November 2023 – Musical Machinations

Prelude

WELCOME ONCE MORE to CRAVE Guitars’ unhurried cruise through the planet’s turbulent waters this November 2023. While there has been much to protest about in the rapid disintegration of the prevailing ‘world order’ during the 2020s thus far, one has to grasp onto any positive prospects that may present themselves. Arising from the debris and carnage of grinding attrition, the poppies of opportunity are optimistic symbols for hope and prosperity, albeit fleeting. That’s basically all flowery language for carpe diem (from Roman lyric poet, Horace’s work, ‘Odes’ in 23 BCE – literal meaning ‘pluck the day’, commonly interpreted as ‘seize the day’).

“While we speak, envious time will have fled: seize the day, to the least extent possible trusting in the next one.” Quintus Horatius Flaccus (Horace, 65-8 BCE)

I recognise that there has been little in the way of exciting news on CRAVE Guitars core ‘business’ for many reasons outlined in the previous article (October 2023). It has been slow but it hasn’t been a total wipe‑out though and I’ll come back to that on another occasion. Here, I’m focussing purely on recorded music and principally a persistent quest to unearth something a little bit different.

Once again, no AI was used to research or write this article, only the author’s meagre cranial capacity and a bit of old school pre‑AI technology.


Context

The one upside of recent times has been an opportunity to embark on an intentional journey to explore off‑the‑beaten‑track modern music. As in physics, the musical micro‑universe is continuously expanding. The challenge is that the musical catalogue since the 1950s is absolutely massive and, with each passing day, becomes even bigger – far too much to begin with, let alone keep up with. While, on the basis that one’s knowledge is inherently extremely limited, it means that any adventure has plenty of scope for discovery, even if it is only vainly scratching the surface of the iceberg’s tip (there I go mixing metaphors again!).

“I know nothing except the fact of my ignorance.” Greek philosopher Socrates (c.470-399 BCE)

On this particular excursion into the unknown, music discovery means expanding the author’s knowledge and appreciation across many aspects of contemporary music. The exercise is about not only consolidating existing music but also about travelling lands un‑trod for new music, which may mean older music that is new to me as well as recently released music that is new to everyone.

Fortunately, 21st Century explorations are sedate experiences. No longer do we have to fear ‘hic sunt dracones’ in ‘Terra incognita’ (here be dragons in unknown land). Note: The former derives from the Hunt‑Lenox Globe (1504), the latter from Ptolemy’s Geography (c.150).

Over far too many years than I would care to contemplate, I have been buying and listening to music. Nothing unusual about that. For many reasons (space, funds, etc.), music was largely revolved around established genre preferences. Fair enough; isn’t that what it’s all about, buy what you like and don’t bother with everything else? However, such an exercise becomes largely self‑perpetuating and insular. This I was aware of and felt that there was much more to be revealed. Where to start?

During CRAVE Guitars’ 3‑year hiatus (see last month’s article, ‘Return to and from Obscurity’), I became fascinated by exposure to ‘new’ music, rather than the habitual repetitive listening to a small repertoire of familiar choons. This is no new epiphany. When much younger, I made a point of listening to BBC Radio 1 DJ John Peel (1939‑2004) and valued his nonconformist approach towards exciting new bands and their music, especially but not solely during the punk rock era. The late John Peel may not be familiar to readers outside the UK. It was because of John Peel that I bought my very first LP album – ‘Meddle’ by Pink Floyd (1971), after he debuted it in its entirety on his late night radio show.

While so many other things were getting in my way, I consciously elected to spread my musical wings again, mainly because it is something I had wanted to do and it was actually eminently do‑able, especially economically (at first!). I engaged in the hobby of ‘crate digging’ or simply ‘digging’ in the Internet age, i.e. searching anywhere for content, online suppliers and auction sites, charity shops, second hand record shops, brick‑and‑mortar retailers, etc. Buying used albums makes the exercise much more economic, fun and sustainable.

Record Store (credit: Cottonbro Studio)

“Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.” Chuck Berry (1926-2017)

Alternative sources include ‘recommendations’ from other music aficionados and using the Shazam app on a smart phone to identify something unfamiliar and interesting that pops up wherever one might be at the time.

One of the first steps was to identify what I had and where there were obvious gaps. I had already created a Microsoft Access database so that I could scrupulously catalogue the albums, EPs and singles in my possession. That soon ran into the application’s upper limit of 2 GB per database, so had to be split into multiple databases. Now that I readily know what I have (little), what I haven’t (massive). It also enabled me to log what I might want (a continuously growing ‘most wanted’ list). The systematic categorisation was reinforced by importing everything I had from source onto Apple iTunes. Between these two key resources, it became relatively straightforward to keep track of things. Then, it was on to, thankfully dragon‑free, pastures new.

My investigations are basically limited to modern contemporary music from the early‑mid 1950s – basically from the emergence of rock ‘n’ roll – to the current day. It also includes going back further into the history of some long‑standing top‑tier genres such as blues, country and jazz that were direct predecessors to, and influences on, everything from rock ‘n’ roll onwards, as well as continuing to evolve in their own right.

There have to be boundaries or I would go insane just collecting for collecting’s sake, which is not only unrealistic but also pointless. American rapper and entrepreneur Dr. Dre once stated that he accumulated 80,000 albums and kept them in storage, before realising just that basic error. I’m sure that somewhere out there is a comprehensive British Library‑esque collection of music releases over the last 100 or so years, catalogued for historical posterity. That would be one heck of a monumental task. My endeavours are, unsurprisingly, much, much more modest.

One has to enjoy, as well as feel that an avocation is worthwhile, or there is no worth in doing it. It is for this reason that I have to exclude classical music. For some reason, classical music leaves me stone cold dead. Always has done. I’ve tried repeatedly to get into it but to no avail. However, in contemporary music, there are styles of modern classical and minimalist music that blend, fuse or crossover into contemporary electronic sensibilities with classical instrumentation that I can grasp but I’m afraid that’s it. The likes of Max Richter, Tim Hecker, Philip Glass, Jóhann Jóhannsson, Walter/Wendy Carlos and Isao Tomita I can engage with, otherwise, meh. I genuinely apologise to classical music fans. I’m sure it’s fabulous n’all but it just doesn’t do anything for me and going down that particular rabbit hole is an experience I don’t want to pursue… so I won’t. My choice.

Here are just a few figures relevant to the 3‑year hiatus to bandy about. During that period, I’ve purchased circa 3,000 albums along with a (large) handful of EPs and the odd single. That equates to around 90 per month (averaging c.3‑ish per day). I dread to think of the gross expense but at least it is little and often, unlike buying vintage guitars. It’s also relatively quick and easy to do, filling those occasional idle moments. The last 3 years has basically doubled the hoard. The ‘most wanted’ (for want of a better term) list hovers around 1,500‑2,000 depending on timing and motivation. The ‘find out more’ about list of artists is, by comparison, relatively short at around 200‑250. The conclusion is that there is plenty of scope for improvement. Additions to the hoard cover about 100 genres with the largest proportions being mainstream ones.

I haven’t ventured into the realms of rare music collection – most albums I have been looking for are relatively available with patience and digging. Indeed, many have been from bargain bins. I can’t justify or afford two expensive artefact hobbies! Neither has this mission been to create any sort of ‘standout albums of the last 75 years’ or so. I don’t think anyone could possibly agree on what that might comprise.

Right, let’s get down to the business at hand; colouring in the sketch of the musical landscape, so to speak.

“Though this be madness, yet there is method in’t.”  From ‘Hamlet’ (c.1600) by English playwright William Shakespeare (1564‑1616)


Genre gap‑filling

Like most people, one has favourite genres, so‑so ones, and disliked ones. However, to rule music out just because it belongs to a hitherto underappreciated genre tends to limit one’s exposure to some highly regarded music. As an example, I was never very keen on country music. Then I watched an 8‑part documentary called, unsurprisingly, ‘Country Music’ which first aired on American TV channel PBS in 2019. I was struck by a whole bunch of music that I was completely unaware of and had summarily discounted out‑of‑hand because of what it was labelled. I was fascinated by the documentary and what it portrayed. PBS also produced another documentary series called ‘Jazz’ from 2001 that opened my eyes to what that genre also had to offer. Both PBS series were directed by Ken Burns. Actually, finding out more about the cultural history that surrounded the genres provided a context that enhanced the experience of the music greatly. This observation reinforces the (perhaps) blindingly obvious fact that societal change and musical development are both interdependent and co‑dependent. Having fired my imagination, I extrapolated the concept to other genres as well. Sometimes, ‘various artists’ genre compilations can provide a suitable entrée to a musical world less wandered.

Are there any contemporary genres that are considered out of bounds? On the whole, other than aforementioned classical, generally no. I am up for pretty much anything, while still retaining my core preferences, which include reggae/dub, IDM/EDM, ambient electronica, downtempo/chillout, dreampunk/vaporwave, indie, alternative, heavy metal, gothic, dream pop, drone, rap/hip‑hop, shoegaze, grunge, punk, garage, funk/disco, deep house, blues, rock and neo‑psychedelia. That’s a pretty broad spectrum.

My two recent articles on ‘Dub Reggae Revelation’ and ‘Adventures in Ambient’ (August and September 2023 respectively) I think adequately demonstrate the potential of genre gap‑filling. That was just breaking down two genres.

One ‘genre’ that sits outside the normal categories is the Original Soundtrack (OST). Film and TV soundtracks tend to fall into two types, one camp compiles existing music brought together to accompany what happens on screen, while the other camp employs music composed (scored) specifically for the medium. Both camps can be helpful when discovering new music.

“I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection.” Quentin Tarantino (1963‑)

There are only so many genres (my database lists over 140 of them!) but when you consider the bewildering multiplicity of sub‑genres and micro‑genres within the umbrella of, say, heavy metal, dance or electronica, there seems no end to what can be achieved. One great thing about music is that there is always something out there somewhere to match one’s prevailing mood. Genre gap‑filling actively opens doorways into finding a whole raft of ‘new’ artists, and the next task of filling in some of the blanks was added to the ‘to‑do’ list. One simple example was a brief dalliance with Cajun and zydeco music. These originated from the 20th Century intermixing of French Canadian Acadian immigrants, native American peoples, African slaves, and freemen in Louisiana in the deep south of the USA. Fascinating. And, thus, the search goes on.


Artist gap‑filling

There were, as you might expect, quite a few artists already covered, while there were many more that I knew about or was curious enough about to complement existing artists with ones that I hadn’t previously coveted. Some of these artists work could best be exposed by buying ‘best of’ or compilation albums, especially when I wasn’t prepared to go all out and get multiple original albums. This worked well for some artists that I wasn’t overly keen on. The relative randomness of the ‘digging’ process led to many new artist discoveries, simply through browsing and taking a gamble on something that looked intriguing. ‘Digging’ is easier in brick‑and‑mortar shops than online. Although the latter works, it is definitely much less enjoyable. We need to support our mainstream and independent record shops or they will be lost forever (as in the case of Virgin Megastores, Tower Records and many others). We almost lost the HMV chain in the UK, which would have been disastrous for high street music retail. Artist gap‑filling is a never ending expedition with untold treasures to be uncovered beyond the famous big names. Along with the household headliners, there is a multitude of lesser and unknown artists producing some fantastic music. An open mind unlocks entire vistas begging to be perused.

I soon realised that my personal favourite artists are actually few and far between, many of which have had long, consistent careers. During any artist’s long‑term output, there would inevitably be good, average and poor albums. Picking out the wheat from the chaff became an integral part of my newfound preoccupation.

Surprisingly, there are some very famous artists that simply do not resonate with me, including (believe it or not) respected giants like The Beatles and The Who. Yup. Heretical I know. I have tried over and over to get into them but without success.

There are many lesser known artists that I really like at the moment and only time will tell whether they create any sort of lasting legacy. I came across many great artists that I hadn’t even heard of, many with surprisingly extensive back catalogues. They are all out there, just waiting to be found. I realised that artist gap‑filling was the simplest way to stretch one’s listening goal posts. And, thus, the search goes on.

“For me, to turn people on to new music, on to things that are going on in the world, is important.” Nikki Sixx of Mötley Crüe (1958‑)


Release gap-filling

One logical method was to fill obvious gaps in some of the existing artists’ back catalogues or the solo careers by members of established bands. I would have some releases but not others, generally through an essentially arbitrary process, rather than any sort of systematic approach. Some additions were credible releases, while with others, there turned out to be an obvious reason why they weren’t there in the first place. Oops. Other avenues to explore in addition to studio albums include live albums, EPs, singles, compilations, dubs, remixes and various artist DJ mixes. This process wasn’t intended to be comprehensive – some releases simply weren’t/aren’t available, some have been long discontinued while others were obviously a waste of space anyway. Some albums were originally on limited release and have subsequently become rare and valuable. I know that there are plenty of collectors out there prepared to pay vast sums for some of these one‑offs. I’m not in that game and can’t afford to be. There are still plenty of missing pieces but broadly speaking the main bases have (possibly) been covered.

It would be all too easy to fall into the trap of ‘completism’, i.e. getting absolutely everything released by an artist. Given how prolific some artists are, completism would be a venture all unto itself. Frank Zappa has released over 50 studio albums, Brian Eno over 65, Johnny Cash over 75, Lee Perry over 80, Tangerine Dream over 100, and Willie Nelson over 130, not including live albums, EPs, singles, compilations, videos and bootlegs. From now on, release gap‑filling will be a case of diminishing returns, as the gaps decrease along with the overall quality of content.

One notable trend during the coronavirus pandemic was a proliferation of live music releases. Artists couldn’t get out on tour and many couldn’t access recording studios, so record labels scoured existing unreleased resources as a pragmatic stop gap during the lockdowns. Some of these live concert recordings are OK and many would normally be regarded as superfluous under ordinary circumstances. However, when needs must. One silver lining to arise out of the so‑called ‘Chinese Virus’ plague has been the rate and quality of subsequent studio releases once the ‘new normal’ was established. And, thus, the search goes on.

“I look forward to the future – and going into the studio to make new music.” Diana Ross (1944‑)


Record label gap‑filling

Some collectors also go for label gap‑filling but that’s a step too far for me, although there are some great independent labels worth giving a shout out to, such as Ninja Tune, Italians Do It Better, PIAS, Sub‑Pop, XL‑Recording, Jamaican Recordings, 4AD, Bella Union, Pressure Sounds, On‑U Sound, Ariwa Sounds and Hyperdub Records. Beyond the major corporations, there are thousands of record labels out there, so chasing artists and releases starting with a record label is neither quick nor easy. If it wasn’t for the small independent labels, though, we would be subject to commercially driven mainstream mediocrity. However, the method of looking at artists belonging to a certain label can prove promising for finding ‘new’ artists, which can then lead directly onto gap‑filling of their previous works.

“John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.” Jimmy Page (1944‑)


Musical discovery

There is much to be said for and against ‘taking a punt’ on something with which one is unfamiliar. Sometimes it works, sometimes it doesn’t but there is always some sense of eager anticipation involved in lucky dips. This intentionally random exercise can lead onto other artists, and so on, basically ad infinitum. Due to the finite number of listening hours in any given day, week, month, year, this means that some music can only be listened to once or twice, while others warrant repeated auditions. Buying one‑off listens is not really very productive but it happens. One day, they can be re‑used by going to someone who might appreciate them more than I do. Often, genuine appreciation or enjoyment can only be gained by listening multiple times, especially with more experimental, leftfield or avant‑garde music.

“What motivates us is always new music.” Nuno Bettencourt (1966‑)

While physical media has been a main source of content for at least the last 40 years, this is rapidly changing. According to Spotify in 2021, over 60,000 tracks are uploaded to their platform every day. One, perhaps, might wonder about the depth of quality behind such figures. I know I do but then again, I’m a sceptic. There is no shortage of music to discover and no hope of listening to even a tiny fraction of it all. Spotify is also the platform that boasts the most effective method of curated music discovery. Even so, there is still a lot of inherent chance to finding something that will stay with you over the years. One might think that genuinely new discoveries would be infrequent, especially as time goes on. Far from it in practice.

Just one example, I recently came across late Canadian composer, Mort Garson (1924‑2008), renowned for his album, ‘Mother Earth’s Plantasia’ (1976), tag lined, ‘warm earth music for plants… and the people who love them’. When looking more into him and his music, I felt that, somehow, I should have been more aware of him before now. There is plenty of info on him on the hinterwebby thingummy but our meandering paths had not crossed before now. This sort of experience, which many readers who are familiar with Garson will probably snicker at my evident naivety. Such experiences are annoyingly common.

“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.” Mark Knopfler (1949‑)

So, after all that preparatory exposition, you might well be wondering, just who the heck has been ‘discovered’? Here are just a few artists that I came across during the last 3 years. Some of which readers may know, some not. I might, though, challenge anyone to tick them all off so as to expose, pour scorn and ridicule my raw ignorance for what it is, sheer witlessness. Time to position the currency where my oral cavity is (lol!). The following list covers any genre and is in alphabetical‑ish order (Note: These are indicative only and should not be regarded as recommendations)…

*Shels, 100 Gecs, 2814, 9 Lazy 9, A.M.P. Studio, A Winged Victory for the Sullen, Agnes Obel, AK/DK, Aggrolites, The Airborne Toxic Event, The Album Leaf, Arms And Sleepers, Atoms For Peace, Autechre, Be, Benis Cletin, Bent, Big Thief, Blue In Tokio, The Burning Of Rome, Burnt Friedman, Cave In, Chezidek, Clark, Cloud Control, Craven Faults, Creation Rebel, Deadbeat, Deptford Goth, Desire, Devics, Dirty Loops, Divination, Dubkasm, Dynamic Syncopation, Ekoplekz, Ethel Cain, Fink, Flanger, Fragile State, Gallows, George Faith, Girls In Synthesis, Glass Candy, Goblin Cock, Helium, Hint, How To Dress Well, Hybrid, I. Benjahman, The Irresistible Force, Ital Tek, King Creosote, Konx‑Om‑Pax, Labradford, Laurel Halo, Lemonade, Lindsheaven Virtual Plaza, Loop Guru, LoveTrio, Machinedrum, Male Bonding, Man With No Name, Martyn, Midnight Juggernauts, My Sleeping Karma, ott, Plastikman, PreCog, Pretty Girls Make Graves, Psychonauts, Pure Bathing Culture, Purity Ring, The Qemists, Rakoon, Red House Painters, Rhombus, RJD2, Romare, Scrapper Blackwell, SkyTwoHigh, Sleep Token, The Slew, Sentre, Some Girls, Sparklehorse, StarOfAsh, Steve Roach, Suckle, Sunda Arc, Sundara Karma, Sunmonx, Swayzak, Symmetry, The Syncope Threshold, T e l e p a t h, Temu, Trembling Blue Stars, The Vacant Lots, Vessels, Wooden Shjips, Yellowcard and Yppah.

… plus many, many, many more. Phew! Some amazing, some good, some interesting, a few less so, etc. One may wonder how many of these artists – regardless of how ‘good’ they are – may attain the superstar status of, say, another Rolling Stones or The Beatles from the ‘good old days’. Not many, I’ll wager. And, thus, the search goes on.

“The times, they are a‑changin’” Bob Dylan (1941‑).

Live Music

Physical media

From the beginning of recording and playback in 1877 (although there were earlier experiments dating back to 1857), with Thomas Edison’s phonogram, first through wax cylinders and then shellac discs, followed by vinyl discs with the advent of the gramophone, people have been collecting music. For decades, vinyl was really the only practical medium for collectors. Collecting became more popular by the late 1970s with magazines dedicated to the hobby and suggesting values for some rarer releases. Magnetic recording technology added to, rather than replaced, vinyl and became popular with reel‑to‑reel, eight track (remember that?) and audio cassettes.

Portable music was made possible for the masses by the Sony Walkman (TPS‑L2), introduced in 1979, using the then‑ubiquitous analogue compact cassette. Perhaps the most significant portent for the demise of physical media was the introduction of the Apple iPod way back in 2001, sadly now no longer made, which led into the convenient access to music on the go, now with today’s smart phones.

Digital music, mainly through the introduction of digital music Compact Discs (CDs) in 1982 led to a revolution in collecting. CD sales peaked in 2000 at over 2.5 billion worldwide accounting for 91% of the market. By 2020 sales had fallen 95% and accounted for only 5% of global sales. However, CD sales increased again in 2021, although it is too early to predict a revival. The introduction of downloads and streaming has significantly impacted CD sales, precipitating a dramatic decline in physical album sales, as more and more consumers switched to digital streaming services.

Some alternative digital formats arrived in the wake of CD but didn’t survive for long, including Sony’s Mini Disc and DAT (Digital Audio Tape), as well as Philips’ DCC (Digital Compact Cassette). HDCD (High Definition Compatible Digital) and SACD (Super Audio CD) were promising but ultimately failed to supersede CD.

By the 1990s, I had disposed of my collection of then‑seemingly redundant vinyl LPs and singles (and my turntable) and embarked on collecting CDs, starting off with replacing what I had on vinyl and then adding new content over time. Ditching vinyl was something I might have regretted, but don’t. Vinyl represents nostalgia to me and I’m not going back. It is neither practical, desirable nor possible to embark on such a regressive approach now. At the time of writing, my music hoard of CDs comprises well over 6,000 releases by over 2,500 artists. This conglomeration has recently been organised into over 50 crates packed to the gills with the little silver discs. That equates to around 85,000 tracks on iTunes and counting. I don’t know whether this is a lot or not, with all things being relative. Currently, CD remains my main medium of choice. I predict that CDs will not become totally extinct and will experience a resurgance at some point.

The advent of CD was a catalyst to the long‑running analogue versus digital debate. For what it’s worth, my view is the debate is not about encoding, it’s about something far more subjective. Vinyl reproduction flatters music in a way that digital doesn’t and that appeals to us. Digital is technically superior but not as warm and cuddly as vinyl. Simples. Fans of analogue still swear that digital is a poor representation of real music. Fans of digital swear that analogue (and even digital CD) is outmoded and obsolete. That’s a lot of swearing. Streaming has added further fuel for opposing viewpoints with the compressed versus lossless argument. The truth is, does it really matter? As long as we enjoy the music, that’s what counts, isn’t it? Focus on the content, not the carrier. If we have a preference, make the most of it. I do think that the audiophile press is somewhat hypocritical in only going along with the latest tech after having criticised it before it became commercially established. That way, we all keep buying new kit. That is a personal opinion. Ain’t hindsight great?

“The digital world is so convenient and nice, but just playing back a vinyl record is a much warmer, hotter, more present feeling.” Steve Miller (1943‑)

Physical Media (credit: Andre-Moura)

Music streaming

A brief recap of developments may be in order, so a short diversion first. Let us rush past the short‑lived phenomenon of downloads, which have largely been superseded by streaming (which includes off‑line listening). The storage problem associated with physical media has led to the next revolution in listening, which is to dispense with physical media altogether and access music on remote servers held in huge data centres somewhere. This marks a watershed where the listener no longer owns a tangible product but only purchases the right to listen to it. You cannot easily donate tracks to charity or sell purchased music on to other people. Mixtapes? A thing of the past. How unromantic. All this is, to me, a major drawback. I like having something tangible that I can pick up, look at, read the liner notes, view the artwork and so on. Somehow, the old‑school ownership of a physical item is something I value. Streaming just seems like an ephemeral audition of someone else’s music, rather than something personal, bestowed by genuine ownership. Is this simply a transitional symptom? Probably, maybe.

Although streaming was introduced in the early 1990s, it wasn’t until the launch of Napster in 1999, using the new compressed MP3 digital format and exploiting new Internet‑based Broadband services, that downloads and streaming became widely popular. The licensed subscription music service Spotify was launched in 2008, rising from the ashes of the flirtatious fleeting dalliance with illegal downloads. Once again, the industry ‘big boys’ have found a way to re‑assert their dominance over us. Digital streaming now accounts for more than 80% of global music industry revenues.

The Internet and the major music streaming platforms (Spotify, Apple Music, Tidal, Deezer, Qobuz, Amazon Music, YouTube Music, etc.) have facilitated exploratory listening greatly while, at the same time, enabling artists to gain exposure in a way that they couldn’t previously through the traditional studio/record label system. Streaming generally can be on demand, through curated playlists or via Internet radio stations. All are valuable resources for the curious listener. The streaming platforms often state that they have 100,000,000 (100m) or more tracks available to customers. In practice, this is both a mind‑boggling and meaningless figure. There is such a thing as too much choice. It also gives some sense of scale, although it may call into question the balance between volume and quality. Suddenly, my meagre 85,000 tracks seems somewhat miniscule in comparison. I do, however, find it a sign of progress when more than 50 crates of CDs can be stored on an SSD (Solid State Disc) that’s less than half the size of a cigarette packet (remember those too?).

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” John Cage (1912‑1992)

Another problem exposed by streaming is that there is now plenty of material that is not distributed or sold on physical media at all and is only available via the Internet. Streaming‑only releases are essentially simpler and cheaper than managing traditional physical distribution channels. It also pushes new customers towards expensive streaming subscriptions whereby they earn money whether they are used or not. Talk about milking a cash cow! This online‑only approach affects some genres more than others but it means that, in order to continue with this ambitious side project of mine, streaming has become a necessary additional resource. In effect, physical and virtual music has to co‑exist; being an ‘and’ rather than an ‘either/or’ approach. For info, after much deliberation, CRAVE Guitars subscribes to Apple Music.

Some streaming services provide high definition listening, such as Tidal, and they charge a premium for it. Others, such as Spotify are content to go for volume at low definition. The lesson to take from this is that streaming services are not all alike despite peddling similar wares to punters.

“You pays your money and take your choice” A British lexicographic irregular that first appeared in print in Punch magazine in 1846

Does streamed high definition music (i.e. better than CD quality) make a difference to most listeners? Big question. Well, apparently, not really. The evidence suggests that most average (i.e. non‑industry) people cannot tell the difference in blind listening tests conducted under ‘normal’ conditions. Trained listeners can, allegedly, differentiate formats but “If there’s any discernible difference, it’s so subtle and so slight, you’d have to be somebody who’s been in the business for decades like me to hear it.” (recording and mixing engineer, Prince Charles Alexander, Berklee Online study, 2019). A case of fidelity vs artistry vs money, always good for an argument. Why on Earth spoil music listening by teaching people to identify comparative digital encoding anomalies when they are so small as to be meaningless? Spotify’s strategic positioning seems to agree, while Tidal doesn’t. People who go down the high definition route are, perhaps, hedging their bets. If they have the best, it doesn’t matter whether they can hear a difference or not. No doubt there is some audiophile snobbery lurking in there too. For the sake of throwing my two penny worth into the ring, I can neither tell the difference nor can I be bothered to waste my time trying to spoil the enjoyment that music brings by attempting to do so. Time for some good ol’ fashioned snake oil to leech the contents from your bank account?

Does streaming stop me ‘digging’ for used CDs? NO. Does it stop me buying new CDs? NO. Does it encourage me to buy more CDs? Actually, YES. I still prefer to purchase and store music on CD, while recognising the inevitability of embracing the dark side of streaming culture. On the basis that vinyl and cassette have seen a popular resurgence, CD is not going away anytime soon. In practice, and probably being totally hypocritical in doing so, I tend to rip music from CD on iTunes and then stream (or rather cast) it to my music system. I know that this practice probably makes little sense but, for me, it is the best of both worlds, I have the physical media and the convenience of digital storage. Which leads neatly onto…


CRAVE Guitars’ ‘music room’

If you read my October 2023 article, ‘Return to and from Obscurity’, you will know of the sad loss of ‘mi media naranja’ (my better half) due to the vile and relentless ravages of cancer. Initially crestfallen, once accepting the loss, I set about repurposing the small ‘dining room’ which had been my wife’s bedroom into a dedicated ‘music room’, used for noodling on vintage guitars and listening to recorded music. NO TV or clock allowed! Having previously lost our home and the vast majority of our belongings (another story altogether!), I had to rebuild a hi‑fi from scratch which, in itself, was quite an exciting experience, along with uniquely decorating the room to provide a suitable listening/playing environment. It took a year of painful sacrifices involving the sale of some beloved A/V gear (I’m also a film & TV buff) to raise funds and some lengthy (re)searching for used ‘bargains’. I fully acknowledge that this indulgence seems an excess of a luxury, given everything else but other things had to be compromised to enable it. My choice.

