era Page is a multi-talented guitarist. It is a shame that he hasn’t been able to shine to the same extent in his post-Zep solo career. Listen: ‘Kashmir’ (1975). Guitar: Gibson Les Paul Standard, Danelectro 3021

19. Stevie Ray Vaughan (1954-1990, 35) – SRV is another guitar phenomenon taken from us way too young. Unapologetically Texas blues to his core, he shared Hendrix’s immense ability to introduce many other styles into his playing, including jazzy influences. Another whose formidable combination of talent and relentless hard work set him apart from the crowd. Listen: ‘Tin Pan Alley’ (1999). Guitar: Fender Stratocaster

20. Neil Young (1945-) – Quite often referred to as the master of the one-note guitar solo, this underrates his ability to wring considerable emotional content from just a few well-chosen, emotionally driven and sparingly targeted tones. One thing is for sure, his distinctive tone and style has sustained his well-deserved reputation over many decades. Listen: ‘Southern Man’ (1970). Guitar: Gibson Les Paul Standard

Most of these guitarists will, perhaps, be obvious entries. However, there may be a few unexpected curve balls thrown in for good measure. Of course (don’t you just hate it when people say that!), there is a very long list of superb guitarists that didn’t make the 20 above, including the likes of George Benson, Joe Bonamassa, Eric Clapton, Robben Ford, John Frusciante, Peter Green, Steve Hackett, Allan Holdsworth, BB King, Paul Kossoff, Robby Krieger, Randy Rhoads, Mick Ronson, Joe Satriani, Slash, Steve Vai, Van Halen, Jack White, Johnny Winter, Zakk Wylde, Angus Young, Frank Zappa, etc., etc., etc. It’s virtually impossible to name them all. While I recognise their massive influence, this is my list of guitarists, not a regurgitation of anyone else’s list or a contrived list of ‘stature derived through perceived wisdom’.

There are also guitarists who aren’t listed above and who perhaps aren’t considered ‘great’ guitarists stylistically but are still notable for the instrument being an integral part of their music, e.g. Marc Bolan, Robert Smith, Thurston Moore, etc.

I also haven’t strayed into bass guitar but that’s an easy one for me, evidenced by the mercurial virtuoso skills of the incomparable, and sadly late, great Jaco Pastorius. Danny Thompson and Tal Wilkenfeld also deserve honourable mentions in this category for me.

Interestingly, 7 of the above guitarists (35%) are sadly no longer with us. Thankfully, at least 13 (65%) of them still are. I have been fortunate enough to see just over half of them play live and, of the ones I have seen, I can attest to their consummate skills. One thing I noticed when researching this article is how many of these guitarists regularly wear/wore hats when playing live (around a quarter of them). Head apparel seems a quintessential part of a guitarist’s touring equipment for many.

In terms of a ‘golden era’, many of these artists had their zenith between the late 1960s and the early 1980s. After a 10-year hiatus in the proverbial doldrums of the post-punk electronic era, there was a gradual resurgence of interest in guitar music from the 1990s that thankfully reignited a passion for the art into the 21^st century. Thankfully that interest continues to flourish and diversify today, which will hopefully incentivise whole new generations of exciting new guitar heroes (genuine ones, not the ‘game’) to carve an identity for themselves.

One thing that does bother me is that there are no female guitarists on the list. This is more a reflection of historical exposure that male guitarists have had compared to female guitarists. It is not a misogynistic trait, just circumstance. There are great guitarists out there, e.g. Carrie Brownstein, Eva Cassidy, Lita Ford, Charlotte Hatherley, Kaki King, Orianthi Panagaris, Bonnie Raitt, Nancy Wilson, etc., they are just not my most listened to guitarists. There are also many girl bands, like Warpaint, Haim, Dum Dum Girls, Sleater Kinney, Smoke Fairies, etc., which is positive. Those who are familiar with my rants on the subject will know that I believe ‘girls with guitars are cool’. My view is that, as in any other streak of life, gender should not pose a barrier to success and there are some very accomplished female guitarists out there. Personally, I would dearly like to see equality and inclusion. Having said that, I don’t believe girls are actively excluded, it’s just that the prevailing environment isn’t conducive to girls seeking guitar playing as a job in the same way as there is, for instance, in orchestral classical music.