The ‘music room’ is used every day for music listening. For those who are interested in the techy side of things, the main hi‑fi system comprises:

  • Naim Uniti Core music server with 2TB SSD storage
  • Naim ND5 XS2 music streamer
  • Naim CD5 Si CD player
  • Bryston BP17 pre-amplifier
  • Bryston 4BSST power amplifier
  • PMC Twenty.24 floor standing speakers
CRAVE Guitars Music Room

While this is neither a high‑end system nor a budget system, it has been carefully selected to meet the need for critical and enjoyable listening of both physical and streamed music (and within budget). My 500 or so most preferred CDs are immediately to hand in the room, as well as being stored in lossless digital form on the music server, thereby also making them available throughout the house via Wi-Fi (in due course). It’s certainly more than good enough for my tired, aging ears. Being pragmatic, the electronics are, after all, only a means to an end, which is to stimulate an emotional response through music.

At this point, you may be wondering whether I actually listen to all that music. Fair question. Well, yes, is the answer. There wouldn’t be much point in writing about it if I didn’t experience the results of my labours. While I try very hard, there may be the odd track here or there that gets shunted down a listening list but I would hope that’s the exception, rather than the rule. Heck, it’s a tough job but someone’s got to do it!

“Don’t tell me baby you gotta go, I got the hifi high and the lights down low” from, ‘I Need Your Love Tonight‘ (1959) by Elvis Presley (1935‑1977)


Personal top 20 ‘desert island’ albums

Depending on mood, I do go back to long‑term favourites, simply for the comfort and familiarity of a ‘known quantity’. Like chatting with an old friend. At the outset, I said this wasn’t about compiling any sort of ‘best albums of the last 75 years’. That doesn’t mean that there aren’t some albums for which I hold a special affection and which have been part of the hoard for many years (so not ‘new’). Here are 20 of them, all pretty well known mainstream releases, and which I feel have stood the test of time. Regular readers will see no surprises here. This is very much a personal list, chosen at the time of writing – it would undoubtedly be different on different days/weeks/months. Some entries hold special meaning and are therefore highly evocative.

I call this my ‘desert island’ security list. That is, if I could only have 20 albums as a castaway, what would they be? Perhaps, more accurately, it could also be called ‘top 20 memories’ or ’20 comfort classics’. Now how’s all that for wistful nostalgia? For what it’s worth, here is today’s list:

  1. The Cure – Disintegration (1989)
  2. Black Sabbath – Black Sabbath (1970)
  3. The Doors – L.A. Woman (1971)
  4. Pink Floyd – Meddle (1971)
  5. John Martyn – Solid Air (1973)
  6. Steve Hillage – L (1976)
  7. Talking Heads – Remain In Light (1980)
  8. Lee “Scratch” Perry – Roast Fish, Collie Weed & Corn Bread (1977)
  9. Rage Against The Machine – Rage Against The Machine (1992)
  10. Burning Spear – Garvey’s Ghost (1976)
  11. Bob Marley & The Wailers – Live! (live) (1975)
  12. Deep Purple – Made In Japan (live) (1972)
  13. Nick Cave & The Bad Seeds – Push The Sky Away (2013)
  14. Depeche Mode – Violator (1990)
  15. Massive Attack – 100th Window (2003)
  16. David Bowie – Let’s Dance (1983)
  17. Burial – Untrue (2007)
  18. Tangerine Dream – Rubycon (1975)
  19. John Lee Hooker – Boom Boom (1993)
  20. Beck – Sea Change (2002)

“Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” Ludwig van Beethoven (1770-1827)


The future

OK, that’s the past, so now let’s take a brief, casual look at what may happen into the near future. While vinyl is doing remarkably well and CD is showing possible signs of life, it is clear that streaming is the future until something better comes along. It is certainly in the interests of the music industry to retain tight control over their valuable assets, although many artists say that the practice is detrimental to their income. However, this actually means little to the consumer. Better returns for the companies and artists simply mean higher prices for the public who have no say in the matter. The reality is that the few rich get much richer and the many poor get much poorer; sadly the dysfunctional norm of the modern capitalist world.

The commercial interests of multinational companies like Sony BMG, Universal, EMI and Warner Brothers rule their respective roosts. Interestingly, the major corporations don’t own the streaming companies, unlike in the parallel dimension of film and TV where the studios control all levels of vertical integration.

Mega‑artists with mega‑egos to match like Taylor Swift, Madonna, Adele, Jay‑Z/Beyoncé, U2, KISS, Dr. Dre, Timberlake and Ed Sheeran, along with many other big names in the lofty reaches of the higher socioeconomic hierarchy are laughing hysterically all the way to their already mega‑well‑stocked tax‑free offshore bank accounts. The industry ‘big four’ major record labels and powerful business artists together make up a resilient ‘pyramid of power’, that will continue to dominate the economics of the music biz for many years to come. Sadly, your ordinary talented hard working musicians don’t attract such filthy lucre. When push comes to shove, it’s all about the money. T’was ever thus, or more accurately…

“Oh! Ever thus from childhood’s hour” from the poem, ‘The Fire Worshippers’ (1817) by Irish writer and poet, Thomas Moore (1779‑1852)

Perhaps more worrying for creative artists and for many music enthusiasts is that the focus is clearly moving away from coherent album releases and more towards the production of single tracks out of context of other material by the same artist. By that statement, I don’t mean a rejuvenation of chart singles, which have long ceased to mean anything. The evidence shows that people are streaming individual songs, rather than a collection of tracks that would historically have made up a cohesive LP. Just look at the streaming stats of albums on any digital online platform and the predominance of maybe one or two tracks over the rest is unmistakeable. There is a feedback loop that encourages artists to change the way they make music and which goes on to influence curated playlists, radio coverage and, ultimately, sales, then repeat. The modern equivalent of the old‑fashioned radio playlist.

In 2016, it was reported that album releases were plummeting while EPs and single tracks were skyrocketing. Will we ever see (or, rather, hear) any more all‑time classic albums like ‘Sgt Pepper’s Lonely Hearts Club Band’, ‘Dark Side Of The Moon’, ‘Rumours’ or ‘Thriller’? Only time will tell. Will the way that music is created, distributed and accessed mark the death knell of the ‘album’ as we know it? Highly likely, but not just yet. The album may, like many things, see a revival. We’ll just have to wait and see (if we live long enough). Personally, I grew up with the antiquated concept of the album or LP, so it retains a certain sensibility but, then again, I am destined for premature oblivion myself, so what the heck do I know?

The topical buzz around Artificial Intelligence (AI) will inevitably play its part in music creation with virtual artists and AI composed tracks. It’s already here and can only evolve from here on. AI isn’t new, its roots go back to 1956 and the American Dartmouth College in New Hampshire. AI generative music goes back to the mid‑1990s. Is AI a threat? The jury is currently out. Thankfully, if AI is used for music, literature and art, it won’t be used to annihilate mankind (except, perhaps, through technological mediocrity). The ultimate demise of humans is up to humans, directly or indirectly, at least for now. Who needs doomsday generative AI when we all have to endure the antics of egregious corrupt despots like Putin, Xi, Kim and too many others of their insane immoral ilk? Don’t you just love mankind’s determined destiny of denial and doom? I digress (again).

“If we don’t end the war, war will end us.” H.G. Wells (1866‑1946)

One certainty is that music will survive in its manifold forms. One hopes that tired and clichéd genres like the current vapid world of commercial pop and dance music since the new millennium will rejuvenate into something more interesting at some point. Conversely, let us also hope that the more dynamic genres don’t descend to the deplorable depths of hideous homogeneity.

Musicians will proliferate. Music will proliferate. The way we access music will change. Whatever happens, change is inevitable and it will be fascinating to see how it evolves and how we adapt. Music as an essential component of the human condition will prevail in one form or another as long as humans exist. Music is, after all, a phenomenon unique to the human race. Thank goodness for that. And, thus, the search goes on.

“When I hear music that parents hate, or older musicians hate, I know that’s the new music. When I hear older people saying, ‘I hate rap or techno’ I rush to it.” George Clinton (1941‑)


Amateur musicology?

I do not pretend to be some sort of self‑appointed authority on contemporary music. My main obsession is still vintage guitars and vintage guitar gear. Perhaps, though, my passion for music predated my addiction to guitars. Over the decades my love of modern music does, I believe, provide a reasonable insight into the science as well as art of music, with a little alchemy thrown in for good measure.

Strictly speaking, musicology is the analysis and study of music. Musicology belongs to the humanities and social sciences, although some music research also belongs to the fields of psychology, sociology, acoustics, neurology, anthropology and computer science.

Musicology covers three general disciplines; music history, new musicology (the cultural study of music) and ethnomusicology (the study of music in its cultural context). For the life of me, I can’t really (be bothered to) differentiate between the last two of those.

Clearly, I cannot compete with professional experts in the field and my research methods are hardly scholarly. I am, however, happy to be an amateur sleuth, as it allows for significant enjoyment. Music should be overwhelmingly pleasurable, rather than playing second fiddle to methodical and clinical academic enquiry. Again, my choice.

“After silence, that which comes nearest to expressing the inexpressible is music” Aldous Huxley (1894-1963)

In addition, and hopefully obviously to readers by now, I also play music (very badly it must sadly be said). I wouldn’t hoard vintage guitars unless I could actually conjure up something vaguely creative and emotional out of them. Perhaps interestingly, I don’t play other people’s music; I much prefer to ‘do my own thing’ for better or worse. Usually the latter.

I am incessantly amazed at what I don’t know. I know that shouldn’t be the case, but society tends to prejudge ignorance as a weakness and expertise as a virtue. What others regard as the blatantly obvious is utterly oblivious to me until I encounter it. However, isn’t that what exploration and discovery is all about?

If we accept that “Music is the universal language of mankind” Henry Wadsworth Longfellow (1807-1882), one can only trust that exploration is the means by which we enhance and articulate our own individual musical linguistic skills.

Musicology may not be quite the right word for my approach towards modern music but I sure can’t think of a better one. Musicology Lite perhaps? Deluded dilettante? Possibly. Biased? Definitely. We all have our own opinions, right? And, thus, the search goes on.

“Music is the strongest form of magic.” Marilyn Manson (1969‑)


Sex, Drugs & Rock ‘n’ Roll

Musicology suggests an interest in music psychology, which is how music affects the cognitive functions of the human system. Building on some of my opinionated comments last month, here’s a thought for the day. Let us remember that music carries with it enormous power to improve our mental health and wellbeing. Music can boost serotonin, dopamine, endorphin and oxytocin levels that work on the pleasure receptors of the brain. Put simply, these magic substances can act as effective natural anti‑depressants and can help to improve both mood and behaviour. All in all, mostly good stuff then. As we all know, music, can also irritate the heck out of us sometimes, so remember to love what you love.

Now here’s an interesting diversion into music cultural history. All three human activities, sex, drugs and music directly affect the pleasure centres of the brain, so there is something scientific behind the old rockers’ adage, ‘Sex, Drugs and Rock ‘n’ Roll’ after all. While some suggest the phrase came from Ian Dury’s 1977 single, its roots derive from a much earlier hendiatris, ‘wine, women and song’, emanating from Germany in the 1770s, although there is some debate as to who actually coined it. Many scholars attribute its origins date back even further to theologian, Martin Luther.

“Wer nicht liebt Wein, Weib und Gesang, der bleibt ein Narr sein Leben lang. (Who not loves not wine, women and song, remains a fool his whole life long).” Martin Luther (1483‑1546)

The first modern use of the phrase was printed in a LIFE magazine article that dates from 1969, “The counter culture has its sacraments in sex, drugs and rock.” In 1971, The Spectator magazine printed, “Not for nothing is the youth culture characterised by sex, drugs and rock ‘n’ roll.” Ian Dury certainly made the most of it.


CRAVE Guitars ‘Record of the Month’

Once again, as this is a bit of an outlier in the overall scheme of CRAVE Guitars’ articles, I cannot leave without at least mentioning one of those albums that warrants repeat listening (for me). While last month, I was clinging onto sultry summer with dub reggae, this month, with the rapid decline into grim winter, I’m going for something a little more contentedly contemplative.

Biosphere – Microgravity (2015 reissue of the 1991 studio album with additional tracks). Biosphere is electronica artist, Geir Jenssen (1962‑) from Tromsø, Troms, Norway. The 16 tracks fall broadly into the ambient, ambient techno, ambient house, field recording and progressive electronica genres. Microgravity was Biosphere’s debut studio album. Laidback ambient grooves are a wonderful way to escape and transport one’s consciousness into an otherworldly, serene dimension, great for relaxation, stress relief and focus. It is also great for testing the hi‑fi.

“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die” from the play, ‘Twelfth Night’ (c.1601/1602) by William Shakespeare (1564-1616)


Tailpiece

Well that’s another monthly article done and dusted. Number 75 to be precise since I started writing CRAVE Guitars’ articles way back in November 2014. It’s come a long way.

I am genuinely grateful to be in the position whereby I am able freely to undertake such projects as this one. The author is acutely aware of the extreme difficulties faced by innocents around the globe.

The pursuit of new stuff is unlikely to abate now that it has begun in earnest. Is there anything I regret uncovering? Nope. I try hard not to regret anything; I would rather use any missteps along the way as a learning experience. Are there any guilty pleasures that have been adopted? Probably, but now isn’t the time or place for shaming my deviant musical proclivities! Surprises? Plenty. Pleasure? A mixed bag. Top tips? A few. Anticipation? Always.

What is most encouraging is that there is an almost unlimited wealth of awesome, incredible music out there waiting to be discovered if you want to look hard enough. Enjoy!

The plan is to get back to more CRAVE Guitars core raison d’être for the next article. However, we all know what happens to “the best laid schemes o’ mice an’ men” from the poem, ‘To a Mouse’ (1785) by Scottish poet Robert Burns (1759‑1796), so no promises. OK? Thanks for reading.

Peace, love, truth and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Material possessions feed the vanity of the ego, while music nourishes the spirit and sustains the soul”

© 2023 CRAVE Guitars – Love Vintage Guitars.

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April 2020 – The Story of Modern Music in 1,500+ Facts – Part XIII

April 2020 – The Story of Modern Music in 1,500+ Facts – Part XIII

Introduction

For anyone out there still surviving the appalling ‘coronapocalypse’ that is undermining and unravelling civilisation around us as we speak, it’s good that you are hanging in there and hope you’re staying healthy and safe. Take a moment and spare a thought for the many who aren’t as lucky and those that have succumbed to the deadly virus. While the general response to the pandemic shows the best characteristics in most people, it also starkly reveals the sheer idiocy and irresponsibility of a not‑insignificant proportion of the population. Shame.

Thank you again for taking the time to visit CRAVE Guitars for the latest instalment of this epic series. Given the horrifying circumstances out there, your presence here is welcomed and very much appreciated. I only hope that it can provide some idle distraction from more serious issues facing us all.

It seems that this is this is a tale that just keeps on telling. I never thought it would reach these proportions when I started out on it, just over a year ago now! I trust this 13th part of the series is not unlucky. If you suffer from triskaidekaphobia (fear of the number 13) or even primonumerophobia (the fear of prime numbers), it may be advisable to think of this as part 12a or, to be trendy, 12+.

As has become traditional, if you would like to (re)visit any or all of the first 12 parts (and 370 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part XIII

In the last article, I presented an array of quotes about music uttered by a diverse range of non‑musicians. This time, guess what? Yep, perhaps somewhat predictably, we’re looking at quotes about music by musicians or, to be strictly more accurate, music professionals. While this is clearly a heavily skewed sample of the population expressing themselves on the wonder (or otherwise) of music, their vocabulary is revealing about what it means to them and others. As you can imagine, musicians have quite a lot to say about their passion, hence the sheer panoply of relevant observations on all things musical. There are also a couple of sneaky lyrics thrown in just for good measure.

For this article, I have omitted quotes explicitly about the guitar as a musical instrument; these were, I felt, adequately covered in the equivalent part of the companion series, ‘November 2018 – A Potted History of the Guitar: Epilogue’.

Simply because of my obsession with the world’s most popular instrument, the quotes tend to be biased towards those with some sort of connection to the guitar, although not exclusively so. I make no apology for this, it’s just the way it has turned out. Some of the quotes are very well known and may well be familiar, while others are somewhat more obscure but still worth extolling. If nothing else, I hope they inspire you to think about mankind’s unique affiliation with music a little differently.

Like last month, the quotes are in alphabetical order of the person, rather than their quote or any sort of chronological order. After much deliberation and messing around with different formats, I finally decided to lay these quotes out in a table. This is, perhaps, the most accessible and economical way of presentation, even though it means repeating the person being quoted in many instances. I apologise if that is not the best way for you to read the content.

Quotes about music by musicians

Right… let’s go. Enjoy.

Music drives you. It wakes you up, it gets you pumping and, at the end of the day, the correct tune will chill you down

‘Dimebag’ Darrell Abbot (1966-2004)

Music is something that should speak for itself, straight from the heart. It took me a long time to understand that

Damon Albarn (1968-)

Music to me is the air that I breathe, it’s the blood that pumps through my veins that keeps me alive

Billie Joe Armstrong (1972-)

If you have to ask what jazz is, you’ll never know

Louis Armstrong (1901-1971)

Music is life itself. What would this world be without good music? No matter what kind it is

Louis Armstrong (1901-1971)

Musicians don’t retire; they stop when there is no more music left in them

Louis Armstrong (1901-1971)

When I was a little boy, I told my dad, ‘When I grow up, I want to be a musician.’ My dad said: ‘You can’t do both, Son’

Chet Atkins (1924-2001)

The true beauty of music is that it connects people. It carries a message, and we, the musicians, are the messengers

Roy Ayers (1940-)

Don’t cry for me, for I go where music is born

Johann Sebastian Bach (1685-1750)

I think it’s good if a song has more than one meaning. Maybe that kind of song can reach far more people

Syd Barrett (1946-2006)

I would rather write 10,000 notes than a single letter of the alphabet

Ludwig van Beethoven (1770-1827)

Music comes to me more readily than words

Ludwig van Beethoven (1770-1827)

Music is a higher revelation than all wisdom and philosophy

Ludwig van Beethoven (1770-1827)

Music is like a dream. One that I cannot hear

Ludwig van Beethoven (1770-1827)

Music is the mediator between the spiritual and the sensual life

Ludwig van Beethoven (1770-1827)

Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend

Ludwig van Beethoven (1770-1827)

Music should strike fire from the heart of man, and bring tears from the eyes of woman

Ludwig van Beethoven (1770-1827)

To play a wrong note is insignificant; to play without passion is inexcusable

Ludwig van Beethoven (1770-1827)

I can’t live one day without hearing music, playing it, studying it, or thinking about it

Leonard Bernstein (1918-1990)

Music can name the unnameable and communicate the unknowable

Leonard Bernstein (1918-1990)

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before

Leonard Bernstein (1918-1990)

I grew up thinking art was pictures until I got into music and found I was an artist and didn’t paint

Chuck Berry (1926-2017)

Music is an important part of our culture and record stores play a vital part in keeping the power of music alive

Chuck Berry (1926-2017)

If you play music for no other reason than actually just because you love it, the skills just kinda creep up on you

Nuno Bettencourt (1966-)

Music can change the world because it can change people

Bono (1960-)

Music fills in for words a lot of the time when people don’t know what to say, and I think music can be more eloquent than words

Bono (1960-)

I had to resign myself, many years ago, that I’m not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does

David Bowie (1947-2016)

I wanted to prove the sustaining power of music

David Bowie (1947-2016)

My theory is this; I’m not a political songwriter. I’m an honest songwriter

Billy Bragg (1957-)

It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony

Benjamin Britten (1913-1976)

I guess all songs is folk songs. I never heard no horse sing them

Big Bill Broonzy (1893-1958)

I only got a seventh-grade education, but I have a doctorate in funk, and I like to put that to good use

James Brown (1933-2006)

I don’t really need to be remembered. I hope the music’s remembered

Jeff Buckley (1966-1997)

Punk was defined by an attitude rather than a musical style

David Byrne (1952-)

We don’t make music, it makes us

David Byrne (1952-)

With music, you often don’t have to translate it. It just affects you, and you don’t know why

David Byrne (1952-)

You create a community with music, not just at concerts but by talking about it with your friends

David Byrne (1952-)

Music is the divine way to tell beautiful, poetic things to the heart

Pablo Casals (1876-1973)

Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does

Johnny Cash (1932-2003)

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me – like food or water

Ray Charles (1930-2004)

Music is about the only thing left that people don’t fight over

Ray Charles (1930-2004)

Music to me is like breathing. I don’t get tired of breathing. I don’t get tired of music!

Ray Charles (1930-2004)

Music is powerful. As people listen to it, they can be affected. They respond

Ray Charles (1930-2004)

The important thing is to feel your music, really feel it and believe it

Ray Charles (1930-2004)

Music became a healer for me. And I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family

Eric Clapton (1945-)

Music will always find its way to us, with or without business, politics, religion, or any other bullshit attached. Music survives everything

Eric Clapton (1945-)

The point is, technology has empowered so many musicians, you know?

Stanley Clarke (1951-)

If it’s illegal to rock and roll, throw my ass in jail!

Kurt Cobain (1967-1994)

I have one message for young musicians around the world: Stay true to your heart, believe in yourself, and work hard

Joe Cocker (1944-2014)

I want to read… poems filled with terror and music that changes laws and lives

Leonard Cohen (1934-2016)

If I knew where the good songs came from, I’d go there more often

Leonard Cohen (1934-2016)

Music is the emotional life of most people

Leonard Cohen (1934-2016)

Nobody leaves this place without singing the blues

Albert Collins (1932-1993)

Simple music is the hardest music to play and blues is simple music

Albert Collins (1932-1993)

Musicians understand each other through means other than speaking

Ry Cooder (1947-)

To stop the flow of music would be like the stopping of time itself, incredible and inconceivable

Aaron Copland (1900-1990)

There’s a lot of integrity with musicians; you really still aspire to grow, and be great, to be the best version of yourself you can be

Sheryl Crow (1962-)

Every song is like a painting

Dick Dale (1937-2019)

I don’t play pyrotechnic scales. I play about frustration, patience, anger. Music is an extension of my soul

Dick Dale (1937-2019)

If songs were lines in a conversation, the situation would be fine

Nick Drake (1948-1974)

This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway

Bob Dylan (1941-)

I have a curiosity that compels me to find ways to make music that are fresh and new

The Edge (1961-)

Music is such a great communicator. It breaks down linguistic barriers, cultural barriers, it basically reaches out. That’s when rock n’ roll succeeds, and that’s what virtuosity is all about

The Edge (1961-)

You see, rock and roll isn’t a career or hobby – it’s a life force. It’s something very essential

The Edge (1961-)

My idea is that there is music in the air, music all around us; the world is full of it, and you simply take as much as you require

Edward Elgar (1857-1934)

I merely took the energy it takes to pour and wrote some blues

Duke Ellington (1899-1974)

I need drama in my life to keep making music

Eminem (1972-)

If people take anything from my music, it should be motivation to know that anything is possible as long as you keep working at it and don’t back down

Eminem (1972-)

Aggressive music can only shock you once. Afterwards, its impact declines. It’s inevitable

Brian Eno (1948-)

I’m a painter in sound

Brian Eno (1948-)

I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work

Brian Eno (1948-)

You should play with real musicians; the best music comes from real people interacting with each other

John Fogerty (1945-)

It really is an honor if I can be inspirational to a younger singer or person. It means I’ve done my job

Aretha Franklin (1942-2018)

Finding a good band is like finding a good wife. You got to keep trying till you find the right one

Ace Frehley (1951-)

That’s what Kiss is all about – not just music, but entertainment, y’know? We’re there to take you away from your problems, and rock and roll all night and party every day for those two hours you’re at the concert

Ace Frehley (1951-)

I enjoy being able to express myself and the band is the perfect way of doing that

Keith Flint (1969-2019)

Music is the wine that fills the cup of silence

Robert Fripp (1946-)

Hardly a day goes by without me sticking on a Muddy Waters record

Rory Gallagher (1948-1995)

Life is a lot like jazz… it’s best when you improvise

George Gershwin (1898-1937)

A song without music is a lot like H2 without the O

Ira Gershwin (1896-1983)

Until you learn to play what you want to hear, you’re barking up the wrong tree

Billy Gibbons (1949-)

Too many young musicians today want to win polls before they learn their instruments

Benny Goodman (1909-1986)

Never lose faith in real rock and roll music. Never lose faith in that. You might have to look a little harder, but it’s always going to be there

Dave Grohl (1969-)

Anyone who used more than three chords is just showing off

Woody Guthrie   (1912-1967)

I’ve never missed a gig yet. Music makes people happy, and that’s why I go on doing it – I like to see everybody smile

Buddy Guy (1936-)

Listen to the lyrics – we’re singing about everyday life: rich people trying to keep money, poor people trying to get it, and everyone having trouble with their husband or wife!

Buddy Guy (1936-)

Music is the tool to express life – and all that makes a difference

Herbie Hancock (1940-)

I do know the effect that music still has on me – I’m completely vulnerable to it. I’m seduced by it

Debbie Harry (1945-)

Music is a safe kind of high

Jimi Hendrix (1942-1970)

Music is my religion

Jimi Hendrix (1942-1970)

My goal is to be one with the music. I just dedicate my whole life to this art

Jimi Hendrix (1942-1970)

We plan for our sound to go inside the soul of a person… and see if they can awaken some kind of thing in their minds

Jimi Hendrix (1942-1970)

If I’m going to sing like someone else, then I don’t need to sing at all

Billie Holiday (1915-1959)

Music is the only thing I’ve ever known that doesn’t have any rules at all

Josh Homme (1973-)

Great music seems to come from a lot of angst, and that angst is from great musicians getting together with intense chemistry. When that chemistry isn’t there, people tend not to write great music

Peter Hook (1956-)

I don’t like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don’t have no style. It’s a deep feeling-you just can’t stop listening to that sad blues sound. My sound

John Lee Hooker (1912-2001)

It’s never hard to sing the blues. Everyone in the world has the blues

John Lee Hooker (1912-2001)

No matter what you got, the blues is there

John Lee Hooker (1912-2001)

Poor people have the blues because they’re poor and hungry. Rich people can’t sleep at night because they’re trying to hold on to their money and everything they have

John Lee Hooker (1912-2001)

The blues tells a story. Every line of the blues has a meaning

John Lee Hooker (1912-2001)

When I die, they’ll bury the blues with me. But the blues will never die

John Lee Hooker (1912-2001)

I had the one thing you need to be a blues singer, I was born with the blues

Lightnin’ Hopkins (1912-1982)

Ain’t but one kind of blues and that consists of a male and female that’s in love

Son House (1902-1988)

The blues is not a plaything like some people think they are

Son House (1902-1988)

I don’t think punk ever really dies, because punk rock attitude can never die

Billy Idol (1955-)

Rock isn’t art, it’s the way ordinary people talk

Billy Idol (1955-)

Ladies and gentleman, I’ve suffered for my music, now it’s your turn

Neil Innes (1944-)

To have someone to relate to and hopefully enjoy the music and get a positive message out of it, to make the best music that we possibly could, those were the goals

Janet Jackson (1966-)

I believe that through music we can help heal the world

Michael Jackson (1958-2009)

I believe we should encourage children to sing and play instruments from an early age

Mick Jagger (1943-)

You start out playing rock ‘n’ roll so you can have sex and do drugs, but you end up doing drugs so you can still play rock ‘n’ roll and have sex

Mick Jagger (1943-)

My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I like to think I did that

Etta James (1938-2012)

I grew up in a world that told girls they couldn’t play rock ‘n’ roll

Joan Jett (1958-)

If nothing else, music lets you know that you’re not alone

Joan Jett (1958-)

Music is healing. It’s a really powerful thing, not to be taken lightly

Joan Jett (1958-)

I think music in itself is healing. It’s an explosive expression of humanity. It’s something we are all touched by. No matter what culture we’re from, everyone loves music

Billy Joel (1949-)

Musicians want to be the loud voice for so many quiet hearts

Billy Joel (1949-)

Music has healing power. It has the ability to take people out of themselves for a few hours

Elton John (1947-)

I been studyin’ the rain and I’m ‘on drive my blues away

Robert Johnson (1911-1938)

Some people tell me that the worried blues ain’t bad. Worst old feelin’ I most ever had

Robert Johnson (1911-1938)

The blues is a low down achin’ chill

Robert Johnson (1911-1938)

If you think you’re too old to rock ‘n’ roll then you are

Ian ‘Lemmy’ Kilmister (1945-2015)

And as long as people have problems, the blues can never die

BB King (1925-2015)

Notes are expensive… spend them wisely

BB King (1925-2015)

I think no matter what kind of music you play, there will be moments when you feel like it’s all been done before

Kerry King (1964-)

Music is my life, it is a reflection of what I go through

Lenny Kravitz (1964-)

And I think for me, any great art is art which communicates human emotion

Greg Lake (1947-2016)

The bottom line is that musicians love to make music and always will

Jennifer Lopez (1969-)

If being an egomaniac means I believe in what I do and in my art or music, then in that respect you can call me that… I believe in what I do, and I’ll say it

John Lennon (1940-1980)

Songwriting is like… being possessed. You try to go to sleep but the song won’t let you

John Lennon (1940-1980)

Music is an extraordinary vehicle for expressing emotion – very powerful emotions. That’s what draws millions of people towards it. And, um, I found myself always going for these darker places and – people identify with that

Annie Lennox (1954-)

Nothing pleases me more than to go into a room and come out with a piece of music

Paul McCartney (1942-)

I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that

Malcolm McLaren (1946-2010)

The popularity of punk rock was, in effect, due to the fact that it made ugliness beautiful

Malcolm McLaren (1946-2010)

Music is born out of the inner sounds within a soul

John McLaughlin (1942-)

Actors always want to be musicians, and musicians want to be actors

Marilyn Manson (1969-)

Music is the strongest form of magic

Marilyn Manson (1969-)

My music fights against the system that teaches to live and die

Bob Marley (1945-1981)

My music will go on forever. Maybe it’s a fool say that, but when me know facts me can say facts. My music will go on forever

Bob Marley (1945-1981)

One good thing about music, when it hits you, you feel no pain

Bob Marley (1945-1981)

I’m just a musical prostitute, my dear

Freddie Mercury (1946-1991)

Life is too short to listen to bad music

Freddie Mercury (1946-1991)

What I look for in musicians is a sense of infinity

Pat Metheny (1954-)

All musicians are subconsciously mathematicians

Thelonious Monk (1917-1982)

A musician’s or artist’s responsibility is a simple one, and that is, through your music to tell the truth

Tom Morello (1964-)

Music inflames temperament

Jim Morrison (1943-1971)

Music is the magic carpet that carries poetry

Jim Morrison (1943-1971)

Music is spiritual. The music business is not

Van Morrison (1945-)

You can’t stay the same. If you’re a musician and a singer, you have to change, that’s the way it works

Van Morrison (1945-)

Three chords and the truth – that’s what a country song is

Willie Nelson (1933-)

If it’s too loud, you’re too old

Ted Nugent (1948-)

If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me then, still lifted me during those other times

Jimmy Page (1944-)

I’m all about inspiring young musicians to get out there and express themselves through music

Orianthi Panagaris (1985-)

Master your instrument. Master the music. And then forget all that bullshit and just play

Charlie Parker (1920-1955)

Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out of your horn

Charlie Parker (1920-1955)

They teach you there’s a boundary line to music. But, man, there’s no boundary line to art

Charlie Parker (1920-1955)

You can’t go to the store and buy a good ear and rhythm

Les Paul (1915-2009)

If children are not introduced to music at an early age, I believe something fundamental is actually being taken from them

Luciano Pavarotti (1935-2007)

I don’t know, my music has always just come from where the wind blew me. Like where I’m at during a particular moment in time

Tom Petty (1950-2017)

Music is probably the only real magic I have encountered in my life. There’s not some trick involved with it. It’s pure and it’s real. It moves, it heals, it communicates and does all these incredible things

Tom Petty (1950-2017)

I don’t know how much more expressive you can get than being a rock and roll singer

Robert Plant (1948-)

Music is for every single person that walks the planet

Robert Plant (1948-)

I like music that’s more offensive. I like it to sound like nails on a blackboard, get me wild

Iggy Pop (1947-)

Music is life, and life is not a business

Iggy Pop (1947-)

‘Punk rock’ is a word used by dilettantes and heartless manipulators about music that takes up the energies, the bodies, the hearts, the souls, the time and the minds of young men who give everything they have to it

Iggy Pop (1947-)

Rock and roll music, if you like it, if you feel it, you can’t help but move to it. That’s what happens to me. I can’t help it

Elvis Presley (1935-1977)

I’m always happy. I’m never sad. I never slow down. I’m constantly occupied with music

Prince (1958-2016)

Music is music, ultimately. If it makes you feel good, cool

Prince (1958-2016)

The hardest thing with musicians is getting them not to play

Prince (1958-2016)

The key to longevity is to learn every aspect of music that you can

Prince (1958-2016)

I am flattered to have been the woman to have opened the door for female rockers to be accepted into the mainly male industry

Suzi Quatro (1950-)

Rock n’ roll! It’s the music of puberty

Suzi Quatro (1950-)

Music is enough for a lifetime but a lifetime is not enough for music

Sergei Rachmaninoff (1873-1943)

I never saw music in terms of men and women or black and white. There was just cool and uncool

Bonnie Raitt (1949-)

The great thing about the arts, and especially popular music, is that it really does cut across genres and races and classes

Bonnie Raitt (1949-)

All punk is is attitude. That’s what makes it. The attitude

Joey Ramone (1951-2001)

Rock ‘n’ roll is very special to me. It’s my lifeblood

Joey Ramone (1951-2001)

The only love affair I have ever had was with music

Maurice Ravel (1875-1937)

Music is the greatest communication in the world. Even if people don’t understand the language that you’re singing in, they still know good music when they hear it

Lou Rawls (1933-2006)

Music should come crashing out of your speakers and grab you, and the lyrics should challenge whatever preconceived notions that listener has

Lou Reed (1942-2013)

My God is rock ‘n’ roll

Lou Reed (1942-2013)

My music, I hope, takes 100% of your concentration. I know how to do that

Trent Reznor (1965-)

If you don’t know the blues… there’s no point in picking up the guitar and playing rock and roll or any other form of popular music

Keith Richards (1943-)

Music is a language that doesn’t speak in particular words. It speaks in emotions, and if it’s in the bones, it’s in the bones

Keith Richards (1943-)

Music is a necessity. After food, air, water and warmth, music is the next necessity of life

Keith Richards (1943-)

Rock and Roll: Music for the neck downwards

Keith Richards (1943-)

To make a rock ‘n’ roll record, technology is the least important thing

Keith Richards (1943-)

I’ve always said music should make you laugh, make you cry or make you think. If it doesn’t do one those things, then you’re wasting everybody’s time

Kenny Rogers (1938-)

Texas is a hotbed of insanely good bands and musicians

Henry Rollins (1961-)

The musician is perhaps the most modest of animals, but he is also the proudest

Erik Satie (1866-1925)

Anyone who loves music can never be quite unhappy

Franz Schubert (1797-1827)

There is no such thing as happy music

Franz Schubert (1797-1827)

When you play, never mind who listens to you

Robert Schumann (1810-1856)

Songs won’t save the planet, but neither will books or speeches

Pete Seeger (1919-2014)

The music that I have learned and want to give is like worshipping God. It’s absolutely like a prayer

Ravi Shankar (1920-2012)

Music is forever; music should grow and mature with you, following you right on up until you die

Paul Simon (1941-)

Music is feeling. You can try to verbalize it. It really just hits you or it doesn’t

Gene Simmons (1949-)

Artists, musicians, scientists – if you have any kind of visionary aptitude, it’s often something that you don’t have a choice in. You have to do it

Patti Smith (1946-)

I don’t think I’ll ever write a song that’ll ever move me as much as ‘Faith’, that’ll change my life as much as that song did, or encapsulates a period of my life as well as that one does

Robert Smith (1959-)

I do a job I really, really love and I kind of have fun with. People think you can’t be grown up unless you’re moaning about your job

Robert Smith (1959-)

I had no desire to be famous; I just wanted to make the greatest music ever made. I didn’t want anyone to know who I was

Robert Smith (1959-)

I honestly don’t class myself as a songwriter. I’ve got ‘musician’ written on my passport. That’s even funnier

Robert Smith (1959-)

I lose myself in music because I can’t be bothered explaining what I feel to anyone else around me

Robert Smith (1959-)

The best music is essentially there to provide you something to face the world with

Bruce Springsteen (1949-)

Half the battle is selling music, not singing it. It’s the image, not what you sing

Rod Stewart (1945-)

If you play music with passion and love and honesty, then it will nourish your soul, heal your wounds and make your life worth living. Music is its own reward

Sting (1951-)

A painter paints pictures on canvas. But musicians paint their pictures on silence

Leopold Stokowski (1882-1977)

I haven’t understood a bar of music in my life, but I have felt it

Igor Stravinsky (1882-1971)

My music is best understood by children and animals

Igor Stravinsky (1882-1971)

Too many pieces of music finish too long after the end

Igor Stravinsky (1882-1971)

People have told me songs I’ve written have changed their life. That`s remarkable. That keeps your faith

Joe Strummer (1952-2002)

Punk rock isn’t something you grow out of. Punk rock is an attitude, and the essence of that attitude is ‘give us some truth’

Joe Strummer (1952-2002)

I believe 100 percent in the power and importance of music

James Taylor (1948-)

I never wanted to get rich or be a star. I’m an old bastard but I’m still playing! That’s the point

Bernie Tormé (1952-2019)

Music acts like a magic key, to which the most tightly closed heart opens

Maria von Trapp (1905-1987)

Music – what a powerful instrument, what a mighty weapon!

Maria von Trapp (1905-1987)

Music is a great natural high and a great natural escape

Shania Twain (1965-)

I’m always pursuing knowledge; I’m a seeker of spiritual equilibrium – and music is a big part of that

Steve Vai (1960-)

Music really is a way to reach out and hold on to each other in a healthy way

Stevie Ray Vaughan (1954-1990)

I don’t know if any genuine, meaningful change could ever result from a song. It’s kind of like throwing peanuts at a gorilla

Tom Waits (1949-)

I like beautiful melodies telling me terrible things

Tom Waits (1949-)

Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who’s connected with it, the studio’s gone, the musicians are gone, and the only thing that’s left is this recording which was only about a three-minute period maybe 70 years ago

Tom Waits (1949-)

The universe is making music all the time

Tom Waits (1949-)

I been in the blues all my life. I’m still delivering ‘cause I got a long memory

Muddy Waters (1913-1983)

My blues are so simple but so few people can play it right

Muddy Waters (1913-1983)

The blues had a baby and they called it rock and roll

Muddy Waters (1913-1983)

Being a musician is a noble profession

Paul Weller (1958-)

Music is very spiritual, it has the power to bring people together

Edgar Winter (1946-)

I think the blues will always be around. It just takes one person to make people aware of the blues

Johnny Winter (1944-2014)

I couldn’t do no yodelin’, so I turned to howlin’. And it’s done me just fine

Howlin’ Wolf (1910-1976)

I don’t play anything but the blues, but now I could never make no money on nothin’ but the blues. That’s why I wasn’t interested in nothin’ else

Howlin’ Wolf (1910-1976)

I just play blues for fun

Howlin’ Wolf (1910-1976)

When you ain’t got no money, you got the blues

Howlin’ Wolf (1910-1976)

Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it

Stevie Wonder (1950-)

Music is a world within itself, with a language we all understand

Stevie Wonder (1950-)

The musical soundscape is an endless road

Zakk Wylde (1967-)

I am probably the last of a generation to be able to gain an education in country music by osmosis, by sitting in a ’64 Ford banging the buttons on the radio

Dwight Yoakam (1956-)

I think the most important thing about music is the sense of escape

Thom Yorke (1968-)

Rock and roll is here to stay

Neil Young (1945-)

There’s an edge to real rock ‘n’ roll. It’s all that matters

Neil Young (1945-)

I don’t understand this phrase ‘I’ve paid my dues’. We didn’t have any money and lived on peanut butter and jelly, and I loved it. I don’t regret any of it. We never expected to make it this far, but we worked hard to get here

Ronnie Van Zant (1948-1977)

If prisons, freight trains, swamps, and gators don’t get ya to write songs, man, y’ain’t got no business writin’ songs

Ronnie Van Zant (1948-1977)

A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians

Frank Zappa (1940-1993)

All the good music has already been written by people with wigs and stuff

Frank Zappa (1940-1993)

Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is THE BEST

Frank Zappa (1940-1993)

Jazz is not dead, it just smells funny

Frank Zappa (1940-1993)

Most people wouldn’t know music if it came up and bit them on the ass

Frank Zappa (1940-1993)

Music is always a commentary on society

Frank Zappa (1940-1993)

There are more love songs than anything else. If songs could make you do something we’d all love one another

Frank Zappa (1940-1993)

Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid

Frank Zappa (1940-1993)

You can’t always write a chord ugly enough to say what you want to say, so sometimes you have to rely on a giraffe filled with whipped cream

Frank Zappa (1940-1993)

Tailpiece

Well, the above represents a veritable roll call of music royalty covering multiple centuries. As you might have expected, these maxims from musicians about music are often passionate, heartfelt and powerful, almost beyond words. The historical male dominance of the industry is clear and look forward to more female music professionals being credited for their insightful observations in the future.

There is, as mentioned last month, a certain irony in using plain words to articulate the meaning of music but that is just the medium I’m using. I would encourage you to listen to the source material for many of the elements covered in this series so far. There is a lifetime of ever‑growing musical exploration to be had out there.

CRAVE Guitars posts a ‘quote of the day’, both about music and more generally about ‘life, the universe and everything’ (Douglas Adams) every day on Twitter and Facebook. The previous article and this one have allowed me to draw from that broader research and to focus resources on the collective wisdom of this particular theme.

Having now done two consecutive articles on quotations, you are probably all quoted out by now, so be reassured that there won’t be any more for a while (except my traditional personal observation at the end of every article). As far as I can tell, this is the penultimate article in this long series, which means that, all being well, we should culminate the next month, as scheduled. As a bit of bait, I will leave you to ponder what else might be espoused in the way of a conclusion. Any guesses?

Despite the global shutdown of society, I’m sticking to what I know and love doing, which is to continue my mission to share with anyone who may be interested some selfishly selected stuff about ‘Cool & Rare American Vintage Electric’ Guitars. Weirdly, I am actually very comfortable in splendid seclusion and I would be quite happy to continue a relatively hermetic lifestyle whatever comes to pass. In the meantime, above all, please look after yourselves and take care – stay home, stay safe. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “True wealth is appreciating what you have now and neither grieving for what you might have had nor for what you may wish to have”

© 2020 CRAVE Guitars – Love Vintage Guitars.

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January 2020 – The Story of Modern Music in 1,500+ Facts – Part X

Introduction

Well, here we are once again. Welcome to 2020 one and all – a new year and a new decade, well, sort of. After the temporary intermission last month for the obligatory 2019 end‑of‑year roundup, we’re back on the trail ‘History of Modern Music…’ Cast your mind back for a moment. In more than one way, 1650 and the end of the Renaissance, where this story began seems a long, long time ago now. It struck me during the brief interlude just what a conceivably Sisyphean labour it has become, and there is still quite a bit of fun and games to be played out. Getting straight back into the proverbial saddle, Part X of the story is now rounding up the stragglers from the 20th Century and riding into the dawn of the new millennium with all its first world promises and disappointments.

If you would like to (re)visit the first 9 parts (and 350 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Right, now the prelude is over, let’s get into the groove of the shiny new millennium, starting at 2000 and finishing this month at the end of 2009…

The Story of Modern Music Part X 2000-2009

Without the benefit of lengthy hindsight, the question is, how best to describe early 21st Century music? Arguably, the most notable trend of the noughties was the rise in popularity of indie music standing proud and in stark contrast to the seemingly indomitable, yet strangely bland, soulless and non‑descript merchandise of the commercial pop music industry.

Sadly, time and circumstances resulted in many prominent departures during the decade, adding a touch of pathos among the many achievements. While lost to us, at least we still have their music to appreciate.

In the absence of any particularly significant defining characteristics, perhaps it is best to let the facts speak for themselves. Before we get there, though, it is important to set the turbulent global context within which the musical styles of the new age progressed. Although shorter in content than previous decades, the ‘noughties’, and consequently, the ‘teenies’, will still get their own discrete article.

Historical Context 2000-2009

The opening decade of the 2000s has many popular names, one of which is simply, ‘the noughties’. The widely recognised formal name for the first decade of a new century is the less common, ‘the aughts’. Despite the unbridled optimism for the new millennium, the ‘00s heralded a fractious decade during which terrorism and the rise of dangerous radical Islamic ideologies would dominate international relations and drive brutal armed conflict in many territories. An unsustainable rise in living standards and avaricious materialism during the first half of the decade precipitated another inevitable major ‘boom and bust’ event fuelled by rabid financial mismanagement and, ultimately, greed. The result was the most devastating global recession to hit ordinary people since the 1930s in terms of both impact and longevity. Depression drove increasingly profound social, health and wealth divisions between the richest few percent and the vast majority. The digital revolution boomed and the unbridled growth of the Internet facilitated the promise of global democratisation of knowledge and information, while also enabling massive levels of ‘social’ drivel and inanity. There was a continued expansion in environmental lobbying and ‘green’ industries aiming to tackle the impending and still controversial threat of the ‘greenhouse effect’ on the planet’s fragile ecosystem.

Year

Global Events

2000

An Air France Concorde airliner crashed shortly after take‑off in France, killing 113 people, leading to the suspension of the fleet and effectively ending the era of supersonic passenger flights.

 

The first stage of the world’s largest collaborative biological project, the Human Genome Project was completed, documenting an initial rough draft of the base pairs that make up human DNA.

2001

Republican politician George W. Bush became the 43rd president of the U.S.A. Bush Junior was the son of George H.W. Bush who was the 41st president.

 

Members of the Islamic terrorist group al-Qaeda hijacked and crashed two airliners into the World Trade Center in Manhattan, New York City. A third plane was crashed into the U.S. Department of Defense HQ, the Pentagon in Virginia. A fourth aircraft crashed in Shanksville, Pennsylvania after passengers overpowered the hijackers. The co‑ordinated attacks of 9/11 killed almost 3,000 people.

 

America, supported by its allies, invaded Afghanistan following the unprecedented 9/11 terrorist attacks on the U.S.A. with the intention of dismantling the threat of Islamic terrorist organisation al‑Qaeda at its source.

2002

The Euro was officially introduced in the Eurozone countries, after which the former currencies of those countries ceased to be legal tender.

 

Queen Elizabeth, The Queen Mother of the UK monarchy and the wife of King George VI, died. Her funeral took place at Westminster Abbey in London.

 

The Severe Acute Respiratory Syndrome coronavirus (SARS CoV) outbreak emanated in southern China and the subsequent epidemic caused a global public health crisis.

2003

America and Britain, supported by allies, invaded Iraq to remove the threat of alleged weapons of mass destruction (WMD) and to depose the country’s dictator and head of state, Saddam Hussain.

 

The first successful global social networking website, Myspace was founded by Americans Chris DeWolfe and Tom Anderson, based in Beverly Hills, California. Myspace was overtaken in popularity by rival Facebook in 2008 and, while still in existence, usage has declined significantly.

 

American Space Shuttle Columbia disintegrated during re‑entry to the Earth’s atmosphere, killing all seven astronauts aboard.

2004

The global Internet‑based social media networking web site Facebook was created by American entrepreneur Mark Zuckerberg, based in Menlo Park, California. Facebook has approximately 2.5billion active users.

 

The European Union (EU) expanded by 10 new member states – Poland, Lithuania, Latvia, Estonia, the Czech Republic, Slovakia, Slovenia, Hungary, Malta and Cyprus.

 

A massive 9.3 magnitude earthquake and tsunami in the Indian Ocean near Sumatra killed over 200,000 people.

 

The tallest skyscraper in the world, Taipei 101, at a height of 1,670 feet (510m) opened in Taipei, Taiwan. It was overtaken by the completion of the Burj Khalifa in Dubai in 2010.

2005

The video sharing web site, YouTube was launched. The platform was created by Chad Hurley, Steve Chen, and Jawed Karim, based in San Bruno, California. YouTube is currently owned by technology giant, Google.

 

Polish head of the Catholic Church and sovereign of the Vatican City, Pope John Paul II died. He was succeeded by German national, Pope Benedict XVI.

 

Category 5 Hurricane Katrina devastated the city of New Orleans, Louisiana, U.S.A., killing over 1,800 people and causing billions of dollars’ worth of damage.

2006

Indian Islamic terrorists detonated seven bombs on trains in the city of Mumbai, India, killing more than 200 people.

 

Discovered in 1930, Pluto was demoted from planet status and was re‑designated the largest known dwarf planet in the Kuiper belt. Caltech researcher Mike Brown led the team that led to the declassification.

 

Former president of Iraq, Saddam Hussein was tried and convicted by an Iraqi Special Tribunal and was executed by hanging for crimes against humanity.

2007

Three-year old English girl Madeleine McCann disappeared from the holiday resort of Praia da Luz in the Algarve region of Portugal. She remains missing despite massive media coverage.

 

Technology giant Apple Inc. launched the game‑changing touch screen mobile telephone, the iPhone.

 

The Global Financial Crisis began, caused by poor regulation resulted in the failure of a number of large financial and banking institutions. The severe worldwide economic downturn, known as the Great Recession, was the worst since the Great Depression of the 1930s. The economic impact of the slump lasted for more than a decade.

2008

In physics, the Large Hadron Collider particle accelerator used to detect the presence of sub‑atomic particles was completed by CERN near Geneva in Switzerland. The pioneering science project became fully operational in 2010.

 

Pakistani Islamic terrorists carried out a series of 12 attacks over 4 days in Mumbai, India, killing almost 175 people.

2009

The decentralised digital cryptocurrency Bitcoin was established by pseudonymous Japanese creator Satoshi Nakamoto.

 

Democrat politician Barack Obama became the 44th president of the U.S.A. and was the first African‑American to be elected to the presidency.

Musical Genre Development 2000-2009

The pop music machine sustained commercial success well into the 21st Century. Large record companies continued to focus resources on the lucrative tween and teen audiences with artists such as Avril Lavigne, Miley Cyrus, Justin Bieber, Rihanna, Chris Brown, Usher, P!nk, Beyoncé, Lady Gaga and Katy Perry. Also popular were manufactured groups such as Destiny’s Child, Sugababes, Pussycat Dolls, One Direction, 5 Seconds Of Summer and Little Mix. Country music saw another revival with artists like Shania Twain, Taylor Swift, Faith Hill, Keith Urban and Carrie Underwood achieving notable success. Soul (nu‑soul) also saw a resurgence of interest, including performers like Joss Stone, Natasha Bedingfield, Corinne Bailey Rae, Estelle, Amy Winehouse, Adele and Duffy. Hip‑hop broadened out into contemporary R&B and claimed the resurgent urban music territory with artists such as Jay‑Z, Kanye West, Ludacris and 50 Cent building on the popularity of Dr Dre, Eminem and N.W.A.

Indie (rock) music had its origins in the 1970s as a ‘catch‑all’ umbrella term for artists who produced music through independent record labels rather than the large record companies and their subsidiaries. A new breed of bands began to emerge, aided by Internet exposure, coalescing into the indie rock movement on both sides of the Atlantic Ocean. Emerging rock bands came into their own and reasserted their independence through a rejection of (and by) the structured studio system. One constant characteristic of indie music is the rejuvenated dominance of the electric guitar within a band format. Indie music originated from the punk, alternative and grunge genres of previous decades and represents a very diverse range of musical approaches including dream pop, shoegaze, indie pop, indie dance, garage rock, indietronica, chillwave, hypnagogic pop, lo‑fi, etc. To reflect this diversity, there is a long list of indie artists from varying sub‑genres to give an indication of its broad appeal, including (in no particular order); My Bloody Valentine, Arctic Monkeys, The Jesus & Mary Chain, Eels, Low, The Zutons, Interpol, Charlatans, Slowdive, Ride, Primal Scream, PJ Harvey, The Strokes, The White Stripes, The Hives, The Vines, Snow Patrol, Keane, Pavement, Spiritualized, Blood Red Shoes, The Cribs, Sleater‑Kinney, The Libertines, Franz Ferdinand, Razorlight, Editors, Kasabian, Kings Of Leon, LCD Soundsystem, Crystal Castles, Arcade Fire, Yeah Yeah Yeahs, Paramore, Belle & Sebastian, The Shins, The Kooks, The Killers, The Fratellis, Vampire Weekend, Bombay Bicycle Club, The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, Ariel Pink, My Chemical Romance, Weezer, Death Cab for Cutie, White Lies, Two Door Cinema Club and War On Drugs amongst many others. The sheer volume of artists and material led to the term ‘indie landfill’ used to describe generic and derivative music exploiting indie music credentials.

Musical Facts 2000-2009

Day

Month

Year

Music Fact

6

March

2000

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2000’ including Eric Clapton, Earth Wind & Fire, The Lovin’ Spoonful, Bonnie Raitt, James Taylor, Nat ‘King’ Cole, Billie Holiday and Scotty Moore.

27

March

2000

English punk singer, songwriter and poet, Ian Dury died from cancer in London at the age of 57.

23

May

2000

American hip hop artist Eminem released his classic 3nd studio album, ‘The Marshall Mathers LP’.

20

June

2000

American blues/rock duo The White Stripes released their 2nd studio album, ‘De Stijl’.

2

October

2000

English alternative rock band Radiohead changed stylistic direction when they released their 4th studio album, ‘Kid A’.

9

October

2000

English alternative rock band Placebo released their 3rd studio album, ‘Black Market Music’.

5

December

2000

American political rap rock band, Rage Against The Machine released their 4th and, to‑date, final studio album, ‘Renegades’.

8

December

2000

English bass guitarist, singer, songwriter and former member of rock band The Police, Sting received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.

18

December

2000

English singer and songwriter Kirsty MacColl was killed tragically in a boating incident while on holiday in Cozumel, Quintana Roo, Mexico at the age of 41.

20

December

2000

Long-running UK music magazine ‘Melody Maker’ published its final issue. It had run for over 74 years since January 1926. Melody Maker was merged with rival music paper, New Musical Express (NME).

6

March

2001

Jamaican reggae legend Bob Marley received a posthumous Star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

19

March

2001

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2001’ including Aerosmith, Solomon Burke, the Flamingos, Michael Jackson, Queen, Paul Simon, Steely Dan, Ritchie Valens and James Burton.

20

March

2001

Renowned Northern Irish blues/rock guitarist, Gary Moore released his classic 15th studio album, ‘Back To The Blues’ in the UK.

2

April

2001

German industrial heavy metal rock band Rammstein released their top-selling 3rd studio album, ‘Mutter’ (translated as Mother).

3

April

2001

American indie rock band Black Rebel Motorcycle Club released their debut studio album, ‘B.R.M.C.’.

10

April

2001

Indie rock giants, Nick Cave & The Bad Seeds released their 11th studio album, ‘No More Shall We Part’.

4

June

2001

English alternative rock band Radiohead released their classic 5th studio album, ‘Amnesiac’ in the UK.

18

June

2001

English alternative rock band Muse released their breakout 2nd studio album, ‘Origin of Symmetry’.

30

June

2001

American guitarist, nicknamed the ‘Country Gentleman’, Chet Atkins died from cancer at his home in Nashville, Tennessee at the age of 77.

3

July

2001

American blues/rock duo The White Stripes released their 3rd studio album, ‘White Blood Cells’.

18

July

2001

American hard rock band KISS introduced a unique, if somewhat sinister, item of brand merchandise, a burial coffin humorously known as the ‘KISS Kasket’.

27

July

2001

American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson died of chronic liver and lung disease in Ponte Vedra Beach, Florida at the age of 49.