Also, as mentioned at the start, there essentially are no modern-era guitarists on the list. The most recent on the list above are from the 1990s, rather than the noughties and teenies; this is still around a quarter of a century ago now. There are many, many very talented modern-day guitarists out there but, again, they just didn’t make my list. I look forward to emerging guitarists taking up the reins. One wonders who we might admire in the future, in addition to the current greats.

What, though, really separates the greats from the very talented also-rans who also work very hard at their craft? If we all knew that, it wouldn’t be a question. Is it serendipity, happenstance, luck, contacts, situation? Perhaps the old adage that ‘it’s not what you know, it’s who you know’, plays its part.

I only wish I had a minute fraction of the ability demonstrated by the guitarists mentioned here. Sadly, I don’t have that kind of talent (despite the hard work), so I have to end up writing about them!

One thing we might learn from them is that we shouldn’t try to imitate them. By all means emulate and pay homage to them but only if you can actually do what they do better than them – try that particular strategy and see how far you get! Perhaps another lesson for stalwart gear heads is that the guitars don’t make the guitarist, mostly anyone can own a Fender Stratocaster or Gibson Les Paul but not everyone can be a SRV or Jimmy Page – guitars are simply the professional tools of the expert craftsman. However, put the two together and something very special can happen. Modern music would not be the same without the skilled practitioner and their axes of choice, creating magic for us mere plebs to wonder at and aspire to.

CRAVE Guitars ‘Music Quote of the Month’: “If music is the result of passion, passion is the music of life.”

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28 Jan 2017

January 2017 – Why music affects us in the way it does

by craveguitars | posted in: Observations, Opinion | 0

Welcome to a brand new(-sh) and shiny(-ish) 2017. One hopes that humanity comes to its senses and delivers progress towards a better, fairer, more peaceful world in the year to come. Given indications so far, I doubt it but we shall see. I hope that I’m wrong.

What will be different for CRAVE Guitars in 2017? Other than the complete change of lifestyle to a more modest form of living and the absence of any funds to take forward the vintage guitar business, it will be a year of contemplation and formation of thoughts about the future. I have to remain optimistic that CRAVE Guitars will metamorphose (again) and will flourish in some splendid new form.

Anyway… back to the present and this month’s topic, in the absence of new gear. One of the things that has fascinated me over many years is why people choose, like, and are affected by, the music they listen to. My iTunes library runs into several tens of thousands of songs, predominantly but not exclusively from the last 5 decades, so the topic is pertinent. This article tries to understand why you might like one song while I might hate it and vice versa, or why we both might like or dislike the same one. While reading, please bear in mind that my roots are completely in modern music, which comprises a massively diverse smorgasbord of contemporary music from the 1960s onwards, right up to the latest releases. While I can appreciate (some) classical or traditional music, it doesn’t impact my life in the way that ‘modern popular’ music does.

The cultural revolution (no, not the Chinese uprising of 1966-1976) that began in the early 20^th century led up to the seemingly sudden introduction of rock ‘n’ roll in the mid-1950s. However, ‘modern’ rock and pop music didn’t appear fully formed overnight and its roots in blues and jazz go much further back. What the explosion in supply and demand that has occurred over the last 6 decades has done is to open up range of musical types in such a way that defining current genres and sub-genres has become increasingly difficult. In addition, technology (for instance to facilitate composition, recording, production and distribution) provides us with convenient access to types of music that hitherto might have been difficult to reach, let alone appreciate.

When I was young, my parents listened predominantly to classical and traditional music. However, this background does not appear to have influenced my personal preferences. So what did shape my listening habits while growing up in a rapidly changing world? The ‘nature versus nurture’ dichotomy doesn’t appear to be a determinant of taste and passing years don’t appear to have modified my listening behaviour significantly. Certainly my musical choices have not been passed to the next generation either, which is more than capable of making up its own mind, helped no doubt by convenient availability of music like never before. Perhaps I am unusual, which may be why I posed the rhetorical question in the first place.