30

July

2001

Emerging American indie rock band The Strokes released their classic debut album, ‘Is This It’.

18

September

2001

American alternative/indie rock band Wilco released their classic 4th studio album, ‘Yankee Hotel Foxtrot’.

23

October

2001

American technology giant Apple Inc. introduced the first iPod solid state portable media player, linked to the iTunes media storage library.

29

November

2001

English former member of The Beatles, George Harrison died of cancer in Los Angeles, California at the age of 58.

16

December

2001

Scottish guitarist and singer with punk rock band Skids and then Big Country, Stuart Adamson committed suicide in Honolulu, Hawaii at the age of 43.

5

March

2002

MTV broadcast the first episode of their reality TV show ‘The Osbournes’, featuring a portrayal of the Black Sabbath singer Ozzy Osbourne’s family life.

18

March

2002

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2002’ including Isaac Hayes, Brenda Lee, Tom Petty and the Heartbreakers, Gene Pitney, Ramones, Talking Heads and Chet Atkins.

26

March

2002

British heavy metal rock band, Iron Maiden released their massive live concert album, ‘Rock In Rio’.

12

April

2002

English heavy metal singer with Black Sabbath and TV reality show celebrity, Ozzy Osbourne received a star on the Hollywood Walk of Fame at 6780 Hollywood Boulevard.

14

May

2002

Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his commercially successful 6th studio album, ‘18’.

5

June

2002

American bass guitarist Dee Dee Ramone of punk rock band Ramones died from a heroin drug overdose at his home in Hollywood, California at the age of 50.

27

June

2002

English bass guitarist with rock band The Who, John Entwistle, nicknamed ‘The Ox’, died of a cocaine‑related heart attack in a Hard Rock hotel room in Paradise, Nevada at the age of 57.

27

August

2002

American rock band Queens Of The Stone Age released their classic 3rd studio album, ‘Songs For The Deaf’.

24

September

2002

American alternative rock artist, Beck released his introspective and highly underrated 8th studio album, ‘Sea Change’.

14

October

2002

English indie rock band The Libertines released their successful debut studio album, ‘Up The Bracket’.

18

October

2002

English pop/rock band Queen received a star on the Hollywood Walk of Fame at 6356 Hollywood Boulevard.

27

October

2002

Highly renowned American record producer who worked for Atlantic Records, Tom Dowd died of emphysema in Aventura, Florida at the age of 77.

3

November

2002

Scottish singer and guitarist, crowned the ‘King of Skiffle’, Lonnie Donegan died of a heart attack in Market Deeping, Lincolnshire at the age of 71.

22

December

2002

English singer, songwriter and guitarist, Joe Strummer of punk rock band The Clash died from a congenital heart defect at his home in Somerset, UK at the age of 50.

30

December

2002

The funeral of English guitarist, singer and songwriter with punk rock band The Clash, Joe Strummer took place in London, UK.

3

February

2003

Famous American ‘wall of sound’ record producer, Phil Spector murdered actress Lana Clarkson in his California Alhambra mansion.

10

February

2003

English trip-hop group, Massive Attack released their underrated 4th studio album, ‘100th Window’ in the UK.

10

March

2003

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2003’ including AC/DC, The Clash, Elvis Costello & The Attractions, The Police, The Righteous Brothers and Floyd Cramer.

1

April

2003

American blues/rock duo The White Stripes released their highly regarded 4th studio album, ‘Elephant’.

1

April

2003

English alternative rock band Placebo released their 4th studio album, ‘Sleeping With Ghosts’.

18

April

2003

Legendary American blues/R&B, soul and jazz singer Etta James received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

11

May

2003

English bass guitarist with The Jimi Hendrix Experience, Noel Redding died of liver disease in Clonakilty, County Cork, Ireland at the age of 57.

15

May

2003

American country music singer and wife of Johnny Cash, June Carter Cash died following heart surgery in Nashville, Tennessee at the age of 73.

30

May

2003

Successful English record producer behind many massive chart hits, Mickie Most died from abdominal cancer at his home in London at the age of 64.

9

June

2003

Acclaimed English alternative rock band Radiohead released their 6th studio album, ‘Hail To The Thief’.

13

June

2003

English guitarist, singer, songwriter and former member of progressive rock band Pink Floyd, David Gilmour was awarded a CBE by Her Majesty the Queen.

30

July

2003

Legendary American record producer Sam Phillips, founder of Sun Records and the man responsible for signing Elvis Presley, Jerry Lee Lewis, Roy Orbison and Johnny Cash, died of respiratory failure in Memphis Tennessee at the age of 80.

25

August

2003

American indie rock band Black Rebel Motorcycle Club released their 2nd studio album, ‘Take Them On, On Your Own’.

12

September

2003

Less than 4 months after his wife passed away, American country legend Johnny Cash died of complications caused by diabetes in Nashville at the age of 71.

26

September

2003

English singer, songwriter, musician, solo artist and former member of the pop rock band Power Station, Robert Palmer died of a heart attack in a hotel room in Paris, France at the age of 54.

29

September

2003

English alternative rock band Muse released their successful 3nd studio album, ‘Absolution’.

12

December

2003

English singer and songwriter with The Rolling Stones, Mick Jagger received a knighthood from HRH Prince Charles at Buckingham Palace.

9

February

2004

English indie rock band Franz Ferdinand released their successful debut studio album, the self-titled ‘Franz Ferdinand’.

15

March

2004

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2004’ including Jackson Browne, George Harrison, Prince, Bob Seger, Traffic and ZZ Top.

6

May

2004

American virtuoso jazz guitarist and session musician with The Wrecking Crew, Barney Kessel died from a brain tumour at his home in San Diego, California at the age of 80.

10

June

2004

American singer, songwriter, musician, and composer Ray Charles died from complications as a result of acute liver disease at his home in Beverly Hills, California at the age of 73.

15

June

2004

Emerging American rock band The Killers released their hugely successful debut studio album, ‘Hot Fuss’.

23

June

2004

American folk/rock singer, songwriter and guitarist, Bob Dylan was made ‘Doctor of Music’ at St. Andrews University in Scotland, UK.

24

June

2004

Exactly 5 years after his first sale, English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. Together, the two auctions raised $11 million for the Crossroads Centre he founded in Antigua, a residential treatment centre for alcohol and chemical dependencies.

21

July

2004

American music composer, Jerry Goldsmith, famous for his many TV and film scores, died from cancer in Beverley Hills, California at the age of 75.

30

August

2004

English indie rock band The Libertines released their successful eponymous 2nd studio album, ‘The Libertines’.

6

September

2004

English indie rock band Kasabian released their classic self-titled debut studio album, ‘Kasabian’.

9

September

2004

Successful American guitar and musical equipment entrepreneur and businessman, Ernie Ball died in San Luis Obispo, California at the age of 74.

15

September

2004

American guitarist and songwriter with punk rock band Ramones, Johnny Ramone died of prostate cancer at his home in Los Angeles, California at the age of 56.

20

September

2004

Indie/alternative rock giants, Nick Cave & The Bad Seeds released their epic 13th double studio album, ‘Abattoir Blues / The Lyre of Orpheus’.

21

September

2004

American post-punk rock band Green Day released their top-selling 7th studio album, ‘American Idiot’ in the U.S.

27

September

2004

German industrial heavy metal band Rammstein released their 4th studio album, ‘Reise, Reise’ (roughly translated as ‘Arise, Arise’).

25

October

2004

Highly acclaimed English DJ and BBC radio presenter, John Peel died from a heart attack while working on holiday in Cusco, Peru at the age of 65.

1

November

2004

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’ in the UK (22 February 2005 in the US).

3

November

2004

English blues/rock guitarist, singer and songwriter, Eric Clapton received a CBE from the Princess Royal at Buckingham Palace in London for his services to music.

8

December

2004

American guitarist, ‘Dimebag’ Darrell Abbott, co-founder of heavy metal bands Pantera and Damageplan was murdered while performing on stage in Columbus, Ohio at the age of 38.

14

December

2004

The funeral of American guitarist with heavy rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Abbott, took place in Arlington, Texas.

10

February

2005

English singer with The Who, Roger Daltrey was awarded a CBE by HM The Queen at Buckingham Palace.

14

March

2005

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2005’ including Buddy Guy, The O’Jays, The Pretenders, Percy Sledge and U2.

22

March

2005

American alternative rock band Queens Of The Stone Age released their 4th studio album ‘Lullabies to Paralyze’.

11

June

2005

Two English rock guitarists were rewarded for their contributions to music in the Queen’s Birthday Honours. Jimmy Page of Led Zeppelin was awarded an OBE and Brian May of Queen a CBE.

22

August

2005

American indie rock band Black Rebel Motorcycle Club released their 3rd studio album, ‘Howl’.

30

August

2005

American indie rock band Death Cab For Cutie released their 5th studio album, ‘Plans’.

1

September

2005

American blues singer, songwriter and guitarist R.L. Burnside died of heart disease in a hospital in Memphis, Tennessee at the age of 78.

4

September

2005

The major feature film chronicling the life of country legend Johnny Cash, ‘Walk The Line’, starring Joaquin Phoenix and Reese Witherspoon, directed by James Mangold, was released in the USA.

10

September

2005

American guitarist and Blues Hall of Famer, Clarence ‘Gatemouth’ Brown died from cancer in Orange, Texas at the age of 81.

5

November

2005

Influential American rock ‘n’ roll guitarist Link Wray died of heart failure at his home in Copenhagen, Denmark at the age of 76.

23

January

2006

English indie rock sensation, Arctic Monkeys released their debut studio album, ‘Whatever People Say I Am, That’s What I’m Not’.

13

March

2006

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2006’ including Black Sabbath, Blondie, Miles Davis, Lynyrd Skynyrd, Sex Pistols and Herb Alpert.

7

July

2006

English guitarist, songwriter and founder of progressive rock band Pink Floyd, Syd Barrett died of pancreatic cancer at his home in Cambridge at the age of 60.

25

July

2005

British indie rock band Editors released their debut studio album, ‘The Back Room’ in the UK.

30

July

2006

Popular weekly UK music chart TV programme ‘Top Of The Pops’ (TOTP) was broadcast by the BBC for the final time, after running for 42 years.

28

August

2006

English indie rock band Kasabian released their classic 2nd studio album, ‘Empire’.

15

October

2006

After American singer Patti Smith finished her live set at New York City’s famous punk rock music venue CBGB & OMFUG, the club finally closed its doors for good, following a rent dispute and thereby ending an era.

25

December

2006

Legendary American singer and the ‘Godfather of Soul’, James Brown died of pneumonia in Atlanta, Georgia at the age of 73.

28

February

2007

American rock band The Doors received a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard.

12

March

2007

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2007’ including Grandmaster Flash & The Furious Five, R.E.M., The Ronettes, Patti Smith and Van Halen.

23

April

2007

English indie rock band, Arctic Monkeys released their sophomore studio album, ‘Favourite Worst Nightmare’.

25

June

2007

British indie rock band Editors released their sophomore studio album, ‘An End Has a Start’.

5

November

2007

English downtempo artist William Emmanuel Bevan (a.k.a. Burial) released his melancholic genre breaking 2nd studio album, ‘Untrue’.

12

December

2007

Controversial American rock ‘n’ roll and R&B pioneer, Ike Turner died from a cocaine overdose at his home in San Marcos, California at the age of 76.

2

March

2008

Extraordinary blind Canadian blues/rock guitarist Jeff Healey died from lung cancer in Toronto at the age of 41.

10

March

2008

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2008’ including Leonard Cohen, The Dave Clark Five, Madonna, John Mellencamp, The Ventures and Little Walter.

1

April

2008

American blues/rock duo The Black Keys released their classic 5th studio album, ‘Attack & Release’.

3

April

2008

American media and technology giant Apple Inc. became the top seller of recorded music in the USA.

19

April

2008

The annual global campaign to promote the importance of independent music stores ‘Record Store Day’ began in California, USA.

28

April

2008

English trip-hop band, Portishead released their 3rd studio album, the originally titled, ‘Third’.

12

May

2008

American indie rock band Death Cab For Cutie released their 6th studio album, ‘Narrow Stairs’.

26

May

2008

English indie rock band Spiritualized released their 6th studio album, ‘Songs In A&E’.

2

June

2008

Legendary American blues and rock ‘n’ roll guitarist Bo Diddley died from heart failure at his home in Archer, Florida at the age of 79.

7

June

2008

The ‘homecoming’ funeral of American blues guitarist and singer Bo Diddley took place in Gainseville Florida.

19

June

2008

American indie rock band The War On Drugs released their debut studio album, ‘Wagonwheel Blues’.

10

August

2008

Acclaimed American soul singer, songwriter, producer and actor, Isaac Hayes died of a stroke at his home in Memphis, Tennessee at the age of 65.

19

September

2008

American rock band Kings of Leon released their commercially successful 4th studio album, ‘Only By The Night’.

10

October

2008

English alternative rock band Radiohead released their 7th studio album, ‘In Rainbows’ in the UK.

24

November

2008

Experimental virtuoso English rock guitarist, Jeff Beck released his highly acclaimed live concert album, ‘Performing This Week… Live At Ronnie Scott’s’.

15

December

2008

Hugely influential English folk acoustic guitarist Davey Graham died of lung cancer at the age of 68.

6

January

2009

American guitarist and songwriter with The Stooges and Iggy Pop, Ron Asheton died of a heart attack at his home in Ann Arbor, Michigan at the age of 60.

29

January

2009

Influential British singer, songwriter and guitarist, John Martyn died from pneumonia in Kilkenny, Ireland at the age of 60.

23

February

2009

English rave band The Prodigy released their resurgent 5th studio album, ‘Invaders Must Die’.

4

April

2009

The American Rock & Roll Hall Of Fame inducted its ‘Class of 2009’ including Jeff Beck, Metallica, Run‑D.M.C., Bobby Womack, Bill Black and D.J. Fontana.

13

April

2009

Controversial American record producer Phil Spector was convicted of murdering actress Lana Clarkson at his Alhambra mansion in California in February 2003.

14

April

2009

English former member of The Beatles, George Harrison received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.

29

May

2009

Notorious American record producer, Phil Spector was sentenced to 19 years to life in prison for murdering actress Lana Clarkson at his California mansion in 2003.

5

June

2009

English indie rock band Kasabian released their classic 3rd studio album, ‘West Ryder Pauper Lunatic Asylum’.

25

June

2009

American superstar singer Michael Jackson died of a drug overdose in Los Angeles, California at the age of 50.

12

August

2009

Legendary American jazz guitarist, singer, inventor and recording innovator, Les Paul, died from pneumonia in White Plains, New York at the age of 94.

19

August

2009

English indie rock band, Arctic Monkeys released their 3rd studio album, ‘Humbug’.

12

October

2009

British indie rock band Editors released their 3rd studio album, ‘In This Light And On This Evening’.

Tailpiece

Help! We are running out of decades from which to poach pertinent and poignant particulars (pardon the flowery alliteration). Just one more decade and a few hundred facts to be revealed before the chronological timeline has to remain as‑yet‑unwritten for another epoch. The next instalment looking at the 2010s will, by definition, bring us pretty much up‑to‑date. I hope you feel inclined to re-join me in the next enthralling part of the journey.

In the meantime, warmer days and longer evenings of spring beckon. There are plenty of guitars to be played and much music to be listened to. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It really doesn’t matter what music you play, as long as you play”

© 2020 CRAVE Guitars – Love Vintage Guitars.

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November 2019 – The Story of Modern Music in 1,500+ Facts – Part IX

Introduction

Welcome to the end of the 20th Century. Not actually, of course, that was 20 years ago now. I mean, in the ‘Story of Modern Music’, having covered almost 350 years so far, welcomes you to the very end of the century that really transformed mankind’s potential and bestowed opportunities hitherto unforeseen and unthought‑of, including musically.

If you would like to (re)visit any of the first eight chapters of the story to‑date, you can do so here (each link opens a new browser tab):

I did think of trying to compress the last three decades into a single article and then thought better of it on the grounds that doing so might diminish the impact of the period within the overall picture. So, just for now, the millennial years will have to wait. The result is that the 1990s will have its own dedicated article, although it will be a slightly more diminutive read compared to the previous five decades/articles.

The Story of Modern Music Part IX 1990-1999

It is quite tricky to pinpoint exactly what the ‘90s meant to music devotees. It seemed to depend where you lived, your age and, perhaps, what socio‑economic ‘class’ you belonged to. Whether it was grunge, alternative, Britpop or dance music that floated your boat, there was a new and exciting scene to associate with and belong to. The psychological attachment to a musical style was important to many, especially young people who were looking for some structure to life while the old order of social and political systems seemed to be disintegrating around them. Although not quite as disobedient and defiant as previous musical archetypes, there was still an underlying seething resentment of ‘the man’, which various groups saw as attempting to control their chosen form of exuberant self‑expression. In a sense, they were tapping into the anger of the marginalised.

With previous decades, it was notable that births of familiar artists outnumbered deaths, while the ‘90s saw that trend beginning to reverse. Many future artists that may well achieve sustained fame may have been born in the ‘90s but not yet discovered, while the stars of previous eras are getting, let’s be honest, a bit long in the tooth.

Similarly, it is becoming difficult to distinguish what definitive musical gems will rise from the seeming homogeneity of releases to become revered as ‘classic’ in years to come. Arguably, the 1990s marked the last vestiges of milestone singles and albums. From then on, listening habits began to change fundamentally and that, in turn, changed the way we regard significance, at least through the traditional lens of sales figures.

Historical Context 1990-1999

Some commentators called the 1990s as the ‘best decade’, although that clearly depended on your circumstances and point of view! The dawn of the 1990s experienced widespread international political restructuring, especially in Eastern Europe following the end of the Cold War and the fracturing of the communist Eastern Bloc. The 1990s also saw the growth in environmental consciousness based on dire scientific predictions about global warming and climate change. Ironically, scaremongering about ‘greenhouse gases’ led to an expansion of ‘green’ industries in developed countries. Similarly, many commentators observed signs of societal dysfunctionality, leading to prescient dystopian novels such as ‘Generation X’ by Douglas Coupland (1991), ‘Random Acts Of Senseless Violence’ by Jack Womack (1992), and ‘Prozac Nation’ by Elizabeth Wurtzel (1994). The wealth gap between the haves and have‑nots was striking; a morally unjustifiable trend that would only worsen from the 1990s onwards. The increase in the pace of technological change in post‑industrial countries fuelled the migration towards ‘digitocracies’ and resulted in manufacturing being outsourced to low‑cost developing countries on a massive scale. A period of unprecedented growth in the use of the Internet fuelled unsustainable speculation in the value of high‑tech companies, known broadly as the ‘dot‑com bubble’, a phenomenon that was bound to burst, which it ultimately did. Many companies that had become reliant on IT during the decade were fearful of the impact of Y2K on computer systems that were not prepared for the turn of the millennium.

Year

Global Events

1990

Following the fall of the Berlin Wall and the collapse of soviet communism, East and West Germany were reunited as the Federal Republic of Germany.

 

Political internee and equal rights campaigner, Nelson Mandela was released from prison after serving 27 years. His return to freedom effectively marked the end of apartheid in South Africa.

 

The ground breaking American cult TV series Twin Peaks burst onto screens. Created by David Lynch and Mark Frost, and starring Kyle MacLachlan. It is considered a landmark in television drama.

 

NASA’s Hubble Space Telescope, named after American astronomer Edwin Hubble, was launched into low Earth orbit. The telescope was designed to look into deep space.

 

The first Middle East Gulf War started after Iraq invaded and annexed neighbouring Kuwait. A U.S.‑led coalition of 35 countries responded with Operation Desert Storm resulting in a coalition victory.

1991

Communist rule of the soviet USSR ended, resulting in a break up into a number of separate countries. The dismantling of the communist state effectively ended the 45‑year old Cold War between Russia and America.

 

British computer scientist and engineer, Tim Berners-Lee posted a short summary of the World Wide Web project, effectively launching the Internet, initially to research institutions and then to the general public.

1992

The infamous Los Angeles riots took place after 4 LAPD officers were acquitted of using excessive force in the arrest of African-American Rodney King the previous year. The incident had been videotaped and broadcast widely on TV, sparking renewed civil rights activism.

 

Founded in 1918, Central European country Yugoslavia descended into bitter civil war in Bosnia and Herzegovina, a devastating military conflict that lasted until 1995.

1993

Democrat politician Bill Clinton became the 42nd president of the U.S.A.

 

Another massive American cult TV series, The X-Files was first broadcast, created by Chris Carter and starring David Duchovny and Gillian Anderson.

 

The European Union (EU) succeeded the European Economic Community (EEC) when 12 countries signed the Maastricht Treaty, signalling a process of closer political and economic union.

1994

The trilateral North American Free Trade Agreement (NAFTA) between the U.S.A., Canada and Mexico came into effect.

 

Anti-apartheid revolutionary and politician Nelson Mandela was elected as president of South Africa. He was the country’s first black head of state and the first to be elected in a fully representative democratic election.

 

The Provisional Irish Republican Army (IRA) declared a cease fire in Northern Ireland, paving the way for de‑armament and the subsequent peace process.

 

The 38Km (23.5mile) Channel Tunnel rail link beneath the English Channel from Folkestone in England to Calais in France was opened for business.

1995

The phenomenally successful multi‑national online auction and e‑commerce website eBay was launched, founded by entrepreneur Pierre Omidyar and based in San Jose, California.

 

Former professional American footballer O.J. Simpson was found not guilty of the double murder of former wife Nicole Simpson and her friend, Ronald Goldman. The criminal trial, held in Los Angeles, was widely broadcast on TV.

1996

Dolly the sheep became the first mammal to be cloned from an adult cell by using nuclear transfer in Scotland, UK. Dolly died in 2003 at the age of 6.

 

Heir to the British throne, Prince Charles was formally divorced from Diana, Princess of Wales in London.

1997

The British crown colony of Hong Kong was returned to Chinese sovereignty as a Special Administrative Region of the People’s Republic of China after 156 years of British rule.

 

Diana, Princess of Wales, was killed in a car crash in the Pont de l’Alma tunnel in Paris, France at the age of 36. Her lover, Egyptian socialite Dodi Fayed, was also killed in the crash, sparking many conspiracy theories.

 

Albanian-Indian Roman Catholic nun and humanitarian missionary Mother Teresa died of a heart attack in Rome at the age of 87.

 

The Pacific Rim countries were hit by the major Asian Financial Crisis, starting in Thailand and spreading rapidly across east and southeast Asia, resulting in an international financial contagion that threatened a severe worldwide economic meltdown.

1998

The male virility drug Sildenafil, commonly known as Viagra, became available for use in America. It was originally discovered by pharmaceutical company Pfizer as a treatment for heart‑related chest pain.

 

The Internet search engine Google Search was launched. It is the most widely used search engine on the World Wide Web, with over 90% market share in 2019, handling more than 5 billion searches per day.

 

Multinational technology giant, Apple Inc. launched the highly successful iMac computer.

 

The multilateral Good Friday Agreement was signed in Belfast by the Republic of Ireland and Britain as part of the on-going Northern Ireland peace process.

 

The first module of the International Space Station (ISS) was launched into low Earth orbit. The ISS has served as a multinational microgravity research laboratory.

1999

The Euro became the official single currency for the majority of European Union (EU) countries, known commonly as the Eurozone. The security of the Euro is overseen by the European Central Bank in Frankfurt, Germany.

 

Politician, Vladimir Putin became President of Russian Federation, succeeding former president, Boris Yeltsin.

Musical Genre Development 1990-1999

The 1990s was a decade of sometimes dysfunctional music set against a background of major political change and social polarisation/alienation.

One phenomenon of the 1990s that isn’t genre‑specific but which built on the perennial success of pop music was the ‘boy band’ and its all‑girl equivalent. Artists included Backstreet Boys, Boyz II Men, *NSYNC, Take That, Westlife, All Saints, S Club 7, Spice Girls and Destiny’s Child. The record company ‘manufactured’ bands didn’t have it all their own way; solo pop music artists were also highly successful during the 1990s, including Britney Spears, Christina Aguilera, Justin Timberlake, Jessica Simpson, and Mandy Moore.

American heavy metal saw a resurgence including bands like Metallica, Megadeth, Slayer and Pantera achieving massive popularity. Meanwhile, British heavy metal was also prospering with NWOBHM bands such as Def Leppard, Judas Priest and Iron Maiden.

Hip‑hop became increasingly divisive, inciting gang warfare, gun violence and drug use, fuelling rivalry between east and west coast artists, and resulting in a number of high profile deaths including Tupac Shakur and the Notorious B.I.G.

The English ‘Manchester movement’ (or ‘Madchester’ as it was often called) was strong in the late 1980s and early ‘90s. The scene centred on venues like the Haçienda nightclub in Manchester, run by post‑punk band New Order and led by local bands such as Stone Roses, Happy Mondays and The Charlatans, although the latter were actually based in the west midlands. The music isn’t necessarily a genre per se, it was more of a loose social and cultural grouping that also encompassed fashion, art and media. The OTT craziness of the Manchester scene was faithfully represented in the film ’24 Hour Party People’, made in 2002, directed by Michael Winterbottom. Other artists associated with the vital hotpot based around the UK’s North West were The Verve, Inspiral Carpets and James, as well as Scottish band Primal Scream. The Manchester ‘baggy’ zeitgeist would be important in the growth of the drug‑fuelled rave scene later in the decade.

A fusing of genres led to the emergence of trip hop as a discrete genre that grew from its roots in Bristol, UK and was pioneered by artists like Massive Attack, Tricky, Portishead, Morcheeba and Sneaker Pimps. Sometimes referred to as ‘downtempo’, it is typified by taking electronica, hip‑hop, house, funk, dub, soul and psychedelia and creating something altogether different and fresh. While its roots were clearly experimental and atmospheric, trip hop was influential in that it led to other popular mainstream forms that became subsumed in the electronic dance craze (see below) of the 1990s and early 2000s, including breakbeat, bigbeat, drum ‘n’ bass, IDM, dubstep and acid jazz. Like the Manchester movement, trip hop was very much a UK‑led genre, which had little mainstream success in the U.S.

Like punk before it, alternative rock and its counterpart, experimental noise rock, is a musical genre that railed against the major record corporations that ran the music business and the mainstream pop and rock products they marketed. Independent producers and record labels that existed outside the studio system were very much part of an active underground movement, particularly in America, and this is where a number of bands came to public attention at the start of the 1990s. Compared to the mainstream, alternative artists found it relatively difficult to garner wide audience appeal, so word of mouth, radio and record releases were the way that the message got out. The alternative moniker is more of an umbrella term relating to artists’ status in the system, rather than having definitive identifiable genre characteristics. Notable alternative artists include Sonic Youth, Dinosaur Jr., Nine Inch Nails, Beck, Jane’s Addiction, Smashing Pumpkins and Pixies. Before they signed to a major label, R.E.M. were seen as alternative and this started a broadening of the definition that included other major artists such as Rage Against the Machine, Red Hot Chili Peppers, Foo Fighters, Queens Of The Stone Age, Radiohead and Nick Cave & The Bad Seeds. The start of the new millennium saw other alternative rock artists emerge including The Strokes, Interpol and The Rapture, extending and ensuring alternative rock’s destiny into the 21st Century.

Grunge is a specific genre of music that developed in the Pacific North West of the United States and more specifically its epicentre in and around Seattle in Washington State. Like alternative/noise rock, grunge was an underground movement centred on an independent record label, in this case, Sub Pop records based in Seattle. Grunge is influenced by punk, metal and alternative styles resulting in something altogether different from all of them. Grunge is characterised by slow, raw arrangements and a distinctly distorted lo‑fi sound. Compositions often followed a quiet‑loud‑quiet structure. Lyrics tended to be downbeat, melancholic, anti‑consumerist and often depraved with a focus on cultural alienation and social isolation. While all of the following rejected the term ‘grunge’ as defining their music, especially after signing to major labels, the early pioneers of Seattle’s grunge scene included Nirvana, Soundgarden, Pearl Jam, Mudhoney and Alice In Chains. The core grunge scene had largely fizzled out and diversified by the end of the 20th Century. A revival of the grunge ethic evolved in the 2010s to include artists like Courtney Barnett, Wolf Alice and Yuck.

Britpop was essentially an upbeat and positive British reaction to the dark and depressing American grunge scene. The music and its cultural background (nicknamed ‘Cool Britannia’) lasted approximately from 1993‑1997 before fizzling out. The major bands of the Britpop period included the ‘big four’; Oasis, Blur, Pulp and Suede. Collectively they expanded popularity to include other artists such as Supergrass, Cast, The Lightning Seeds, Sleeper and Elastica. The so‑called ‘Battle of Britpop’ between Oasis and Blur around 1995 was a media‑fuelled highlight catching the public’s imagination at the time. Britpop was important for influencing many quintessentially British bands that came along for the ride including Coldplay, Travis, Feeder, Stereophonics, Elbow, Snow Patrol and Keane. Further influences included Kaiser Chiefs and Arctic Monkeys in the 2000s.

Dance music (in this context, Electronic Dance Music – EDM) was a phenomenon that had its roots in the late 1980s but exploded in the early 1990s and lasted well into the 2000s. Dance music comprises largely electronically produced progressive dance music intended for use at nightclubs, festivals and (often illegal) raves by DJs who mixed and re‑mixed heavy beats through loud PA systems to audience rapture. In fact, many record labels and DJs became far more celebrated than the musical artists they played in their DJ sets. The predominant sub‑genres of dance music include house, techno, trance, drum ‘n’ bass and dubstep, although these only represent the tip of the dance sub‑genre iceberg. Dance beats generally comprise programmed synthesizers, samplers and drum machines to produce buoyant, insistent 4/4 dance rhythms. Dance music also became synonymous with recreational drug use such as ecstasy (MDMA) as well as party holiday destinations such as Ibiza and Mykonos islands in the Mediterranean Sea. Some of the famous artists of the dance scene include The Chemical Brothers, The Prodigy, Underworld, Orbital, KLF, The Shamen, The Future Sound of London, 808 State, Groove Armada, Aphex Twin, Basement Jaxx and Daft Punk. Later artists built on the foundation, include Pendulum, SBTRKT and Skream. DJs became pivotal in promoting the dance craze and became famous in their own right, including Carl Cox, Fatboy Slim, Pete Tong, Paul Van Dyk and Armin van Buuren. There are many sub‑genres of dance including acid house, IDM (Intelligent Dance Music), ambient, breakbeat, downtempo, jungle and UK garage, all ensuring that dance music remains up‑to‑date and relevant in the 21st Century.

Musical Facts 1990-1999

Day

Month

Year

Music Fact

23

January

1990

American guitarist and co-founder of southern rock band Lynyrd Skynyrd, Allen Collins died from pneumonia in Jacksonville, Florida at the age of 37.

8

February

1990

American country and rock & roll singer and songwriter, Del Shannon committed suicide as a result of depression at his home in California at the age of 55.

18

February

1990

English singer Freddie Mercury made his final public appearance with other members of pop/rock band Queen at the Brit Awards ceremony, held in London.

20

March

1990

English electronic/alternative rock band Depeche Mode released their career-defining classic 7th studio album, ‘Violator’ in the UK.

26

March

1990

Northern Irish blues/rock guitarist, Gary Moore released his classic studio album, ‘Still Got The Blues’.

3

April

1990

Highly acclaimed Grammy award winning American jazz singer Sarah Vaughan died from cancer at her home in Hidden Hills, California at the age of 66.

10

April

1990

American East Coast rappers Public Enemy released their politically charged 3rd studio album, ‘Fear of a Black Planet’.

16

April

1990

Indie rock giants, Nick Cave & The Bad Seeds released their 6th studio album, ‘The Good Son’.

26

June

1990

Prolific American alternative rock band Sonic Youth released their successful and significant 6th studio album, ‘Goo’.

24

July

1990

American heavy metal rock band Pantera released their classic 5th studio album ‘Cowboys From Hell’.

21

August

1990

Legendary American blues guitarist and singer B.B. King received a star on the Hollywood Walk of Fame at 6771 Hollywood Boulevard.

27

August

1990

American blues guitarist, singer and songwriter, Stevie Ray Vaughan and four others died tragically in a helicopter crash in East Troy, Wisconsin at the age of 35.

31

August

1990

The funeral service of American blues/rock guitarist Stevie Ray Vaughan took place at Laurel Land Cemetery in Dallas, Texas.

3

September

1990

English heavy metal rock band Judas Priest released their 12th studio album, ‘Painkiller’.

21

September

1990

American thrash metal rock band Megadeth released their superb classic 4th studio album, ‘Rust In Peace’.

6

October

1990

American Heavy metal band Metallica began recording their massive studio album ‘Metallica’ (aka the ‘black album’) in Los Angeles, California.

9

October

1990

American thrash metal band, Slayer, released their mega 5th studio album, ‘Seasons In The Abyss’.

29

October

1990

Legendary award-winning American blues guitarist, singer and songwriter John Lee Hooker was inducted into the Rock and Roll Hall of Fame.

8

January

1991

English guitarist and songwriter, Steve Clark of hard rock band Def Leppard died of alcohol poisoning at his home in London, at the age of 30.

15

February

1991

Successful English pop singer, songwriter, guitarist, record producer, and actor Ed Sheeran was born in Halifax, West Yorkshire.

21

March

1991

Legendary American inventor and founder of Fender Electric Instrument Manufacturing Company, Leo Fender died from Parkinson’s disease in Fullerton, California at the age of 81.

8

April

1991

English trip-hop pioneers, Massive Attack, released their successful debut studio album, ‘Blue Lines’ in the UK, including the dance anthem, ‘Unfinished Sympathy’.

20

April

1991

English guitarist and front man of rock bands Small Faces and Humble Pie, Steve Marriott died in a house fire at his home in Essex at the age of 44.

23

April

1991

American guitarist, singer and songwriter with New York Dolls, Jonny Thunders died in mysterious circumstances in a hotel room in New Orleans, Louisiana at the age of 38.

30

July

1991

American heavy metal rock band Metallica released their massively successful single ‘Enter Sandman’.

12

August

1991

American heavy metal band Metallica released their career-defining 5th studio album, ‘Metallica’, often referred to as ‘the black album’.

27

August

1991

American alternative rock band from Seattle, the home of grunge rock pioneers, Pearl Jam burst onto the scene with the release of their astonishing platinum-selling debut studio album, ‘Ten’.

10

September

1991

American grunge rock pioneers Nirvana released their ‘90s anthem for disaffected youth, the near perfect hit single ‘Smells Like Teen Spirit’.

17

September

1991

American hard rock band, Guns n’ Roses, released their 3rd and 4th studio albums ‘Use Your Illusion’ parts I & II on the same day in the U.S.

23

September

1991

Scottish alternative rock band, Primal Scream released their massive 3rd studio album, ‘Screamadelica’.

24

September

1991

American grunge rock pioneers Nirvana released their career-defining classic 2nd studio album ‘Never Mind’ in the U.S. Well over 30 million copies have been sold so far.

24

September

1991

American alternative rock band Red Hot Chili Peppers released their 5th studio album, ‘Blood Sugar Sex Magik’, produced by Rick Rubin.

28

September

1991

American jazz trumpeter, Miles Davis died of complications from a stroke, pneumonia, and respiratory failure in a hospital in Santa Monica, California at the age of 65.

14

November

1991

Legendary American guitarist and singer Jimi Hendrix received a posthumous star on the Hollywood Walk of Fame at 6627 Hollywood Boulevard.

18

November

1991

Massive Irish rock band, U2, released their storming 7th studio album, ‘Achtung Baby’ in the UK.

24

November

1991

English singer with pop/rock band Queen, Freddie Mercury died of pneumonia resulting from AIDS at his home in London at the age of 45.

15

January

1992

Rock band, The Jimi Hendrix Experience and country music legend, Johnny Cash were both inducted into the American Rock and Roll Hall of Fame.

29

January

1992

Influential American blues singer, songwriter, upright bass player and guitarist, Willie Dixon died of heart failure in Burbank, California at the age of 76.

21

February

1992

American heavy metal rock band Pantera released their classic 6th studio album ‘Vulgar Display Of Power’.

31

March

1992

English heavy metal rock band Def Leppard released their classic 5th studio album, ‘Adrenalize’.

20

April

1992

English indie rock icons, The Cure released their upbeat, commercial 10th studio album, ‘Wish’.

21

April

1992

American rap rockers, Beastie Boys, released their 3rd studio album, ‘Check Your Head’.

27

April

1992

Indie rock giants, Nick Cave & The Bad Seeds released their great 7th album, ‘Henry’s Dream’.

9

May

1992

American guitarist, singer and songwriter Bruce Springsteen made his live American TV network debut on ‘Saturday Night Live’ with show host Tom Hanks.

21

July

1992

American alternative rock band Sonic Youth released their cult, cool, classic 8th studio album, ‘Dirty’.

29

September

1992

American alternative rock band Alice In Chains released their sophomore studio album, ‘Dirt’.

6

October

1992

American rock band R.E.M. released their classic top‑selling studio album, ‘Automatic For The People’.

3

November

1992

American rock band Bon Jovi released their classic 5th studio album, ‘Keep The Faith’.

10

November

1992

American rock band Rage Against The Machine released their outstanding and career defining eponymous debut album ‘Rage Against The Machine’.

9

December

1992

Although not officially announced until January 1993, English bass guitarist Bill Wyman left The Rolling Stones.

21

December

1992

Legendary American blues guitarist, Albert King died from a heart attack at his home in Memphis Tennessee at the age of 69, just 2 days after his last concert.

6

January

1993

English bass guitarist Bill Wyman officially announced that he was leaving The Rolling Stones after more than 3 decades with the band.

23

March

1993

English alternative/electronic rock band Depeche Mode released their 8th studio album, ‘Songs Of Faith And Devotion’ in the UK.

20

April

1993

Emerging English alternative rock band Radiohead released their debut album, ‘Pablo Honey’ in the UK.

29

April

1993

English session guitarist, songwriter and producer who played extensively with David Bowie’s Spiders From Mars among others, Mick Ronson died from liver cancer in London at the age of 46.

23

August

1993

English new romantic band Duran Duran received a star on the Hollywood Walk of Fame at 1770 Vine Street.

21

September

1993

American alternative grunge rock band, Nirvana released their 3rd and final studio album, ‘In Utero’.

19

October

1993

American rock band Pearl Jam released their major 2nd studio album, ‘Vs.’.

9

November

1993

American East Coast rappers Wu-Tang Clan released their incendiary debut studio album, ‘Enter the Wu-Tang (36 Chambers)’.

19

November

1993

American grunge rock band Nirvana recorded their classic live acoustic concert and album, ‘MTV Unplugged In New York’ at Sony Music Studios.

23

November

1993

American rock band, Guns N’ Roses, released their 5th studio album, ‘The Spaghetti Incident?’

24

November

1993

Legendary American blues/rock guitarist, nicknamed The ‘Master of the Telecaster’ and ‘The Ice Man’, Albert Collins died from lung cancer at his home in Las Vegas, Nevada at the age of 61.

4

December

1993

Non-conformist American guitarist and composer extraordinaire, Frank Zappa died of prostate cancer at his home in Los Angeles at the age of 52.

1

February

1994

American pop punk rock band Green Day released their breakthrough 3rd studio album, ‘Dookie’.

1

March

1994

American grunge band Nirvana played their last ever live concert, interrupted by a power cut, in Munich, Germany.

1

March

1994

American alternative rock artist, Beck released his 3rd studio album, ‘Mellow Gold’.

8

March

1994

American alternative rock band, Nine Inch Nails released their career-peak 2nd studio album, ‘The Downward Spiral’.

5

April

1994

American singer, songwriter, guitarist and member of grunge rock band Nirvana, Kurt Cobain died from a self‑inflicted shotgun wound in Seattle, Washington at the age of 27.

19

April

1994

Alternative rock band Nick Cave & The Bad Seeds released their classic, career-defining 8th studio album, ‘Let Love In’.

26

April

1994

American country music legend Johnny Cash embarked on a whole new period of his career with the release of his classic studio album, ‘American Recordings’.

27

April

1994

The famous San Francisco music venue the Fillmore reopened its doors at 1805 Geary Boulevard. It had been closed since 1989 after being damaged in an earthquake.

23

May

1994

Influential American virtuoso jazz guitarist, Joe Pass died from liver cancer in Los Angeles, California at the age 65.

24

May

1994

American rappers, Beastie Boys, released their classic 4th studio album, ‘Ill Communication’ in the U.S.

14

July

1994

English rave band The Prodigy released their breakout 2nd studio album ‘Music for the Jilted Generation’.

22

August

1994

Pioneering English trip-hop band, Portishead released their ground breaking debut studio album, ‘Dummy’.

23

August

1994

Acclaimed American singer, songwriter and guitarist Jeff Buckley released his first and only studio album, ‘Grace’. A modern classic.

26

September

1994

English trip-hop outfit, Massive Attack, released their great sophomore studio album, ‘Protection’ in the UK.

4

October

1994

Versatile American ‘redneck jazz’ guitarist Danny Gatton died from self-inflicted gunshot wounds at his home in Newburg, Maryland at the age of 49.

1

November

1994

American grunge band Nirvana released their impressive award-winning live album, ‘MTV Unplugged in New York’, 6 months after Kurt Cobain’s death.

5

December

1994

English indie rock group The Stone Roses released their sophomore studio album, ‘Second Coming’.

13

March

1995

English alternative rock band Radiohead released their breakout 2nd studio album, ‘The Bends’ in the UK.

13

June

1995

Canadian singer, songwriter, musician and producer Alanis Morissette released her classic 3rd studio album, ‘Jagged Little Pill’.

14

June

1995

Renowned Irish blues/rock guitarist Rory Gallagher died of MRSA following liver failure caused by medication and alcohol in London at the age of 47.

9

August

1995

American guitarist Jerry Garcia of psychedelic rock band Grateful Dead died from a heart attack while at a rehabilitation centre in California at the age of 53.

2

September

1995

12 years after it was founded, America’s homage to contemporary music, the Rock And Roll Hall of Fame Museum opened on the shore of Lake Erie in Cleveland, Ohio and was celebrated with an all-star concert.

26

September

1995

American alternative rock band Sonic Youth released their great 10th studio album, ‘Washing Machine’.

2

October

1995

Australian artists, Nick Cave and Kylie Minogue released the haunting and elegiac duet single ‘Where the Wild Roses Grow’.

7

November

1995

American alternative rock band Alice In Chains released their eponymous 3rd studio album, ‘Alice In Chains’.

21

November

1995

American rock legend, Bruce Springsteen released his 11th studio album, ‘The Ghost of Tom Joad’.

17

January

1996

Music greats, David Bowie, Pink Floyd and Velvet Underground were all inducted into the American Rock and Roll Hall of Fame.

5

February

1996

Australian alternative rockers, Nick Cave & The Bad Seeds released their dark 9th studio album, ‘Murder Ballads’.

16

April

1996

American alternative rock group Rage Against The Machine released their sophomore studio album, ‘Evil Empire’.

17

May

1996

American blues, soul and funk singer, songwriter and guitarist, Johnny ‘Guitar’ Watson died of a heart attack after collapsing on stage in Yokohama, Japan at the age of 61.

15

June

1996

Legendary American jazz singer Ella Fitzgerald died of complications from diabetes in Beverley Hills, California, at the age of 79.

18

June

1996

American alternative rock artist, Beck, released his classic, top-selling 5th studio album, ‘Odelay’.

17

July

1996

English bass guitarist with R&B band The Animals and Jimi Hendrix’s manager, Chas Chandler died of an aneurism in Newcastle, at the age of 57.

10

September

1996

American alt-rock group R.E.M. released their classic 10th studio album, ‘New Adventures In Hi-Fi’.

13

September

1996

American rapper Tupac Shakur died of gunshot wounds following a drive-by shooting in Las Vegas, Nevada at the age of 25.

19

September

1996

American jazz guitarist George Benson received a star on the Hollywood Walk of Fame at 7055 Hollywood Boulevard.

31

October

1996

English/American guitarist Slash announced that he was leaving rock band Guns N’ Roses after a relationship breakdown with the group’s lead singer Axl Rose.

2

November

1996

Sublime American singer and guitarist, known as ‘the songbird’, Eva Cassidy died from cancer in Bowie, Maryland at the age of 33.

10

January

1997

American soul legend James Brown received a star on the Hollywood Walk of Fame at 1501 Vine Street.

12

February

1997

English singer and songwriter David Bowie received a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard.

4

March

1997

Alternative rock band, Nick Cave & The Bad Seeds released their classic 10th studio album, ‘The Boatman’s Call’.

9

March

1997

American rapper Christopher Wallace (a.k.a. The Notorious B.I.G.) was shot and killed in Los Angeles, California at the age of 24.

11

March

1997

English former member of The Beatles, Paul McCartney was knighted by Her Majesty Queen Elizabeth II at Buckingham Palace, London.

7

April

1997

British dance/electronica/big beat duo, The Chemical Brothers, released their massive studio album, ‘Dig Your Own Hole’ in the UK.

14

April

1997

English electronic/alternative rock band Depeche Mode released their classic 9th studio album, ‘Ultra’ in the UK.

29

May

1997

Renowned American singer, songwriter and guitarist Jeff Buckley died tragically from accidental drowning in Wolf River Harbor, Memphis, Tennessee at the age of 30.

4

June

1997

English bass guitarist and founder of rock band Small Faces, Ronnie Lane died from pneumonia resulting from multiple sclerosis in Trinidad, Colorado at the age of 51.

16

June

1997

English alternative rock band Radiohead released their top-selling 3rd studio album, ‘OK Computer’ in the UK.

30

June

1997

British rave band, Prodigy, released their massive zeitgeist‑defining 3rd studio album, ‘The Fat Of The Land’ in the UK.

22

August

1997

German industrial metal rock band Rammstein released their massive 2nd studio album, ‘Sensucht’ (translated crudely as ‘Desire’).

11

September

1997

American blues legend John Lee Hooker received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

30

September

1997

English trip-hop band, Portishead released their eponymous sophomore album, ‘Portishead’ in the UK.

12

October

1997

American folk singer, songwriter and guitarist John Denver died tragically in plane crash in Monterey Bay, California, at the age of 53.

19

October

1997

American guitarist, best known for his work with Alice Cooper, Glen Buxton, died of complications from pneumonia in a hospital in Mason City, Iowa at the age of 49.

10

November

1997

Highly-regarded American session guitarist and one of the most recorded musicians in popular music history, Tommy Tedesco died of lung cancer in Northridge, California at the age of 67.

22

November

1997

Australian singer and front man of the rock band INXS, Michael Hutchence committed suicide in Sydney, Australia at the age of 37.

19

January

1998

American singer, songwriter and guitarist, Carl Perkins died from throat cancer in Jackson-Madison County Hospital, Tennessee, at the age of 65.

30

January

1998

English pop singer and songwriter Sir Elton John received his knighthood from Her Majesty The Queen.

19

February

1998

Legendary American jazz trumpeter Miles Davis received a posthumous star on the Hollywood Walk of Fame at 7060 Hollywood Boulevard.

20

April

1998

English trip-hop outfit, Massive Attack, released their classic 3rd studio album, ‘Mezzanine’ in the UK.

14

May

1998

American singer and actor, Frank Sinatra died from a heart attack at the Cedars-Sinai Medical Center in Los Angeles, California at the age of 82.

6

July

1998

Legendary American singer, guitarist and actor, nicknamed the ‘King of the Cowboys’, Roy Rogers died of heart failure in Apple Valley, California at the age of 86.

25

July

1998

American virtuoso jazz guitarist, Tal Farlow died of oesophageal cancer in New York City at the age of 77.

17

August

1998

Mexican-American guitar legend Carlos Santana received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.

15

September

1998

American heavy metal rock artist, Marilyn Manson released his massively successful classic 3rd studio album, ‘Mechanical Animals’.

24

September

1998

American icon and rock ‘n’ roll legend Elvis Presley was inducted into the Country Music Hall of Fame.

1

October

1998

American guitarist, singer and songwriter and founder of rock band Creedence Clearwater Revival, John Fogerty received a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard.

2

October

1998

American country & western ‘singing cowboy’ Gene Autry died of lymphoma at his home in Studio City, California at the age of 91.

6

October

1998

American rock band Queens Of The Stone Age (QOTSA) released their self-titled debut album, ‘Queens Of The Stone Age’.

13

October

1998

The Crossroads Centre in Antigua, founded by English blues/rock guitarist and singer Eric Clapton, opened its doors to help clients with drug and alcohol rehabilitation.

3

November

1998

American alternative rock singer, songwriter, musician and producer, Beck, released his 6th studio album, ‘Mutations’, the follow up to the massive ‘Odelay’.

29

November

1998

American jazz pioneer of the 7-string guitar, George Van Eps, died of pneumonia in Newport Beach, California at the age of 85.

25

December

1998

English pop/rock band, The Beatles, received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.

30

December

1998

American surf rock band The Beach Boys received a star on the Hollywood Walk of Fame at 1500 Vine Street.

15

March

1999

Legendary American singer and songwriter Bruce Springsteen was inducted into the American Rock and Roll Hall of Fame.

28

April

1999

American rock band Tom Petty & The Heartbreakers received a star on the Hollywood Walk of Fame at 7018 Hollywood Boulevard.

17

May

1999

Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his mega-successful 5th studio album, ‘Play’.

15

June

1999

After a long break, American Latin rock band Santana released their highly successful 17th studio album, ‘Supernatural’.

16

June

1999

English rock singer, drummer and member of progressive rock band Genesis, Phil Collins received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.

24

June

1999

English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. The proceeds were used in support of the Crossroads Centre he founded in Antigua as a residential treatment centre for alcohol and chemical dependencies.

11

August

1999

American rock band KISS received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.

7

September

1999

American virtuoso guitarist, singer, songwriter and producer Steve Vai released his astonishing 5th studio album, ‘The Ultra Zone’.

2

November

1999

American alternative rock band Rage Against The Machine released their 3rd studio album, ‘The Battle Of Los Angeles’ in the UK.

23

November

1999

American alternative rock artist, Beck, released his adventurous 7th studio album, ‘Midnite Vultures’.

17

December

1999

American smooth jazz, funk and soul saxophonist, Grover Washington Jr. died of a heart attack in New York City at the age of 56.

26

December

1999

Highly acclaimed American soul singer, songwriter, guitarist and producer, Curtis Mayfield, died from complications of diabetes in a hospital in Roswell, Georgia at the age of 57.

Tailpiece

The 1990s was certainly a strange decade both musically and culturally, notably as a segue to the 21st Century. While it seems very recent, it is actually receding into long‑term memory, thereby affecting our perceptions of what it meant to us at the time. Still to come, the new millennium is temptingly beckoning and it will prove as frustrating as it was liberating.

Now… we have a minor problemo. I was hoping to conclude this series of articles conveniently in December at the very end of the current decade. However, there are still one, two or maybe even three articles still to write before we are done. December 2019’s article will therefore, ceteris paribus, interrupt the sequence in that it will cover a summary of 2019 through the eyes of CRAVE Guitars, meaning that the ‘History of Modern Music’ will resume early in 2020, all being well. This series has been a gargantuan task thus far, so perhaps a short break in proceedings won’t do any harm. Heaven knows what will follow after it has been concluded though. Looking into the crystal ball of the future is largely futile, so I’ll have to start thinking hard about the ‘next big thing’ very soon. However, that can wait for next year/decade. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It is a moral travesty that, if you have got everything, you think you can get away with anything.”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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June 2019 – The Story of Modern Music in 1,500+ Facts – Part IV

Introduction

Welcome once again all guitar and music aficionados. We are now half way through 2019 and not only are the evenings once again beginning to draw in but also the end of the ‘noughties’ is just a few months away. What a sobering thought. One wonders whether the 2020s will match the exhilarating heights (and lows) of the ‘Roaring Twenties’ of last Century. Sometimes, I doubt it and there are too many ‘harbingers of doom’ for optimism and hope to reign too strongly but perhaps it was ever thus – I hope I’m wrong. However, that sort of future speculation is for another place an time, as this month we are looking back to some 70‑80 years’ ago.

We are here in the midst of a series of articles chronicling the story of modern music by way of numerous guitar‑oriented facts and events. If you’ve been following the series so far, you’ll already know that, so I won’t bang on about it any longer.

If you would like to (re)visit the first three parts (and nearly 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part IV 1940-1949

There are so many facets to the 1940s that to cover the 1950s as well would make for an overlong article, so for the sake of our mutual sanity, let’s take it one step (and decade) at a time. So… this month, we concentrate solely on the 1940s, a watershed decade during which epochal change was increasing in both pace, scale and scope. Without further ado, assuming you know the routine and format by now, let us dispatch our ‘boots on the ground’ and get on with the show. Onward to the fascinating Forties…

Historical Context 1940-1949

The 1940s was known simply, and rather unimaginatively, as ‘The Forties’. During the first half of the decade the world was dominated by major conflict and brutal warfare. As if the world had not already seen enough, almost as soon as WWII ended, the Cold War began, again raising international political and military tensions between the capitalist west and communist eastern blocs, a struggle that would last for several decades. Ordinary people in many countries suffered on‑going economic austerity, adversity and disadvantage for many years as a consequence of WWII. Socially, concerns over the possibility of widespread post‑war friction sat at odds with hopes for long‑term peace. Technological progress was closely linked to competitive military advances and many major innovations spawned during the 1940s would ultimately benefit future generations.

Year

Global Events

1940

Conservative MP Winston Churchill became British Prime Minister and would remain in power to lead Britain to victory in WWII.

 

The mass evacuation of more than 330,000 allied soldiers from the beaches of Dunkirk in northern France to England took place during WWII.

 

In WWII, the German Luftwaffe carried out the ‘Blitz’, the massive air bombardment of London, UK.

 

The WWII aerial Battle of Britain took place in the skies over Britain and Europe.

1941

Russia entered WWII when German‑led Axis forces crossed the area covered by the German–Soviet Nonaggression Pact, thereby effectively invading the Soviet Union.

 

The classic motion picture film, ‘Citizen Cane’ directed by and starring Orson Welles was released.

 

After 14 years of labour, the Mount Rushmore National Memorial in Black Hills, South Dakota was opened to the public, depicting the massive sculptures of four American presidents; George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln.

 

America joined WWII after the Japanese attacked Pearl Harbor in Hawaii.

1942

The classic movie, ‘Casablanca’ was premiered, starring Humphrey Bogart and Ingrid Bergman.

1943

The world’s largest office building and headquarters of the United States Department of Defense, The Pentagon, was completed in Virginia.

1944

Operation Overlord (commonly known as ‘D-Day’) saw 150,000 allied troops successfully storm the beaches of Normandy in France against German defences.

1945

Germany surrendered to the allied forces, effectively ending WWII in Europe.

 

U.S. atomic weapons testing was undertaken at the Trinity nuclear test site in New Mexico as part of the research & development programme known as the Manhattan Project.

 

Two American atomic bombs were dropped on Hiroshima and Nagasaki in Japan leading to unconditional surrender and the formal end of WWII. Over 60 million people were killed during the conflict.

 

The United Nations (UN) organisation was formed, with a mission to maintain international peace and security.

 

Democrat Harry S. Truman became 33rd President of the U.S.A. following the death of Franklin D. Roosevelt.

 

The Nuremburg Trials began; a military tribunal established to prosecute the most prominent political and military leaders of Nazi Germany for war crimes during WWII.

1946

ENIAC (Electronic Numerical Integrator and Computer), the first programmable electronic computer was unveiled at the University of Pennsylvania.

1946/

1947

The Cold War between Russia with its neighbouring Eastern Bloc states and America with its western allies started and lasted until the collapse of Communism and the Soviet Union between 1889 and 1991.

 

The transistor semiconductor was developed by American technology company, Bell Labs in New Jersey.

1947

Italian motor company Ferrari started production of luxury sports cars in Modena.

 

American test pilot Captain Chuck Yeager became the first person to break the sound barrier in level flight in a rocket-propelled Bell X-1 aircraft that he nicknamed ‘Glamorous Glennis’, achieving a recorded top speed of Mach 1.06 (807.2mph) at an altitude of 45,000 ft.