You may think that this may be a ‘heavy’ topic for the start of the year (no pics either for copyright reasons! Sorry). However, I am going to try and get inside your head a little bit, so bear with me. The focus is not only on the things we tend to like collectively but also why some of the differences in musical preference between individuals can be so profound. Exploring the foundations of musical preference a bit further provided few satisfying answers and a lot of frustrating dead ends along the way. Although he may have been biased, Beethoven said it more succinctly than I can, “Music is a higher revelation than all wisdom and philosophy”.

To try and get to the bottom of this particular theme and gain some greater insight, I decided to delve a bit deeper into the subject matter. There is an awful lot of pure science behind music, especially the physics and mathematics of music ‘law’. While the scientific aspects are interesting in their own right, it was the psychological impact of music that provoked my curiosity. Let’s begin by breaking it down a bit…

One arm of musical science is called musicology. The word stems from the Greek meaning the ‘study of music’, so this seemed like a sensible starting point. Musicology, as it turns out, is largely formed of three different areas of study:

Historical musicology – which is often referred to as music history (in a similar way to art history) and looks at the way that music has developed over a significant period of time. However, while this may explain the main epochs of music, it does little to explain how we ‘feel’ about the music we listen to in the current era. However, it does tend to outline what musical styles were popular through the ages and the access that ordinary people had (or didn’t have) to experience performance music
Ethnomusicology – this area of music study looks at music within a cultural and/or societal context. While this may explain a bit about musical expression described by the generally common behaviours of large groups, e.g. western or far eastern music, it is very broad and doesn’t really get to the basis of individual musical preference (except within the context of a large society)
Systematic musicology – is a term that covers many aspects of music including general questions about the importance of music right through to the specifics of music theory, varying in discipline, ranging from qualitative to quantitative studies

There is also a branch of musicology called cognitive musicology, although this looks more at mathematical modelling to explain how the brain processes and interprets music in a similar way to how it might process language, including learning, attention, planning and memory. Empirical studies have shown that there is a correlation between musical training and intellectual growth and a whole branch of neuropsychology has developed around this area. Functional MRI scans have shown that the brain actively responds to musical stimulus – no surprise there. Neuroscience, though, focuses primarily on biological processes, rather than emotional, responses.

Music, like language, is an integral part of our cognitive development, which might explain why musical expression is just as important as linguistic expression to nearly everyone on the planet, and has done for thousands of years. However, examining intellectual development does not explain how we, as individuals, respond to music in such a fundamental way. It also doesn’t explain the unifying force of fandom and mass hysteria, i.e. why we congregate in large groups then react disproportionately and often very rapidly to a particular movement in taste (fads?) – anyone remember Beatlemania?

Our brains generally respond to sound in a similar way. The auditory cortex works in association with the cerebellum and frontal cortex, and is responsible for processing ‘organised sound’, including music and language. While music also affects many other parts of our brains, scientists have pinpointed the areas deep in our brains that are activated by and cause emotional responses to music, primarily the amygdala and nucleus accumbens. The amygdala determines whether our bodies need to take some form of conscious action according to the sounds we hear, while the latter regulates the release of the hormone dopamine as part of the brain’s ‘reward system’ and plays a part in rhythmic timing. Dopamine is important as it makes us feel arousal and pleasure so, perhaps, music is a drug after all. Medically, our wellbeing can benefit from using music to reduce anxiety or stress, as used, for instance, in music therapy. Our reaction to music may be divided into emotions that are ‘perceived’ or ‘felt’, which might explain why, for instance, why some people enjoy listening to sad music.

Conversely, whether consciously or unconsciously, music can also be intrusive and distracting, for instance in public places or call centre queues (e.g. ‘Muzak’), when forced to listen to music we don’t like, or exposed to music inappropriately out of context, it can be linked to production of the stress hormone cortisol within the adrenal gland. One example of cortisol production as a result of an auditory stimulus may be the brain’s reaction to fingernails scraping a blackboard causing a significant antipathetic response.

Our clever brains are constantly trying to predict what comes next (technically, the anticipatory response). Many musicians have exploited this characteristic over centuries to tease us and then maximise the ‘crescendo’ effect. Auditory and visual acuity is strongly linked, which perhaps partly explains why we like to go out and watch live music or are drawn to music videos. Closing our eyes while listening to music can suppress the visual stimulus and concentrate the auditory stimulus.