1948

British author George Orwell wrote his prophetic dystopian novel, ‘1984’.

 

The independent state of Israel was established after the British pulled out of Palestine.

 

The British National Health Service (NHS) was founded and would become the model for universal health care in the country. The NHS was part of the wider liberal welfare state system reforms that were implemented the UK.

1949

The Communist People’s Republic of China was proclaimed by Chairman Mao Zedong.

 

The North Atlantic Treaty Organisation (NATO) was formed comprising 29 independent member states committed to mutual defence in response to an attack by any non‑member countries.

Well that is where the world was at, at the time. Now to refocus our attention onto the matter in hand, musical history.

Musical Genre Development 1940-1949

Music of the 1940s built on the sustained popularity of jazz, bebop and swing/big band music to provide upbeat positivity against the background of WWII, as played by Duke Ellington, Count Basie and Artie Shaw. Electric blues had spread to the west coast of America, particularly California, performed by artists such as T-Bone Walker and B.B. King. Chicago also became a vital locus for electric blues, as played by Buddy Guy, Howlin’ Wolf and Muddy Waters, as did Detroit with the likes of John Lee Hooker, and Indiana with Albert King and Jimmy Reed. Blues remained strong in the southern states, including artists like Lightnin’ Hopkins and Freddie King. Country and western music also became popular again with ‘singing cowboys’ such as Gene Autry and Roy Rogers. Wartime songs would feature across many musical genres and many entertainers helped to support the allied forces at home and abroad, including Vera Lynn, Gracie Fields and The Andrews Sisters. It was also during the 1940s that the influence of Latin music began to be felt across other genres, popularised by the likes of ‘The Brazilian Bombshell’, Carmen Miranda brought to western cinemagoers by film director Busby Berkeley.

Around 1945, bluegrass began to make its mark. Bluegrass fused many American, European and African roots styles culminating in a unique blend of country, folk, traditional and Appalachian mountain music incorporating blues and jazz influences. The music is usually played on acoustic string instruments including fiddle, five-string banjo, guitar, mandolin, and upright bass. Bluegrass was particularly popular for dancing, including dance styles such as buckdancing, flatfooting and clogging. The term ‘bluegrass’ arose not only from a type of grass in the region near Kentucky but also from the name used by pioneers of the genre, Bill Monroe and the Blue Grass Boys. Monroe is often called the ‘Father of Bluegrass’ and his band notably featured Earl Scruggs on banjo and Lester Flatt on guitar. In the early days, bluegrass was categorised along with country & western, hillbilly and folk music before being defined as a discrete genre that remains popular today.

Traditional popular music is generally defined as having broad appeal for a wide audience and has existed throughout time and across the globe. While the ‘pop song’ originated in the 1920s, modern popular music is largely accepted to be Anglo‑American in origin and arose during the 1940s as the big bands declined and before rock & roll music took off in the mid‑1950s. Popular music was notable for structured song writing, often comprising repeated verse and chorus with a middle bridge section. Popular music was often based on musical standards, sung by ‘crooners’. In addition, popular music was also often composed by professional songwriters, which was then performed by a vocalist accompanied by a backing band or orchestra. Success was characterised by record sales and chart position as a measure of achievement. Perhaps the most famous popular music artists of the early popular music era were Frank Sinatra and Bing Crosby who achieved enormous commercial success. The familiar term ‘pop music’ actually appears to have its origins in Britain in the mid‑1950s. Popular music is often referred to as, but not synonymous with, ‘pop’ music; however, pop music developed as a major separate genre during the 1960s and has largely remained so to the current day. Another characteristic is that popular music is constantly evolving into many different formats and styles to keep pace with social and cultural changes, including aging western populations. Traditional popular standards were being released well into the 1950s by the likes of Perry Como, Tony Bennett, Nat King Cole and Dean Martin.

During the late 1940s, there was already indicative evidence of the sounds that would coalesce and become what we now call rock ‘n’ roll during the 1950s, particularly by blues/R&B artists such as Sister Rosetta Tharpe. That fundamental step-change is now for the next article.

Musical Facts 1940-1949

Many legendary artists that we now take for granted as part of today’s musical landscape were not yet born or still mere fledglings yet to make their indelible mark on our collective consciousness. As with last month’s article, a large proportion of the musical facts relate to births of future stars.

Looking down the long list of nearly 200 musical events during the 1940s, it could quickly become repetitive, e.g. American/English blah‑de‑blah was born in blah, blah. However, just a scan of the names and places gives a sense about what these youthful individuals were experiencing as teenagers during the ‘big bang’ of rock ‘n’ roll and the tsunami of the ‘British Invasion’, just a few years later. Just think of the exposure they had to sweeping new music crazes and how the fads might have inspired and stimulated these curious youngsters on to great music careers that they could never have foreseen. Some of these fabulous flames would burn brightly and briefly, while others would endure as wizened veterans still working hard and influencing today’s generations. As time passes, the balance between births, lifetime achievements and, sadly, deaths will shift considerably.

Day

Month

Year

Music Fact

1940

American blues/rock guitarist, singer and songwriter, Seasick Steve was born c.1940 or 1941 (date not disclosed) in Oakland, California.

27

July

1940

Billboard magazine published its first Music Popularity Chart. Topping the chart at No. 1 was Tommy Dorsey with his hit song, ‘I’ll Never Smile Again’.

9

October

1940

Massively influential of English singer, songwriter, guitarist, former member of The Beatles and successful solo artist, John Lennon MBE (1940-1980, 40) was born in Liverpool.

26

November

1940

Hugely influential English folk guitarist, Davey Graham (1940-2008, 68) was born in Market Bosworth, Leicestershire.

21

December

1940

Prolific genius, American guitarist, singer, songwriter and composer, the one and only Mr Frank Vincent Zappa (1940-1993, 52) was born in Baltimore, Maryland.

9

January

1941

Legendary perennial American folk/protest singer, songwriter, guitarist, and political activist, Joan Baez was born in Staten Island, New York.

15

January

1941

Influential American rock singer, songwriter and musician, Don Van Vliet (better known as Captain Beefheart) was born in Glendale, California.

24

January

1941

Acclaimed American singer, songwriter, guitarist and actor Neil Diamond was born in Brooklyn, New York.

24

January

1941

English folk singer, songwriter and guitarist Michael Chapman was born in Leeds, Yorkshire.

14

February

1941

Prolific English studio session guitarist Big Jim Sullivan (1941-2012, 71) was born in Uxbridge, Middlesex. Sullivan appeared on about 750 chart singles including 54 chart toppers.

24

April

1941

Australian virtuoso classical and contemporary guitarist, as well as one-time member of instrumental fusion rock group SKY, John Williams was born in Melbourne.

24

May

1941

Nobel prize-winner for literature, American folk/rock singer, songwriter and guitarist, Bob Dylan was born in Duluth, Minnesota.

18

July

1941

Influential country/blues/rock guitarist and singer songwriter, Lonnie Mack (1941-2016, 74) was born in West Harrison, Indiana.

14

August

1941

American singer, songwriter and guitarist, founder of The Byrds and Crosby, Stills & Nash, Hall of Famer, David Crosby was born in Los Angeles, California.

20

August

1941

The ‘grandfather of space rock’, English guitarist, singer, songwriter and co-founder of psychedelic rock band Hawkwind, Dave Brock was born in Isleworth, Middlesex.

13

October

1941

Living legend, American singer, songwriter, guitarist, formerly half of Simon & Garfunkel and a successful solo artist, Paul Simon was born in Newark, New Jersey.

21

October

1941

Multi-Hall of Famer, American guitarist, songwriter, record producer and member of Stax Records’ house band Booker T. & the MG’s, Steve Cropper was born in Dora, Missouri.

28

October

1941

English guitarist, singer and songwriter, best known for his uniquely distinctive work with The Shadows, Hank Marvin was born in Newcastle upon Tyne.

2

November

1941

English guitarist, singer, songwriter and producer, best known as an original member of instrumental pop/rock band The Shadows, Bruce Welch OBE was born in Bognor Regis, West Sussex.

20

November

1941

Great American singer, songwriter, pianist and occasional guitarist Dr John was born in New Orleans, Louisiana.

4

January

1942

English jazz/rock fusion guitarist, composer, solo artist and member of Mahavishnu Orchestra, John McLaughlin was born in Doncaster, South Yorkshire.

28

February

1942

English guitarist and founding member of rock band The Rolling Stones, Brian Jones (1942-1969, 27) was born in Cheltenham, Gloucestershire.

2

March

1942

Legendary American virtuoso jazz guitarist Charlie Christian died from tuberculosis in New York at the age of just 25.

2

March

1942

American singer, songwriter and guitarist with The Velvet Underground and as a successful solo artist, Lou Reed (1942-2013, 71) was born in Brooklyn, New York.

24

April

1942

Oscar-winning American singer, songwriter, actress and film maker Barbra Streisand was born in New York City.

17

May

1942

Hugely influential American blues guitarist, singer and songwriter, Taj Mahal (a.k.a. Henry Saint Clair Fredericks, Jr) was born in Harlem, New York.

1

June

1942

Highly influential virtuoso Spanish flamenco guitarist, Paco Peña was born in Cordoba.

18

June

1942

English bass guitarist, singer, songwriter and former member of pop/rock bands The Beatles and Wings, as well as a successful solo artist, Sir Paul McCartney MBE was born in Liverpool.

13

July

1942

American singer, songwriter, guitarist and co-founder of rock band The Byrds, Roger McGuinn was born in Chicago, Illinois.

1

August

1942

Influential American singer/songwriter and guitarist with Grateful Dead, Jerry Garcia (1942-1995, 53) was born in San Francisco, California.

27

November

1942

A true music legend, American rock guitarist, singer and songwriter, the one and only James Marshall Hendrix (1942-1970, 27) was born in Seattle, Washington.

31

December

1942

English guitarist, composer, member of rock band The Police and successful solo artist, Andy Summers was born in Poulton-le-Fylde, Lancashire.

10

January

1943

American folk/rock singer, songwriter and guitarist, Jim Croce (1943-1973, 30) was born in Philadelphia, Pennsylvania.

19

January

1943

Legendary American psychedelic blues/rock singer Janis Joplin was born in Port Arthur, Texas.

25

February

1943

English singer, songwriter, guitarist and member of The Beatles, George Harrison (1943-2001, 58) was born in Liverpool.

22

March

1943

Influential American jazz/soul/R&B guitarist, singer and songwriter, George Benson was born in Pittsburgh, Pennsylvania.

2

April

1943

American jazz guitarist, the ‘Godfather of Fusion’, Larry Coryell (1943-2017, 73) was born in Galveston, Texas.

14

May

1943

Scottish bass guitarist, singer, songwriter and former member of blues rock super group Cream, Jack Bruce (1943-2014, 71) was born in Bishopbriggs, Lanarkshire.

5

July

1943

Canadian guitarist, songwriter, composer, producer and former member of Americana rock group The Band, Robbie Robertson was born in Toronto, Ontario.

26

July

1943

English singer, songwriter and occasional guitarist, a founding member of rock band the Rolling Stones, Mick Jagger was born in Dartford, Kent.

28

July

1943

Renowned American blues guitarist and Hall of Famer, Mike Bloomfield (1943-1981, 37) was born in Chicago, Illinois.

24

August

1943

American guitarist and founder of west coast rock bands Quicksilver Messenger Service and Copperhead, John Cipollina (1943-1989, 45) was born in Berkeley, California.

6

September

1943

English bass guitarist, singer, songwriter and co-founder of progressive rock band Pink Floyd, Roger Waters was born in Great Bookham, Surrey.

5

October

1943

American guitarist, singer, songwriter and bandleader, Steve Miller was born in Milwaukee, Wisconsin.

3

November

1943

Sublimely talented Scottish guitarist and founding member of folk revival band Pentangle, Bert Jansch (1943-2011, 67) was born in Glasgow.

7

November

1943

Highly influential Canadian folk, jazz, rock and pop guitarist, singer and songwriter Joni Mitchell was born in Fort Macleod, Alberta.

28

November

1943

Highly acclaimed American singer, songwriter and composer of numerous film scores, Randy Newman was born in Los Angeles, California.

8

December

1943

Iconic American singer, poet, counter-culture rebel and front man of rock band, The Doors, Jim Morrison was born in Melbourne, Florida.

12

December

1943

American guitarist, singer, songwriter, composer and founding member of rock band The Allman Brothers Band, Dickey Betts was born in West Palm Beach, Florida.

18

December

1943

Legendary English guitarist, singer, songwriter and co-founder of rock band The Rolling Stones, Keith Richards was born in Dartford, Kent.

21

December

1943

Hugely talented English guitarist and songwriter known for his country/rock hybrid picking style, Albert Lee was born in Lingen, Herefordshire.

31

December

1943

American singer, songwriter, guitarist and producer, John Denver (1943-1997, 53) was born in Roswell, New Mexico.

9

January

1944

English musical innovator and legendary guitarist, best known for his work with hard rock band Led Zeppelin, the highly influential Jimmy Page OBE was born in Heston, Middlesex.

23

February

1944

Great American blues guitarist and Blues Hall of Famer, Johnny Winter (1944-2014, 70) was born in Beaumont, Texas.

1

March

1944

English singer, actor, founder and long-term front man of rock group The Who, Roger Daltrey was born in London.

23

March

1944

Trailblazing English guitarist and founder of blues/rock band Groundhogs, Tony McPhee was born in Humberston, Lincolnshire.

15

April

1944

Welsh rock guitarist, singer, songwriter and producer Dave Edmunds was born in Cardiff.

28

May

1944

American Motown legend and award-winning ‘Empress of Soul’, the formidable Gladys Knight was born in Atlanta, Georgia.

7

June

1944

American bluegrass and country rock guitarist who was a member of rock band The Byrds and an accomplished session musician, Clarence White was born in Lewiston, Maine.

8

June

1944

American singer, songwriter and guitarist, former member of the Steve Miller Band and a successful solo artist, Boz Scaggs was born in Canton, Ohio.

17

June

1944

Respected, versatile and prolific English session guitarist, singer and producer, Chris Spedding was born in Staveley, Derbyshire.

21

June

1944

English singer, songwriter, guitarist and former front man of pop/rock band The Kinks, as well as solo artist, Sir Ray Davies CBE was born in London.

24

June

1944

Outstanding and prolific English instrumental guitar genius, as well as former member of blues/rock band The Yardbirds, Jeff Beck was born in Wallington, Surrey.

8

August

1944

Renowned English guitarist and songwriter, known for his work with Bert Jansch and folk revival group Pentangle, John Renbourn (1944-2015, 70) was born in London.

16

August

1944

English singer, songwriter and guitarist with psychedelic rock band Soft Machine, as well as a successful solo artist, Kevin Ayers (1944-2013, 68) was born in Herne Bay, Kent.

9

October

1944

Legendary English bass guitarist with rock band The Who, nicknamed ‘The Ox’, John Entwistle (1944-2002, 57) was born in London.

19

October

1944

Jamaican reggae guitarist, singer and songwriter, a member of Bob Marley & The Wailers and a successful solo artist, Peter Tosh was born in Grange Hill, Jamaica.

15

December

1944

Famous American big band leader and musician Glenn Miller was killed when the plane in which he was flying disappeared in bad weather over the English Channel during WWII at the age of 40.

18

December

1944

British guitarist, best known as member of progressive rock band Man, Deke Leonard (1944-2017, 72) was born in Llanelli, South Wales.

19

December

1944

Highly regarded English guitarist, singer, and member of blues/rock group Ten Years After, Alvin Lee (1944-2013, 68) was born in Nottingham.

3

January

1945

American guitarist, singer and songwriter, famous for his work with Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY), Stephen Stills was born in Dallas, Texas.

6

February

1945

A true legend as well as a great ambassador for Jamaica and reggae music with The Wailers, Rastafarian singer, songwriter and guitarist Bob Marley (1945-1981, 36) was born in Nine Mile, Jamaica.

9

March

1945

English blues/rock guitarist who came to fame as a member of rock band Procol Harum, before embarking on a long and successful solo career, Robin Trower was born in London.

11

March

1945

American guitarist, member of Canned Heat amongst others, and one of the first to popularise the two-handed tapping playing technique, Harvey Mandel was born in Detroit, Michigan.

30

March

1945

Highly renowned English blues/rock guitarist, singer, songwriter and Hall of Famer, Eric Clapton CBE was born in Ripley, Surrey.

13

April

1945

Great American guitarist, singer and songwriter with Little Feat, Lowell George (1945-1979, 34) was born in Hollywood, California.

14

April

1945

Hugely influential English guitarist and co-founder of hard rock bands Deep Purple and Rainbow, as well as folk rock duo Blackmore’s Night, Ritchie Blackmore was born in Weston-super-Mare, Somerset.

6

May

1945

American rock singer, songwriter, guitarist, pianist and leader of the Silver Bullet Band, Bob Seger was born in Detroit, Michigan.

19

May

1945

English rock guitarist, singer, songwriter and member of The Who, Pete Townshend was born in London.

28

May

1945

American rock singer, songwriter, guitarist and former member of Creedence Clearwater Revival, John Fogerty was born in Berkeley, California.

1

July

1945

American singer, songwriter, actress and founding member of rock band Blondie, Debbie Harry was born in Miami, Florida.

31

August

1945

Northern Irish rhythm & blues singer, songwriter and producer, Sir Van Morrison OBE was born in Belfast.

4

September

1945

Amazing American ‘Redneck Jazz’ guitarist, Danny Gatton (1945-1994, 49) was born in Washington D.C.

10

September

1945

Prolific Puerto Rican guitarist, singer and songwriter, José Feliciano was born in Lares.

11

September

1945

Extraordinary American multi-genre acoustic guitarist and a true master of his instrument, Leo Kottke was born in Athens, Georgia.

26

September

1945

English singer, songwriter and former front man of glam art rock band Roxy Music, Bryan Ferry CBE was born in Washington, County Durham.

3

October

1945

American singer Elvis Presley made his first public performance at the age of 10 when he sang ‘Old Shep’ at the Mississippi/Alabama Dairy Show talent competition. Reports say he came 2nd and won $5, while Elvis later recollected coming 5th and not winning a prize.

31

October

1945

English guitarist, singer, producer and one time member of rock band Argent, Russ Ballard was born in Waltham Cross, Hertfordshire.

26

November

1945

English bass guitarist with rock bands John Mayall’s Bluesbreakers and then Fleetwood Mac, John McVie was born in London.

30

November

1945

Welsh bass guitarist, songwriter and producer, best known as a member of heavy rock bands Deep Purple and Rainbow, Roger Glover was born in Brecon, Powys.

24

December

1945

English bass guitarist, singer, songwriter and founder of rock band Motörhead, Ian ‘Lemmy’ Kilmister (1945-2015, 70) was born in Stoke-on-Trent, Staffordshire.

25

December

1945

English bass guitarist and member of the Jimi Hendrix Experience, Noel Redding (1945-2003, 57) was born in Folkestone, Kent.

3

January

1946

English bass guitarist, songwriter, former member of hard rock band Led Zeppelin, solo artist as well as a member of Them Crooked Vultures, John Paul Jones was born in Sidcup, Kent.

6

January

1946

English singer, songwriter, guitarist and founding member of psychedelic/progressive rock band Pink Floyd, Syd Barrett (1946-2006, 60) was born in Cambridge.

8

January

1946

American guitarist, singer and songwriter, best known as a key member of rock band The Doors, Robby Krieger was born in Los Angeles, California.

19

January

1946

Larger-than-life American country music legend, successful business woman and actress, Dolly Parton was born in Pitman Center, Tennessee.

20

February

1946

American guitarist and leader of The J. Geils Band, John ‘J’ Geils (1946-2017, 71) was born in New York City.

6

March

1946

English guitarist, singer, songwriter, and former member of Pink Floyd, as well as a successful solo artist, the incomparable David Gilmour was born in Cambridge.

12

March

1946

Oscar-winning American singer and actress, Liza Minelli was born in Los Angeles, California.

1

April

1946

English bass player, singer, songwriter and founder of rock bands the Small Faces and the Faces, Ronnie Lane (1946-1997, 51) was born in Plaistow, Essex.

4

April

1946

English guitarist and member of pop/glam rock band Slade, Dave Hill was born in Holbeton, Devon.

16

May

1946

One of the great experimental English guitarists of our time and member of progressive rock band King Crimson, Robert Fripp was born in Wimborne Minster, Dorset.

26

May

1946

Great English rock guitarist and close companion of David Bowie, Mick Ronson (1946-1993, 46) was born in Kingston upon Hull.

7

June

1946

Welsh guitarist and co-founder of progressive/psychedelic rock band Man, Micky Jones (1946-2010, 63) born in Merthyr Tydfil.

15

June

1946

English guitarist and singer with glam pop/rock group Slade, Noddy Holder MBE was born in Walsall, Staffordshire.

6

August

1946

Extraordinarily talented English virtuoso fusion/rock guitarist Allan Holdsworth (1946-2017, 70) was born in Bradford.

23

August

1946

Influential and eccentric English drummer and member of rock band The Who, Keith Moon, was born in Wembley, Middlesex.

5

September

1946

Flamboyant English singer with rock/pop band Queen, Freddie Mercury (real name Farrokh Bulsara) was born in Stone Town in the Sultanate of Zanzibar (now Tanzania).

14

October

1946

English singer, songwriter and guitarist with rock band The Moody Blues, Justin Hayward was born in Swindon, Wiltshire.

29

October

1946

Highly acclaimed and influential English guitarist and co-founder of blues/rock band Fleetwood Mac, Peter Green was born in London.

5

November

1946

American country rock guitarist with The Byrds, Gram Parsons (1946-1973, 26) was born in Winter Haven, Florida.

17

November

1946

Great English guitarist, best known as a long-term member of rock band Jethro Tull, Martin Barre was born in Birmingham.

20

November

1946

Legendary American guitarist and co-founder of the Allman Brothers Band, nicknamed ‘Skydog’, Duane Allman (1946-1971, 24) was born in Nashville, Tennessee.

22

November

1946

Jamaican bass guitarist and producer who played with reggae bands Bob Marley & The Wailers and The Upsetters, Aston ‘Family Man’ Barrett was born in Kingston.

24

December

1946

Dutch progressive rock and jazz fusion guitarist best known for his work with rock band Focus, as well as a long solo career, Jan Akkerman was born in Amsterdam, Netherlands.

30

December

1946

Influential American singer, poet and activist, part of the vibrant New York punk movement, Patti Smith was born in Chicago, Illinois.

1947

American session guitarist and collaborator, best known for his work with Steely Dan, Elliott Randall was born (exact date not known).

8

January

1947

A true legend, English singer, songwriter, occasional guitarist and actor, the one and only David Bowie (1947-2016, 69) was born in London.

22

January

1947

English punk pioneer, the manager of New York Dolls and the Sex Pistols, as well as a solo music artist, Malcolm McLaren was born in London.

30

January

1947

English ‘mod’ guitarist with rock bands Small Faces and Humble Pie, Steve Marriott (1947-1991, 44) was born in London.

3

February

1947

English guitarist, singer and songwriter who, along with his older brother Ray, provided the driving force behind pop/rock band The Kinks, Dave Davies was born in London.

14

February

1947

American multi-genre singer, songwriter and guitarist, Tim Buckley (1947-1975, 28) was born in Washington D.C.

15

March

1947

American musician, composer, songwriter and phenomenal slide guitarist, Ry Cooder was born in Los Angeles, California.

25

March

1947

Flamboyant multi-award-winning English pop singer, songwriter and pianist, Sir Elton John CBE was born in Pinner, Middlesex.

8

April

1947

Great English guitarist, songwriter and producer best known as a long-time member of progressive rock group Yes, Steve Howe was born in London.

1

June

1947

English guitarist with rock band The Rolling Stones and previously the Faces and the Jeff Beck Group, Ronnie Wood was born in Hillingdon, Middlesex.

5

June

1947

American guitarist, singer, co-founder of funk band Sly And The Family Stone, and now a Christian pastor, Freddie Stone was born in Vallejo, California.

9

June

1947

English guitarist and long-time member of rock band Uriah Heep, Mick Box was born in Walthamstow, East London.

12

July

1947

Influential English guitarist, singer, songwriter and former member of pub rock band Dr. Feelgood, Wilko Johnson was born in Canvey Island, Essex.

19

July

1947

Award-winning English guitarist, astrophysicist, animal rights activist and co-founder of rock/pop band Queen, Dr. Brian May CBE was born in Hampton, Middlesex.

20

July

1947

Highly acclaimed Mexican/American guitarist, songwriter and main man for Latin/jazz/fusion/rock group Santana, Carlos Santana was born in Autlán de Navarro, Jalisco.

3

September

1947

Northern Irish blues/rock guitarist and founder of rock group Thin Lizzy, Eric Bell was born in Dublin.

30

September

1947

Massively influential English glam rock pioneer Marc Bolan of Tyrannosaurus Rex and then T.Rex (1947-1977, 29) was born in London.

1

October

1947

English bass guitarist, singer and founding member of rock band Wishbone Ash, Martin Turner was born in Torquay, Devon.

8

November

1947

English guitarist, singer, songwriter and former member of pop/rock bands The Move, Electric Light Orchestra (ELO) and Wizzard, Roy Wood was born in Birmingham.

10

November

1947

English bass guitarist, singer and songwriter, famous for his work with progressive rock bands King Crimson and ELP, as well as a successful solo artist, Greg Lake (1947-2016, 69) was born in Poole, Dorset.

10

November

1947

American guitarist best known for working with the original Alice Cooper band, Glen Buxton (1947-1997, 49) was born in Akron, Ohio.

12

November

1947

American guitarist with rock band Blue Öyster Cult since its formation in 1967, Buck Dharma (a.k.a. David Roeser) was born in Long Island, New York.

20

November

1947

Great American guitarist, singer, songwriter, solo artist and member of country rock band Eagles, Joe Walsh was born in Wichita, Kansas.

8

December

1947

American guitarist, singer, songwriter and co-founder of the Allman Brothers Band, Gregg Allman (1947-2017, 69) was born in Nashville, Tennessee.

21

December

1947

Highly influential Spanish virtuoso Flamenco guitarist, Paco de Lucíá (1947-2014, 66) was born in Cadiz.

12

January

1948

English jazz fusion guitarist supreme and long-term member of progressive rock band Soft Machine, John Etheridge was born in London.

15

January

1948

American singer and frontman of Southern rock band Lynyrd Skynyrd, the great Ronnie Van Zant was born in Jacksonville, Florida.

2

February

1948

American guitarist, songwriter, producer and ex-member of funk band Earth Wind & Fire, Al McKay was born in New Orleans, Louisiana.

4

February

1948

Theatrical American rock singer, songwriter, actor and presenter, Alice Cooper was born in Detroit, Michigan.

19

February

1948

English rock guitarist with Black Sabbath and the ‘Godfather of Heavy Metal’, Tony Iommi was born in Birmingham.

2

March

1948

Legendary Irish blues/rock guitarist, singer and songwriter Rory Gallagher (1948-1995, 47) was born in Ballyshannon, County Donegal.

2

March

1948

American jazz fusion guitarist, composer and prolific multi‑genre session musician, the great Larry Carlton was born in Torrance, California.

4

March

1948

Renowned English bass guitarist and co-founder of progressive rock band Yes, Chris Squire (1948-2015, 67) was born in London.

6

April

1948

Talented English multi-genre guitarist and composer, Gordon Giltrap was born in Brenchley, Kent.

30

April

1948

American guitarist, singer, songwriter, producer, composer and co-founder of rock band MC5, Wayne Kramer was born in Detroit, Michigan.

15

May

1948

Pioneering experimental English composer, producer, musician and founding member of glam rock band Roxy Music, Brian Eno was born in Melton, Suffolk.

18

June

1948

Columbia Records began mass producing the 33RPM long‑playing (LP) record. The original concept of the vinyl ‘album’ has endured and has undergone a retro revival in the digital age.

19

June

1948

Highly respected English singer, songwriter and guitarist, Nick Drake (1948-1974, 26) was born in Rangoon, Burma (now Myanmar).

20

June

1948

Scottish bass guitarist and founding member of 1970s pop group, The Bay City Rollers, Alan Longmuir (1948-2018, 70) was born in Edinburgh.

22

June

1948

American singer, songwriter, guitarist and producer, solo artist and founding member of progressive rock band Utopia, Todd Rundgren was born in Philadelphia, Pennsylvania.

17

July

1948

American guitarist and songwriter with Iggy Pop and the Stooges, Ron Asheton (1948-2009, 60) was born in Washington D.C.

2

August

1948

Welsh singer, songwriter, guitarist and founding member of rock band Amen Corner, Andy Fairweather Low was born in Ystrad Mynach.

24

August

1948

French electronic composer, instrumentalist and producer, Jean-Michel Jarre was born in Lyon.

31

August

1948

German rhythm guitarist, songwriter and founder of hard rock band Scorpions, Rudolf Schenker was born in Hildesheim.

11

September

1948

Hugely influential and innovative British singer, songwriter and guitarist, John Martyn (1948-2009, 60) was born in London.

8

October

1948

Pioneering American punk rock guitarist and songwriter with the Ramones, Johnny Ramone (1948-2004, 56) was born in New York.

12

October

1948

English guitarist and long-term member of rock band Status Quo, Rick Parfitt (1948-2016, 68) was born in Woking, Surrey. ‏

6

November

1948

American guitarist, singer, songwriter, actor and founding member of country rock band Eagles, Glenn Frey (1948-2016, 67) was born in Detroit, Michigan.

3

December

1948

English singer, songwriter, TV personality and member of heavy metal rock band Black Sabbath, nicknamed ‘The Prince of Darkness’, Ozzy Osbourne was born in Birmingham.

13

December

1948

American guitarist, best known for his work with Steely Dan, The Doobie Brothers and Spirit, Jeff ‘Skunk’ Baxter was born in Washington D.C.

13

December

1948

Controversial American singer, songwriter and guitarist, known for his ultra-conservative political views, the ‘Motor City Madman’, Ted Nugent was born in Redford, Michigan.

18

December

1948

English guitarist, singer, songwriter and producer best known for his work with experimental rock band Be-Bop Deluxe, Bill Nelson was born in Wakefield, Yorkshire.

22

December

1948

American guitarist, singer and songwriter with rock band Cheap Trick, Rick Nielsen was born in Elmhurst, Illinois.

17

January

1949

English guitarist and former member of blues/rock bands John Mayall’s Bluesbreakers and The Rolling Stones, Mick Taylor was born in Welwyn Garden City.

19

January

1949

English pop/rock singer and songwriter and member of rock bands Vinegar Joe and the Power Station, Robert Palmer was born in Batley, Yorkshire.

7

February

1949

English bass guitarist and founding member of pop/rock band Status Quo, Alan Lancaster was born in London.

31

March

1949

Record company, RCA Victor released their first 45RPM 7″ single, ‘Texarkana Baby’ by Eddy Arnold… on green vinyl.

3

April

1949

English guitarist, singer, songwriter, solo artist and former member of folk rock band Fairport Convention, Richard Thompson was born in London.

4

May

1949

Scottish guitarist, best known for his work with The Sensational Alex Harvey Band in the 1970s, Zal Cleminson was born in Glasgow.

17

May

1949

English guitarist, singer, composer and founder of progressive rock band Camel, Andrew Latimer was born in Guildford, Surrey.

19

May

1949

American bass guitarist and long-term member of southern blues/rock band ZZ Top, Dusty Hill was born in Dallas, Texas.

29

May

1949

English singer, songwriter and guitarist with rock/pop band Status Quo, Francis Rossi OBE was born in London.

17

July

1949

Great English bass guitarist with heavy metal rock band Black Sabbath, Terence ‘Geezer’ Butler was born in Aston, Birmingham.

12

August

1949

British guitarist, singer, songwriter, producer, composer and co-founder of rock band Dire Straits, Mark Knopfler OBE was born in Glasgow.

20

August

1949

Irish bass guitarist, singer, songwriter and founding member of rock group Thin Lizzy, Phil Lynott, (1949-1986, 36) was born in West Bromwich, Staffordshire, England.

25

August

1949

Israeli/American bass guitarist, singer, actor, businessman and co-founder of rock band KISS, Gene Simmons, nicknamed ‘The Demon’ was born in Tirat Carmel, Haifa, Israel.

28

August

1949

English guitarist, singer, songwriter and ex-member of punk rock pioneers, The Stranglers from 1974-1990, Hugh Cornwell was born in London.

5

September

1949

English guitarist with rock bands Colosseum, Humble Pie and a successful solo artist, Clem Clempson was born in Tamworth, Staffordshire.

14

September

1949

American guitarist with southern rock band Lynyrd Skynyrd, Steve Gaines (1949-1977, 28) was born in Seneca, Missouri.

14

September

1949

American guitarist and bass guitarist with southern rock band Lynyrd Skynyrd, Ed King (1949-2018, 68) was born in Glendale, California.

23

September

1949

American living legend that is ‘The Boss’, Mr. Bruce Springsteen was born in Long Branch, New Jersey.

3

October

1949

American guitarist, singer and songwriter primarily with rock band Fleetwood Mac and now solo, Lindsey Buckingham was born in Palo Alto, California.

8

November

1949

American blues, rock, Americana roots and with a hint of country guitarist, singer, songwriter and activist, Bonnie Raitt was born in Burbank, California.

6

December

1949

American blues/folk guitarist and singer, Lead Belly (Huddie William Ledbetter) died of motor neurone disease in New York at the age of 61.

7

December

1949

Prolific and hugely influential American singer, songwriter, composer and actor, Tom Waits was born in Pomona, California.

13

December

1949

American singer, songwriter and guitarist with alternative post-punk rock band Television, Tom Verlaine was born in Denville, New Jersey.

16

December

1949

American guitarist, singer and songwriter with blues/rock band ZZ Top and solo artist, Billy F. Gibbons was born in Houston, Texas.

23

December

1949

American guitarist and singer with a long solo career and known for his work with British progressive rock band King Crimson and a host of others including Frank Zappa, David Bowie and Talking Heads, Adrian Belew was born in Covington, Kentucky.

Tailpiece

Well, that’s it for another month – that is a veritable roll call of rock ‘n’ roll, all packed into just 10 years. The thing that struck me most about this article is the overwhelming focus on America and Britain as the drivers for musical change in the 20th Century. Today, we readily accept a much more diverse, global infusion of styles and influences. One can pontificate that it had to start somewhere and these two countries largely made it happen bilaterally; maybe not exclusively but certainly predominantly. Unsurprisingly, perhaps given the period, it is also male dominated.

Just how quickly we proceed from here depends entirely on the volume of the content. At this rate, we could be at this for a while yet. I didn’t realise when I started, what a colossal exercise it was going to be. However, I have found it fascinating to focus on musical evolution through this lens and I hope that you have found something of interest along the way. Maybe the Forties were not a great deal of interest to you, they were certainly before my time. We will get around to other periods that may motivate your attention span in a different way, I promise… eventually.

We are now well past the chronological midway point but we haven’t yet reached half way in terms of content. The massive upsurge of musical events that took place over the latter part of the 20th Century has still to unfold fully, raising the anticipation of plenty more to come… and, boy, is there plenty more! The ambitious effort to bring an interrelated bunch of musical factoids to life within the context of the broader human condition continues unabated. I hope you will join me on the rest of the journey, hopefully reconvening here‑ish next month. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Material things feed the vanity of the ego, while music nourishes the spirit and sustains the soul.”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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April 2019 – The Story of Modern Music in 1,500+ Facts – Part II

Introduction

Hello and welcome back to the second part of what is turning out to be CRAVE Guitars’ magnum opus for this year. You can revisit Part I by clicking on the link below (it will open in new browser tab):

After posting Part I in March 2019, I realised that the intended approach wasn’t going to work as I’d originally intended, especially as the series would progress. The idea for this year was to present each section in two parts, i) a short narrative setting the general historical context through global political, technological and economic events of the time, and ii) the list of music facts covering the same period. That worked well enough for the first article, which briefly covered 250 years (1650 to 1900) as a precursor to ‘modern’ musical times (from 1900 onwards).

Now… after a bit of reflection, this posed a few problems once we get into the 20th and 21st Centuries, as the number of facts and the historical context expanded in quantity and complexity. Not only this, there was a noticeable disconnect between the context and the musical facts that seemed to leave a hole in the story. While not a huge problem, I wasn’t happy with the result. The course of events needed something additional not only to make the story more coherent but also to become more interesting.

So, as it’s ‘early doors’ in the project, I decided to revisit the deferred piece of research that I was going to publish this year. This brainwave enabled me to adapt that other idea and to combine it with the historical context and musical facts. It isn’t quite what I was thinking of but I reckon it will work quite well. This extensive new piece of work involved documenting the development of relevant musical genres that took place over the same time period as the rest. This move, however, will negate the original idea I had for 2019. Oh well, never mind.

Unfortunately for me, this presented another issue which was to undertake the background work needed for it to make sense and this was on top of the other elements I was already working on. If that was the end of the story, that would be enough. However, it also meant that the length of each section would then not only become too long but also too ‘chunky’. The answer to that is to split the sections into decades, each comprising three parts – historical context, musical genre developments and music facts. That’s where we are this month.

As music is an art not a science, the approach is, to some extent, necessarily arbitrary. In an attempt to avoid repetition, each genre is only covered in the first period when it became popular. As you might expect, history, genres, artists and time periods are not always neatly organised, so there is often overlap and a degree of ‘fuzziness’ around the edges. I hope, however, that the structure is relatively easy to follow and makes some kind of sense.

As previously mentioned, this is not a detailed, comprehensive academic exercise. It is purely for entertainment and each snippet of information barely scratches the tip of the proverbial iceberg. If you want to know more, I’m afraid you’ll have to go and explore where it takes you for yourself.

Finally, before we get started with this month’s part of musical history, I also have to say that the starting point of the series is from the perspective of the guitar and guitar music. If you are reading this, then you probably already appreciate that anyway, however, it does need to be said. This means that, while other aspects of music are covered, it will have a definite and obvious guitar bias. As the author, that’s my prerogative and I’m not apologising for that. Anyway, I hope you enjoy this part of the story because this is where things begin to get enthralling.

The Story of Modern Music Part II  – 1900-1919

Musical Context

This is the new bit of the story added to cement the whole together, so a quick recap is needed.

Popular music of the early 1900s was very different from the predominantly highly structured classical music genres that preceded it. Starting around 1870, the catalyst for the emergent modern styles led to a seemingly miraculous eruption of musical innovation, creativity and experimentation during the 20th Century that was unlike anything that preceded it and probably unlike anything we will see again, at least in our lifetimes. Blues, jazz, gospel and folk were becoming particularly prominent and relevant in the western world.

In order to appreciate where modern music of the 20th Century began, we need to take a brief look at the origins that began to appear in the late 19th Century, even though they were still not necessarily prominent at the turn of the millennium. In these sections it is important to recognise that musical genres did not appear from nothing and neither did they disappear overnight. In addition, many musical genres endured and morphed over decades and many have seen periodical revivals. The categorisation of music into decades for the sake of this article is simply a convenient device to provide a frame of reference within which the ‘facts’ can be readily accommodated. Similarly, genre boundaries and musical styles emanating from particular geographical territories should be seen as fluid and constantly cross‑pollinating, and should not, therefore, be taken as definitive. Where appropriate, relevant notes will be included. Nothing in music, it seems, is simple or straightforward.

1870s

The Blues, or ‘the devil’s music’ is a major musical genre that originated in the Deep South of the United States such as Mississippi, Louisiana and southern Texas from around the 1870s and spread widely across the country changing its style as its popularity increased. Blues really came to prominence at the beginning of the 20th Century. The basis of the blues came predominantly from African American music and traditional African music, as well as European traditional folk music. The genre can be recognised often by repeating chord progressions and commonly a 12‑bar structure. The word ‘blues’ is largely attributed to melancholy, sad or depressed mental states and is often associated with trials and tribulations of post‑slavery black oppression. The development of the blues included work songs, spiritual songs, chants, and ballads. Around 1902, African American musician WC Handy, often called ‘the father of the blues’, heard blues music being played at a railway station and set about promoting the genre through early recordings. Some of the early practitioners of blues include Charlie Patton, Blind Blake, Blind Lemon Jefferson, Mississippi John Hurt, Son House, Robert Johnson, Big Bill Broonzy and Lead Belly, along with many others. Blues music has been highly influential over the last 150 years and its lasting effects can be found widely in jazz as well as later musical genres such as rhythm & blues, rock ‘n’ roll and rock music. Blues has also spawned many sub‑genres including Delta blues, country blues, Piedmont blues, hill country blues, West Coast blues, electric Chicago blues, Texas blues and blues rock.

1890s

While orchestral music remained popular up to the end of the 19th Century, a new breed of music was attracting listeners’ attention. Ragtime emanated from the African American communities of urban cities including St. Louis in Missouri around 1895-1897. Ragtime takes the traditional march musical style that had been made popular by John Philip Sousa and was often played by African American bands. Ragtime incorporated ‘ragged’ syncopated rhythms often reminiscent of polyrhythmic African music. Ragtime became a massively popular form of dance music up to around 1919. Ragtime, along with blues music largely influenced and evolved into Jazz from about 1917. Dance crazes inspired by ragtime became popular with contemporary audiences of the time including the shimmy, the turkey trot, the buzzard lope, the chicken scratch, the monkey glide, and the bunny hug. Predominantly white audiences first encountered the new craze at popular vaudeville shows, with artists soon migrating to the music clubs. Scott Joplin, Joseph Lamb and James Scott are known as the ‘big three’ ragtime composers of their time.

Right, now things are back on track, let’s get going with the early part of the 20th Century.

The 1900s

The 1900s was a decade that heralded not only intense hope for a new millennium but also further leaps of scientific and technological progress.

 Historical Context 1900-1909

1900

Work on the famous New York subway from City Hall to the Bronx began.

1901

The first Nobel Prizes are awarded in Stockholm, Sweden in the fields of physics, chemistry, medicine, literature, and peace.

The Commonwealth of Australia was created.

Hubert Cecil Booth made the world’s first commercial vacuum cleaner.

King Gillette and William Nickerson founded the American Safety Razor Company.

After 63 years on the throne, British monarch Queen Victoria died and was succeeded by King Edward VII.

The first 2000‑mile transatlantic radio message from England to Newfoundland was sent by Italian electrical engineer Guglielmo Marconi.

1902

The Flatiron Building in Manhattan, New York became the world’s tallest at 20 stories and 205 feet tall.

1903

The first powered flight was made by brothers Orville and Wilbur Wright using the first heavier than air powered airplane, the Wright Flyer.

American industrialist and founder of the Ford Motor Company, Henry Ford started mass production of motor cars in America.

The first baseball World Series was held.

1905

Albert Einstein published his ‘Special Theory of Relativity’ proposing the relationship between space and time.

1906

A massive 7.9 (estimated) magnitude earthquake struck California, killing 3,000 people and destroying 80% of San Francisco. The Britain suffragette movement began, aiming to give women the vote.

The first Grand Prix motor race took place at Le Mans in France.

1908

Lord Baden‑Powell founded the Boy Scouts and Girl Guides movement.

The headquarters of the Singer Manufacturing Company in Manhattan reached 47 stories and 612 feet tall.

The American agency, the FBI (Federal Bureau of Investigation) was formed.

Ford introduced the massively popular Model T motor car, which sold for $850.

1909

Explorers Robert Peary and Matthew Henson claim to be the first people to reach the North Pole.

Musical Genre Development 1900-1909

Blues music was beginning to spread from the rural areas of the American Deep South and varieties such as hill blues and country blues reflected the social culture of their regional origins. Church music was also prominent in the American Bible belt, as was Anglo‑American folk music with immigrants influencing home grown styles.

Although classical music began to be overtaken rapidly by more modern forms, opera became particularly popular in the early 20th Century and sustained interest until about 1960.

Jazz music, often termed ‘America’s classical music’, is another major musical genre starting from around 1900. Early forms of jazz musical expression emerged mainly from the American south and particularly around the city of New Orleans in Louisiana, often referred to as Dixieland. Jazz stemmed from existing blues, ragtime and European military band music, all of which were popular in the late 19th Century. Musician Buddy Bolden is widely recognised for fusing blues and ragtime to form the basis of jazz. Partly because of these origins, early jazz music was principally performed by African American musicians. Jazz is characterized by ‘swing’ and ‘blue’ notes, call and response patterns, polyrhythmic arrangements and extensive improvisation. Jazz rapidly diversified with forms such as ‘honky‑tonk’, ‘boogie woogie’ and simple jug band music. The main surge in the popularity of jazz music occurred after WWI and particularly from 1920 onwards, known widely as ‘the Jazz Age’. The growth of the jazz craze soon spread to dance halls and speakeasies as well as ubiquitous marching bands. Music and dancing became a significant part of popular jazz culture, including the cakewalk, the black bottom, the Charleston, the lindy hop and the jitterbug. The introduction of recording technology and wireless radio also gave much broader exposure to the exciting new musical genre. Popular jazz artists included Jelly Roll Morton, Louis Armstrong, Bessie Smith and Fats Waller, as well as big band orchestras led by the likes of Duke Ellington, and Count Basie. Jazz rapidly diversified including forms such as Kansas City jazz, gypsy jazz, bebop, cool jazz, free jazz and fusion. Jazz and its many different styles remained hugely popular up to the 1940s and its legacy heavily influenced the proliferation of other musical genres from the early 1950s.

Musical Facts 1901-1909

DayMonthYearMusic Fact
4August1901Legendary American jazz trumpet player, singer and composer, Louis ‘Satchmo’ Armstrong was born in New Orleans, Louisiana.
21March1902Legendary and influential blues guitarist, singer and songwriter, Son House (1902-1988, 86) was born in Lyon, Mississippi.
9June1902Influential delta blues guitarist and singer Skip James (1902-1969, 67) was born in Bentonia, Mississippi.
10October1902American luthier Orville Gibson founded The Gibson Mandolin-Guitar Manufacturing Co. Ltd in Kalamazoo, Michigan, now better known as manufacturer of Gibson guitars.
26June1903American blues singer, songwriter and guitarist, Big Bill Broonzy (1903-1958, 65) was born in Jefferson County, Arkansas.
1March1904American big-band trombone player, arranger, composer, and bandleader Glenn Miller was born in Clarinda, Iowa.
21August1904American jazz pianist, organist, bandleader, and composer Count Basie was born in Red Bank, New Jersey.
19November1905American jazz trombone player, composer, conductor and bandleader, the ‘Sentimental Gentleman of Swing’ Tommy Dorsey was born in Shenandoah, Pennsylvania.
12January1906American country blues singer and guitarist Mississippi Fred McDowell (1906-1972, 66) was born in Rossville, Tennessee.
12November1906American delta blues guitarist and singer Booker T. Washington ‘Bukka’ White (1906 or 1909-1977, 67 or 70) was born between Aberdeen and Houston, Mississippi.
2December1906The inventor of the long playing microgroove record (a.k.a. the LP) for Columbia Records, Peter Carl Goldmark was born in Budapest, Hungary.
29September1907American guitarist, singer, songwriter, actor, rodeo performer and businessman, ‘the singing cowboy’ Gene Autry (1907-1998, 91) was born in Tioga, Texas
26January1908Amazing French virtuoso jazz violinist, known as ‘the grandfather of jazz violinists’ Stéphane Grappelli was born in Paris.
30May1909American jazz clarinet player and bandleader, the ‘King of Swing’, Benny Goodman was born in Chicago, Illinois.
10August1909One of the most significant figures in guitar music history and business, Clarence Leonidas ‘Leo’ Fender (1909-1991, 81) was born in Anaheim, California.
10October1909American businessman, president of guitar manufacturer Gibson and mentor to luthier Paul Reed Smith, the formidable Theodore ‘Ted’ McCarty (1909-2002, 91) was born in Somerset, Kentucky.

The 1910s

The 1910s was a tumultuous decade and one that would leave the world on a watershed, with positive and negative implications for the ones that would follow.

 Historical Context 1910-1919

1911

Norwegian explorer, Roald Amundsen became the first person to reach the South Pole.

The Chinese Revolution led to the formation of the republic of China.

The first Indianapolis 500 motor race took place at Indianapolis Motor Speedway in Indiana.

1912

The so‑called unsinkable ocean liner, the RMS Titanic sank on its maiden transatlantic voyage from Southampton to New York after striking an iceberg, killing over 1,500 passengers and crew.

1913

The first crossword puzzle was published in a Sunday newspaper, the New York World.

1914

The Panama Canal in Central America opened, connecting the Atlantic and Pacific Oceans.

The First World War (WWI) started between Germany/Austria and Britain/France/Russia, which lasted until 1918.

1915

A German torpedo sank the British ocean liner Lusitania off the Irish coast, killing nearly 1,200 people.

1916

Albert Einstein published his ‘General Theory of Relativity’ proposing a unified description of gravitation as a geometric property of space and time.

1917

The Russian Bolshevik Revolution took place, led by Vladimir Lenin and Leon Trotsky.

America joined WWI on the side of the Allies.

1918

The British Royal Air Force was founded.

Women over the age of 30 were given the vote in Britain.

A deadly influenza pandemic infected c.500 million people around the world and resulted in the deaths of 50 to 100 million, equivalent to 3-5% of the global population.

The armistice between the Allies and Germany ended WWI. Approximately 17 million people were killed during the conflict.

1919

The infamous Chicago Black Sox baseball match fixing scandal, when 8 members of the White Sox were accused of intentionally losing the World Series to Cincinnati for money from a gambling syndicate.

The Grand Canyon National Park in Arizona was created.

After WWI, the League of Nations was established, intended to ensure world peace, lasting until it was abandoned in 1946.

Musical Genre Development 1910-1919

By 1910, blues music was migrating into urban areas and would have a major influence on all forms of music. Jazz particularly New Orleans Jazz maintained its popularity during the 1910s. Religion was of great solace to the oppressed black communities of southern USA and unaccompanied singing of spirituals grew in popularity, eventually morphing into gospel by the 1930s. Social development in America and particularly Europe during the 1910s was heavily impacted by World War I. In the absence of technological music distribution, the ‘new’ music from the previous decade continued to spread and it maintained its influence during the 1910s. As a consequence, no major genre styles appeared before the boom period of the post‑war ‘roaring twenties’. Recordings of Afro‑Caribbean calypso music began to appear in the 1910s, which proved not only popular but also influential.

Musical Facts 1910-1919

DayMonthYearMusic Fact
23January1910Belgian/French virtuoso gypsy jazz guitarist, Django Reinhardt (1910-1953, 43) was born in Liberchies, Pont‑à‑Celles, Belgium.
28May1910Influential American blues guitarist, singer and songwriter T-Bone Walker (1910-1975, 64) was born in Linden, Texas.
10June1910Legendary blues American guitarist and singer Howlin’ Wolf (real name, Chester Burnett) (1910-1976, 65) was born in White Station, Mississippi.
8May1911Legendary American blues guitarist, singer and songwriter, Robert Johnson (1911-1938, 27) was born in Hazlehurst, Mississippi.
5November1911American singer, guitarist and popular Western film actor, known as the ‘King of the Cowboys’ Roy Rogers (1911‑1998, 86) was born in Cincinnati, Ohio.
15March1912American country blues singer, songwriter and guitar legend, Sam ‘Lightnin’ Hopkins (may be 1911 or 1912‑1982, 69) was born in Centreville, Texas.
14July1912Legendary and influential American folk singer, songwriter and guitarist, Woody Guthrie (1912‑1967, 55) was born in Okemah, Oklahoma.
4April1913Legendary American Chicago blues guitarist, Muddy Waters a.k.a. McKinley Morganfield, (1913-1983, 70) was born in Issaquena County, Mississippi.
7August1913American pioneer of the 7-string jazz guitar, long before its current popularity in modern rock music, George Van Eps (1913-1998, 85) was born in Plainfield, New Jersey.
22November1913Famous English classical composer, conductor and pianist Benjamin Britten was born in Lowestoft, Suffolk.
20March1915Influential American gospel singer, songwriter and guitarist, Sister Rosetta Tharpe (1915-1973, 58) was born in Cotton Plant, Arkansas.
7April1915Legendary American singer Billie Holiday was born in Philadelphia, Pennsylvania, She is widely recognised as one of the greatest jazz singers of all time.
9June1915True American guitar legend and musical innovator, the incomparable Les Paul, a.k.a. Lester William Polsfuss (1915-2009, 84) was born in Waukesha, Wisconsin.
1July1915Influential American blues singer, songwriter, upright bass player and guitarist, Willie Dixon (1915-1992, 75) was born in Vicksburg, Mississippi.
29July1916Highly influential American jazz guitarist, Charlie Christian (1916-1942, 25) was born in Bonham, Texas.
12March1917American record producer and co-founder of Chess Records in Chicago, famous for pioneering blues and rock ‘n’ roll artists, Leonard Chess was born in Motal, Poland.
7June1917American singer, actor, comedian, and producer Dean Martin was born in Steubenville, Ohio.
22August1917Massively influential American blues guitarist, singer and songwriter, an all-time great music man, John Lee Hooker (1917-2001, 83) was born in Tutwiler, Tallahatchie County, Mississippi.
30September1917Legendary American jazz drummer and band leader Buddy Rich was born in Brooklyn, New York.
21October1917American jazz trumpeter, bandleader, composer, and singer Dizzie Gillespie was born in Cheraw, South Carolina.
17November1917Influential American country singer, songwriter and guitarist, Merle Travis (1917-1983, 65) was born in Rosewood, Kentucky.
27January1918American blues guitarist, the ‘king of the slide guitar’, Elmore James (1918-1963, 45) was born in Richland, Mississippi.
25April1918Renowned American jazz singer, known as the ‘First Lady of Song’ and the ‘Queen of Jazz’, Ella Fitzgerald was born in Newport News, Virginia.
19August1918Pioneering American luthier, Orville H. Gibson, founder of Gibson guitars, died in a New York hospital at the age of 62.

Tailpiece

OK, there you have it for this month’s article and we’ve only covered two decades! But, what influential decades they were. Things are just starting to hot up and there is still plenty to look forward to over coming months. Music and world events begin to get even more complicated and quite exciting from here on in. I’m not sure how many months this series will last, so we’ll just have to take things as they come.

In the background, the repatriation project is ongoing at an intentionally slow pace with about 3‑4 guitars a month attracting some much deserved tender loving care and attention. Also, the ‘most wanted’ vintage gear hunt is still underway but with no desperate urgency, as there is plenty else to be getting on with. Also, the postponed and much‑needed cellar renovation (i.e. future guitar accommodation) may begin to get underway by mid‑year. So, lots of fun and games to be had if at all possible. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Intelligence is not about what you know or how much you know but about having the curiosity to ask ‘why?’”

© 2019 CRAVE Guitars – Love Vintage Guitars.

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November 2018 – A Potted History of the Guitar: Epilogue

Hello again. Just when you thought it was safe to go back into the studio, on stage or rehearsal room… some closure is required.

As before. if you wish to recap on any or all of the previous articles before starting here at the end, the whole ‘Potted History of the Guitar’ series, can be accessed here (each part opens in a new browser tab):

Note: For completists, I’ve updated Part VII (September 2018) to include some empirical data over the last decade to fill out the ‘recovery and rejuvenation’ section. It isn’t vital by any means. Just sayin’.

It was only after I completed the mammoth task of researching and documenting the history of the guitar, that I had another thought. All eight parts were written from scratch with little idea of where it would all end up. At the end of the 8th (and what I thought at the time was the final) part in the series, I mentioned that it had ended with “a bit more of a whimper than some almighty bang”.

After all the effort invested in telling the guitar’s epic journey, I felt a tad disappointed that something was missing but I wasn’t sure what it was. Even though the narrative needed to have a line drawn under it at some point, it wasn’t perhaps up to me to determine the last remaining thoughts about the topic.