So… does a better understanding of musicology or neurology help with this particular conundrum? Unfortunately, no it doesn’t. However, it does provide a broader framework within which further questions can be asked. There are clearly links between the physical mechanics and the psyche of music, so some further delving was required. Where to look next?

Music psychology was my next point of call. Music psychology is a different approach that attempts to explain musical behaviour and experience, including how we perceive music (e.g. pitch, rhythm, harmony and melody) and our ability to learn, play and perform music. Why is it, for instance, that some people are content to listen to music (i.e. be affected by it), while others are driven to acquire the skills of musical technique and perform in front of audiences (i.e. to affect others through it)?

While the answer to the question above is beyond the scope of this article, emotion is as vital for those making music as it is to the majority of us who listen to what they create. March Bolan once said, “Emotion has to be foremost. When I feel emotional I’m equipped to express myself”, and Debbie Harry also commented, “I do know the effect that music still has on me – I’m completely vulnerable to it. I’m seduced by it”. Jimi Hendrix went a bit further by saying that, “Music is my religion”. To many, musical appreciation is as strong as faith, if not synonymous with it. Suffice to say, music is a powerful medium. Keith Richards expressed music in more survivalist terms, “Music is a necessity. After food, air, water and warmth, music is the next necessity of life”. How strongly do you feel about music’s professed omnipotence?

Perhaps a more relevant approach is to look at what psychologists refer to as ‘affective responses to music’. An ‘affect’ in basic psychological terms is how an organism interacts with stimuli including, amongst other things, the experience of feeling or emotion. Music is one such stimulus that leads to patterns of behaviour and regulation of our emotions. When looking a bit more deeply, even this area tends to break down into a number of factors that academics have attempted to measure. For instance, in relation to emotional music, the following formula has been postulated:

Experienced emotion = structural features x performance features x listener features x contextual features

While expressing emotion as an equation cannot hope to capture the nuances, it does indicate that the way we feel about music is actually a complex interrelationship between a number of human actions and situations. Studies have, unsurprisingly, repeatedly shown that music consistently elicits emotional responses in its listeners (duh!), so what is actually going on?

Why does some music make the hair on the back of our necks stand up? Psychologists refer to the ‘chill’ effect as ‘arousal’, which is a non-conscious physiological response to an environmental stimulus, caused by the hormone dopamine (again). How strong this reaction is depends on, as you might have guessed by now, a number of variables.

The psychology of music and the way it helps shape our genre preferences, again, tease us with answers. However, all it does is to identify that there are notable differences between us but not how or why these differences occur in the first place or why the emotional responses can be so varied and profound.

Perhaps delving into the characteristics of personality and self‑expression may provide some insight that has so far eluded my investigations? Some psychologists point to the ‘Big Five Personality Traits’ to explain and measure our ‘personality’. The ‘Big Five’ categories that shape our personality are:

Openness to experience
Agreeableness
Extraversion
Neuroticism
Conscientiousness

The first two are called ‘plasticity’ traits (i.e. they tend to vary according to changes in context), while the latter three are called ‘stability’ traits (i.e. they tend to be relatively unchanging in adulthood). In relation to musical genre preferences, the plasticity traits are the ones that have greatest effect on our choice of musical gratification. In particular, researchers have found a link between openness, self‑assessed intelligence and preference for more complex music such as classical or jazz. I would argue, however, that this misrepresents the picture as there is a significant sociological and circumstantial connection going on here. Openness, however, does have an affinity for emotional response from music, as does agreeableness. Openness is also associated with ‘intense and rebellious’ music (including rock, rap, alternative and heavy metal). Extroverts also tend to prefer upbeat and energetic music (including dance, reggae and electronic music). Neuroticism is linked to the use of music for emotional regulation (including slow and sad or upbeat and happy ‘pop’ music, as well as indie music). Conscientiousness tends to be associated with an affinity for up-tempo, driving, powerful and defiant music.