As is my wont, and if you’ve read any of my articles before, you’ll know that I tend to have a lot of wonts, I thought about what might be a fitting coda to the outstanding ‘unfinished business’. That ‘missing link’ turned out to be something that isn’t actually part of the historical timeline or anything that I could add myself, but something else altogether.

Whereas the first eight parts were in my own words, I felt that it would benefit from, and indeed deserved, some independently derived anecdotes from some highly respected sources. So… I had this genius (!?) epiphany that I would select some imparted wisdom from people who have made a living either playing or being in the influential presence of the mighty guitar.

While working on social media over the last four years, I have compiled and posted many interesting quotes from musicians. Of the many hundreds of apt and often motivational quotes, quite a number of them make reference to the guitar in one way or another. It seems therefore appropriate to share them in order to give a sense of closure to the guitar’s long story. While I am not alone in my admiration for the instrument, I felt that readers shouldn’t just take my word (or many words as it turned out) for declaring the importance of the humble guitar within the context of music and cultural history. As a result, I will leave it to the professionals to have their say on the subject as they see it from their own perspective. You may recognise some of the names along the way, ranging from ‘Dimebag’ Darrell Abbott to Frank Zappa – a veritable and literal A‑Z of guitar wisdom over the years.

What follows are some of my favourite guitar quotes for your consideration. You may well have others that complement these and which may add something to the overall picture. All in all, I think that they provide the appropriate concluding element that I was unwittingly looking for, bringing a bit of subjective coherency to the factual chronology.

So, from the horse’s mouth of music royalty, so to speak, take the opportunity to internalise what they say into your psyche. You never know, you may end up being a better guitarist (and perhaps a more rounded human being) by taking heed of a thing or two from the masters of their trade. After all, they can say it better – and way more succinctly – than I can, so perhaps it is best left to them to articulate the remainder of this article. Are you sitting comfortably?

Musicians’ quotes about the guitar

Just to mix it up a bit, the quotes are listed in alphabetical order of the quote, rather than by the artist. There are also quite a few pictures this month, so to save repetition, where an artist has more than one quote, their picture only appears next the first one. Enjoy…

A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I’m very brutal on my instruments, but not all the time – Eddie Van Halen (1955-)

A guitar is like an old friend that is there with me – BB King (1925-2015)

A guitar is something you can hold and love and it’s never going to bug you. But here’s the secret about the guitar – it’s defiant. It will never let you conquer it. The more you get involved with it, the more you realize how little you know – Les Paul (1915-2009)

Ah, I could make it in the shape of a guitar, and it would a) be more affordable, and b) a guitar player could double on this instrument – Leo Fender (1909-1991)

As far as I’m concerned, I’m just a guitar player, and my job is to go out there and play and entertain and do my thing – Les Paul (1915-2009)

Besides being a guitar player, I’m a big fan of the guitar. I love that damn instrument – Steve Vai (1960-)

Describing certain sounds, there’s a common language that guitar players have – Joe Perry (1950-)

Doesn’t matter what guitar you play, as long as you’ve got passion! – Eric Johnson (1954-)

Every time you pick up your guitar to play, play as if it’s the last time – Eric Clapton (1945-)

Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off – Jeff Beck (1944-)

For me, I think the only danger is being too much in love with guitar playing. The music is the most important thing, and the guitar is only the instrument – Jerry Garcia (1942-1995)

Guitar is the best form of self-expression I know. Everything else, and I’m just sort of tripping around, trying to figure my way through life – Slash (1965-)

Guitar playing is both extremely easy for me and extremely difficult for me at the same time – Kirk Hammett (1962-)

Guitars are fun. There are plenty of different kinds to play. They look cool. They sound cool. Don’t you want to play guitar? – Joe Satriani (1956-)

Guitars have been the obsession of my life. I first picked one up at the age of four and I’ve been a guitar junkie ever since – Johnny Marr (1963-)

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it – Jimmy Page (1944-)

I can’t even read notes. But I can teach someone how to make a guitar smoke – Ace Frehley (1951-)

I don’t know of a guitar player that has only one guitar. They’re never happy with one. I’m never happy with just one of them. I woke up and ended up with six, even if you can only play one at a time! – Les Paul (1915-2009)

I don’t play a lot of fancy guitar. I don’t want to play it. The kind of guitar I want to play is mean, mean licks – John Lee Hooker (1912-2001)

I don’t want you to play me a riff that’s going to impress Joe Satriani; give me a riff that makes a kid want to go out and buy a guitar and learn to play – Ozzy Osbourne (1948-)

I had no aspirations to be a musician, but I picked up a guitar for two seconds and haven’t put it down since – Slash (1965-)

I just go where the guitar takes me – Angus Young (1955-)

I loved playing the guitar and I knew I was pretty good at it, so that’s what I wanted to do with my life – Ace Frehley (1951-)

I never felt so close to a guitar as that silver one with mirrors that I used on stage all the time – Syd Barrett (1946-2006)

I never stop being amazed by all the different ways of playing the guitar and making it deliver a message – Les Paul (1915-2009)

I never wanted to sing. I just wanted to play rhythm guitar – hide in the back and just play – Kurt Cobain (1967-1994)

I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing – Joe Satriani (1956-)

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living – Bonnie Raitt (1949-)

I tried to make guitars that were close to what my heroes played. That’s the way it’s done. My experience is that you have to do it like a musician. You have to learn the language before you can learn to be a novelist – Paul Reed Smith (1956-)

I want every girl in the world to pick up a guitar and start screaming – Courtney Love (1964-)

I wanted to connect my guitar to human emotions – BB King (1925-2015)

I wonder if I could make an electric bass – Leo Fender (1909-1991)

I’m just a guitarist in a kick-ass rock and roll band. What more could I ask for? – Eddie Van Halen (1955-)

I’ve had three wives and three guitars. I still play the guitars – Andres Segovia (1893-1987)

If ever there’s an obscene noise to be made on an instrument, it’s going to come out of a guitar… Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it… The disgusting stink of a too‑loud electric guitar: now that’s my idea of good time – Frank Zappa (1940-1993)

If something is easy to repair, it is easy to construct – Leo Fender (1909-1991)

If you don’t know the blues… there’s no point in picking up the guitar and playing rock and roll or any other form of popular music – Keith Richards (1943-)

Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart – Andres Segovia (1893-1987)

My guitar is not a thing. It is an extension of myself. It is who I am – Joan Jett (1958‑)

My guitar was a loyal person to me – Dave Mustaine (1961-)

Nothing is more beautiful than a guitar, except, possibly two – Frédéric Chopin (1810-1849)

Playing guitar was one of my childhood hobbies, and I had played a little at school and at camp. My parents would drag me out to perform for my family, like all parents do, but it was a hobby – nothing more – Bonnie Raitt (1949-)

Running my hands really fast up and down the fretboard… I mean, anybody can do that. It’s the Guitar Olympics, and I can’t think of anything more pointless – The Edge (1961-)

Sometimes the nicest thing to do with a guitar is just look at it – Thom Yorke (1968-)

That’s all I wanted to do as a kid. Play a guitar properly and jump around. But too many people got in the way – Syd Barrett (1946-2006)

The guitar has a kind of grit and excitement possessed by nothing else – Brian May (1947-)

The guitar is a small orchestra. It is polyphonic. Every string is a different colour, a different voice – Andres Segovia (1893-1987)

The guitar is just a wonderful instrument. It’s everything: a bartender, a psychiatrist, a housewife. It’s everything, but it’s elusive – Les Paul (1915-2009)

The guitar is a wonderful instrument which is understood by few – Franz Schubert (1797-1827)

The guitar is the coolest instrument in the world – Steve Vai (1960-)

The guitar is the easiest instrument to play and the hardest to play well – Andres Segovia (1893-1987)

The guitar is your first wings. It’s assigned and designed to unfold your vision and imagination – Carlos Santana (1947-)

The guitar was my weapon, my shield to hide behind – Brian May (1947-)

The media says that equality for women has arrived, but if you look around, you still don’t see girls playing guitars and having success with it – Joan Jett (1958-)

The most important part of my religion is to play guitar – Lou Reed (1942-2013)

The time I burned my guitar it was like a sacrifice. You sacrifice the things you love. I love my guitar – Jimi Hendrix (1942-1970)

The violin is my mistress, but the guitar is my master – Niccolò Paganini (1782-1840)

There’s something about approaching universal truths with the simplicity of the acoustic guitar. You can take it anywhere, and it helps me reach listeners of all ages and walks of life – Jim Croce (1943-1973)

To me a guitar is kind of like a woman. You don’t know why you like em but you do – Waylon Jennings (1937-2002)

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism, bordering on insanity – Richard Thompson (1949-)

When the intellectual part of guitar playing overrides the spiritual, you don’t get to extreme heights – John Frusciante (1970-)

When you find yourself in the deepest rut you’ve ever known, don’t ever forget how f*ckin’ good the guitar sounds – ‘Dimebag’ Darrell Abbot (1966-2004)

When you just get mixed up and there’s too much going on, then it’s time to pick up your guitar – Les Paul (1915-2009)

When you think about where guitar playing is going today… it’s going everywhere at the same time – Joe Satriani (1956-)

With my Les Paul, I know I’m small. But I enjoy living anyway – Marc Bolan (1947-1977)

Why did they keep changing guitars and amplifiers when they were perfect? They did the same things with cars, if you ask me. They forgot how to make them right, because they focused on style and bells and whistles – Buddy Guy (1936-)

Your sound is in your hands as much as anything. It is the way you pick and the way you hold the guitar, more than it is the amp or guitar you use – Stevie Ray Vaughan (1954-1990)

Conclusion

Well, there you go. A fascinating summary of the world in which the guitar exists from the real experts. Do I have a favourite quote from among that lot? Nope. How could one pick a single truism out and exclude the remainder? I think that the collective intelligence from these esteemed contributors is what makes the overall message so powerful. Given Fender’s 2018 research that suggests that half of all new guitarists in the U.S. and UK are women, perhaps in the future, it would be good to feature more memorable quotes from prominent female guitarists.

When you think that what they say relates to what is essentially just a bit of wood, metal and plastic (in most cases), the guitar truly stands out as something special. At its most basic, the guitar is an artefact that doesn’t do anything of and by itself, it requires a symbiotic attachment to the person playing it to make it work its magic. It hangs on a strap or sits on your lap and converts the emotional core of the musician’s expression into fantastic guitar music that has touched just about everyone on the planet and has become a global phenomenon like no other.

Whether from musicians or not and regardless of whether there is any profound insight or not, what people will say about the guitar in the future, one can only imagine. Whatever is divulged, ‘the guitar’ will undoubtedly be a topic that will be widely debated for as long as people pick up the instrument and play music on it.

What more can one possibly add? Well… you may have noticed that at the bottom of every monthly article is a ‘CRAVE Guitars’ Quote of the Month’. This is my own way of teasing some mental curiosity as a parting shot. So, while my humble ‘thoughts of the day’ are possibly not worthy of being considered in the company of the hallowed artists quoted above, below is my modest addition to the canon, just where it usually is, at the end of my regular monthly rant. The eagle‑eyed reader may actually recognise it because it appears at the bottom of every CRAVE Guitars’ web page and on all CRAVE Guitars’ related social media profiles. I admit that, when writing this epilogue, I tried to come up with something clever but the attempts were, unsurprisingly, contrived and derivative. So, I went back to where it all began and what I felt deeply when I founded CRAVE (Cool & Rare American Vintage Electric) Guitars over 10 years ago. I looked at it again and realised that it remains a heartfelt and very personal belief, so I reckon it fits the bill as a nice little sign‑off. Nuff said.

Now that really is, possibly, maybe, probably, perhaps the last‑ish part of ‘A Potted History of the Guitar’. Honest. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Love Vintage Guitars. Music matters. Create. Play. Be inspired! Share the passion… Change lives for good”

CRAVE Guitars

© 2018 CRAVE Guitars – Love Vintage Guitars.

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February 2017 – Favourite Guitarists And Why

posted in: Observations, Opinion | 0

This month, I’m continuing with a list-like feature. This isn’t laziness, it’s just about time I focused back specifically on guitars and guitarists.

Here are some of the guitarists I enjoy listening to and, linking back to my January 2017 article about why we like what we like, artists that I keep coming back to for more. If there was some sort of formula that is common to all of them, it might be expressed as:

Unique talent + quality instrument + great song writing + timing + opportunity = music history.

The first ‘variable’ above is a key ingredient… talent. Most phenomenal guitarists are instantly recognisable by their distinctive sound, which is more about the person than the instrument they play. Simply put, no-one sounds like them. Why? It comes down to individual technique. It’s the same with classical painters, each one highly recognisable for their outputs, even though the inputs are essentially the same (paint, brushes, canvas, etc.). As the late great Stevie Ray Vaughan sagely commented, “Your sound is in your hands as much as anything. It is the way you pick and the way you hold the guitar, more than it is the amp or guitar you use”. In addition to the “it’s in the hands” adage, they also often have a ‘how do they do that?’ factor that differentiates them from the hoi poloi (NB. for trivia fans, from the Greek meaning ‘the many’). For guitarists to shine there needs to be strong song writing – it doesn’t actually matter who wrote any particular track, it’s how it is interpreted that matters.

Most guitarists will own several guitars and use then for certain situations. Many top guitarists may have extensive collections, although they tend to have one instrument or model with which they are uniquely associated. Combine that stylistic talent with, perhaps, a ‘signature’ instrument and the basics are there. By ‘quality’, I simply mean ‘fit for purpose’ within this context. Using a ‘favourite’ guitar is not a prerequisite, however, it is likely that removing a physical impediment to technique (i.e. an inappropriate guitar) has liberated many players to feel, rather than think, about their playing. There is something special in the relationship between player and preferred instrument that adds a ‘secret ingredient’ that no-one else could muster from it.

Another characteristic of accomplished guitarists with longevity is that they usually have a refined sense of song writing, either on their own or as part of a band, often prolifically so. They instinctively know what people tune into, including well-honed sense of harmony, melody, tempo, etc. They also adapt their writing over time to accommodate changing listening tastes. It isn’t just about image or the axe that they wield.

There is something to be said about time period and cultural context and being in the ‘right place at the right time’. If any of these guitarists were struggling to establish a career in today’s Spotify-saturated, X‑Factor sterilised world, would they stand out and have a chance? I would wager not. Many of these greats were also pioneers who broke the mould at their time in some way – they are not generic or homogenous. Musical integrity and coherency have been shattered by our seemingly insatiable appetite for the iTunes attention deficit disorder-oriented society. It is so much harder to be genuinely innovative now, which may explain why there are so few challengers striving to not only usurp the thrones of the exalted ‘old-timers’ but also to stay there. Aspiration and ambition is just the start, achieving longevity and legendary status is another matter altogether.

Some other characteristics spring to mind, these guitarists were as sound at rhythm guitar as they are at lead lines. So many great tunes would flounder without the solid rhythm chops from great guitarists who knew how to groove in their chosen genre.

I would also argue that these guitarists are/were as great at playing live, as they are/were in the studio. On stage, there is nowhere to hide and these artists have to work very, very hard to earn and sustain credibility over many years of continuous touring.

So… to the point… at long last. As my guitarists of choice are diverse in style, genre, time period, success, etc., it was impossible to rank them from 1-20, so they are presented in alphabetical order for fairness and simplicity. I’ve indicated the instrument(s) that they are often associated with, as well as a track that, for me, acted as an entry point into their canon (not necessarily their best or most well-known track), a catalyst if you will for grabbing my aspirational attention.

1. Jeff Beck (1944-) – Where on Earth does one start with a genius like Mr Beck? Invention, reinvention, experimentation and continually challenging the boundaries of what can be done with 6 strings on a Strat. No-one comes close to decades of innovation. As soon as you think you’ve nailed his rut, he surprises by a change of direction with consummate musicianship in whatever he does. Listen: ‘Brush With The Blues’ (1999). Guitars: Fender Stratocaster, Gibson Les Paul Standard, Fender Telecaster

2. Ritchie Blackmore (1945-) – Ignoring well-documented character traits, Blackmore’s Deep Purple/Rainbow rock era featured some of the most incendiary, flamboyant and flashy lead lines, all seemingly delivered with minimal effort. Extraordinary. Credit for following his passion in traditional guitar, rather than selling out/cashing in by endlessly regurgitating ‘Smoke On The Water’ for decades. Listen: ‘Child In Time’ (1972). Guitar: Fender Stratocaster

3. Dimebag Darrell (1966-2004, 38) – Sadly, the late ‘Dimebag’ Darrell Lance Abbott was taken too young. Metal guitarists are often easily categorised without really appreciating their innate talent and abilities. Darrell was a terrific guitarist with soul and technical skill that is hugely under-appreciated both for storming southern-tinged riffs and searing lead lines with Pantera. Listen: ‘Cemetery Gates’ (1990). Guitar: Dean ML

4. Rory Gallagher (1948-1995, 47) – A unique talent not sufficiently acknowledged while he was alive, his contribution and reputation has rocketed since his demise. The modest and unassuming Gallagher had a tremendous ear for fusing blues tropes with an astounding melodic sensibility evoking his Irish roots. A great slide player too. Live, he was astounding, consumed with energy and passion that few could match. Listen: ‘Calling Card’ (1976). Guitar: Fender Stratocaster

5. Billy Gibbons (1945-) – With his roots deep in Texan blues, ‘the greatest beard in rock’ can make his axe sing with great feeling, as evidenced by early material. As part of ZZ Top, he pushed R&B boogie into the limelight with mega commercial success, thereby adding more flavours to his not inconsiderable palette. Listen: ‘Blue Jeans Blues’ (1975). Guitars: Gibson Les Paul Standard, Gretsch Billy Bo

6. Kirk Hammett (1962-) – Another metal guitarist who knows how to use a guitar in anger as a member of Metallica. Listen to his playing and there is much more than flashy thrash metal guitar work. His legacy will forever be integrated with the riff from ‘Enter Sandman’. Look beyond those few familiar notes and be rewarded. Listen: ‘Seek & Destroy’ (1983). Guitar: ESP

7. Jimi Hendrix (1942-1970, 27) – Predictable. To attempt to explain in a few words what James Marshall Hendrix unleashed on rock music during his short career would be inadequate. He was a true revolutionary and showman, imbued with massive talent and skills honed through passion, dedication and commitment. Contemporary music owes a massive debt to a true pioneer and just think what he could have achieved. Listen: ‘All Along The Watchtower’ (1968). Guitars: Fender Stratocaster, Gibson Flying V

8. Steve Hillage (1951-) – Easily overlooked because of his relatively obscure ‘hippie’ career (Gong, System 7), Hillage is a talented and individual guitarist with a very recognisable tone and style. Even in later years, which focus heavily on electronic dance grooves, guitar remains an important stylistic element. His contribution is much undervalued. Listen: ‘Hurdy Gurdy Glissando’ (1976). Guitars: Fender Stratocaster, Gibson Les Paul Standard

9. John Lee Hooker (1917-2001, 83) – Hooker was a true individualist who always played by his own rules. He is one of the most expressive and soulful bluesmen, his emotions emanating through his guitar and gravelly vocals. Yes BB may be the King but JLH was a blues Hooker at one with his delta roots. At his best just him and his guitar, rather than the sanitised reverential collaborations. Listen: ‘Crawlin’ Kingsnake’ (1991). Guitars: Epiphone Sheraton, Gibson ES-335

10. Tony Iommi (1948-) – Where would rock be without Black Sabbath. Another guitarist who ploughed a furrow that hadn’t previously been ploughed and as the ‘godfather of metal’, his influence has justly pervaded the landscape of modern hard rock and metal for decades. How much of his individual style resulted from his infamous industrial accident, we can never know. Listen: ‘Sabbath Bloody Sabbath’ (1973). Guitars: Jaydee Custom S.G. ‘Old Boy’, Gibson SG

11. John Martyn (1948-2009, 60) – Martyn started off in traditional English folk music and then something happened and he became a true experimenter using delay and other effects to create something completely new and adventurous, mostly on acoustic guitar. In addition to innovating, he also retained the heartfelt lyrical nature of his music, using guitar to complement his unique voice. Listen: ‘I’d Rather Be The Devil’ (1973).  Guitar: Martin D‑28

12. J. Mascis (1965-) – Often described as an alternative maverick, born of the New York punk era, Mascis is a genuine one-off and enduring front man of Dinosaur Jr. A bit like Neil Young on steroids. As a guitarist, he doesn’t stun with millions of notes and sterile technical ability but, boy, does he put some energy and power into his searing, laser-guided lead lines that have impressed consistently over the years. Always on the fringe. Listen: ‘Out There’ (1993). Guitar: Fender Jazzmaster

13. Brian May (1947-) – Dr. May’s melodic and harmonic brilliance will forever be remembered for his Mercury-period Queen. However, like his distinctive home‑made guitar, the astrophysicist created a unique and recognisable guitar style that pervades western culture. His MTV pop sensibilities are as strong as his earlier rock riffs. Listen: ‘Seven Seas Of Rhye’ (1974). Guitar: Brian May Red Special

14. John McLaughlin (1942-) – In terms of phenomenal ability, dexterity and skill, McLaughlin is near, if not at, the top of the tree. Not only is his speed and proficiency astounding, his genre-spanning flexibility is formidable. Describing his playing can only be achieved through hyperbole. An extraordinary guitar superman. Listen: ‘Vital Transformation’ (1971). Guitar: PRS

15. Gary Moore (1952-2011, 58) – In later years before his untimely death, Moore concentrated on the blues, joining the ranks of the few white, non-American blues legends. Go back earlier in his career and his abilities at rock and fusion show just what a great and adaptable guitarist he was. Listen: ‘Stormy Monday’ (2001). Guitars: Fender Stratocaster, Gibson Les Paul Standard

16. Tom Morello (1964-) – Probably the youngest of the guitarists to make the list. Go back to RATM’s debut album and reflect on the pounding riffs and genuinely innovative lead playing and recognise that Morello is one of those guitarists who could take the mainstream and adapt it into something no-one had heard before. Listen: ‘Bombtrack’ (1992). Guitar: ‘Arm The Homeless’ custom

17. Carlos Santana (1947-) – Renowned for his ability to sustain notes, Carlos was also a very fluid player and highly acclaimed for his feel. From his appearance at the end of the 1960s to today, he can produce an inimitable and remarkable guitar tone. He could play blindingly fast and he could also turn out achingly emotive lead lines. Listen: ‘Samba Pa Ti’ (1970). Guitar: PRS Santana

18. Jimmy Page (1944-) – Like Blackmoore, Iommi and Hammett, Page is another guitarist whose legacy may be forever associated with a single track in the consciousness of the music listening public (Stairway To Heaven). However, Zeppelin-era Page is a multi-talented guitarist. It is a shame that he hasn’t been able to shine to the same extent in his post-Zep solo career. Listen: ‘Kashmir’ (1975). Guitar: Gibson Les Paul Standard, Danelectro 3021

19. Stevie Ray Vaughan (1954-1990, 35) – SRV is another guitar phenomenon taken from us way too young. Unapologetically Texas blues to his core, he shared Hendrix’s immense ability to introduce many other styles into his playing, including jazzy influences. Another whose formidable combination of talent and relentless hard work set him apart from the crowd. Listen: ‘Tin Pan Alley’ (1999). Guitar: Fender Stratocaster

20. Neil Young (1945-) – Quite often referred to as the master of the one-note guitar solo, this underrates his ability to wring considerable emotional content from just a few well-chosen, emotionally driven and sparingly targeted tones. One thing is for sure, his distinctive tone and style has sustained his well-deserved reputation over many decades. Listen: ‘Southern Man’ (1970). Guitar: Gibson Les Paul Standard

Most of these guitarists will, perhaps, be obvious entries. However, there may be a few unexpected curve balls thrown in for good measure. Of course (don’t you just hate it when people say that!), there is a very long list of superb guitarists that didn’t make the 20 above, including the likes of George Benson, Joe Bonamassa, Eric Clapton, Robben Ford, John Frusciante, Peter Green, Steve Hackett, Allan Holdsworth, BB King, Paul Kossoff, Robby Krieger, Randy Rhoads, Mick Ronson, Joe Satriani, Slash, Steve Vai, Van Halen, Jack White, Johnny Winter, Zakk Wylde, Angus Young, Frank Zappa, etc., etc., etc. It’s virtually impossible to name them all. While I recognise their massive influence, this is my list of guitarists, not a regurgitation of anyone else’s list or a contrived list of ‘stature derived through perceived wisdom’.

There are also guitarists who aren’t listed above and who perhaps aren’t considered ‘great’ guitarists stylistically but are still notable for the instrument being an integral part of their music, e.g. Marc Bolan, Robert Smith, Thurston Moore, etc.

I also haven’t strayed into bass guitar but that’s an easy one for me, evidenced by the mercurial virtuoso skills of the incomparable, and sadly late, great Jaco Pastorius. Danny Thompson and Tal Wilkenfeld also deserve honourable mentions in this category for me.

Interestingly, 7 of the above guitarists (35%) are sadly no longer with us. Thankfully, at least 13 (65%) of them still are. I have been fortunate enough to see just over half of them play live and, of the ones I have seen, I can attest to their consummate skills. One thing I noticed when researching this article is how many of these guitarists regularly wear/wore hats when playing live (around a quarter of them). Head apparel seems a quintessential part of a guitarist’s touring equipment for many.

In terms of a ‘golden era’, many of these artists had their zenith between the late 1960s and the early 1980s. After a 10-year hiatus in the proverbial doldrums of the post-punk electronic era, there was a gradual resurgence of interest in guitar music from the 1990s that thankfully reignited a passion for the art into the 21st century. Thankfully that interest continues to flourish and diversify today, which will hopefully incentivise whole new generations of exciting new guitar heroes (genuine ones, not the ‘game’) to carve an identity for themselves.

One thing that does bother me is that there are no female guitarists on the list. This is more a reflection of historical exposure that male guitarists have had compared to female guitarists. It is not a misogynistic trait, just circumstance. There are great guitarists out there, e.g. Carrie Brownstein, Eva Cassidy, Lita Ford, Charlotte Hatherley, Kaki King, Orianthi Panagaris, Bonnie Raitt, Nancy Wilson, etc., they are just not my most listened to guitarists. There are also many girl bands, like Warpaint, Haim, Dum Dum Girls, Sleater Kinney, Smoke Fairies, etc., which is positive. Those who are familiar with my rants on the subject will know that I believe ‘girls with guitars are cool’. My view is that, as in any other streak of life, gender should not pose a barrier to success and there are some very accomplished female guitarists out there. Personally, I would dearly like to see equality and inclusion. Having said that, I don’t believe girls are actively excluded, it’s just that the prevailing environment isn’t conducive to girls seeking guitar playing as a job in the same way as there is, for instance, in orchestral classical music.

Also, as mentioned at the start, there essentially are no modern-era guitarists on the list. The most recent on the list above are from the 1990s, rather than the noughties and teenies; this is still around a quarter of a century ago now. There are many, many very talented modern-day guitarists out there but, again, they just didn’t make my list. I look forward to emerging guitarists taking up the reins. One wonders who we might admire in the future, in addition to the current greats.

What, though, really separates the greats from the very talented also-rans who also work very hard at their craft? If we all knew that, it wouldn’t be a question. Is it serendipity, happenstance, luck, contacts, situation? Perhaps the old adage that ‘it’s not what you know, it’s who you know’, plays its part.

I only wish I had a minute fraction of the ability demonstrated by the guitarists mentioned here. Sadly, I don’t have that kind of talent (despite the hard work), so I have to end up writing about them!

One thing we might learn from them is that we shouldn’t try to imitate them. By all means emulate and pay homage to them but only if you can actually do what they do better than them – try that particular strategy and see how far you get! Perhaps another lesson for stalwart gear heads is that the guitars don’t make the guitarist, mostly anyone can own a Fender Stratocaster or Gibson Les Paul but not everyone can be a SRV or Jimmy Page – guitars are simply the professional tools of the expert craftsman. However, put the two together and something very special can happen. Modern music would not be the same without the skilled practitioner and their axes of choice, creating magic for us mere plebs to wonder at and aspire to.

CRAVE Guitars ‘Music Quote of the Month’: “If music is the result of passion, passion is the music of life.”

© 2017 CRAVE Guitars – Love Vintage Guitars.

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