Breaking things down into just five discrete factors has been criticised as simplistic, with other sub-traits tending to be incorporated within these five personality ‘dimensions’. There are also a number of other variables that co-exist interdependently of the ‘Big Five’. Psychologists have explored how individual musical preferences are affected by, for instance, age, gender, ethnicity, seasonality, familiarity, peer influence, and self‑perception. To me, location and mood are also key factors that motivate what music I listen to at any given time. What this area of study does is link personality, rather than emotions, to genre choices.

As with other studies mentioned above, investigations still focus on what the variances are but not how or why they drive our listening tastes. Clearly, all of these personality, demographic and contextual factors may help to influence genre preference but it is highly unlikely that any of them will ultimately determine it. In my opinion, the various hypotheses tend to generalise, rather than differentiate.

Personality studies get a bit closer to the core of the issue. However, it still doesn’t explain why two individuals with a similar personality and societal circumstances can still have completely opposing tastes or respond to the same piece of music in fundamentally diverse ways. Also, does our taste in music change as we age? When I was young, I assumed that I liked popular music because it was a given as part of the prevailing youth culture at the time. I also assumed that, as I got older, my musical tastes would mature into the ‘grown up’ genres such as classical or jazz. Nope. It didn’t happen and it probably won’t now. Neither do I listen predominantly to the soundtrack of my youth, although one cannot avoid the occasional reminiscence. I listen to a lot of new music as well and crave (sic!) emerging and fresh musical experiences. The same applies to guitar playing – perhaps there is a link there. As John Cage once pointed out, “I can’t understand why people are frightened of new ideas. I’m frightened of the old ones”.

In a previous article, I covered personal preference in relation to guitars. In that topic, I likened the emotional response to guitars as similar to the instinctive response that we have to attractiveness of the opposite sex. There is something about that unconscious, instantaneous and very strong, often compulsive, sensual appeal that exists but is very hard to define and articulate. To me, the same applies to music, as well as art, architecture and design. Some music has that ‘love at first sight’ written all over it and has a certain consistency of perceived aesthetic appeal, while others have a ‘grow to appreciate its deeper qualities that aren’t immediately apparent’ characteristic. Quite why some music requires multiple listens to in order to grow appreciation while other music immediately slaps you around the face is not clear. Both have their place; it isn’t a case of one is better than the other, it’s just different.

In addition, why does overfamiliarity sometimes reinforce affection in some situations while breeding contempt in others? Why do we sometimes just get bored by repeated exposure while there is some music we simply cannot tune into, no matter what? Why do we sometimes have extreme (positive and negative) reactions to what is, after all, just a piece of music? Why, also, do we adopt often very dogmatic defence of our personal preferences when challenged by others who feel equally strongly about theirs? I would also like to know why we have ‘guilty pleasures’, those potentially embarrassing tracks we really shouldn’t like but for some reason we do.

So… after all that, none of the above really gets to the root of why music evokes a strong empathetic sense of deep emotion or nostalgia (as opposed to simple familiarity). What does it say, for instance, about my personal preferences? Not a lot, actually – it’s interesting but in relation to the question in hand, it’s also a bit ‘so what?’ Where do we go from here and what more can we do to understand what makes our preferences very much our own? None of the academic disciplines or studies that I’ve looked at seem to get to the fundamentals of individual predilection.

As mentioned at the beginning, my amateur research provided few answers and raised a lot of frustrating questions. I would have expected some sense of surety (and reassurance) about my emotional state of mind. I also expected to discover that millennia of human learning would lead to a more satisfactory (or at least adequate) conclusion.

In summary, I have no easy answer in response to the title of this article. Darn it! Academia may provide a lot of informed opinion and (in my view, some refutable) evidence but it does little to satisfy my ardent curiosity. Perhaps a glib qualitative ‘because I like it’ is sufficient after all, despite its crude ambiguity and subjectivity. I therefore challenge the learned professions to come up with something better. I defy anyone to predict my preferences on the basis of the academic studies covered here. Conversely, however, it is probably relatively easy to predict my personality based on my extensive iTunes library. Perhaps we are looking through the wrong end of the proverbial telescope?

So, in the absence of incontrovertible proof, I tried to identify 20 tunes that constitute the playlist of my emotional existence. At the time of writing, the list comprises (in no particular order and excluding multiple songs from a single artist):

The song that makes me go all warm and fluffy inside: The Cure – ‘Love Song’ (1989)
The song that makes me sob uncontrollably like a girl: Death Cab For Cutie – ‘I Will Follow You Into The Dark’ (2005)
The song that makes me want to scream with hatred: Buggles – ‘Video Killed The Radio Star’ (1980)
The protest song that makes me feel like an angry young man (again): Rage Against The Machine – ‘Killing In The Name’ (1992)
The song that makes me grin like an idiot: Nick Cave & The Bad Seeds – ‘O’Malley’s Bar’ (1996)
The song that makes the hairs on the back of my neck stand on end: Ben E. King – ‘Stand By Me’ (1961)
The song that makes me think profoundly: The Clash – ‘London Calling’ (1979)
The song that makes me want to hope: Johnny Nash – ‘I Can See Clearly Now’ (1972)
The song that makes me head bang like in Wayne’s World: Blur – ‘Song 2’ (1997)
The track to play air lead guitar to: Led Zeppelin – ‘Kashmir’ (1975)
The groove that makes me want to get up and boogie: Chic – ‘Le Freak’ (1978)
The song that I wish I could have written: Louis Armstrong – ‘What A Wonderful World’ (1967)
The song that I’d like to cover live: Rolling Stones – ‘It’s Only Rock ‘n Roll (But I Like It)’ (1974)
The best song to get stoned to: Pavement – ‘Range Life’ (1994)
The song that I can chill out to: John Martyn – ‘Small Hours’ (1977)
The song that makes me depressed: Sex Pistols – ‘Pretty Vacant’ (1977)
The song that lifts me out of depression: The Beloved – ‘The Sun Rising’ (1990)
The song that makes me long for a balmy summer’s day: DJ Jazzy Jeff & The Fresh Prince – ‘Summertime’ (1991)
The chart single from my youth: T. Rex – ‘Metal Guru’ (1972)
The album track from my youth: Pink Floyd – ‘One Of These Days’ (1971)

Like many of CRAVE’s topics, it seemed an easy task on the face of it, however, as usual it turned into anything but. While contemplating the mix, I kept changing my mind depending on how I felt, which just proves how impulsive, volatile and value‑laden the subject matter is. I am not going to divulge why these particular tracks stir my sentiments, suffice to say that they do. I must stress that these aren’t necessarily favourite songs (especially no. 3!), just ones that evoke some sort of emotive response. What would be your 20 lifestyle tunes? What about all those millions of tracks that one hasn’t even discovered yet? I am not a betting person but I would propose quite confidently that it is highly unlikely that many people would share exactly the same list, and thank heaven for that… but why?

In conclusion, and as a final parting shot, I will say that extensive diversity and continual evolution in music are inherently good things. Only through variety and innovation can we closely match the way we feel with the music we listen to. Frank Zappa once stated that, “Music is always a commentary on society”. Indeed, when considered in those terms, culturally, it is problematic to separate the two. While some people are happy caught in that time warp of a certain period or are captivated by a specific genre, others like me are inquisitive and intrigued by what has been as well as what is yet to come. I look forward to ‘the next big thing’. My quest for new musical experiences is prominent and my personal choice is strongly shaped by disposition and attitude at any one point in time.

Existentially, I believe that music is essential for the healthy sustenance of the human condition, while the music you or I like is a very, very personal thing that contributes to our overall wellbeing. Leonard Cohen observed, “Music is the emotional life of most people”, while Robert Plant asserted similarly, “Music is for every single person that walks the planet”. The compromise between global and individual musical engagement is relevant or we wouldn’t have anything to talk (and argue) about. The similarities and, perhaps more importantly, the differences between us continually drive musical development and invention. After all, that is what motivates us guitarists to come together and create our own interpretation of music after all.

Anyhoo… I’m off to plink my planks (again) as a cathartic exercise while leaving my subconscious to attempt to unravel the mysteries of personal preference (again). Yay for the former, Sigh for the latter.

This month, I’ll finish with a quote by the late, great Ian ‘Lemmy’ Kilmister, who said, “If you think you’re too old to rock ‘n’ roll then you probably already are”. Until next time…

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